tram planet records is proud to premiere the first ever release from knoxville, tn electro producer dialectic sines. ben has been navigating the swampy tennessee underground for the better part of last decade, where he honed his production and dj skills. the tracks on this tape represent ben’s best work from the past 5 years and are not to be missed for fans of classic electro.

after releasing his debut album paradise earlier this year to much critical acclaim, b. bravo has swung back around for yet another trip to this island of cosmic delights, tapping into some of our favorite producers & extended fam for a special 12inch to accompany the digital of paradise remixed. the a-side kicks off with fool s gold producer sammy bananas turning the squelchy funk of freak it into a filtered french & italo inspired funky house monster, perfect for peak time on the dancefloor, while los angeles xl middleton deliver s a low slung g-funk & boogie inspired take on the album single i m for real. on the flip, uk producer smbd (better known as simbad) turns lay it on the line a classic 80s synth beast thats been tried & tested around european festivals all summer, while grandfeather (aka anton borin) comes through with a spacey & deep downtempo funk reversioning of cant keep my hands off you. los angeles-based adam mori aka b. bravo adds a touch of love to every soulful groove he gets his hands on. his signature sound, connecting outer space g-funk, r&b, and dance music has made him a name in the electronic music scene as well a key player in the worldwide modern funk movement, being hailed by the likes of xlr8r, fact magazine, gilles peterson and many more.

das debütalbum von kelela ist ein vielschichtiges, oszillierendes porträt, das sich zugleich in die vergangenheit und in die zukunft des r&b erstreckt. was so nach relativ stabilen genregrenzen und zugehörigkeiten klingt, wird in ihren händen grenzenlos: take me apart steht für sich, es ist ein neues element, das nach eigenen regeln funktioniert, sich aber doch einreihen lässt in einen kanon von klangverwandten jüngeren albummeilensteinen. ehrlichkeit und verletzlichkeit waren schon immer die eckpfeiler ihrer musik auch wenn sie sich gelegentlich gepanzert in avantgardistischen electronica-schichtungen präsentiert, und auf take me apart geht sie nun sogar noch deutlich weiter, was den emotionalen tiefgang, wucht und gehalt ihrer message und auch die breite des klanglichen spektrums angeht. nach den lobeshymnen für ihre hallucinogen ep, feature-beiträgen für ihre langjährige verbündete solange, danny brown oder zuletzt den gorillaz, und nach supportauftritten für the xx, legt kelela mit take me apart den grundstein für eine sehr vielversprechende karriere.

transitive elements’ most wanted tracks are finally available in a double vinyl release for the first time. all tracks have been remastered from enrico mantini’s original 90s dat tapes to make them sound even better of the original umm presses! a must have for collectors and for those who missed the original releases.

this record, and the full 2xlp that will follow it, are dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at europes doorstep. during this time, more than a million migrants and refugees fled their homes in the middle east, northern africa, sub-saharan africa and other conflict ravaged areas in search of a better life. for many, hopes of a future for themselves and their families lay in continental europe. while the reasons for such displacement, on a scale unseen in almost a century, are many, so are the reasons for europe being seen as the ideal destination. the relative peace and calm of the continent and the prospect of building prosperous lives in western europe was enough to mobilize multitudes to embark on the treacherous journey to europe. one of the most well-trodden paths on this journey was the balkan route, a trail leading through turkey, greece, and the former yugoslavia. this route was not without its dangers, and the dreams of many were dashed by impassible security fences and discordant eu politics, as one by one they were turned away at borders, or worse, forcibly returned to their countries of origin.

europa is the first single that represents the seed of discontent, from which the 2xlp grew. it was recorded during long jam sessions in belgrade as the media spotlight started to dim. the city became the purgatorial destination for a large number of migrants, whose journeys had been cut short and this record reflects the atmosphere of disillusionment and uncertainty about the future, which descended on the serbian capital.

resurgam bedeutet ich werde wiederauferstehen- und ist das heiß ersehnte, sechste studioalbum von fink. die band besteht aus dem in england geborenen und in berlin lebenden singer/songwriter und bandgründer fin greenall und seinen langjährigen mitstreitern tim thornton (drums, gitarre) und guy whittaker (bass). das album erscheint mitte september 2017 bei r coup d / ninja tune. der titel -resurgam- entstammt einer lateinischen inschrift aus einer 900 jahre alten kirche in greenalls heimat cornwall. diese haltung pulsiert durch das ganze album, das vom wegweisenden produzenten flood (pj harvey, u2, foals, warpaint, the killers) in seinen assault & battery studios in nord-london aufgenommen wurde. die zehn neuen tracks wurden innerhalb von zwei monaten geschrieben einer luxuriösen zeitspanne im vergleich zu vorherigen fink-alben und bilden einen songzyklus, der zugleich selbstbewusst und umfassend ist. resurgam ist ein mutiges neues kapitel, aber auch unverkennbar fink: mit ganzem herzen, gefühlvoll, unbändig, aufregend. ein klares highlight!
180 gramm doppelvinyl im klappcover, downloadcode und booklet inklusive.

jamie jones, reboot, jc fousdelamer remixes + original ...
the latest instalment on christian burkhardt s retrospective/future-focussed c&b sessions projects sees him returning to one of the pivotal tracks of his career: doubledub released in 2009 but still slapping with finesse almost ten years later with its low-swung bassline, latent funk and evocative vocal, its elements resonate perfectly with everything going on in house and techno right now. these remixes couldn t have landed at a better time... jamie jones rolls in with a timeless rolling gem that gradually builds into an impeccable late night jack-out laced with surprise acid tendrils. jc fousdelamer brings the feels with a much slower, cosmic trip that lingers softly with spellbinding dubbed-out magic while reboot unearths the techno beast that was always lurking beneath christian s funk. stripped back machine funk at its finest, reboot never disappoints. naturally christian has also provided the original source material for those who want to kick it 2000s-style and for those who weren t old enough to catch it the last time around. join in if you know the chorus, doobie doobie...

1lp, colored vinyl in a gatefold sleeve
the album is a collection of wonderful, emotional and very personal songs. written and performed by peter wangel, the lyrics are inspired by multi award winning, temporary norwegian writer karl ove knausgard and deal with very personal subjects from his own life. “the previous releases were about the “lonely” feelings, the feelings that only existed in me, the feelings i wanted to set free for a long time. the new album is about my life as it is right now, about all the thoughts, expectations, worries and the happiness that comes with a new life as a family. this is a very personal album, but i also hope to express something very ordinary and something that most people can relate to.- also musically the album is a big step forward for wangel, the melodies are still subtle, but offer more nuances and colors.

orbis x is a sublabel of orbis records and will be mainly focusing on softer yet often usable as dj material for the broader mass interested in electronic music. this sublabel is an extension of orbis records softer, more melodical and experimental side.
music will be ranging from house, dub, chicago over melodic acid and even breaks. not any track makes it to this sublabel if it can t stand on its own and stand the test of time! we warmly welcome the dutch duo dennis pors & stephan de bruijn to orbisx. new fresh talent, ready to conquer the world. we feel obliged to support these fine gentlemen to get their music spread across the globe. dennis & stephan know each other through their musical perspectives.
they share a similar taste for music, detroit techno. before they worked together, dennis experimented with deep house through digital synths and learned the ins and outs of programming music in logic.
stephan was well known with the detroit techno scene. his passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
soon enough they made the switch to analog gear to be able to create a cleaner and better sound. after three years of hard work, they have reached the sound they were looking for. and this is it!

kiu d lands back at the masterworks hq for his latest release -the journey - 12 inch sampler-. having steadily climbed the ranks of modern disco producers with consistent releases for the likes of hot digits & special editionà he returns to masterworks with his 4th outing on the label. rounding up a fierce collection of heavy beats, sampled grooves and lush melodies, kiu d remains in fine form and is apparently immune to resting on his laurels.

es heißt schon lange, dass björk bald ein neues album veröffentlichen werde. doch bisher gab es weder ein titel noch ein releasedatum.
jetzt erscheint die erste single »the gate« als erster vorbote des neuen albums auf einer limitierten 12” vinyl! björk beschreibt den song wie folgt: »›the gate‹ is essentially a love song, but i say ›love‹ in a more transcendent way. vulnicura was about a very personal loss, and i think this new album is about a love that s even greater. it s about rediscovering love – but in aspiritual way, for lack of a better word.«

here comes the long-awaited third album of desolate. like a fine wine, after five long years in the studio it is ripe to be heard. vinyl tastes better...
2x12 inch lp, includes hq sleeve with 350g black caribic carton plus 2 sided screenprint with gold

in a new transatlantic partnership, uk label secret reels and washington, dc imprint better listen records have teamed up for a run of collaborative records. the joint brand, secret listen, combines the labels in sound as well as in name. imagine the lush, pensive and moody deep house tones of secret reels joining with the sample-heavy disco soul leanings of blr. secret listen vol. 1 takes two artists each from both rosters for the first amalgamation. the -secret side- hosting english producers harry wolfman and chocky, while the listen side invites sune and vitamin d of high hat appreciation society and the newly founded honey butter records to the affair. it s a v/a release with a variety of offerings and flavours. wolfmans floozy sits first in the record as a bright and whimsical flute-led morsel, while chockys inner disco is a cerebral, loopy cut. on the flip, sune provides some exquisite rhodes action in his groovy midtempo effort, glidin, and his swedish compatriot closes out the affair with the bittersweet lately.

legendary philadelphia group first choice are undoubtedly disco legends. over the decades they have blessed turntables and eardrums with a slew of classic club records, look at any list of dj s choices or benchmark dance records and you ll see - doctor love , love & happiness , armed & extremely dangerous , double cross , love thang and many, many more! now, that s impressive. a truly legendary group, first choice came from humble beginnings during their student years in their native philly. off the back of some promising local appearances and some radio play they ended up working under the watchful eye of impresario norman harris who was managing soul legends the delfonics. the rest, as they say, is disco history! featured on this incredible compilation is some of first choice s classic mixes and cuts, touched by the old school masters, mixed by the heroes of disco - tee scott, shep pettibone, larry levan, tom moulton etc. truly an essential collection featuring all the classics listed above, and more, in their full 12- mix glory, untouched, respectfully remastered and compiled here with love and care. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

hot on the heels of both save me and the robert owens collab is the third instalment of the walk.man series. big wide-eyed club womper better dayz on the a and the subtler soul rolla stay away from music on the flip. these go off. the walk.man mixtape will be released in full on cassette and digital at the end of the summer

remix ep of great but massively overlooked debut album by vienna based band feater. somehow the citys answer to italians do it better! remixes by tuff city kids, giuseppe leonardi, ruutu poiss

400, 12inch 180g, hand stamped, individually numbered records, single press only.

disco stomper with diva vocals another extremely rare underground record on p&p. this time however and quite shockingly not a patrick adams or a greg carmichael production. nonetheless ôainÆt it timeö is a massive disco cut written, arranged and produced by arthur manning and p. j. wyatt paired with great vocals by soul, disco and gospel vocalist gwendolyn dennison better known for her stage name as queen yahna. queen yahna s career has seen her perform on broadway as maria in the hit musical, -porgy & bess- and the national company of -the wiz- as -evillene-. based in berlin, germany, queen yahna has had a successful career outside theater as well, cutting a few dance records over the year

forthright nifty gourmet smasher

touch sensitive is the moniker of multi-instrumentalist and production wizard michael di francesco. his debut single body stop was one of the first tracks released on future classic, all the way back in 2004. fast-forward to 2013 and his debut ep pizza guy / show me became one of the one of the most internationally beloved releases of 2013, due to the cult status æpizza guyÆ received. since then, touch sensitive has been relentlessly touring and writing, with recent highlights including supporting performances for disclosure, cut copy, flume and flight facilities. now he is back with his infectious, 13 track debut album visions, including the return to spotlight with his eclectic first single lay down, with its blissful melodies and driving keys getting praise and features on tastemaker blogs both nationally and overseas.
double vinyl in gatefold sleeve with download code and poster included.

new yorks matuss returns with the eighth release on her absence seizure imprint this september, comprising three originals from the ukrainian born artist. julia matuss, better known as simply matuss has been steadily carving out a name for herself over the past decade, initially finding her feet as a prominent dj in the ukrainian scene she grew up in before a move to new york saw thing progress and the launch of her absence seizure imprint shortly followed. now eight releases deep the imprint has piqued the interested of dj s such as d julz, dj deep, derek plaslaiko, twr72 and beaner. taking the lead on the package is fairy dust setting the scene via warbling rhodes chords, raw dub sweeps and a pulsating low-end drive before a spaced out, sinuous resonant synth lead ebbs and flows throughout the focal point of the composition. baelfire follows and strips things back to raw percussive feel, employing thunderous claps, a weighty kicks and sweeping filtered sample as the foundation before the latter half of the record works in a frenzied acid-tinged hook. faramant then closes the package with an amalgamation of organic percussion, natural bass licks and glitchy percussive chimes which all subtly evolve and retract throughout.

they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

“the elixir is the essence of being able to control your future with elements of both the past and present. i live through my music only to progress towards a better day.” - aaron rose
after shedding his former pseudonym of a la $ole, pro era member aaron rose dropped a number of noteworthy singles and killed every guest feature. but with the release of his new ep, ‘elixir,’ the brooklyn rapper has never sounded more focused or motivated, and it’s only a taste of what’s to come from the young artist.

as with his previous offerings - that have found a home on the likes of red rack’ems smugglers inn, horn wax, ruff draft, plus his co-owned end of label boss imprint – cyclonix continues to explore the deeper and more leftfield spectrum of underground dance music with a futuristic vision. made up of two original tracks, ‘alien drug store’ ep draws on a host of electronic influences ranging from deep house to detroit beatdown, alongside subtle hints of acid house and dub techno, whilst both retain the producers trademark sci-fi aesthetic. the release is completed with a sterling remix of ‘you’d better not’ from a pioneering legend of the uk underground - 4hero’s marc mac, under his nu era guise. heading up the a side is ‘you’d better not’, a slow-grooving techno cut bolstered by punchy kicks and a rubbery bassline, where foreboding sci-fi vox samples are interspersed with dubbed out chords and crunchy offbeat snares, as the arrangement shifts from one mood to another. the sub-aquatic vibes of ‘two face’ follows, which is set to a hypnotic two chord pattern, 4/4 kicks and a lashing of moody synths that gradually entices you into deeper realms through the aid of rippling hi-hats and rhythmic percussion with a submersed quality. on the flip is marc mac’s nu era take on the 12”s lead cut ‘you’d better not’, who transforms the menacing original into a blast of uplifting broken techno, where the soulful musicality of sustained strings and piano chords complement snippets of the original’s vocal sample that drifts atop adept drum programming, bouncy synth bass and a flurry of glistening synth melodies.

caldera made his cassette library debut on this summers various artist release – we are family vol.3 – with the excellent and well received techon 2l. he’s back with a full eps worth of trax that are better than your average. in fact, theyre 134% ok. ok? any questions just ask! thank you. unearthed sounds.

dutch maestro reimer eising returns with a new lesson in high class braindance electronica for analogical force. just one year on from the inspiring wingtip album on clone records and many (like us) have been looking forward to his new stuff, now the wait is over. alacasa , the result of months of work, sees reimer delving into his unique world of delicate drum patterns, kaleidoscopic synths, 4/4 beats and breaks, acid-tinged melodies, ghostly pads...blah blah blah... kettel has presented us with all of these things before but never with such immaculate care and attention to detail, production and pacing. he has never sounded better and fresher than this. the ep includes a dreamy and evocative remix from swedish hero rolando simmons, pure bliss to get lost in. no more words are needed, you know what to do.

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

the four tops were among a number of groups, including the miracles, the marvelettes, martha and the vandellas, the temptations, and the supremes, who established the motown sound around the world during the 1960s. the group was the main male vocal group for the highly successful songwriting and production team of holland–dozier–holland, who crafted a stream of hit singles on motown. their immaculate four-part harmonies gave voice to many of motowns most enduring songs. their self-titled album (1964) included the singles *baby i need your loving* and *ask the lonely*. you would be hard pressed to find two better singles on a debut album, both being the cornerstones of four tops. a debut to remember.
pressing on audiophile 180 gram vinyl.

dear ladies and gentleman, may i allow myself to present to you something quite special. perhaps you are not quite able to imagine, or maybe you just don t know any better, but incase it is not already obvious: otto – whose last album -greatest hits- created furore not only with their female fans – have just backed it up with a new release more advanced than most. which of the two can play the flute, or which has a drivers license you ask? most likely can the strongest clues be found in their delirium. do enjoy.

self-released by the artists.

auf seinem zweiten album als big french kombiniert der new yorker musiker quentin moore den willen zum knappen, eingängigen pop-song mit der Ästhetik des lo-fi-recordings. mit einem mehrspur-rekorder aufgenommen, nimmt der künstler manipulationen an den bändern vor und ändert die soundästhetik der ursprünglichen aufnahmen nachhaltig. damit erreicht er einen kontrast zwischen den melodiösen songs und einer ungeschliffenen sound-kulisse.

the squirrels are back. their second platter comes courtesy of kit n c.l.a.w.s. (say it out loud), the cheekily-named collaborative project from squirrels on film co-founder brian hock and veteran san francisco producer kit clayton, and just like the label s first record, it s a woozy, wobbly trip designed for dancefloors drifting between dimensions. savvy techno heads will recognize kit clayton s name from his decades of experience at the avant-garde of electronic music. in the late 90s, he and partners tang tran and juan mendez (now better known as silent servant) launched cytrax, a groundbreaking minimal techno label that paved the way for the clicks n cuts sound of the early aughts. his debut album — nek sanalet, first released in 1999 on stefan betke s seminal label ~scape and reissued in 2015 — remains one of dub techno s most enduring documents. meanwhile, brian hock moonlights as the drummer for deranged bay area post-punk outfit bronze while recording murky electro-techno excursions as c.l.a.w.s.

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und the number one song in heaven, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken -lil beethoven- (2002), -hello young lovers- (2006) und -exotic creatures of the deep- (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und -the number one song in heaven-, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken lil beethoven (2002), hello young lovers (2006) und exotic creatures of the deep (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

epical cinematic pop moments, sexy and electronic! on her second album, elena alice fossi, better known as the singer of the italian cult-group kirlian camera, promenades through tinsel town in high heels with her all-girl band spectra*paris. at the edge of pop, glam-rock, alternative and electro, the alluring ladies are spicing up today’s music scene with fresh energy, inviting you to a glittering homage to the glamour of the big screen. with her powerful, versatile and matchless voice, elena alice metamorphoses from innocent girl into grand diva to savage rock singer, gracefully moving through her sonic short films, ranging from spy stories to horror flicks, with distinguished pop-appeal. “license to kill” is released as a regular cd album containing a warholesque, punky bonus dvd and as a strictly limited, lavish fan-box containing a clear vinyl version of the album, a poster, a patch and a classy shape-cd-membership card including an exclusive, previously unreleased track. limited to 500 copies!!

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

the crooked man returns to bitter end with an emotional copy only limited pre-release of powerful club pieces... keen eyed aficionado s may spot the homage to mel cheron s classic us label west end records here but while their motto may have been where the sun sets & the stars rise bitter end records embarks on a distinctly more 21st century path to dancefloor salvation... echo loves narcissus - part 1 is the opening salvo in a sonic saga across four movements, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bass line so thick it ll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom. once you ve adequately composed yourselves, we invite you to the 11 minute monster which is get the love on the aa... this recalls the brief but genre defying 1990 jams from mundo muzique s revelation project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms. once again bitter end rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns light years ahead !

the stereo remastered album on heavyweight 180 gram vinyl.

glacial dancehall returns a two-headed excursion ofversions, samples + sirens chopped and screwed into oblivion bytime cowandlow jack. tasked with followingjay glass dubs first volume ofglacial dancehall(of march 2016) each artist served up a half hour side of ruff slow jams, bolstered with additional production and totalling 15 full blown edits. paris low jack can be found splitting time between on modern love, l.i.e.s. and the trilogy tapes as well as running his own editions gravats imprint with jean carval. westmoreland, ja, home to time cow - maybe better known as one of the key players in the equiknoxx crew, responsible for some of the island s crucial 21st century riddims. their watershedbird sound power on dds provides a weird manchester linkage that connects him to low jack via the modern love hotbed.

while frontiers currently seem to be (re)claimed and shutting down, we, at série limitée, prefer going against the consensus. we proudly launch the 10th release opening up doors to four new artists, deep88, sofotalk, kisk and the happy man. from italy to spain, our little musical caravan travels and wanders on paths and tracks made out of raw house beat leaves, fusion jazz trunks and deep groove fields, to bring to you this new va, our 10th, faithful to our long time recipe: 400 exclusive press. deep88 is officially in charge of welcoming you inside and of setting the tone. he will take you in with his track -wave house-. further up our musical trail, we ll start hearing the hints of the next step, our next stop: -more than a memory-, by sofatalk. on the road again, and we head to the b-side of things. we stay in close connection with italy with -clean up & down- from kisk. there is no good party without a great closure, and it s all even better with the happy man, closing the journey with -pizza hug-.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

live ones returns with lorca after a six-year hiatus. having released his debut record live001 ~ moments ~ we ve teamed up again to relaunch as a home for the edits, refixes and sample heavy music produced by friends and family that we love so much. after a brief break from production duties, lorca moves away from the eclectic, melodic style he s been known for and returns with a new sound and aesthetic. the tribute to eddie ep firmly nods at detroit, new york and chicago house styles and is dotted with a wide array of influences and soulful sampling throughout. having previously released eps and singles with naked naked, dummy records, 2020 and the like, lorca s ear for melody has earned him fans from across the board with his music being supported by a diverse array of dj s from ben ufo to bonobo to pete tong. we re proud to be back releasing this diverse producer s musi

one of the most exuberantly inventive and acclaimed bands around today, hot chip have built a devoted fanbase with their soulfully eclectic records and incendiary live shows. hotly anticipated by fans and media alike (and among spins >upcoming records that matter the most< and stereogums >most anticipated albums of 2010<, one life stand is the bands most boldly accomplished record yet, at once offbeat and anthemic, cerebral and danceable!

nice price deal !!! devnik (bart) is an electronic music from the netherlands. devnik started producing in the late summer of 2008, just as a joke. as time passed, the music got better and better. first being into electro fidgety beats and getting signed on the english electro label live-in music, he eventually found out about a thing called dubstep. dubstep now is his main goal, already being signed to dubline audio and having played along the likes of funtcase, cookie monsta, borgore, unitz, subscape, crissy criss, koan sound, ganja white night, sinister souls, osiris, vyron, switched sources and more, devnik is ready to destroy the dancefloor.

tina turners multi-platinum global hit album from 1984 back on heavyweight 180 gram vinyl.

dub store records veröffentlichen -unreleased early recordings: shuffle & boogie 1960-, ein 7-track album von rico rodriguez & friends

whats better once we hit peak time that dropping a sweet and soulful, bumpin tune that makes all the ladies say, ah and the fellas say, yeah? nothing. nothing is better. wd53 has stocked you up with four prime contenders for that perfect time of the night.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.