der vorabtrack made to stray aus dem neuen album cold spring fault less youth schlug in der weltweiten trendszene ein wie der blitz: von pitchfork bis nme, von fact bis resident advisor überschlugen sich die aufgeregten lobeshymnen zum ersten neuen mount kimbie material seit zwei jahren. das visionäre duo, seit seinem debüt als neue vordenker in sachen elektronischer musik anerkannt, hat die schwammige schublade des post-dubstep endgültig verlassen und entflieht mit live-instrumentierung, warmen keyboardsounds und geerdeten schlagzeugbeats der enge des dance/electro-kontextes. auch die verpflichtung des enigmatischen vokalisten king krule dürfte ihren anteil daran haben. die elf neuen mount kimbie tracks wirken reifer, selbstbewusster und noch mutiger, und ihr wechsel zu warp wird ihre entwicklung hin zu noch ganz anderen klanggefilden, kontexten und konstellationen weiter beflügeln.
doppel-vinyl im klappcover, inklusive mp3 download-code.

a set of minimal synth recordings, captured live with in-studio performance. these pieces are a tribute to the golden era of electronic music that mainly emerged in europe between 1978-1984 and is often described as minimal electronics, synthpop, synthwave etc. sinister melodies, shadows and frost making up a haunting, dystopian sonic environment. drum machines driving step sequencers and mono-synths, hand played polyphonic synthesizers, all enveloped by the industrial sound of the spring reverb. he only feels night within.

raw, pumping, grooving, shaking house music. thomas melchior teaming up with tim hutton and maman. let s get the party on!

early support by chris liebing, dave clarke, sasha carassi, xpansul, gary beck, alex bau, terence fixmer and various others!!! thomas p. heckmann drops the bomb and delivers his brandnew full-length album *dark matters* on nachtstrom schallplatten. what a masterpiece and deadly alliance between one of the most influential techno artists since decades and the notorious german techno imprint. thomas outstanding production skills and the raw, dark energy of the tracks make this album a true weapon in any serious dj-set. as a keyfigure of early german techno, ebm-techno and acid, thomas p. heckmann has shaped the landscape of electronic music since his very beginning in 1990. his huge success as drax ltd. ii - amphetamine, knarz - tanzmaschine, silent breed – sync in, welt in scherben, exit 100 and countless others set standards and beyond in the under- and overground.

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

thomas p. heckmann drops the bomb and delivers his brandnew full-length album dark matters on nachtstrom schallplatten. what a masterpiece and deadly alliance between one of the most influential techno artists since decades and the notorious german techno imprint. thomas outstanding production skills and the raw, dark energy of the tracks make this album a true weapon in any serious dj-set. the album is backed up by a teaser 12inch coming on green & black marbled vinyl with remixes by the recent shooting-stars of the scene niereich & kraemer, techno heavy-weight alex bau and french talent drumloch prior to the release.
early support by chris liebing, dave clarke, sasha carassi, xpansul, gary beck, alex bau, terence fixmer and various others!

third release on big box recordings! upcoming producer and multi intrumentist aliwud, delivers a masterpiece ep! discover his midas touch, strongly influenced by major artist like george duke, herbie hancock, stanley clarke his sound mixed up 70s funk & neo soul. he shares his legacy with miri & emund swinburn from london to give birth to this wonderful ep >here i am<. the weshokids turns >give you everything< into a dubstep anthem! and la tourette delivers a great house remix with his rework of >don’t stop now< aliwud is here ! dont miss !

big one! pure, dark and driving techno bombs by pfirter on his own imprint mindtrip. incl. huge remixpackage by jonas kopp, dimi angelis & jeroen search and developer.

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!

alessandro parisi recorded this album just with a roland tr-707 and a roland jx-3p. the result is impressive. for lux rec it was worth the labels first lp. the heritage from his home in the northeast of italy is clearly present in the music of parisi. back in the late seventies and early eighties pordenone was an industrial city with a vivid underground post punk and wave scene. cold weather electronics. fog and darkness surrounds the place to this day and deeply pervades this record: the history of a city called draconia. who will do wrong shall not be forgiven. limited to 250 copies, it comes in a red vinyl double 12-inch outfit. free download included!

persnickety sounds is here to funk-ti-fy your world! in this era of nu-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

control control control - der titel ist programm, erscheint doch der dritte goose-longplayer auf ihrem eigenem imprint safari records in vollstaendiger eigenregie.
doppel-vinyl und cd im klappcover.

retro stefson sind der lebhafte beweis dafuer, dass grenzen und schubladen in der musik überflüssig sind.

combining his heart-piercing songwriter side with a skyscraper of soaring electronics , he takes the listener surfing on an emotional sine wave, an electronic soul testament that earmarks him out as the successor to the thrones long since vacated by massive attack and the aphex twin... two years after his debut album took uk bass culture down previously unimagined roads of introspection, james blake returns with the epic * overgrown*, an incredible album that sees james growing as a singer and songwriter while at the same time returning to the brain melting electronic perfection of his early releases on hemlock and hessle, moving way beyond any post-dubstep pigeonholes to include stunning reinterpretations of both hip-hop and house

takenawas debut ep on plan b recordings is here! there are two original tracks from him & a remix from dakini9 on the a side & a remix from dj spider on the b side. once again plan b recordings introduces us to a promising young producer who knows how to keep it deep & dirty

(180 gr heavy weight vinyl, includes cd & insert) fans of singer-songwriters like mark lanegan, dan auerbach and edward sharpe will fall head over heels for ians intriguing story-telling.

shuko is a german producer, born in 1981, who has been making music since 1999. he lives and works in an old factory building in a small village near frankfurt unless he is in paris, berlin or new york working with your favorite artist. shuko has produced music for a broad and impressive selection of artists such as talib kweli, lil wayne, sexion d assaut, 1995, cro, kollegah and casper.

chymera / conan liquid / daniel dexter / dubfire / emerson todd / fumihiro hoshi / funk d void / francois dubois / greg fenton / karotte / laurent garnier / marcus intalex / markus schulz / raresh / rocky / russell deeks / tedd patterson and more

kris wadsworth released his debut album life & death on get physical music last fall to much acclaim. the released marked a milestone in the artists career, pushing him under the spotlight, and into the welcoming arms of new fans.

persnickety sounds is here to funk-ti-fy your world!in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

one more heavy hitter on credo, and this time we could even say two tracks that form an ep as strond as the so far most sold credo-release from 2007 - bullet in your heart. the name tells already some connection to australia and indeed the basic idea came up during alex tour down under in fall 2012 where he played three cities within three days and a total of 9h playtime for which he travelled 64h in total. sydney acid is the main track of the ep, no doubt and hard to describe. it is a pure, driven technotrack with a fierce, no blubby, but very powerful acid bassline aiming at riots on the dancefloor. melbourne dub tells exactly what the track is all about and by the way featuring the sound of the local traffic lights that made alex thinking about creating some tracks related to it.

saveds latest offering is a single from berlin based artist burnski. appearing for the first time on the label earlier in the year with his incredible take on harvey mckays *the fall*, the talented producer delivers *lost in the zoo*.
the track is a real house bomb with a jackin disco feel, set across an evolving bass line and flourishing voices. over on the flip is a remix from dynamic duo, the martinez bros. using the original elements and adding their own unique production including an equally addictive bass line and trippy elements, they create a first rate remix that seals the package off perfectly.

after the success of last years long player, slow dancing in a burning room, el_txef_a and fiakun join forces once again to release a set of remixes taken from the album.

ein album, das zwischen zwei staedten entstanden ist. zwischen hamburg und berlin. also ein intercity album. aber was liegt zwischen den staedten? wald und wiese. die musik des albums ist gepraegt durch wald und wiese, durch viele jahre festival mit ferienkommunismus, unzaehligen open airs und vielen clubs, in denen vornehmlich aus holz gebaut wird. bass ist holz und holz waechst im wald und die musik ist auf bass gebaut, also ist das album eigentlich ein haus, solide und warm. hae... na egal, naja und dann kommt noch einer der besten basslaeufe der musik-geschichte aus einem wald mit kurhaus von weltruf, da schliesst sich dann der kreis. das debuetalbum >a forest< von soukie & windish ist das extrakt eines eigenen stils, den die beiden ueber die letzten 6 jahre und mehr als 30 veroeffentlichungen entwickelt haben. es ist deep, aber kein deep house, es ist trancig aber kein trance, es ist langsam aber kein downbeat. zeit für neologismen, slow trance, rolling house, down techno... whatever, you name it. auf jeden fall ist es musik, die immer funktioniert, auf den ohren, auf der tanzflaeche und danach, buten und binnen (draussen und drinnen). es gibt kein konzept, es ist einfach eine vorstellung davon, dass musik eingaengig sein muss ohne mainstream zu sein, musik die auffaellt ohne zu nerven. musik mit mut zum kitsch, die nie schmierig wird aber doch im ohr kleben bleibt.

the new album from the uk metal titans

if youre going to get someone to remix a seminal record, its a good idea to get someone in love with the source material groove armada, noir and eats everything all fall firmly into this category. chicken lips >he not in< is one of those records that everyone recognizes, even if youre not aware of its name or who wrote it. the bassline is an enduring sound in dance music that everyone knows, and pretty much everyone loves.

another slab of wax from the large music crew and this one is a beast! four fresh delectable cuts all with the classic deep large music house vibe. side a stars berlins nathan g with a garage workout and evan iff with a nod to classic vintage styles. side b features james dexter working out a chicago jack track and denmarks jacob bech with a sweaty nu school workout. get large 2013!

notfromearth is not just a prologue project. notfromearth is massive passion for sound research with the strong desire to push cinematic sound in combination with electronic, ambient and techno. and that is exactly why we start in 2013 with notfromearth. the first contact ep shows the complete range of electronic music with massive pure electronic rhythms to deepest techno structures.

here we are with the last chapter of kruse & nuernbergs excellent debut album *lets call it a day*. released last fall on lazy days, the album was cherished by the press and topped the digital sales charts of various genres from deep house to nu disco and chill out. remixers so far came in from such great talents as spirit catcher, shur-i-kan and nathan g, this time it is up to mario basanov, wolf + lamb and fred everything.

limited to 300 - no barcode! interesting and hot new label from jena. very special organic sound, partly slowpaced partly with a definite eye on the floor but allways with dirt heavy bass and tantalising electronic extrafunk approach , some trks w. strong dark vocals reminding on alton m. ! sick…

debütalbum des kalifornischen duos poolside, bestehend aus filip nikolic und jeffrey paradise, letzterer ist zusammen mit zwei mitgliedern von the rapture auch bei den calculators aktiv. poolside mischen auf erfrischende art und weise disco, indie und pop. ihre erste single >do you believe< befand sich in den playlists von todd terje, dimitri from paris und the magician. die zweite single >take me home< war der opener des letzten aeroplane-mixsamplers.
pressung auf coloriertem doppel-vinyl.

luc who? marianni? this reclusive french composer paved the underground music history with a handful of mind-blowing lps but still managed to surprisingly fall under the radar. even the experts seem to have forgotten about him when there were clues all over the place! it is true luc marianni didnt belong to no family but his own, with his constant work-in-progress through the gathering of friends and the odd random musical chance meeting.
it is therefore with great pleasure that we offer for the first time in decades the scarce remaining stock of original copies from his first and last vinyls, hoping to turn some heads along the release of the remix ep on ddd records: ddd-lmr-t01 with remixes of jared wlison (detroit), dam mantle (glasgow) and nukubus (rotterdam).

luc who? marianni? this reclusive french composer paved the underground music history with a handful of mind-blowing lps but still managed to surprisingly fall under the radar. even the experts seem to have forgotten about him when there were clues all over the place! it is true luc marianni didnt belong to no family but his own, with his constant work-in-progress through the gathering of friends and the odd random musical chance meeting.
it is therefore with great pleasure that we offer for the first time in decades the scarce remaining stock of original copies from his first and last vinyls, hoping to turn some heads along the release of the remix ep on ddd records: ddd-lmr-t01 with remixes of jared wlison (detroit), dam mantle (glasgow) and nukubus (rotterdam).

pizzico records continues to celebrate their 5th anniversary with part 3 of the tabernacle series, featuring a fine selection of tracks by kael misko, rotciv, le macchine & billy bogus and richard rossa.

supported by the climbers, toky, lossuruba, kolombo, skam, dirt crew andmany more... hot hot hot, cmm va003 is the third limited various artists vinyl ep from chilli mint featuring the man of the moment betoko, the dynamic due james flavour & james boatman, reddub & sam farsio and rise n fall..

standout track taken from don ninos latest album >in the backyard of your mind< (released in may), >beats< is about to take over your turntable for good thanks to three new remixes at the crossroads of the indie-pop and electronic music genres.
the original version of >beats< is a freaky and well-balanced piece of folk music. its lyrics are about body transportation and spiritual dematerialization. but in the hands of chloe, turzi and cubenx the beat boxes substitute the drums, the vocals get distorted, the track deconstructs itself as well as the walls fall between the genres.

2019 reissue - wie showbiz und ag moegen twit one und lazy jones ihre pockets fat not flat (taschen voll nicht leer). aber wie das schicksal halt so spielt, ist das nicht immer der fall bei den beiden musikern aus koeln. deshalb nennen sie ihr projekt flatpocket und haben ein gemeinsames album zu diesem thema aufgenommen. fuer fans der hi-hat club- & beat fight-serien!

like their american third stream predecessors, the three musicians on stage, donald chifamba on cello, vimbai mukarati on sax and vocals and his brother tinashe on congas and marimbas, accompanied by the experienced pianist filbert marova, produced a kind of music that resisted any kind of stylistic pigeon-holing. it also mixed the influences of classical music and jazz but added in pop, soul and the melodies of their shona culture.

sleaze records are back with a bang. remixes from pär grindvik & the mighty slam...

new years deal - behind the highway, near the industrial area, next to the airport, somewhere in the innercity, urban principles fall apart. that leaves the enclaves, mono functionalism and an urban ultra density that local governments are struggling to eradicate. both a cage and a cocoon, there is a space where development opportunities hit the wall. hybrid places that combines urban collapse and >the new culture<, endemic violence and solidarity, all of which is left to the communities to deal with without outside help. when the post-industrial economy becomes sporadic and nothing else takes shape, man is left at the mercy of his environment. techno appears and becomes a parallel between man and the city, as another faceless entity which unifies them. this unity is the result and techno is the process.

re-release of 2005 album on vinyl!

the second volume in the detroitrocketscience series of cosmic journeys, produced in a low-earth flight plan that vectors between detroit and berlin. >alpha control / workers in orbital habitats< is a suite that takes you from the launch pad at alpha control to the orbital habitats, where vacc-suited, free-fall engineers work in zero gravity. >reentry into martian atmosphere< is the soundtrack to the treacherous reentry into mars unstable atmosphere, a.k.a. the 7 minutes of terror landing window of americas latest martian probe. collectible 10-inch black vinyl format.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

>church of the real< is the tape 4th studio album by danish indie band i got you on tape, but only the second album to be released in europe, following the 2010 release of their award winning breakthrough album spinning for the cause. the new album went straight to no. 1 in the charts when it was released in the fall of 2011 in denmark.

berlins todd bodine is a fine representation of the underground music culture that has grown out of the city since the fall of the wall: gaining a residency at historical tresor club, he went on to become one of the most sought after german djs to perform around the globe, establishing himself as a...

luca c & brigante are beginning to need no introduction as their heady balearic mix of sounds continue to resonate from the beach to the club. together, they have dropped bombs such as >different morals< feat. ali love and the robert owens fronted >tomorrow can wait<. luca c is also one half of infinity ink, whose >infinity< has been one of the summers biggest records, and a new addition to hot natured alongside jamie jones, ali love and lee foss. sebi aka brigante has remixed the new single from ali love, about to drop on no.19. aligning with the ancient mayan prophecy that the end of the world is due december 21st 2012, luca c & brigantes new single >flash of light< featuring dance music icon roisin murphy is a call to love like there is no tomorrow. embedded in heavy reverb and stripped back to slow steady drums, the mood rises as roisins crystalline vocals fall into rhythm and weightlessness builds with the bassline hook, pearly high-pitched strings and a burst of harmonic percussion.

curle is back in full force this fall with new stuff from lucy, jonas kopp, albert van abbe and more to be announced soon. and frank martiniq of course