here is the debut release from the first lady of the balearic sound nancy noise. her influence on the ibizan sound cannot be understated and, for those who know, nancys place in eivissas musical heritage is carved into es vedra. if you re not aware, it s to be expected nancy isnt one for creating a fuss about what she does or where she fits in. for nancy, its always been about the music. about the vibe. about being moved and taken to a place and time through sound.

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

overmono return to xl recordings with their second ep in march 2017. arla ii is the follow up to last year s debut arla ep and further crystallizes the duo s immense & innovative sound. this latest 6-tracker from ed & tom russell (known respectively for their solo tessela and truss projects) carries things forward from its predecessor in underscoring overmono as a fully formed & ongoing project. . nstead of searching for commonalities between their earlier individual work, overmono combines the russells artistic talents in order to reach the spaces between ambient, techno & uk hardcore dynamics that few current acts are capable of reaching. born of the brothers collective creative impulse and staking out its own defined place in the contemporary landscape of electronic music, overmono are firmly amongst those pushing the form into new and exciting places. all of this is now also being explored in a live setting. having made their debut at krakow s experimental electronic music festival, unsound in october 2016, overmono will be performing a number of live and dj dates throughout 2017.

the pampa, filled with enigmatic lines and geoglyphs known as nazca, gives name to this record label. nazca records was created to collect the music that viracochas (beings of other worlds), shared with the ancient nazca people, known for their love for music, dance and nature. these recordings represent the music that was once played in another time and that will be played again in the future…they are the memories of the future. a1. v i v i d & etchar – pertinacity (original mix) b1. v i v i d & etchar – pertinacity (lum in the jungle remix) each vinyl and recording tells a story of the memories from each ceremony that took place in the pampa colorada, from music that was played, and of the figures and lines that the nazcas used to show their gratitude to the viracochas. this first vinyl recording pertinacity, originally by v i v i d and etchar and the remix of one of the most famous viracochas remembered, lum. ... 180gr pressing

this album, originally released in 1984, was a super-hit throughout thailand. originally released on cassette, plus a few vinyl copies for radio play, this 1984 sensation is available again! we all know thailand is a place where magic happens, and somet imes its a place where dreams comet rue.

late last year music for dreams released the digital album -debut- by bongo entp. this passion project from veteran studio session player jacob andersen brought us an unexpectedly fresh take on south american music traditions. on this new vinyl release, the project is both revisited and expanded upon. cherry picking some of the grooviest cuts from the album for this ep, we also get remix treatments from well sourced collaborators selvagem & carrot green. both hailing from brazil, these producers certainly know how to work latin percussion on a dancefloor. taking on the dreamy cover version of henri mancini’s classic -lujón- (original included too), carrot green ups the tempo and wrangles the elements of the original into something completely different. adding a house kick and dark acid undertones, he takes you on a wet trip with lots of twists and turns. the production duo of selvagem manage something similar with one of the looser bongo entp. jams. the original -foto feita do aviaõ is a jazzy scat sinaalong tune. in selvagem’s hands, it turns into an epic cosmic disco groover, locked into place by a muscular baseline. the vocal chants of the original are here, but used in a lower key and more sparingly to punctuate the bounce of the rhythm. the vinyl includes two other album highlights - the cafe del mar classic -el rey de pollo- , a santana-style chill-out affair featuring mikkel nordsø of bombay hotel fame and finally the moody -spanish winter- with its robotic reggae-like groove and syrup-thick synthesizers bubbling in a bittersweet fashion. a superb package.

music, cover and all creation comes from the woods of sweden. a place called studio cosmos. this is the home of marcus henriksson aka minilogue, son kite, nobody home. a place situated far away from modern cities and neighbours. it is here these frequencies comes from.

it is a big temptation - whilst striving to place oneself on the map - to favour and repeat established structures and norms in order to gain fortune, fame and power. to cripple a work of art under pressure of commercial success and to trade the uniqueness of a creative spark for an egoistic idea means using a calculating mind to overrule art and emotions. but this pulse of an artist is not his mind but his heart with which he exposes his energy and vibration through frequencies. for this reason there is only one way which retains the creation in its innocent spontaneous form in order to stay true to its inspirational core. the path of resistance! (johannes heil)

unknown label rises from the need to move away from the conventional music industry and to find a place where the music speaks for itself, where artists can go beyond their limits and fully express their potential. our aim is to constantly better ourselves by the continuous experimentation in the deeper side of music, delivering to you something new, real and unfiltered like a diamond in the rough. second release from nektar agu (inwave/fa>ie) with two class remixes from jerome.c and groovesh.

it’s the forgotten place. lying between the mountains of northwest tunisia and the algerian border, the bargou valley and the village named after it lie isolated, away from the world. it’s poor, barren country, but standing apart, bargou has developed its own culture that had never been documented until nidhal yahyaoui began the task. born in the valley, he grew up hearing his parents and family sing the songs that belong to the region, and he was determined that the music and traditions shouldn’t slip away into obscurity. with targ, the album he’s made with his band bargou 08, yahyaoui has perfectly fused the past and the present to place bargou on the map.
the 180 gram vinyl comes in a gatefold sleeve with download code included.

voilaaa is one of the many projects led and produced by bruno “patchworks” hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.
this time exploring the wide spectrum of the african and tropical disco scene, he received a massive international support for voilaaa’s first album, on te l’avait dit, released late 2015 on favorite recordings. with a second effort already planned for spring 2017, voilaaa has not finished to feed international dancefloors with heavy afro-disco vibes.
here comes the first single from voilaaa’s upcoming second efforts, made of 3 new killer tunes featuring doctor lass, sir jean, and pat kalla.

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

due to unbelievable high prices on discogs. state of flow records is proud to announce the repress of its first label release from the french based trio lye (loquace and yamen & eda) – no substitute ep. the vinyl went sold out two years ago in less than a week. the ep release presents french based lye with two amazing tracks. true to their style, >no substitute< has a groovy tone, trippy vocals and a rolling baseline set to get any dance floor moving. >true rawmance< kicks it up with a more authentic, original house feeling full of solid percussion grooves. the dreamy pads and soothing vocals place you in a moment in time.

efficient space continues to expose australias esoteric musical history with oz waves - a collection of 80s diy recordings, compiled by odd wave anthropologist steele bonus. definitive proof that inhabitants of the down underground were links in a global network of creative kooks, oz waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. through overseas mail order exchanges, anonymous groups like zerox dreamflesh could find place on belgian compilations, while chris and cosey lullabied their son to sleep with irena xero and her interdisciplinary art collective zip. bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. m squared affiliates prod join the extraterrestrial software seduction, he dark ages minimal wave neglect and the irreverent cut ups of the horse hes sick and mk ultra & the assassins of light. the remaining tracks have been sourced from musicians private archives and are being officially released on oz waves for the first time - andy rantzens industrial dub itch-e & scratch-e precursor, the buoyant vocal-drone of ironing music and moral fibro, sydneys short lived answer to weekend and marine girls. with detailed track by track notes, lines are drawn to severed heads, scattered order and other

vinyl only , leaving unwarranted hype to others - the london/manchester based imprint ‘reflektion/tapes’ are not messing around when it comes to their remarkably promising debut vinyl. catalogued as ‘rtapes001’, it features a collaboration of von d with mizz beats and mr lager respectively.

night visions is a collection of stories which dance alive over an infectious blend of afro-latin rhythms and contemporary dancefloor beats. told by a variety of characters, drawn from the vibrant imagination of chico mann, these stories take place in an endless night, where we move through dimly lit clubs, jungle moonlight, pitch black desert plains, and the internal shadows of personal darkness. while the characters often stumble and search blindly in the dark, the persistent presence of a distant light provides an underlying direction and hopefulness to all the songs. captain planet s production, informed by his regular crowd-moving dj sets, keeps the album sounding effortlessly danceable & contemporary. meanwhile, chicos vocals have an instant classic appeal, hinting at old cuban rumba and vintage afrobeat lps. the two are aided by guest vocals from regular collaborators kendra morris & brit manor, as well as some talented friends who contributed additional horns, guitar & marimba

stepping up for its landmark tenth release is label honcho juan sanchez, who drops four slices of heavy techno funk. over the course of nine releases, format records have established itself as a very credible source for quality techno. its tenth release again perfectly captures that frisky format sound.
first up is serpent, a mid-tempo and bass-laden belter that’s followed by the darker, minimal-tinged qualia. a different place merges detroit-esque elements with tones of european techno, after which things close with no-beatsall-fx stubborn synth.
the tenth format release is a perfect snapshot of the label’s signature sound, while paving the way for many more good things to come.

the moment the track between pounds its first kick, you can t help but be immediately sucked in by doc sleeps ear for sophisticated, minimal, beautifully engineered sounds. between is a track that stays on its groove while soft gorgeous pads pass over you like waves, it s the perfect time for patrons of a dingy basement dance floor to connect in the dark. lastly, ampere is a track that lays out a solid techno soundscape that is mixed up at the listeners surprise with heavily reverb’d snare hits and brooding sweeps. on the b side, two remixers bring doc sleep s ep into a different dimension. bottom forty label head nark extracts the gorgeous pads and pulls them to the forefront of between, starting with a long ethereal intro sure to stop and sway any dance floor before continuing into a grimy minimal 303 bass line as the subtle rubs to doc sleep s original sounds lend it an exasperated grinding element. the second remix from bottom forty artist cid & fancy takes ampere into a place of rhythmic organized chaos with synth stabs that shoot off like metal sparks.

the mysterious cornhusker unearths two obscure dj-only specials. the a side marries 70s soul (familiar to westwood listeners back in the day) with philly street-corner vocals that keener cinephiles may be able to place. the b side adds a beat to a soulful sunshine-imbued anthem that will ring a bell with fans of j-dilla productions, making it a must for outdoor gatherings. 7 inch large hole with hand stamp sleeve. this is the dj promo on this limited vinyl only release so grab it before its gone forever. upfront support: session victim razor n tape luke solomon nebraska

super music for super people. lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it’s guaranteed fresh to infinity and beyond, yeah!

vinyl only .. space is most definitely the place as far as the latest vinyl adventure from us here at future reactions is concerned. with galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the analog core ep, the only thing missing is an astronaut suit. manning the controls of this otherworldly craft is josé rico, a key figure in themadrid underground scene through his associations with the downbeat and freebeat labels, who blasts off with the raw emotional electronica of orion. that man rico also features alongside the much-vaunted leonid (dolly/sistrum/statik entertainment) under their joint studio guise of cygnuss. having made their debut on freebeat earlier this year with the well-received long player night drive, the duo are on a mission here to warm-up the dance-floor with their house-not-house rocket journey to outertape. hailing from buenos aires but with a sensibility rooted in chicago and detroit, diego perrisson caught the attention of the more discerning ears as co-owner of the short-lived but not-forgotten label monochromatic. turning heads once again with his new venture, fundamental sounds, perrisson captains a smooth touchdown with the cultured deepness of restless ride.

a.heiniger returns on his own handle with care imprint as dj laxxiste a. this time round he drops three lit tracks that groove to rhythms of percussion and bass all woven together with layer upon layer of melody. this latest release is an introspection of feeling and sensation, with the never ending waves taking you to a place you rather be.

2017 repress , remixes by ricardo villalobos, butch, tuff city kids
cybordelics was founded in 1993 in stuttgart, germany. in the same year, mike s., milan zemanec and daniel varga aka cybordelics released their hit adventures of dama on sven väth’s label harthouse. the record climbed up the uk dance charts to the 2nd place. people from london to germany, especially in the legendary omen club in frankfurt, danced to their techno anthems until the late afternoon. today’s artists like ricardo villalobos, sven väth, gregor tresher, chris liebing, gerd janson or anthony rother were at the omen club when this record was played for the first time, and they still consider adventures of dama a milestone in techno history. 23 years later, the new harthouse label begins 2016 with a remix ep, featuring remixes by ricardo villalobos, butch, tuff city kids, starting a new era of the harthouse story.

origine rec is the music part of my new concept mixing music & fashion. it s a -vinyl only- label influenced by the underground house scene, with the desire to propose my own production and various artists i love and respect. -for the 1st release, i wanted to include -riviera- a track from my childhood friend unknyo, which he produced 5 years ago -the track called -les bains- was produced by me (saull) & unknyo. the title comes from the place where we met 13 years ago in paris, les bains douches. -to remix riviera, terence terry was an evidence: his style combines authenticity and musical signature, nothing better to spice a record. -not to mention a track dedicated to my lovely wife and first support -ju lya-.

this is the first time that the 13th floor s stepping out has been reissued on vinyl, fully remastered from tk s original tapes, represented the way the the lp was issued in 1977 with all original cover and label artworks intact. now, almost 40 years after its original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of henry stone music / tk disco, miami, fl.

tunnel signs is the nom de plume of australian born lover, fighter and romantic, ash moses. with a taste for playing and producing records that embrace the darkness, moses parts the sea and finds the wonky middle ground between reverb drenched postpunk, hypnotic techno and spaced out disco. having previously seen releases on labels such as nein, clouded vision and hakt he now finds a home with cutters records with this 12inch with will buck. the release, titled spirits came into existence when ash relocated to new york city, a place he had long dreamed of from afar. as luck would have it he found himself sharing an apartment with another likeminded electronic musician named will buck who became his studio-partner and eventual collaborator. having bonded over a shared love of synthesizers, drum machines and all things rhythm they soon began their own freeform jam sessions which paved the way for this 12inch release. spirits shares some of the slow hypnotic swagger and dark disco drone of red axes and multi culti but with a futuristic percussive palette of the likes of four tet. the heady modulated elastic synth sounds give way to deep undulating bass patterns and tribal percussion. on the flip, the lights get turned out and the acid turned up with an ominous techno rework courtesy of hivern discs own marc pino

massimiliano pagliara debuts on ostgut ton with his new ep, time and again. born and raised in the deep south of italy massimiliano pagliara made his way to berlin in 2001, quickly diving headfirst into the german capital’s club scene (particularly berghain’s predecessor club, ostgut) until he started djing in 2003. by the time of his joining with ostgut booking agency in october 2015 massi had already constantly delivered – the dj and producer has left a strong mark on house music throughout the years with energetic, playful and deep sets behind the decks, two acclaimed solo albums on live at robert johnson and various collaboration projects. his residency at panorama bar therefore was a no-brainer – but the musical link by one of house music’s finest with the club’s label was still missing. now massi steps up with four new tracks and his first release on ostgut ton.

hailing from brazil and since moved to toronto get weird welcomes hauy. music crafted to be played in the clubs or the deserts, these three tracks chart an important journey for hauy. each a part of his recent journey and growth. amanita is a magic mushroom (amanita muscaria) that took him to a place where he felt no longer with the living. a place of truth where he would no longer lie to himself. after finding his truth and coming back to the land of the living, he decided to express the feelings of his journey through his music. he further pondered what it all meant. the initial darkness of the trip and its aftermath, gave way to a more positive light. as he felt more and more positive, another song floated in to his mind. your way to paradise is the sunrise after the darkness. blue moon wasnt originally a part of this musical journey but now seems relevant to represent how he felt before the experience, as a part of his full circle, completing a personal expedition and exploration to our latest release

the most powerful non-chemical flashbacks are induced by memories of adolescence—the time of your frst kiss, frst spliff, and those sounds that irrevocably alter the course of your life. calvin valentine’s “eugene” captures the intensity of those feelings. released on eyrst, it is a love story to the artist’s oregon hometown, replete with swooning strings, angelic melodies, extraterrestrial talkboxes, and evocative nostalgia. it’s rap, it’s r&b, it’s soul. it’s one of those indefnable albums that allows you to understand why genre is obsolete. it’s music—a timeless project from an artist who is acutely aware of how much time has elapsed. on eugene, valentine managed to do one of the most difficult things in music: write affecting love songs without coming off sappy, conveying the madness that sweeps you during the frst ?ush of teenage romance without losing a hip-hop edge. valentine’s eugene is a stark declaration of a singular talent. it’s the work of an artist fercely aware of what made him, who he is, what he loves, and where he’s going. this is an album about growing older and falling in love with different things but never forgetting those memories, never forgetting the place you’ll always call home.
the vinyl release includes a download code and a fold-out poster.

after 25 years of silence, the ethiopian legend girma bèyènè is back alongside one of the best ethio groups akalé wubé. comes in a double lp gatefold 180g vinyl! girma bèyènè is a true legend when it comes to ethiopian music. after an exile to the united states and a radio silence that lasted 25 years, he jubilantly accepted the invitation from the french group akalé wubé to return to the spotlight and perform once more. the comeback took place last september during a memorable concert alongside akalé wubé at the studio de l’ermitage (paris 20). french medias like tracks (arte), le monde, libération relayed this major event, which aroused many strong emotions amongst fans of ethiopian music. the adventure could not stop just yet.

special deal! it was a matter of time until john swing finally made his debut on warm sounds with three cuts in collaboration with the yet unknown david soleil-mon. considering john swing s previous material, this featuring defines a fresh approach to the composition. the signature raw grooves that have so far delivered stripped down, minimalistic house gems are now opening up to more meditative states of mind through a crafty combination of tones. every element sounds organically in its place: a1 delivers the right energy for the conscious dancefloor while a2 steps forward towards a more futuristic groove aesthetic. on the b side, searchin pleasures us with a lo-fi 11 min journey crossing over from dub to jazz while still keeping the signature house sound. definitely a turning point for john swing, who s now uncovering a new side of his faceted output. limited to 500 hand numbered copies.

new kid felix leifur made quiet a stir with his debut release on dirt crew last year. the icelandic juggernaut comes from the striving reykjavik music scene and is working closely with the lagaffe tales guys on building a new northern house empire. since his debut hes been working hard on creating a more varied vision of his unique lo slung hip hop approach to house music. with this ep he offers six new outings that have one thing in common, very warm and moody sounds ranging from disco through jazz and hip hop. were certain that he will continue to further cement his name in the coming years and were looking forward to working with him on plenty of exciting projects. opening with eyelids, felix delivers a rough, deep and dark house cut with broken beats, warped piano loops and twisted sampling throughout. classy has a smoky jazz feeling, kept tight with clever beat programming while evolving around a catchy sax motif. our personal fav is the title track, in general, a stunning broken beat house jam, smooth and loose, with swirling keys and a funk flavoured bass. the b-side begins with midwinter, a dance floor gem on a straight up junket. its deep, forward moving and bass driven, much like his track feels like that featured on our deep love compilation in 2016. yet another highlight for us is apollo, theres not many records out there that sound quite like this, thoroughly warped and contorted, depraved strings and a hypnotising rhodes arc and strain until the bass drops and it all falls in place psychedelic beauty! he closes with mine, a dope lo fi hip hop beat that casually wraps our ears, an ice cold soul infused piece.

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

already support by paul johnson, matthias zimmermann, hardrock striker, korgbrain …
returning to his machines for the second ep on his own imprint godot lab. records, arminj decided to go on a journey, to take what’s coming from abroad. the foreign inspiration ep is built as following: the face a for africa and the face b for brazil which might give an idea in term of the record’s artistic direction and sonorities. for a launch forecasted in winter, this could be considered as a sunny break during a rainy and cold afternoon of january. groovin latin bass and tribal percussions will give you the want to head directly to the closest shiny place and to enjoy your time there while we keep mr godot risin’.

the development of the vbx platform has been in step with ferros coming of age as an artist. one almost cannot be mentioned without reference to the other. it is for this reason that it made perfect sense to invite ferro for the second installment of the vbx label. join us and immerse yourself into ferros musical universe full of heady modulating soundscapes and shimmering percussion.

axpin debuts with its ep „gilgamesh“, including three deep house tracks and a first floor remix of mastermind christian burkhardt (cocoon, oslo, cbsessions). it smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. suitable for the dance floor as well as the afterparty at home, this ep transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design. „gilgamesh“ is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of mesopotamia. so it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps. „catiba“ is a track with a multilayered arrangement, that doesn’t necessarily reveal its complexity on the first look. different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. they’re supported by a pervading deep bass groove that will make your body vibrate.&#8232,,christian burkhardt summarizes both tracks’ features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original. „kryon“ is the ep’s third and most expressive track. starting with lost parts of a melody, rather an echo in the vast distance, the track continuously increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. the clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats

comprised of elastic idm-inspired hardware vignettes, plastic marks the debut full-length from pascäal. each sketch captures a fleeting feeling, an ephemeral moment imprinted to the posthuman beyond.

sdx is the producer alias of our resident dj beni, who delivered finest detroit techno for our catalogue number 008. catalogue number 009 comes with special remixes by legend rolando, known from labels like ostgut ton, underground resistance or deslin & max durante, known from sonig groove & diffuse reality. the original track the day she asks for forgiveness is a slowly building percussive 808 banger, built around a short vocal sample. rolando comes with a special minimalistic dj tool track. we are sure this remix will find place in lots of dj sets. max durante comes with a straight forward techno remix in his best own style. the third and last track of the record is a special bonus breakbeat track made by sdx himself. clitchy sounds and a special mood will bring you directly into another dimension. be prepared

fantastic beasts and where to find them is a brand new british fantasy action film directed by david yates and written by j. k. rowling, inspired on rowling s book of the same name. the score is composed by grammy, golden globe, bafta, academy award winner james newton howard (dark knight, hunger games series, i am legend, batman begins).
limited first pressing of 2.000 numbered copies on transparent blue & gold mixed 180 gram vinyl.

the black belt academy is a place where humans become ozelots and follow their musical destiny. this four tracker by real black belters prioleau and manuel fischer reflects the atmosphere and consciousness within the academy. the sounds are raw, true and eternal. everyone is invited to join.

huge meat loaf classic album
180 gr

the first track, moaning, has a linear feeling at the beginning: a layer of bass lines makes your feet move instantly until some subtle piano sounds come in at the perfect moment. it creates an atmospheric vibe and when the bass kicks in again, everything seems to fall into place. cosmjn’s interpretation is, as expected, more serious and it has a no-nonsense approach: stripped of the melodic piano sounds, a strong bass line takes over, which makes for an interesting contrast to the original track.
if moaning was a more gentle track, fr sa su is a little bit different: dance floor oriented, the rhythm is certainly higher and it has some intriguing background sounds that go hand in hand with the powerful bass that grows on you from the start of the track. the florian meffert remix closes this ep and it goes out on a strong note: it is a complex track with very different elements and sounds that complement each other just right to get things going.
with early support from: barac, mihigh, dubtil , cristi cons, petre inspirescu , sepp , crihan

“on one / how it is sometimez” is a special japan import 10 inch that corresponds to the “a good place...?” lp. mr. g’s new full length album.

temple of the jaguar is the first release on eomacs new label eotrax. a single sided pressing with an exclusive b-side etching by artist sal stapleton. an 11 minute conceptual track that attempts to explore structure and narrative, texture and tone, taking techno as a starting point, but seeking to move beyond its conventions and expectations. conceived on a visit to teotihuacan near mexico city, inspired by both the cosmic and earthly power of the place, temple of the jaguar attempts to find a way back to the animalistic nature within us all. a reconnection to the dark, sensual part of us that has been repressed for centuries in a limiting and limited, fearbased, patriarchal society. a reconnection to the body.a reconnection to femininity.a reconnection to wildness. to intuition. to sexuality.to earth.to self acceptance.without fear, without shame.

g string brings something new to the broken dreams pot. stripped down, bare bones blackened machine music. decoration is removed, the ornate purged. in their place sit burnt out remains. chords are hollowed and scraped, rhythms smeared and smudged as loneliness is amplified. a stark and spartan statement of grey skies and dark eyes.

presenting the new ssaliva release on ekster: we never happened. 180g vinyl packed in a pantone printed outer sleeve with drawing by charles-henry sommelette. comes with printed inner-sleeves and silk screened plastic oversleeve. i am a vessel. a muffled mass. a bulk. extent. a womb. i move. so i am neither here nor there. always somewhere in between. to give substance to this frame, i carve out a piece of me. sometimes a shape, sometimes a form. into this space i pour the siege of me: words, pictures, you. so we can become me. viscosity and temperature dictate the time it takes. when it is done, i break the mold i am. i take the cast inside and place it by the others. choose one and take it home.

come with us to a place of solitude where silent winds and barren landscapes have captured the hearts of many admirers but reject their controlling touch. a rejection of life, of death, and everything in between. this place is everything, it is the soul, but yet it is the nothing. a piece of that place has been brought to you once again. to some it will be an adventure but to others it will remind them of the journey taken so long ago to a place where rules did exist, no labels would fit, and no love could be found. frozen and empty but still the soul thrives. we call this place antarctica. where the soul thrives, and only the nothing lives here.

this is feline, suara s vinyl only sub-label. a place where coyu pays tribute to the black gold releasing underground local talent. house or techno, techno and house, always raw, always pure. visually is the feline elegance, reflected in the beauty of the motion and the plasticity of its own forms, like a cheetah floating in the savannah. counterpoint to suara, feline goes deeper searching for the purity of the graphic concept and the honesty of the message. for our third release we have barcelona s artist baldo introducing his unique way of interpreting electronic music plus a superb remix from daniel kyo.

double 12 inch vinyl in gatefold sleeve.