three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

complex adaptive systems are able to adapte and change themselves based on experience. that is dynamic systems with self-organization which gave rise to global behavior called emerging, that cannot be explained by a single physics law. adaptation is reached through the costant redefinition of the connection between system and its environment.

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble.

what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night’s unmade sheets. appropriately, tin man’s melancholic dance music is more club-ready than ever.
the double 12 inch lp comes in gatefold sleeve with download code included.

this is lbnhrxs fourth release, and his second on thin consolation, following his debut ep tales from the moustache released in 2012. progressively shifting towards a purely hardware approach to composing and performing, and still as recluse and vowelaphobic, lbnhrxs sound has matured and acquired that pungent cheesy odour that we all crave so much. ntrprttn is the fruit of his reflection on the topic of interpretation, and is graced with complementary remixes by cupp cave and lawrence le doux

warning, this release is quite different from older cn, a lot more suited for home listening on a good system.

incl rmxs from dynamik bass system & egyptian lover

with this first release the labelheads mm:ms present the musical direction of the newborn techno label writtentozero and give you an imagination of the things to come. solenoid (graphene, belief system) delivers a remix on top.

belgium based invade records invites a guest artist for the first time. the fourth release will be from german producer danilo schneider (enough! music) supported by einzelkind (la pena) with a remix and a club tool!

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

purveyors of fine underground music, joes bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball.
played by: balearic gabba sound system, joes bakery, matt long (fina records/mono_cult), guillaume des bois (macadam mambo), curt j, faze action, coyote is it balearic?, sacha mambo (macadam mambo)

grand ancestors debut white label release featuring heavy sound system reggae from cuttle and alpha steppa.

editorial delivers once again a value packed 4 track vinyl release- enlisting some top talents. joshua heath bring his bass guitar to australia to join forces with the ever prolific deep house dons random soul. together, they freak out a boogie influenced funk original in *girls, girls, girls* perfect for a late night house party to get the hands in the air. frances cosmic players create a winner with *get it right* soaring synths lead the way , and they also prove there is still a right way to use a vocoder. flip the transparent vinyl over for a lush mid tempo burner from uks matt hughes. dialing the tempo back , but not leaving any emotion on the table ... finally, bg baarregaard hits the nail on the head with a juxtaposition of classic house sound and a distinct new school ethic.

qy live in the western part of leipzig which is dominated by industrial architecture from the past. some of the tracks created here were released on the blank slate (2013) and ortloff (2013, 2014). shortly, an e. p. will expand their catalog, released on the u.s. label roundabout sounds. in addition to new productions qy are currently working on a system based solely on hardware live set.

guillotine is an electronic music duo from sao paulo, brazil. saulo pais (dada attack) and zeno mainardi. to create these tracks, they used a heavy setup of analog electronic equipment. this resulted in three raw eclectic techno tracks with a sharp edge. equipment: korg ms-20, roland tr-808, simmons clap trap, serge modular system, linndrum lm-2, roland cr-8000, roland tr-707, star instruments inc synare 2, lell usd, moog voyager, moog opus-3

the last few years has seen a series of well received releases from rhythmic theory, the anonymous techno producer lurking in the shadows of the bristol music scene. *endless forms* is their second release for idle hands and follows on from where the previous ep *legacy of the lost* left off. the title track delves deeper into the sonic realms of classic jungle and comes up for air sounding like dub techno. a weighty bass line propels things along, whilst a sci-fi voice intones the title. this one is a sound system rocker. *tales of dystopia* brings to mind early nineties uk techno with its haunting synths, swung beats and deadly bass line. rhythmic theory is killing it at the moment, expect more to come.

david georgos and bendikt frey reprise their roles in exponential real time music making. causing a melting pot of dilemmas to somehow unfurl into a rather stupendous and thought provoking system of ideas and trance inducing meditative practices.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades.

• massive new title from papers versus clouds !!
• another fine bundle of established artists go head to head...
the 5th brothers installment sees papers and clouds on the collab and 4 new members to the brothers family. the a side is a broken techno track with filtered drums, laced with an acid hook that will keep people fixed to the dancefloor. b1, a 138bpm straight distorted driver with heavy euphoric strings and harsh syncopated percussion, finally b2 slows things down a little to 122bpm, taking parts of b1 and flipping it on its head with harsh grooving hats and a ripping synth...

re issue from derrick carter’s blue cucaracha label. containing 4 tracks from 1994 - 2 from last session (aka chez damier & ron trent) plus two from the innocent (derrick carter). re mastered from original dat’s from dc’s private stash. expect more blue cucaracha’s down the line.

fourth and final chapter in wphs tribute to belgian new beat. this time four belgians and one german deliver their take on new beat..

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

the windtalkers ep comes to vitalik courtesy of the acclaimed collaboration of jef k and chris carrier. individually these two stalwarts of the french house scene are known as master-craftsmen of rhythm, renowned for their tight grooves and deft beat construction. together they compliment each others sensibilities beautifully, as seen on tracks like? in my system? which they collaborated with chicago legend chez damier to form the gathering and now again on the forthcoming windtalkers ep.

s3a at his best, definitely the best ep produced by the man, must have!

here comes the first installment from pogs upcoming album meanstream. remixes comes from tanner ross, one of our favorite member of the wolf+lamb & soul clap crews + night slugs head honcho (and ghetto house producer as dance system) l-vis 1990.

igor vicente is a name that many may not have heard of yet, but this it is not from lack of presence in the scene. from his legendary wild family parties in belgium, to his recent state of flow residency at world-renowned fuse club, and his collaboration as ultrasone, this quick rising star is becoming a tour de force within the spectrum of house and techno

mad limitado. you know the drama. spreading these out across the board as per. this limited remix 10 inch showcases a remix of break glass from l vis 1990s dance system moniker alongside a vip mix of reflection from sims. the former, featured on sims fabric comp, continues to nurture his raw, machine driven and retro leaning vibes while the theory boss turns in a dense, jacking number.

touchin bass takes a different turn this time by introducing you to newcomers mkfn, a live production project formed in 2012 by babar raza (us), ovais hassan (uk) and fahad ahmad (canada). over the course of the year they have designed a system that allows them to create music across borders that has been defined as experimental, dark and gritty. the collective integrates each members extensive musical background gained from working across multiple genres. this unique combination invites distinctive sounds into the studio forming the foundation for mkfns characteristic sound.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

elektrax recordings is back, and not only is elektrax recordings back, its also the return of some legends. the big room ep, by nobody else than the maestro orlando voorn contains some tracks you are not likely to forget, and comes with remixes by the one and only comeback kid ortin cam and chris colburn.

ovum recordings kicked off the 20th anniversary with a stunning release from chymera. after the melodic chymera, we are taking you back to the darker side of techno with the follow up ep from steve parker.

an audio love letter. four eclectic dance floor flavors, each burrowing to the heart of the groove from different angles. alternately crazy, playful, sputtering, tribal, chunky, & broken . featuring clara stjarna on vox.

clekclekbooms co-founder and leading artist french fries is ready to release his very first long player on 180 gram double vinyl. *kepler* narrates a futuristic outer space sci-fi story throughout 13 cutting edge tracks.

berlin-based staffan linzatti returns for his second release on chronicle with another uncompromising selection of linear techno constructions sculpted with an unfaltering vision of how hypnotic body music can transcend simple rhythmic needs. icy atmospherics and razor-sharp production make for one of the strongest manifestations of linzattis distinctive sound in a career bristling with standout releases for labels such as stockholm ltd, balans, and his own searchlights records.

dungeon meat is the new label and production outfit brought to you by dungeon masters brawther and tristan da cunha. packing a serious punch, its aim is to present tracks designed specifically to rock the party and shake the sound system. originally conceived as a platform for their own musical visions it soon became apparent that they would have to open the doors to a select few who shared their ambition to make no messing, hard hitting house grooves. one of these artists is the mysterious blunt instruments who has the honour of kicking off the label. after road testing his huge club hammer hold back brawther and da cunha knew it had to be on dungeon meat as it epitomised exactly the sound they wanted to present. hold back has been a firm fixture in their sets and even got cut to dubplate by jeremy underground paris. its not all about the a-side though as blunt instruments craft 2 other killer club cuts for the flip side we wont go on too much trying to describe how good this ep is ... instead well let the music do the talking

compiled by hugo mendez, co-founder of the excellent sofrito label and sound system, haiti direct features classic material from the early days of groups such as tabou combo and les freres déjean as well as rarities from lesser known groups - bringing together the sound of compas with latin workouts, psychedelic experiments and the cuban influenced twoubadou singers that continued to be a key part of the fabric of haitian musical life. featuring in-depth liner notes and interviews with some of the musicians and producers that shaped the sound, haiti direct is the first widely available compilation to celebrate the unique and innovative sounds of haiti in the 60s and 70s.

four deep cuts made with analogue equipement. super ltd

die erste 7 inch singleauskopplung des *sound the system* longplayers erscheint auf dem neuen vp sublabel dub rockers und bringt einen der stärksten songs des album auf der a-seite und die dazugehörige dubversion exklusiv auf der b-seite - beide produziert von alberto alborosie dascola, der auch die musik komplett selbst im eigenen shengen studio eingespielt hat, mit unterstützung von tony tarantino (keyboards).

massive. sub. killer. will levitate your sound system. producer remains anonymous. one off press. ltd, no repress! hand stamped! cut at 45rpm! beast!

4th title from this great collaborative techno label from london, another fine bundle of established artists go head to head... bros004 brings together two legends of the techno world mike parker and paul birken. they have created a track that is a minimal system killer, driving forward with pure subtly thats hypnotising as well as forceful. on the flip side greg shappert (donor) and bill youngman move and step around distorted drums and synth lines creating a never ending in your face techno track!

undefined techno from the gynoid audio sister label translucent.

vinyl sampler 2/10 of the sound of belgium - the compilation cd

2 tracks recorded by copeland (inga copeland, hype williams) and john t. gast in stroomi rand, summer 2013. available on 12 inch 180g limited edition vinyl. one for the sound system.

fango is a virtuous perfectionist, obsessed with mixing bassdrums, recording percussions and sampling drummers. it doesnt matter if its a drum machine or a gong from an orchestra, he will make it sound right. his first release n1 on degusitbus music was an instant success among the clubbing scene, turning dancefloors into ritual sessions. the same goes for his remix for aguirre by batongo, an ode to the wilderness of the amazon jungle. test his recordings on a proper system and judge for yourself.

schnell zu wechselnde ersatznadel von reloop für das om-gt system

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

beautiful and trippy original track is completed with great remixes by benji vaughan, tripswitch and electrosoul system.