big with luciano, karotte, angel molina, 2000 and one, dop, kiki !! incl ink & needle rmx. following the succesful debut >do the tartelet<, which received massive support from both the techno and house scene (djs like laurant ganier, claude von stroke, erol alkan), the danish label tartelet pulls another rabit out of the hat. their 2nd release is kind of an oddly beloved fellow as tartelet teams up with the danish band analogik and release their track >hov< together with a couple of remixes. analogik are well established in the danish reggae scene with their original blend of balkan, reggea, minimal and breakbeat.

are you ready to dance? no experimental only dancefloor! suburbia club, burrini & pompili are back with 4 new tracks 100% dancefloor. tourus... a real train, a little bit techno groove bomb! if you are tired you can listen, rosetta, a kind of minimal house with a killer pause. in the logo side we are back in a famous open air festival with a melodic groove, organized, an easy dreamer track! the last track is, mercedes, ohhh baby you are drink in a disco club with a fuckin bitch

five tracks in a mixture between harder tech and some industrial.. tip > funny games

special ne yo edition!!

in love with mathias kaden, giles smith, philip sherburne!! gel abril delivers the goods once again on be as one with two singles that offer a slightly different twist on gel’s output. sitting on the a side >spells of yoruba< is that kind of tune that once dropped on the floor it will make the people groove like mad. in its simplicity this tune will have dancefloor rockin to the chunky groove and the mesmerizing vocal snippet. ask the handfull of lucky ones who are already dropping it wordwide. on the b side, >marir< has a good mix of tribal groove and uptempo rhythm that gives the tracks it driving force and energy and guaratee another sure hit on the floor

nice new berlin label with nice artwork and some sweet cosmic kraut disco. original mix is by grackle (aka galaxy toobin aka smeckulator) who dropped a nice minimalish sahko kind of cut. main tracks are basicly the sweet ass remixes by unit 4 who made a long slowly building track with an electronic kraut rock/disco groove and he managed to take things higher into the comsos as the track develope... nice job! the other very nice remix is by t. keeler who made a more disco-ish affair with nice lush grooves and warm balearic sounds. hot stuff for all the lindstrom, mudd, prins thomas, quiet village fans

2008 is going to be the year that joker blows up. hes already been causing a stir with releases such as the recent anthem gully brook lane on soul jazz & last years sell out stuck in the system on earwax as well as remixes for smd i believe & roni size dont hold back (...that frankly, make the originals look weak!). its high time now for joker to unleash his finest works yet on his own brand new bristol based imprint kapsize. kapsize 001 launches with a double aside - both tracks showcase jokers insanely genius production style, a kind of melting pot of influences that take the best elements of neptunes, dirty south & west coast hip hop instrumentals - big !

breakin boss ed dmx supplies six tracks of freaked-out modular synth madness mangled through the macintosh into some weird high-velocity electrofunk. edmx is eds alias for the more hard and fast stuff, these tracks are experimental but with lots of sub-bass and high tempo beats with unusual grooves. edmx can be seen performing around the world, recently played in japan with breakin artists ceephax acid crew and also appeared this year at the bang face weekender, the bloc weekend party and will continue to play out globally throughout the summer

medias have stated recently that the number of millionaires is still rising every year... funny or scandalous? while others are sitting greedily on their fortune, one of them, kind of musically obsessed to say the least, keep to share his assets with the lucky few that will hold a part of his twelve inches serie in their hand. still getting another round of applause for the third offering that impressed quality djs from all circles (from milez benjiman to marc mac, passing by prins thomas to chateau flight), the selfmade millionaire is gaining more supporters release after release. this time, he is tributing the greatest boxer of all time and his legendary shuffle techniques in a funky boogie way with nearly 8 minutes of irresistible feelgood grooviness. many things have been said about this highly influential character, but few know that his boxing moves would have originated some freestylin’ breakdance figures. one more reason why the milionaire wanted to encourage you to do the ali...wait to flip the record to get another punch! even gave you diamonds is a restless groove that could transform an egyptian mummy into a marathon party goer with its numerous hooks, clavinet stabs and powerful catchy vocals. the tune seems to be about a guy whos really tired of his posh lady who cannot get enough of all her fancy gimmicks. would our milionaire gone autobiographical on this one? who knows...

after his airwalk/overrun 12-inch, henrik b obviously felt like dropping something more noisy and pounding. his remix of >let it drop< by dj delicious is just that. with the usual thick and somewhat trancey synth sounds always coming from the leading producers in sweden recently, it fits perfectly in any kind of driving electro set. includes john dahlback s huggotron remix

>fables and fairytales< is a deep, dark and aggressive cut of acid house from toronto-based producer murr, featuring the voice of rosina. with a vocal chorus that begs a closer listen - to the kind of bassline you’ll be humming hours after the club, this piece of lfo tech-funk brings adonis, kate bush and pal joey into the same room and melts them into one shining pitch black gem. a perfect anthem for a jamming summer night. on the b side, adam marshall stretches the loops and dubs the jazz deep into acidic house and dark techno territory.

red d (ferris park, morse) comes with his new label, we play house...repping the kind of house music we at rh dig. this first 12inch is from new producer san soda - whos understated sound mixed with the labels subtle presentation make this double debut a rather special record to behold. silly limited!! get it quick

for this fresh new ep. uto karem teams up with the very talented joseph capriati, and both of them put lot of energy to deliver this very solid work. a1. alive: is a very good tune that develops on a fantastic bassline and delivers plenty of authority, vast electronic percussion builds up during the outing and a superb breakdown makes the atmosphere go wild. huge tune 10/10 a2. insideout has a more funky feeling sound with shuffling percussion combined among wicked sampling work makes this track a great dancefloor filler. b1. fragile: is a fresh tune that marks once again the talents of mr.capriati, sharp snares, brilliant programming, makes this track irresistible to dance to. b2. little man: the track starts as an early morning tune, but then builds up on a funky twisted groove. great tune for ever kind of dancefloor

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

daedelus links up with michael johnson for the kind of happy song/sad vocals mash down which alfred darlington learnt from listening to too much brazilian music. this, however, is not bossa. drawing on bits of italian disco, twisted trance, french house and more than a smattering of early 80s english new romanticism its the kind of glorious, upliftingly sad number for which sweet indiscretions were invented. the epic nature of this song is sure to make this a daedelus anthem

its ireland hottest techno label again and the goodies they ve got prime to spurt out of the old sac are pretty tumultuous. take this outing from heretics of disko, which is label boss desy palmers floating project which here sees him working with robbie dunne aka spectrum is green on a track which first appeared as part of the hold it down magazine compilation a couple of years ago. the two new mixes come courtesy of finlands lackluster bouncing around like richochet rabbit in a disused robot dump and japans yukio taking more of an electro route with percolating percussion to arrive at some engaging oddball alien funk. a diff kind of brotha is concrete soul collectives kenny black remixed by japans katsuhiko putting the female voice through a blender studded with clicks and efx plus leeds nasty bobby, who stretches the vocals savagely over chattering groove reminiscent of psychotic robo chipmunks confronted with david camerons knackers. maximum quality again.

comes on cool green vinyl! for lovers of richie hawtin, ricardo villalobos, loco dice... the next in the hifreaks limited series comes by larsson.. smart & quirky minimal mover with a slowly developing beat. dry snares on the middle of the road + heavy sfx use . b is more in a ancient spooky & mysterious (kind of maya dance), laid back hypnotising and for sure a dancefloor dictator…. funky minimal house as you want it.

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

another killer communication from the popular people’s front sonic manifesto ! this is the second in the best selling labels limited series, reserved for their best kept secrets as always, it’s four tracks of the finest rewired funk and lost classics, tweaked and re-designed for modern dance floors. strictly limited one-off pressing, hand stamped 12 single

mark e now returns to running back for another ep of original productions. and what a return it is! staying in his lovely kind of irresistible grooves between low slung bass and rattling snares, mark delivers three tracks of pure dance floor bliss. first off, we have slave 1 with its burning slow motion build up and a hookline that will not leave your head for at least a week. the flip of the medal, sees pulse friction giving off a warm synthesizer shower for what seems like an hour. finally, the incredibly bouncy human tightens the thumbscrew and should even make the ruffy and tuffy minded happy. our dear friends dixon from shocking innervisions and gilb r from rocking versatile are already in love with it, so please do not even try to resist. e is for ecstasy!

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

stage 6 for the d classics crew...and a sure stike again. back to back re edits from nico (on his own this time), getting back to the rawest side of discofunk. a side opens it with o2 party. nico come up with a kind of mash up, taking best bits from both versions from the original 12inch pressing, fill it with advance thinking efx, and make it into a proper floor burner. cosmic disco funk of highest order we say. b side is called solutions. here we have a total re arrangement from this early 80s slice of pure disco funk, still keeping the original feelgood touch from the original, but with a real modern thinking and great use of efx and tools tweeking in the making of the re edit. if you re not dancing on these two babies... you re probably already dead.

inner thoughts is a rolling acid track with off beat snares and broken hi hats while space disco is a deep detroit esque, mid tempo slice of electronic gem. sonja moonear (karat, katapult) has added her own dimension into the release, having reworked space disco into an obscurely deep, heavily bassed broken piece of dance floor wonder. also on remix duties, lasimo (senator/germany) has taken the original from down town detroit to a parisian night club, dropping the main acid line out but manoeuvring the percussive groove and gentle pads to an altogether new kind of experience.

paris based trio antislash is back with a new strong ep. for their 3rd release on circus company john merrick, pit spector and charlie nofonk strike hard with that 4 tracker. we are the copy and paste is a perfect representation of the sound of antislash. a blender full of influence... you ll find minimal funk house on grillepain with a beautiful long and deep break. on a2, some more freaky rolling groove with and dance for you. on the b side come croc the more peak time and nervous track of the ep. right after this a beautiful moment of deepness with a kind of farben flavor in the air is coming up on b2 with cockpit. enjoy!

the ravage continues with demolition 10, the vinyl sampler! including a broad range of hardcore tracks by promo, d passion and n vitral. following up on the great impression of the tablet promo continues his story telling vibe with a brand new track. the b side contains tracks by two artists which are definitely carved out of the hardest of ttm wood. self made is a perfect example of the typical hardcore sound by d passion. recognizable and at all times party minded! the darkest experiments from this collection of demolition beats come from n vitral and his defliction production, complicated at first but ever so driving in a hard industrial tech kind of way.

g&d unreleased remixes of the killers - read my mind and faithless - a kind of piece tracks!!!

after the smasher make your own kind of music this new single will remember you on dancing summer nights! package with the incredible pumping phonjaxxs remember remix and the floating didier sinclair in the wave remix. mathieu bouthier & muttonheads are already up on their way to establish their position of one of the new generation of french artists.

by now dazzle drums and nite grooves are old friends. this being their 5th release on the label, the beat goes on and carries us with it. gypsyman turns out an organic bent out of shape (we didnt say warped!), percussive, almost dubby, instrumental delight. this is one of the definite moods one would hear at say, the shelter. its got that kind of clubby rhythmic organic vibe. call it what you will, we call it hot. tokyo deep that follows is a more upbeat instrumental full of synth moog sounds and overflowing washes. very car chase or early 80s stalk you cinema, catch the drama while you can!

bitches brew are back with their next wild installment - purple somersault. if the previous release was filed under country dub tronica, this release is psychedelic surf cosmic disco. kind of like link wray wipes out with giorgio moroder. an interesting and rather beautiful concept, in fact the whole wild rumpus story is rather interesting and beautiful. two pioneers of forward thinking music, but from very different backgrounds combine to make the kind of music you simply cant ignore but at the same time cant quite put your finger on.

the spanish dj fernano lopez produces an alternative electro track using home innovative music sounds for this kind of sound

big with: minilogue, dj yellow, luca morris, gregor tresher, davis&may,.. arcobaleni, thats the massive debut single of the talented italian boy spada. hypnotizing bells, sweet melodies and bassline fuse together warmly to create the kind of emotional maripoza stuff everybody loves. as special guest mixer, zakko, who was heavy played by james holden and gregor tresher with his >for her< masterpiece,was in studio to do a deep and melodic interpretation to enjoy…also teatro a devotionful producer created with another point of view for the song a dark, groovy and atmospheric walk

supported by john digweed, pawas, jeff samuel, adam kroll, dubnitzky, monoroom, h.o.s.h., mollono.bass, elektrodrei, jakob seidensticker&lexgold !! and again the ostwind-crew presents new artists on their limited series. on the a-side we have the up comming artists daniel solar (known from his excellent remix-work for marc depulse s “kein kind von traurigkeit” on ostwind013) with his production partner marc poppcke aka solar & poppcke. they deliver a stunnig melancholic journey between electrofied techhouse and neo-trance with some neo-pop influences. on the b-side we welcome roberto rodriguez, known from his projects “future beat investigators”, “bermuda” or “track n field” for labels like laka, raw fusion, sonar kollektiv, frisbee tracks and nine2five to name a few. he comes with a great soulful detroit influenced melodic techhouse biggie to save special moments on the dancefloor. all in all a very nice package with two sentimentally ear candys in a very high production quality !!

when i first started making the drum on my mpc it sounded like a battle of drums i then added some stabs from the machines, trying to make it sound like the oldschool chicago tracks. this track is all about editing, drum programming and of course the inimitable tap repeat touch that only the mpc can generate. the end result is ninted house, a pure floor killer for all you real house heads. the clash is not a reference to the band but i felt the track goes well with ninted house it has the same mpc groove. stabs and hip hop sampled voices that remind us of those kind of tracks, where editing and sound mixing are more important than the musical elements. its that breadth in house music that i love. enjoy those two floor killers and dance ur ass off! franck roger

mr. fuerstenberg is back on the mojuba sublabel. this time with a musically kind of repentance! this two-tracker convinces by mr. fuerstenbergs capability of making his very own and always reliable way through the worlds of techno and dub. on the a-side we have a bouncing peak-time track, that will shake the floor! and the flipside comes along as a delightful and reflective tune for the more relaxed times in life!.

dont you ever get is the fourth collaboration between kenny and gregory this year and this one is one of a kind. the club mix has strong live instruments, killer chorus and meaningful lyrics. also, kings of deep provide us with a killer soulful remix which is gonna heat up some serious dancelfoors!!! and, for the first time dj tekin collaborates with label boss on a deeeeep dub which will surely hang on for long!!! sounds like another hit song for gregory del piero and kenny bobien...

terry lee brown jr. – one of the most frequent names in plastic city labels history has convinced his audience and critics by always being different while remaining a unique character of the housy upper class. he succeeded changing topics and following the rule of never producing just one kind of music. the latest release at plastic city comes with a special announcement: terrys next album is in the pipe and this is an exclusive preview on the next chapter of delightful entertainment. the 12inch proves again terrys status as one of the few who are able to reinvent themselves everyday!

incl jeff samuel rmx !! spinned by 2000 and one, chopstick, tom clark, woody, xpansul, karotte, laurent garnier, tom mangan. deeop (grzegorz demianczuk) and ketiov (wojciech taranczuk) aka 3 channels released their very first record on trenton back in june 2005. since then they became quite busy and after touring the world and releasing other kind of music on labels such as crosstown rebel, trapez and with their side house project catz & dogz, mobilee or dirtybirds they are now back on trenton with label boss reynold for a dirty and funky track called >macho lato<!!! polish housy beats and french electro chordy textures makes this track the perfect european cross-over and will fire up every womens panties where ever you are on this crazy planet!!! ist macho time and its lato fever . to complete this almost perfect record, a very very hot remix from our friend and respectable artist jeff samuel!

with >less talking, more dancing< on the a-side of this release he presents an absolute club monster for all those who want to find out, how deep a slide control can actually be slid - minimal disco deep house crossover for the peak! together with alexander p.j. geiger (aka nass) he is riding a bass line that pushes you inevitably towards the dance floor. with >the end of the world< jake conjures up his very own doomsday scenario. deichkind and jake, a cooperation that creates the kind of future hip-hop that has made his live sets so unique

the west flanders connections, the label owned byfred hush is up for its 3rd release, presenting partner noseda. the first track is called >x-or track< and presents kind of a music storm coming up where old school housey techno impresses with percussion layers. a fat bass bounces towards a very uplifting peak-time break. better get ready for its massive sound! the track was already compiled for a >10 days off< promo cd sampler. after huge response they decided to press the track on vinyl. flipside has >click clack<, a very deep electronic music dj–tool track, beginning in silence but the further you go the more party you get.

although berlin based dj woody has long been a member of the gigolo crew, having the honor to play at some legendary gigolo nights, this is woodys first solo release for gigolo. and what a fine entry onto the gigolo-scene it is: sure to get people in the know talking... and dancing! woody is the original sonic funkateer whose life is completely focussed on music and his very own definition of funk. hes a genuine kind of a guy, needing nothing more than two turntables, a mixer and an audience to know hes alive. for him djing and making music is not just a job, its his destiny. just one listen to a track like august and you know how much painstaking attention to detail, and love, has been poured into the production of these tracks. august is a cerebral sounding track that will lift you to another level. a version of august is featured on the double cd 10 years anniversary compilation gigolos cd 10 (gigolo210) selected by gigolo boss hell. booty bar is another pumping and raunchy tune thats guaranteed to get that ass shakin. its and slammin beats and funky, almost jazzy, synths licks plus the sexy vocal samples gives this number a succinctly gigolo feel to it. with songs like this, its no wonder that woody is one of the most respected german djs on the international scene

this is the second release on erol alkan and dan staceys phantasy sound label, after the debut release - la priests >engine<. this limited 12inch is debut single from primary 1 aka joe flory, who makes the kind of sleazy electronic pop that will have pharrell looking over his shoulder. crammed full of punchy guitar riffs, heavy kick drums and with distinctive falsetto vocals - this is 21st century disco for the ipod generation, a fresh and unique take on a classic sound, also includes remixes from future french talent in the shape of yuksek and the shoes, yukseks effort is aimed squarely at the dancefloor jugular, whereas the shoes have gone for a more understated punk funk approach - all cowbells and throwback synths, plus a handy yuksek dub is included for those of you who prefer less vocals

limited to 200 copies!! old-school italo flavoured electro with huge dancefloor appeal. reminiscent of klein & mbo and exactly the kind of stuff you can imagine getting banged at the box by ron hardy and caned by the hotmix 5 on chicagos airwaves in the early 80s.

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

played by karotte , reynold... style of eye has delivered one of the most creative dirtybird releases to date. this is a totally fresh sound coming straight out of stockholm, sweden. >the big kazoo< is an epic tech-funk masterpiece that achieves ultimate ass shaking glory while also innovating at the same time. yes, in the past dirtybird has brought you animals, fart noises, bass blips, and strange breakdowns and now a kazoo??? well, all we have to say is that the big kazoo goes a step beyond any gimmicks and brings you the real shit. the beat is solid driving funk just how we like it and the track is destined to be a dirtybird classic. the b-side >hide< aint no slouch either. it mixes in really well with anything you got with congos or any kind of latin shuffle. but hide also has a really hot techno element that makes it very versatile. the beat is rock solid with a strong syncopated pattern and cool synth dropouts that will even bring the socialites and wallflowers to life. check it

ltd warehouse found! an excellent three tracker from the well known artist andomat3000 (cadenza / platzhirsch). he keeps the perfect balance with adding the warm groovy house feelings and the freaky sounds he stands for! kind of his typical dippy style flavour with a bit of that minimalism tech house sound…. wicked! >vertical smile< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic voice that can be used as perfect warm tool for any dance floor. >cicl?< has an old school touch in a futuristic production and gives you real power and more than enough matters to shake and rock the dancefloor. >hominid< is an modern crazy effective techno track, nice percussion, small cuts and a deep base…frickl wickl

deep influenced and darker hypnotizing minimal techno with a nice booty shakin groove. danton eeprom, as part of the new generation of french producers, has several times demonstrated his high ability to refresh the existing styles and give them his deep mark, as in >all i can say< (freak n chic 23) and >confessions of a english opium eater< (infine 06)

the original mix of tape replay is nearly nine minutes long and can only be described as a journey. its the perfect transition track, able to turn minimal sets into future disco, a house set into electro-funk, a techno set into a live jam-a-thon or a rigid set of any kind (like too many these days) into something with emotional depth. for remix duties we have enlisted our favorite producers will saul & tam cooper from simple records. much like their tech-house revision of phoniques bang, recently released on dessous, here on fresh meat they have put together a subtle yet bassy response to the wow & flutter original. the track builds and builds and at about three fourths through it explodes with lush keys, rich pads and a breakdown thats executed perfectly. these gents are on point and we are more than excited to have them along for the trip.

croatian electronica label home made present zarkoffs second solo project, the >acid sun ep<. blazing across the floor with the kind of electro panache we have come to expect from the likes of i-f, passarani, ectomorph and co