summertime has passed and so has the time for relaxing. autumnal vibes and serious atmospheres are back and throne of bloods latest fits right in. marking the imprints very first collaboration with another imprint, the throne of black catalogue ep sees nyc mainstay pixelife (lets play house, horn wax) dropping two new originals alongside brand new jams from australias carter brothers (black catalogue, defected) and black catalogue mainman monty luke(mothership, planet e, black catalogue)

welcome to the world of cvnt, a world where voguing dominates, and house in all its forms, past and present, ballroom to retro, is the musical language. after a sterling debut in 2012, which included support from hannah holland (batty bass), jd twitch (optimo), bok bok (night slugs), rushmore (house of trax), severino (horse meat disco) and voguing/ballroom legend vjuan allure, cvnt (aka niall connolly) is back with a brand new four track ep on body work, statement.

nothing for for warm shower ones or faint-hearted. krill is back with strong analog techno by luiz ruiz.

ltd 2013 repress !! luciano back to front..and back on perlon. the swiss-chilenian sunnyboy and boss of cadenza delivers this 30 minute two tracker and goes a little deeper again !! - vinyl only

aperture records is excited to welcome back oberman knocks with a brand new four track ep: wrecque byte quarters.
following on from two amazing albums to date, oberman knocks continues to grow and evolve as an artist, this time stepping it up a notch in the field of musical experimentation.

downtown party network released their first single days like these back in 2009, which quickly become an earworm for clubbers in lithuania, ibiza, the uk and everywhere else. the mission had to be continued, so summer of 2009 was greeted with the second record on eskimo.

after the summer-smash-hit *gravity*, which is still on heavy rotation by dj-icons like maya jane coles or erol alkan, this is the second single taken from remutes brandnew album *theme tunes for 10 games never made*, called *something monstrous*
nomen est omen --- a screamin catchy vocoder-electro-banger for bodybuilders, disco dancers and, well, ... uhm, ... little monsters. following the tradition of daft punk, remute remixes himself here for the first time in his career and transforms the tune into an oldschool sawtooth-rave-monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the tresor-loveparade-park ...

factory floors self-titled debut album is a vivid snapshot of a progressive band, still in the ascendant, smashing through yet another ceiling.
pressing on white 2x12 inch vinyl, cd-copy of the full album included.

the ep starts with peace in the world, an infectious, assertive stomper that hooks you with a simple keyboard riff and vocal sample. the energy doesnt let up on runnin, though that cut is decidedly deeper and smoother. the flip finds montel turning it back up to 11 with ecstasy, a dramatic club anthem, and get down, a funky, elastic burner that closes the 12inch

misty conditions is a project that started off when henry collins and richard wilson met up in henrys studio a couple of years ago and jammed for a few days non-stop, enjoying the process thoroughly. the connection became so good in this period that the duo developed a fluent understanding of how each other worked, ending up as a project made across the internet, while henry was living in france and richard in la. they cross pollinated by developing what each did best, henry making and creating banks of samples and richard creating software and effects to cut up and re-sample, passing the tracks back and forth, essentially until they felt finished.

the classic is back , 2013 repress !! just a must have nugget

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

hanne & lore are finally home again with a groovy pounding ep. the needle touches the a-side and immediately releases the first euphoric and crackling sounds of supergirl. a true tech house firework, which ignites itself without having hanne & lore lose themselves in too many bells and whistles. the supergirl leaves the stage and makes room for a bass line that is looking for its partner. man oh man, you say to yourself, while tapping to the music. completely lost in thought, you get thrown back into the electronic life by cascandys synth-shots packed amazing rework. monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters

space ranger are back on lovemonk. after a highly praised debut album, what about the magnetic fields?, the stuttgart gang delivers a new single, push button bang. they have joined forces with la based good night keaton on vocals to deliver a breezy, everlasting-summer anthem. sun-soaked grooves and roads leading to dance parties on the beach flow into the atmosphere when this is playing. aaron shanahan is the man behind good night keaton and he happens to be miami horrors drummer.
two grandiose remixes accompany the original. the legendary jori hulkkonen applies his wisdom to deliver one of his signature, class aa remixes, while up and coming spanish producer kresy, fresh from a wicked release on hivern, delivers a remix that will leave a certain smile on your face for a while. rounding off the single, space ranger step on it and go straight for the dance floor with intenzo, an immense italo-influenced house track.

as a long time label ally, it seems ridiculous that matthew styles hasnt previously had a release out on classic. previously releasing on like minded imprints such as running back, ostgut ton, bpitch and turning mix albums for crosstown rebels. classic are proud to initiate matthew back into the family with this new three track ep.

horo was a cloak attached to the back of armour worn by elite samurai messengers in wartime. capturing an elite tsukai-ban messenger wearing a horo was a coveted prize and in much the same way, a release on horo is a prize, a reward for artists willing to experiment, take risks and truly progress. this has been demonstrated by the fact we now have artists writing music specifically for the horo series.

after 12 months eduardo de la calle is back with his well know imprint analog solutions.

synth sense have been in imperious form as of late. following on from their alien transmissions release and the collaborative effort with asc, on reject the system, fragments from an infinite sequence sees them back in familiar territory, the unknown. as you would imagine from the titles, this is a vast collection of music that spans short of 30 mins, but explores infinite possibilities. close your eyes, open your ears, sit back and indulge in the world of synth sense.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

best known for his work on l.i.e.s and with steve summers as confused house, nik dawson aka bookworms drops an absolute banger on barcelona based label anomia. fans of the hazy textures of confused house here will be surely taken a back by the fact that the opening gambit on this ep, *mechanism* is utterly tonking. *photogenic* is another rushing weapon, while the closing track is a beautiful ambient piece. seriously killer ep, we can not recommend this enough!

simian mobile disco are back with more of the world s only techno tasting menu, serving up a a brand new platter for your delectation: tong zi dan are the chinese delicacy usually translated as virgin boy eggs. like the tea stained eggs you ll find in your ramen, these are eggs cracked part way through the boiling process, to let the flavours of the liquid seep through.

murphy jax delivers a fresh full length lp entitled *teleport: echo city* via the frankfurt based chiwax imprint.
murphy jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. delivering content for the likes of clones jack for daze series, hypercolour, exploited and turbo,jaxs style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up chicago inspired house rhythms, always keeping the production intriguing and melodic. here murphy joins the chiwax roster (a sub-label of rawax, also running the dubwax and housewax labels), alongside heavy hitters like gemini and perseus traxx.

on the heels of *the beast / road song* 7 inch release, we revisit ikebe shakedowns back catalog and tap renowned remixer and house producer extraordinaire brennan green to do a proper remix of *tujunga* which flew off the shelves and sold out as a 7 inch single prior to ikebes self-titled debut album release in 2011.
pressing on transparent, green coloured vinyl.

samuel l session back on his own imprint. 4 bass driven techno monster. slow build ups, sublte grooves and modulations makes this ep a winner. shrinked!

full cover artwork by luio onassis, inside-out print: desolat are proud to present martin buttrich & mousse t on the >session 1<.

the mastermind behind plan b recordings donates a laid back number for chilling, a deep beater, a late night track for the heads, & a classic full of dark sounds and effects.

fresh new open air track by davis & dembowski. after the big success of 9 am they are back with their next massive release including remixes by patrick bateman (tic tac toe), nico pusch (damm rec.) and wolfgang lohr (ton liebt klang).

seuil is back on eklo with new sound experimentation. after using only the mpc for his last record on the label, he has decided to expand to other devices to express his feelings about modern house music. getting into modular synthesis and using two famous modern machine drums that you will perhaps recognize... but still no computer sequences in the circuit, in an attempt to make advanced and modern house music just with hardware.

frigio is very honored to release the biggest and most important spanish electronic project of all times esplendor geometrico. from the early 80s until today, theyve been delivering the most authentic, raw and powerful industrial electronics you can hear francotirador which means sniper is a track recorded back in 1989 and this record includes original plus 3 remixes by sneaker (who previously did a remix for twilight ritual), juanpablo (head of frigio records) and spanish producer vinz vincenzo

rawthenticity is back with a brilliant 3 track vinyl ep produced between france & japan by fulbert (foul & sunk, soul notes), miruga (balance, ethereal sound) & toni be (soul notes, remote). serious deep house cuts from the edge of disco to more dub techno infused sound.

a very unique style... whim-ee, aka sara garcia is a french dj/producer. originally from recife, brazil she relocated to paris as a child where she began her journey into music via classical piano school for nine years. whim-ee later began experimenting with electronic music, injecting her own unique fusion of house, techno, jazz, funk, and soul.

we are pleased to welcome back the extremely talented need for mirrors duo back to the dispatch camp. here they strike completely on the money with the hard hitting funk-led *sling blade* and backing up the a side we have a heavy slice of bristol themed flavour for 2013 with *grapefruit*. both tracks present a clear nod to the old school and inspirational late 90s sounds we always loved (but never left!). need for mirrors prove again with this release that they are quite simply on a roll both as individual artists that make up the nfm duo and in their own individual right, definitely ones to watch for the rest of 2013 and beyond.

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

glenn strikes back with volume two of his classiques series featuring 4 chicago style disco edits. seriously deep and funky. and classy! dont sleep on these. gonna be big.

christoph el truentos debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. the deeply talented 24-year-old new zealander started writing back in 2011 at the time his son was born. tired fatherhood, personal upheaval and artistic indecision would actually help show christoph a clear path towards completing the record – a transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers of sonic texture and emotion to the listener.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

repress 2015 !!
the dreamteam of deepest sound hallucinations enters a new horizon. after their outstanding longplayer >songs from the beehive< and releases on shanti and workshop move d and benjamin brunn are back on the dancefloor with three new tracks on the smallville imprint. warm like an early summer night this 12inch is the perfect soundtrack for the season we all prefer. magical sounddesign meets hypnotic grooves. move d and benjamin brunn again create storytelling music with a highest grade of soul.

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

kuru, the alter ego of new yorks dj spider is back with this haunting slab of cult techno! fierce rhythms layered with filthy samples & analog synthesis that will make you feel sick. perfect for any dance floor

generation next is back with his second single release.after his first self titled ep, generation next has gotten nothing but positive feedback

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

fehlmann put his fine-grained trademark sound back on its feet & reintroduce himself to club culture.

more tracks selected by the running back head honcho, gerd janson, for our continuing music for autobahns series. this 12inch includes tracks previously only on the cd release plus some exclusives varied and roadworthy electronics that can also be used in cycle lanes and footpaths...tip!

the beats have an edge, the chords are not trying too hard, the composition is perfectly crafted to hit all the right spots. when that crowd is thirsty for more heat, pull out this record, drop one of the tracks and watch everyone go wild!

the wish i could fly ep welcomes boris horel back into the la vie en rose fold, following up the sun drenched supreme le kiff

tabla is back after the great reception to its first ep with a mighty second, this time from micha klang in partnership with kuroneko. the pair have made music together since 2011, most recently including remixes for safari, an ep for adult only and a track for holic trax...
supported by matthias tanzmann, andrew grant, lauhaus, brothers vibe...

finally remcord is back on atmosphere records and it wont go unnoticed. this ep features two of remcord’s new tracks alongside remixes of kollektiv ost (simple as that records, 3000grad) and arts & leni (ton liebt klang, ostfunk).

first release for the newcomer athens based recording label lower parts. tendts first ep slow years is a musical journey. a journey full of disbelief, experimentation and questions. nostalgic in the beginning, with slow chopped up beats, samples that play their part right by creating an atmosphere and suppressed bass that lie hidden in the back. as we come one step closer to reach the end of our journey the landscape starts to transform. the sound becomes a bit more static with intense need for self-criticism. melodies start moving spasmodically full of errors in a faulty random route. stacked on top of each other, they are trying obsessively to keep up with the flow until they reach climax, if they will ever do. 200 pieces cut / hand stamped labels in a printed recycled fine carton. artwork by tendts

boooom!! enemy is back with another fully loaded weapon by emmanuel. dark, droning and slowly upbuilding techno tracks without any glitter. pure energy! shrink wraped.