the best paco osuna rmx of 2009! big with: sebo k, laurent garnier says: cool tribal cuts will play in the mix. bla bla ltd 002 release done by amsterdam artist wouter de moor. wouter de moor is a very wel known en respected techno dj in the netherlands. ‘afternoon thing’ is a real festival bomb. a groovy pounding sound that makes the people go crazy! the remix is done by one of bla bla’s closest friends and techno hero, paco osuna. check it out!

played by: matthias tanzmann, pit drängler, russ gabriel, tilman ...
three parisian boys walk out the trends with their singular house music style and offer us a unique and warm mixture of singing grooves, funky percussions and crazy melodies. we are proud to release this very mature ep on salon records!

played and supported by loco dice, livio & roby, nima gorji, …
new ianus71 introducing new maverick jazzsters autre. >unheard melody<, their 1st ep, is a compelling debut. a viral swinging mix of influences coming straight out of their studio jams, this opus marks again the steady search of ianvs71 for modern and unconventional grooves. from the contagious deepness of the title track, through the latin strokes of >canoa quebrada<, the hypnotic building groove of >masquerade< to the funky subtleties of >mismo< this is infectious material for feet and minds!

since the begining of the century underground is the ibizas meeting point of clued up music lovers and best international artists who made this club an outstanding place while staying out of the commercial scene. being the home of the vinyl club recordings label events from the first days it is naturally that underground and vinyl club team up to present the new imprint. vinyl club s owner luc ringeisen and underground s soul and dj don juanito deliver 2 deep house tracks that have been tested on the best dance floors around. underground records will present the best works of the international artits crew who made ibiza underground a legend.

following closely on the heals of the wildly popular amedou et miriam >bara< 12inch, joe claussell returns with his highly anticipated the lower east pipes project, delivering an eclectic, energetic & inspiring dichotomy of party rocking efficacy & esoteric ambient exploration in this latest e.p. 12inch from sacred rhythm music. disorganized corruption combines the experimentally minded disco reverberation & percussive chaos of manhattans glory years with the funky cross-culturally minded aesthetic conveyed flawlessly by claussells productions to create an all-out party rocker

white label 12 inch on the hipster club tip. called a career making record by switch ? >somebody get pregnant< is a nasty, throbbing cut aimed straight for the club. it s a tune that s been floating around since 2008, and has everyone from mad decent (who tried to sign it) to three six mafia (who tried to buy the hook) clamouring for a piece. major lazer also featured the tune on their new essential mix for bbc radio 1. acapella and instrumental included as well. on the b-side, ninjasonik gives up a couple of cuts that won t be seeing proper release due to some sampling issues : >shoot the lazer<, a raunchy club tune that jacks the opening to a certain animated movie classic, and >daylight<, a bootie remix of the matt and kim song by the same name. rounding out the 12 inch is >stir<, a minimal dancefloor tune with stuttering, drunken style vocal takes. sweet!

alexander robotniks futuristic take of the led zeppelin classic has been unearthed from dusty vaults circa 1983. the original may be an acquired taste with its off kilter vocal delivery, however, another version takes this cover to another level dubbing out the vocals and using snippets to devastating effect. a true diamond in the rough, with its synth melodies ropping in and out of the classic riff and running riot, this is prototype electronic disco at its finest

this record is just so wooow it hurts to close the gap. it s like it says on the tin of cliches: >the definition< is giving you a concise description of where soul clap, the humorous boston-based house duo, is heading. well, not quite: more where they have arrived, actually. they have found their style. eleven out of ten! this is light years away from the sick >puppy crack< anthem that left you with wobbly legs. get ready to be completely overwhelmed as the sassy producers beamed themselves into futuristic groove heavens while staying firmly grounded on the proto 90s floor. right on!

hailing from croatia, davor is the latest talent to join the long list of matrix international artists. >transitional objects< is an amazingly epic track made in the image of the classics of techno. if you missed out on the very first convextion records on matrix in 1996, now is your chance to get what is sure to be another highly revered and sought after matrix treasure. davors >transitional objects< includes remixes by jolka, and area, and is already being played on the air and in the clubs by many of the worlds top djs. the first pressing is a limited release colored vinyl edition and will be highly sought after by collectors and fans. get yours now!

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

let me do yore starts off in tribal mode and then adds triangle and shakers to its relaxed percussive groove before shuttling off into the stratosphere where sheets of synthetic slivers dart past at lightning speed, the tracks bottom heavy pulse builds in intensity as claps and soulful voice swirls bring a delirious vibe to the proceedings. following a detroit tinged intro, a moment of truth slides into place with congas and claps helping it find its way. sizzling hi hats and a thumping kick drum deepen the groove while a funky bass line provides hip shaking accompaniment and marks the return of a house legend, who’s still at his best. soul never goes out of style, right?!

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

our favorite frankfurters miguel and arno are back with more frolicking, funky and fired up house. the boys have kept busy since their last release on kindisch, out with a bang, (which for a period was heard every weekend in clubs across europe) remixing for labels such as arearemote, below and murmur. oh, and we almost forgot to mention nurturing their label la peña, whose success can be contributed to their no nonsense attitude to releasing only merit worthy house. welcome back kindischs native sons, as they take you an inebriated four-track voyage of the utmost magnitude of rump-jiggling beats. >caña moral< contains all the things that we have grown to love einzelkind for: warm and crunchy beats and a perfected groove all following the chants of tribal vocals. this one might be a tad more pristine than what they have been known to release on their own label, but it does give proof of their ability to construct tightly woven modern beats

exclusive re release of the rare 1st album by this progressive soul jazz band featuring members of el chicles & chakachas. astounding mix of jazz attitude, blue eyed soul, prog funk, soft rock and even folky moments, including fine cover versions of love in them there hills by gamble & huff, norwegian wood and to love somebody, comes with two bonus tracks from their first boogaloo & soul beat 7inch from 1968, original album cover artwork with new liner notes, remastered 2009.

a smart mixture of warm detroit beatdown house & spaced out dub techno vibes

passion sound (inner beauty) is designed to exemplify the inner passion of an individual, while maintaining the outer crust of a chicago sound. it is well true that tevo howard found it necessary for this artistic track to make it to vinyl. he has said that the tracks elegance is the perfect potion for a bgr vinyl release. while inter tribal is slower paced, and somewhat crosses bands of what one would expect to hear from the machine drums used to create it, inter tribal as a track is also meant to even out the energy of this conceptual vinyl piece as a whole. dreamers reason is simply the title track to tevo howards first full scale album, which will be released in coming months. on this particular vinyl selection, bgr 7, a bonus mix titled, (deep reason mix), is included, whereas it will not be included on the full scale album.

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

boris ross solo ep on his own luxaflex imprint. after a series of great remixes and releases on labels like oproof (rum), stolen moments and luxaflex its now time for the solo ep! an icredibly funkie house / minimal release for all of the headnodding crew out there. build like only boris can with its funky rhythm and fast edits and chords. some hidden vocals in there for your pleasure.. i want to ask you.. uhm..

this is a limited 12inch vinyl release on kieran hebdens (four tet) text records label. 500 only for the world. two new remixes of one of the stand out tracks from the debut album by one little plane that came out last summer. the first mix is by avus who is one of the artists on james holdens border community label. a beautiful piece of melodic techno that has been getting lots of play at border community nights since late last year. the other remix is by joe goddard from hot chip. techno with a strong uk garage influence. following on from the amazing remixes he has done for everyone from gang gang dance to kraftwerk.

on august 29, 2009 around 10.000 hardcore heads gathered in and around the turbinenhallen (oberhausen, germany) for the biggest earthquake event ever! now u.h.m. presents the official vinyl sampler release for this major event in the line of the rave itself all styles are represented on this slammin 12 inch, so we re going from mainstream hardcore to raw industrial sounds.all this wicked stuff is brought by the top hardcore artists tieum (aftermatch rec.), kristof & na-goyah (coolman records), triax (the rising star of u.h.m.) and mr. sinster (the other rising star of u.h.m.) all tunes rock like crazy and will cause total mayhem on the local hardcore floors!excellent e.p. which is another u.h.m. must-have for all those hardcore boys & girls out there, time to do some speaker damaging!

diametric is a new glasgow based record label which aims to put the word underground back into electronic music and give back something special to the techno and electro community. the label is strictly vinyl only. each release will be very limited and packaged by hand to give the label a personal approach for all true underground techno heads out there that still appreciate the spirit of true techno and electro.
the first release is a dream come true project for us, as we are proud to present a 12 inch by detroit legend optic nerve aka keith tucker, part of the famous electro duo aux88. keith is recording under several monikers such as optic nerve, k-1 or alien fm since the very early nineties and has built his own unique style of electro and techno music out of detroit. the >reassimilation ep< showcases keith at his best, deep driving techno with that extra bit of funk that most of todays productions are missing. we are very sure these tracks will devastate the dancefloors.
get reassimilated!

this first vinyl release on coincidence.lmtd is the advent of a new direction that the label has taken. back to the vinyl. back to the approach where a release needs to be perfect before its sent out into the world instead of hurrying to meet monthly download deadlines. back to the essence: the music.

for sure dfr001 is a bomb plus it s hammered by dubfire, the advent, joseph capriati, joey beltram, technasia, markantonio, dj murphy, robert natus, ken ishii....
the first release features nobody else than the nice guy and techno-preacher eric sneo (masters of disaster / beatdisaster) from frankfurt, germany. after a lot of smashers on well known labels like kombination research, clr, patterns and abstract, eric is now back on driving forces recordings with a massive 2 tracker. on the a side you can find a mainstyle braincracking track called vintage force which will drive the crowd totally crazy. with a rolling beat, the sneo typical driving percussion and a wicked leading sound, this one will heat up every mainstage all over the globe. the b side features a track called coming home, a dark and evil bassmonster with a tiny percussive melo, strong enough to break down the walls of all the clubs out there. modern techno for the peaktime is what you get. it lets you forget the hype about the minimal kind of music. next to the austrian local heroes, a number of big names of the international techno circus were signed and thats why a good and diversified start of the label will be sure.

musik gewinnt freunde starts the sommer season with mgf 09, which features two young and promising producers from beautiful venice: nicola sansoni aka randomatique and kaled jabri aka kaledj, who together form cosmic cowboys. the three tracks on their dusk ep combine an airy and transcendent athmosphere with an energy that builds up chary first but then unfolds and overwhelms you. with melancholic harmonies and a whiff of dub this ep invites for (day)dreaming or loose yourself on the dancefloor. definitely a great release for deep summer nights that will catch your heart regardless of time and space. cosmic cowboys make a great extension for the mgf family and it will be worth watching out for future releases from these guys

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

nice price deal !!! nice price deal !!! new on the scene and already recognized as the future in dance music, sour grapes unique style of creating beats make their productions stand out, with essentials from traditional house, contemporary techno and other styles of music, the trio somehow always manage to find the right formula that makes dance floors around the world explode.

alexander robotniks futuristic take of the led zeppelin classic has been unearthed from dusty vaults circa 1983. the original may be an acquired taste with its off kilter vocal delivery, however, another version takes this cover to another level dubbing out the vocals and using snippets to devastating effect. a true diamond in the rough, with its synth melodies ropping in and out of the classic riff and running riot, this is prototype electronic disco at its finest

the title track is a fast paced latin breakbeat powerhouse with some string stabs and a huge grime breakdown. love & tango finds tango rhythms duking it out with breaks, cumbia thump is a laidback cumbia dub mash up and tropical flute smoothie is a sexy latin tune feat karina nistal. get it!

the latest in the sell out series - this time featuring 4 tracks. cabin fever follows up with another of radio slaves secret weapons. once again only 500 marbled vinyl copies - when they are gone, they are gone. previous cabin fevers are sold out. lookout for the next cabin fever by the romanians, then a double pack from radio slave called >i feel raw< which should not be missed

orlando riva sound (commonly abbreviated as o.r.s.) was a german group founded in 1977 by anthony monn and rainer pietsch. they released this seminal and hard to come by disco album body to body in 1978, which gets a timely reissue. the a side contains 2 of the best disco boogie tracks ever made in the shape of body to body boogie and moon boots. these versions differ from those compiled on the original ariola pressing, as they have been mixed and extended by disco legends bobby dj guttadaro and tom moulton respectively. the flipside contains another rolling deep soulful nugget sweet release (again mixed by bobby dj guttadaro), the heavy driving funk bomb disc mussorgsky, plus the sci fi freak out of dream machine. all killer no filler.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

>i m that alley< is the new single from south african shock-poppers sweat.x. it comes as they embark on their two month european tour and is a taste of their forthcoming album >187<. >i m that alley< is a departure from vocalist spoek mathambos hyper-surreal rap style, and, together with markus wormstorms finely designed production, is a modern take on the classic synthpop love song. accompanying the title track is >the knife<, a freaked peek into the world of sweat.x, a favourite of their live shows, it finally gets released here. third track on the single is a remix of >i m that alley< by new york-based mike slott. slott has been making waves with his work as one half of heralds of change and this remix is his best work to date and is already being used to close out his live set. the release also includes instrumental versions of >the knife< and >i m that alley< for maximum club efficiency!

limited repress of the sought after cult track >floatation tank<, originally released on the sampler of the planet delsin compilation back in 2005.on the flip youll find a fully re-mastered version of d5s own all time favourite personal track >intruders<. both examples hes the best in spaced out electronic music!

eighth single from fort knox fives radio free dc remixed series. side a is smalltown romeo (mike and pete from smalltown djs and wax romeo) doing production to the party pushers. side b is lars moston making an electro house banger out of killa soundboy.

new kid on the block jacob korn (dresden, germany yall!) convinced sometime somewhere in toronto with a hearty live set that took a route over hip hop, down tempo house and all kinds of funkiness until it peaked with the disco-house-craze >i like the sun (but not on leds)<. much to the delight of a present running back a&r. hands were shook and it took only 2 and a half years until the test pressing arrived. supplemented with the slow burning >selene< that really gets you the second time around, prevents the typical mistakes current deep house likes to make (at least, we think so) and is the sun gods sister, the a-side is good to go. flip the script to see prins thomas in a good temper, rolling out the red carpet with one of his tried and tested remixes. >i like the sun< piles up to 13 minutes of true diskomiks glory including drums that go on forever (bonus beats, yall!) and some eye-cue-markers for those of you who are deaf already. well, swell

so the story goes: a few years ago i played a cool underground party in stockholm with my good friend and crazy record collector mark seven. early on that night mark played me this beautiful and melancholic piece of music. mark happily handed me his spare copy and my record collection for a second felt a little more complete… originally released as a b side track to als slipshod ep on out of the loop the track continued to mesmerize whenever i played it and the fact that so many people loved it and equally as many didnt know the record i though a re release could be a great idea. its inclusion on gerd jansons recent sonar kollektiv compilation and the fact that its been played by legendary dj harvey ( o bearded one as hes known to by the initiated) has obviously helped to spread its fame to. the previously issued part 1 with the original and bogdan irkük remixes has gone down a storm with all the cool movers and shakers... oh yeah baby. now its time for the last chapter with equally mindboggling gatto fritto remix, mark sevens version and my own just plain silly rework. toodle oooo, thomas(oslo, 7th of august 2009)

essential neil young from 1975 bridging the divide between crazy horse and crosby, stills and nash mixing hard edged rock with sweet harmonies and making for one of neils most accessible albums. killer tracks include dont cry no tears, the lovely through my sails and the seminal guitar work out cortez the killer.

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions. while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way. for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well

insane electronic sounds from amplified orchestra. foto-krome is a mental and provides for classic dancefloor moments with its hard hitting drums, spaced out synths and off-the-wall vocoder effect. instrumental version is included too. cntrl alt dlt is a modern house tune with raw live bassline, mesmerizing keys and killer breaks n cuts! comes in very tastey limited yellow vinyl!

a new member to the 4lux family the talented alex agore! his productions are drenched with pumping beats, catchy riffs and funky deep grooves. to give some quick references we could say that alexs 1st twelve for 4lux is reminiscent of some of moodymann and theo parrish tunes fused with some dj sneaks uplifting spirits. 4 tracks with the syncopated collage of quiet jingling, subtle handclaps, keyboard melodies, and soul-drenched vocal samples and phat phat basslines! this will sell out even faster then the previous kez ym release on 4lux. you missed that one? don t sleep on this! essential house record.

*ltd white vinyl copies*
tube10 returns to the scene again with a release to blow your minds away. this time its the greek formation ekelon. their debut on planet mu with headhunter on mary anne hobbs evangeline had us in our grasp so much that we couldnt help ourselves then to hit them up and see what whould happen. tube10 005 is the result of this encounter and it shows ekelon flexing their crossover sound like no other. is it techno? is it dubstep? we dont know but we sure as hell love both tunes to bits!
the a side evidence - a steady tune in the ekelon sets and lots of others aswell. feel this tune filling up the speakers and rumbling up those subs we thought where lost.. a perfect blend between all that is experimental while keeping it dj friendly..flip it over for freeze land.. an chilled out tundra of techno, thats how we like to call it.. frozen subs combined with defrosted stepping vibes ensures this to be a solid first release for the ekelon boys.. and dont worry this wont be their last!

sold out - one of the title of the last year revisited by 2000 and one + kabale und liebe + lauhaus!! and another new remix by frederico grazzini

a full length album with ten times stunning and bombastic acid invented by an impressive list of madmen: ceephax, luke vibert, eod, darcangelo, kettel, jtc, db, anders ilar, chris moss acid and ardisson. all tunes are drenched in high quality acid, some come in a hybrid, melodic idm form, while others are pretty nostalgic and full of ecstacy. still another bunch of songs are rough, uncompromising and truly from the sewer. a massive compilation, far away from reality and designed for a big night of hedonistic mayhem. comes with an amazing psychedelic cover thats synthetic and organic at the same time! check it out

australias canyons (who you might recognize from their excellent releases on modular, hole in the sky, etc.) are featured for their debut release on the esteemed nyc label. fire eyes takes the a side with its deep disco house rhythms topped off with growling diva vocals, acid synths and all kinds off jungle sounds and percussion. they re definitely taking it there and it sounds huge. dancing on silk is on the flip with more female vocals, this time a lot more playful and sexy, over a warping disco beat complete with dubbed out horn solos and arpeggios. also includes the jaques renault living in the jungle mix of fire eyes that strips down the original while adding tight key stabs and dubby vox for more of a straight forward house groove

roxour is proud to present fresh music from r-04, a very talented mid 20 boy from downtown tokyo. for r 04 things started about 10 years ago when testing out his first syntheziser. from japanese fascination of composing and living game music soon he was fascinated by the magic of detroit techno. aside from that, he plays on the grand piano with that jazzy - and funkyness of an early stevie wonder. r-04s music is reflecting the city where he comes from. he says many tall inorganic buildings and night scene always inspire me. his first official release gazing at the moon is somewhere between jazz and techno. its a kind of tribute to the so called chu shu no meigetsu convention, the autumn time in japan, when no one can ignore the beauty of the big shiny full moon. also i composed this track meaning that we had better keep emotional leeway to enjoy the full moon no matter how busy we are. patrick alavis ace remix is turning the jazz and detroit techno rooted original into a deep roller.

stefan alexis aka somnabulist is a young musician from skopje, macedonia nowadays based in berlin. he is not focused only in one style of music. he experiments with different and weird sounds and dont like to limited his way of felling about music. he reaches from techno, electonica to chill out and ambient. his results you can see in the releases for global underground uk, v.i.m records greece and samuvar ltd germany.

the first release on clapper is by swiss dog dachshund. a side: patte d oie is the name of a neighborhood in dakar, senegal, where dachshund was hanging out back in the days. this track is infused with the sounds of cora, a west african guitar, and wrapped in a heavy drum-kick that fluctuates from highs to lows, creating a hypnotic bass line. b side: bread. the second track is a smoother work that keeps us going with a steady rhythm, airy yet solid like a cloud that cannot evaporate

stroboscopic artefacts 1st vinyl release is an incendiary 2 track ep. label founder lucy gives us a visionary blueprint for the future stroboscopic artefacts releases, etching out the soundtrack for an apocalyptic club scenario. out of the a-sides dark, pulsing beats and itchy baselines, a granular voice rises up. krishnamurtis rasping vocal cuts through, creating a colossal techno track. the result is a hybrid of the physical need to dance fusing with the cerebral. amid resonant piano samples and utopian 60s strings, a crystalline question emerges: why dont you change? in the middle of a hazy, overcrowded dance floor this peak-time guerrilla track hints at a moment of epiphany. on the b-side dub man walking, lucys dub-roots background collides with his techno identity. the heavy drum machine structure is injected with obsessive dubby baselines and intersected by high frequency distortion. the track floats, the elements never fully solidify, instead they surge forward becoming ever more urgent. lucy mixed and arranged dub man walking live using his faithful mackie ms 1202 to keep the texture warm in an old skool way

limited vinyl in a gatefold sleeve. la roux - the red haired one - steps up to claim her thrown as the new pop princess with the release of her debut album on polydor. with influences ranging from prince to blondie to tears to fears la roux is electro pop for the 21st century. elly jackson, the voice of la roux has a distinctive sound but sounds mature beyond her years. her dynamic combination of vulnerable emotive lyrics, snaking off kilter synths and killer hooks are fast becoming her trademark sound and continues to mark her out in a class of her own. the album features the three singles so far - the club smash quicksand, the old yet modern sounding synth pop classic in for the kill and the latest bulletproof. this is pop with a capital p.