deleta aka dj bazooka is the label boss of this new dubstep label catering to the darker, harder side of dubstep. bazooka is also behind berlins most ferocious and unapologetic drum n bass label aural carnage. with an almost vampiric hunger for the tastes of hip hop, ragga, jungle, metal, reggae, dub and graffiti deleta has spawned nothing but gut wrenching and unforgettable tracks

the deep house dons from milano italia are back with the 4 track vinyl ep from armed response artist album on their little angel label. it is almost a year ago since harley & muscle delighted us with their second album a decade of truth on little angel records. now they are finally hitting the stores with the third masterpiece called armed response. this ep conatains 4 dancefloor weapons. marie tweek from the mighty rurals is on board with the lovely the light. furthermore harley & muscle prove the uniting power of house music and that the message is love with songs like deep unity, five rand and save the cheerleader.true house music soldiers rise up!

mo rotation is the next step in the history of westpark units 80s funk influences they started with blaxrotation and fits well within the sound of today! always sexy, dope, deep & dubby. proper thang is as deep as jeep and builds up in the typical westpark unit style with some demanding but tricky drumpatterns and a wicked bassline. to surprise, the duo added some old school snippets into the drop, put them into a different context and present a jewel of a bangin deep house tune with one of the most enthusiastic moments when the beats come back in. mo rotation sets up with just some shakers, a demanding percussion loop, a booming bass and needs almost 5 minutes to get things started. when the bassdrum finally drops in, the club is already near ecstasy while the music takes a small step from 1983 to 2008 and a deep masterpiece

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.

stemming from their brand new remix double album, night blossom, another stunning ep hits the shelves. so glad to see the idjut boys back on nite grooves! havent seen a remix from them since the turn of the century. literally. their minimal synthy, almost downtempo but with a tiny pump, remix of aps moment before dreaming brings trippy to a whole new loungey level. italys the doll combers put a masterful groove into stalk you, and king streets own tomo inuoe puts a bit of the pump into stay as you are a choice ep pleasing a wide range of tastes and styles, further showing ananda project can go from hotel bar straight to the disco with just one simple ep of remixes.

supported by miss kittin, gregor tresher, chris liebing, dj emerson, remute, someone else, davide squlillace, renato figoli and dj good groove

krischmann & klingenberg have already become remarkable in several times. in cause of their individual sound. with releases on skull tunes, compressed or on frank kvittas label unknown power, they have pointed what they are able to do. whether on the home dance floors or in the century circus. the boys have simply found the right mixture of straight- and a little funky inclined techno. flotek & mario kinle come directly from vienna to your home. their tracks circulate in many different forums and bump almost only into positive resonance. it is the time to get both on vinyl. sound, uncompromisingly up to the last blow.

uks ben wijay starts canute music, a sub-label of phreakin recordings displaying his more adventurous techno and tougher house music concoctions. bringing a slightly harder feel than the phreakin output, but remaining left of centre with quirky melodies groovy percussion. >poisoned potato< starts in dark techno waters with a deep acid bass line, then blossoms into almost border community territory with anthemic distorted chords and quirky breakdowns.>feke< delves deeper with an arrangement that goes from hauntingly minimal into an aggressive staccato riff, then morphing back into itself with deeper melodies. definitely aimed at the 3am dance-floor and will appeal to lovers of the detroit techno sound through to the more obscure villalobos territory. gathering big support from the likes of charles webster, john aquaviva, aldrin and mixmags >house single of the month< (feb 08)

supported by tom clark, sasse, 2000 and one, woody, paolo martini, 3 channels, adultnapper, dj naughty, garnier and many more.. mindforce is an extra special release we have put together for you. it features an excellent remix by kabale und liebe who is currently causing a big stir amongst the house community with his deep and dark minimal groovers, needless to mention his big hit mumbling yeah that was in the charts of almost every dj and became one of the key tracks last year. also his upcoming productions on the dutch remote area label are amongst our favourite tracks so we couldn’t resist to ask this guy to do an interpretation of a special track we made. mindforce is a bit different to the rest of the dirt crew output, we wanted to make a more reduced grooving dj tool that is still old school but on the other hand contains an hypnotic feel that is more likely to be found in current minimal productions

for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

by now dazzle drums and nite grooves are old friends. this being their 5th release on the label, the beat goes on and carries us with it. gypsyman turns out an organic bent out of shape (we didnt say warped!), percussive, almost dubby, instrumental delight. this is one of the definite moods one would hear at say, the shelter. its got that kind of clubby rhythmic organic vibe. call it what you will, we call it hot. tokyo deep that follows is a more upbeat instrumental full of synth moog sounds and overflowing washes. very car chase or early 80s stalk you cinema, catch the drama while you can!

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

now, after almost a whole year martin moeller strikes back with his second release on aspik. cool sub-heavy minimalism two tracker

incl jeff samuel rmx !! spinned by 2000 and one, chopstick, tom clark, woody, xpansul, karotte, laurent garnier, tom mangan. deeop (grzegorz demianczuk) and ketiov (wojciech taranczuk) aka 3 channels released their very first record on trenton back in june 2005. since then they became quite busy and after touring the world and releasing other kind of music on labels such as crosstown rebel, trapez and with their side house project catz & dogz, mobilee or dirtybirds they are now back on trenton with label boss reynold for a dirty and funky track called >macho lato<!!! polish housy beats and french electro chordy textures makes this track the perfect european cross-over and will fire up every womens panties where ever you are on this crazy planet!!! ist macho time and its lato fever . to complete this almost perfect record, a very very hot remix from our friend and respectable artist jeff samuel!

incl reboot remix !! wareika is the collaboration of henrik raabe and jakob seidensticker, both specialists in dub techniques (voidcom / ministry of sound, jubilee rec., ostwind rec, lebensfreude rec.), jack-of-all-trades florian schirmacher (philpot, cadenza, perlon, poker flat) and michael hank. >men village< – their first production as a collective - comes up with almost 15 minutes afrorelated drums and percussions, accompanied by warm analog-synth raster scanning and highlights, served on a pushing, strong-force but simple beat, that carries one’s body and on and on. reboot – the below and cadenza artist reduced the original to its more rhythm-based elements and added his typical trippin percussion twist

the well known frank kvitta, who has been rocking the hard techno scene for almost ten years now, colaborates with pasquale schwarzz for the second release on kvittas own sublabel unknown power.

great disco banger by the impossible dreamers & think almost twice

finally! after months of struggeling with crappy pressings and lousy vinyl, at a moment it seems sure some vicious demon put a spell on us and we almost have abandoned hope of ever releasing it, we dare to swear: dnp 8 by matthew styles will see the light of day now!

although berlin based dj woody has long been a member of the gigolo crew, having the honor to play at some legendary gigolo nights, this is woodys first solo release for gigolo. and what a fine entry onto the gigolo-scene it is: sure to get people in the know talking... and dancing! woody is the original sonic funkateer whose life is completely focussed on music and his very own definition of funk. hes a genuine kind of a guy, needing nothing more than two turntables, a mixer and an audience to know hes alive. for him djing and making music is not just a job, its his destiny. just one listen to a track like august and you know how much painstaking attention to detail, and love, has been poured into the production of these tracks. august is a cerebral sounding track that will lift you to another level. a version of august is featured on the double cd 10 years anniversary compilation gigolos cd 10 (gigolo210) selected by gigolo boss hell. booty bar is another pumping and raunchy tune thats guaranteed to get that ass shakin. its and slammin beats and funky, almost jazzy, synths licks plus the sexy vocal samples gives this number a succinctly gigolo feel to it. with songs like this, its no wonder that woody is one of the most respected german djs on the international scene

clark drops his excellent new album. dont expect the lullabies and emotional epics of the last album body riddle, turning dragon is a smasher. hard, deep, continuously evolving and gritty tracks, aimed at contorting your body on the dancefloor or just contorting your brain. this is an album that you could almost call techno, but techno with the a.d.d. detail pushed as far as it can go

maverick music icon miss kittin is set to release her second album, batbox in february 2008. two years in the making, and almost four years since the highly regarded i com, batbox comprises thirteen original songs, all composed whilst touring extensively throughout the world. the album further highlights kittins position as a powerful personality within the contemporary music industry. a true individual with the substance to support the uncompromising attitude she is recognised for, batbox is bursting with signature style kittin observations on modern life.

he follows up with this tribal chant led tribprog cut of energetic house... on the flip we get a chunky, almost techy, cut from godskitchen resident paul thomas, whos recent remix of da hool love parade on mos propelled him to mr. in demand remixer!!

limited one sided edition !! far out is just that: a track that goes the distance, but without pretension or unnecessary fanfare. more understated than your typical anthem, it cruises in stealth mode, winding a refined, percussive groove ever tighter, threaded onto a pattern of needle-nosed toms that glides almost unnoticed under your skin. unnoticed, that is, until the tracks main riff comes crashing down like an awning full of icicles, sharp and cold and heavy. but sebo ks sense of restraint is such that he never beats us over the head with it, so to speak. instead he lets the groove spiral on, tightening it as he goes and whipping up chilly little sinewave twisters along the way. you can leave your mittens at home, though, because theres enough heat in the rolling bass line to keep you warm all winter long

incl michael gray remix !! splittr is the meeting of minds of martijn ten velden and mark yardley (from stanton warriors fame), two of modern dance musics biggest production heavyweights. as splittr, mark and martijn combine their collective skills and tastes to produce a dance/rock hybrid (new order infected guitar part) and a very fresh take on electronic music. in fact they started the project to give them the opportunity to split awayfrom any preconceptions people may have of them and any musical restrictions dance music genres can create. their first release, >all alone< (which sees mark take on vocal duties), has already created an underground buzz, with pete tong playing it on almost a weekly basis from the start of the year, regular spot plays on radio1 and major support coming from the likes of roger sanchez and deep dish. splittr are clearly set to take their sound worldwide

its almost 4 years to the day that jeff samuels >throatwobbler mangrove ep< was released on karloff #03, and even today the four world hits of the record are getting digged out by djs, when the minimalism needs to either groove or jack again. so now with >return of the throatwobbler< theres finally an appropriate follow-up by the man from seattle.. erm.. berlin, after he’s impressively run riot in the meantime, on labels like spectral, trapez, poker flat, frankie and logistic. the a-side >terso< is shuffling and twirling and bouncing in such a winsome way that not many can master like jeff samuel. almost like an electric ray - left and right and left, and without letting any tempting gimmicks take the mind off the straight path. appropriately enough, >the spook< on the b-side comes along a bit more spookily, with a bassline twisting into the brain, ripped up by miniatures of bleeps and chords just in the right moments, and thus leading the track to an agile, exhilarated climax

already support by james holden, ripperton, anthony collins, sian. nhar has been releasing stuff since 2005 on labels like mobilee, plak and modelisme. with dont forget to lick, the frenchman has conjured up a real booty shaker from the depths of his hard drive for meerestief. summery drumming on the other hand by lucy, comes across tender and almost fragile. the artist hails from paris and released his formidable debut glass computer on rippertons perspective label. his contribution for meerestief is a fabulous track with dreamy pads and surreal sound, riding on a clear kick drum. it is a movie sound track and a small symphonie a the same time!

jacek sienkiewicz presents another unbelievably complex experiments in beat programming and string arrangement. this time, polands top techno producer known for his storming live sets goes over the edge, stretching minimal techno formula far beyond its limits and comes up with two epic tracks of enormous proportions. >the one< starts immediately with a stainless steel kick, but what seems to be a digital techno groove soon develops into a cosmic fairytale, with layers after layers of strings, bells and unidentified, but strangely organic sounds, executed with breathtaking complexity and almost obsessive attention to every tiny detail. sounds and emotions embraced within its almost 10 minutes are enough to fill a couple of albums.

mental wreckage is back and this time he joins forces with the relic to form a new project that goes under the name of dual mechanism! this joint venture stand for raw, fcked up and mechanikal beats with a slight touch of techno and noise

the second part of the three-ep series celebrating level records tenth anniversary >top ten 2/3<, is literally a miniature world tour on vinyl. ferenc vaspoeri kicks off with an escape from the city and deep into hungarian forests yet maintains a metropolitan perspective with his harmonic, almost texture-free sound design. next on the map is hidenobu ito, who summons ghosts in tokyos asakusa district with the spookiest house sneaker released on level records to date. on the flipside, it s back to duesseldorf, germany, with local legend antonelli electr. throwing on a twisted chicago-esque house tune before fax from mexico invites us to his mountainous home with a miracoulous track which may surprise fans of his earlier works with electric guitar sounds over a massive and insisting groove

a new label , a new day , a new direction. controversial and exciting , this label is going to be one to watch for anyone who has their brain switched on and who can make up their own minds about music. it is not going to play int o the hands of the minimal techno explosion but it will share the space and the dance floor with most styles of techno and provide your audience with some memorable moments in their lives. this is what we believe music should now be aiming to achieve. you are welcome to tell us if you think we are doing that or not. first track rox the box is almost daft punkesque in rhythm , but the groove is more techno styled with some serious heavy gating in the break giving it a glitchey crackly sound. strange dayze is a more mellow minimal techno experiment , a very cool club sound with some unusual melodies enjoy

delicious combination matthias & physics. every track on this ep is valuable for many house music collector or deep house lover. if you re always searching for deep, relaxable & almost lazy vocal track, check out mattys soulflower mix such a tune!

second limited release on brennan greens chinatown label and its been in demand since a few whites appeared of this a few months back. on one side is a green track (with a little help from daniel wang) with an oriental almost ambient feel, a disco fied tangerine dream in shanghai perhaps? on the flip , studios west side gets given the brennan green update as east side a 10 minute balearic delight with liliting guitar subtly remixed! a great remix package!

one of ibizas top summer of 2007 songs, revered dennis ferrers >touched the sky< is served up three different ways here. managing to make its gospel house chorus sound almost scary yet distinctly house, joe claussells remixes defiantly add something new to this song. multi-layered and complex, the song rewards listeners with finding something new about the track every time its spun on the dance floor. and the deep, diva style vocals from mia tuttavilla are warped in >joes dub beats< into static-y notes that fit perfectly inside the hidden pockets of this remix. this is perfect music for after-hours. and in the same vein, >yass dubstrumental< adds another layer of something fresh andstraight out of left field on this massive hit from ferrer

compared to their almost simultaneously released 12 ep >innocent robot< / >night of tvarok< (treibstoff 73), animaltek celebrate a more reduced interaction of rhythmic signals and systems on >karma loops<. animaltek describe this sensation as >a powerful effort of self-expression through rhythm, sound and harmony.<

born and raised in tokyo, living in berlin since may 2007, akiko kiyama presents on neo010 two wonderful minimal- tracks, synthetic, acrylic, rough and raw, sober and straight, shy and yet damn clubby. akiko - whose delicately reduced musical style is partly defined by some earlier 12 inch releases on m-nus creates a fragile and surprising cosmos of subtle rhythmical structures and wobbling guttural waveforms, all this combined with this very special female approach that people all around the globe seem to love more and more. for those who like it a little bit less minimal, there are two remixes included. we have one by humantronic, the minitech (or tech?) berserk from france, who re-establishes an industrially strict balance of pumping and knitting sounds, with almost trancy elements good and healthy food for the club community

splittr is the meeting of minds of martijn ten velden and mark yardley (from stanton warriors fame), two of modern dance musics biggest production heavyweights. as splittr, mark and martijn combine their collective skills and tastes to produce a dance/rock hybrid (new order infected guitar part) and a very fresh take on electronic music. in fact they started the project to give them the opportunity to split awayfrom any preconceptions people may have of them and any musical restrictions dance music genres can create. their first release, >all alone< (which sees mark take on vocal duties), has already created an underground buzz, with pete tong playing it on almost a weekly basis from the start of the year, regular spot plays on radio1 and major support coming from the likes of roger sanchez and deep dish. splittr are clearly set to take their sound worldwide

an incredible full album from dinosaur l the legendary new york dancefloor project of arthur russell! the groups a punky, funky, chunky amalgam of bass thumping, guitar riffing, keyboard filling, and sax honking all very much in the spirit of russells best quirky club work of the time, but with the added sound here of a more expanded approach one that takes the tunes in a whole new territory than the more famous 12 inch singles! the tracks on the set are simply numbered 1, 2, 3, and so on and come across almost as free jamming instrumentals! totally great stuff as experimental as it is funky!

the reload and global communications remixes of tracks originally released as mystic institute. some amazing productions by mark pritchard and tom middleton which sounds still as fresh and exciting as almost 15 years ago. especially the global communication >ob-selon minos < is such an amazing piece of music!! smooth melodies with incredibly beautiful sounds really seduce the listener to go thru this 15 minute journey... and even that seems like only 3 minutes when they are over.

this is the second release on kompass musik from berlin based duo marcel jochmann and alex krüger aka antilope & tigerskin. their first 12 on our label has been released in january 2007 and received massive support and club plays from djs twice around the globe. now, we are happy to present to you another fresh e.p. of these nice guys from germany’s capitol featuring three stunning tracks which hopefully will again earn respect and love from djs and clubbers across the continents. we are sure you’ll like them as we do. nowadays it’s almost impossible to name a musical category, but lets say that this is quality electronic club music. not too minimal, not too noisy, a well dosed portion of forward pushing elements that will work perfectly on your floor. an exciting mixture of techno and house at its best

lead track, keep control, is a prime slice of club house. this is the kind of tune you can be sure is going to rock any dancefloor, and even raise the mood to another level. solomun s sparse production means the track retains an old school vibe while still sounding contemporary. there are enough breaks to give the crowd a chance to make themselves heard too. another quality of this track is the fact that it fits into almost any kind of house/techno set

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

dave dk has been buried in his studio the last couple of months fine tuning his debut album lights and colours for moodmusic. its almost ready and here we have the first single coming on strong from this talented producer. sweet yellow takes on where he left with okinawa dance on mood limited and midi rain on playhouse slow building, complex grooves keeping the floor nailed from the first moment on, building an anthem with strong synthlines and his trademark sounddesign of effects and percussion. prism is more housier in the beetz department, while building on vocal snippets and chugging keys keeping the tension on high alert. taking the best of the past and combining it with futuristic themes we are sure dave will be up for big things in the future

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed of house star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did an amazing job on the remix, that rocked almost every party at miamis winter music conference

solid four track ep, kick ass almost funky tech tracks by bryn kendall aka triple b not to be missed

funked up electro flavoured bass heavy house action

the mojuba sublabel returns with a repress of an almost forgotten classic. we are speaking about the timeless masterpiece >merluche ideale< by rené et gaston, maybe better known as dobre & zki, jark prongo, the good men or chocolate puma. this track has been an unbeatable anthem for many djs as it combines deep melodies and and groove you cant resist. it became very sought after because kevin >master reese< saunderson included it in his fantastic x-mix for studio!k7 named >transmission from deep space radio<. listen to the beauty of it and dance your sorrows away! the b-side >pouah!< from the original release on pssst comes as a floor-dedicated edit by labelowner don williams, sounding like early carl craig is dating Âme, unbelievable that this one stayed undiscovered the last decade!

eurocold, smashing track using a special sequence as similar as a brain hook from liaisons dangereuses. already played by the hacker during his solo live for almost a year, this track is devastating like a hurricane. future classic to have in the records collection. 2. as well, eurocold include a remix done by terence fixmer who bring here some freezing action in the track. >moon patrol<, can be a definition of real techno and what people expect in listen to that word. hypnotizing and warm, this track is just a travel to another planet

madnurse is back with some great techousy tracks. almost all labels changed their plans and switched over to another style of music. but madnurse sticks to its original flavor. funky techouse with a twist. the original track is by alexander koning and has a more progressive techno feel. while the rmx by mark antonio is straight up funkiness which can be best compared to the new danilo vigorito and rino cerrone stuff. the warren fellow rmx is a steady builder that, wrecks up the dancefloor after the break