quickly following up to its debut release, stranger presents his >in moscow ep< as the second release on his freshly started self reflektion imprint. for the second release, stranger brings a selection of tracks forward that give a clear view of his perspective on nowadays techno. pumping dance floor driven tracks with a slight touch of the 90s influenced techno sound.

will to be well is the new studio album by dalhous, their second for blackest ever black. this double-lp reflects writer-producer marc dalls continued interest in the life and arcana of r.d. laing, but also alludes to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical.
the double vinyl lp includes free download of the full album.

seti recordings tune in to a new ard2 transmission. with the title night lights this 5 track ep explores the dystopian ard2 universe with 4 tracks that go from the atmospheric low tempo beats to the heavy bass club orientated records. additionally the ep contains a heinrich mueller guest appearance remixing one of the tracks found in the record.

sheffield has long been a hub for electronic music in the uk, spawning acts like the human league & heaven 17 and labels such as the mighty warp records. it is no surprise that a new generation of electronic music producers are now bubbling to the surface of the uk scene. at the forefront of the steel citys musical rejuvenation is oliver ledger, who is more commonly known as squarehead.

new slightly off season various artist release! the label say: >after last years summer special in the winter it looks like the calendar at wphs hq is up to par again! luckily so is the music, as this edition of the summer special series focuses on three tracks that were about to get lost in the ever-growing jungle of digital only releases. but like a true dr livingstone red d set out to find these babies a home on vinyl, so here we are!<

the wealth of artists involved for bedrock 14 is truly amazing. this 2012 label compilation captures the essence of why electronic dance music is such an exciting prospect right now by showcasing amazing underground talent, both established and new.
i m really happy with the 21 tracks i have selected for this latest bedrock compilation. with a mixture of bedrock favourites and fresh new producers this album shows that bedrock is always committed to finding the best electronic music out there. - john digweed

the one and only disco nihilist is moving forward.mike taylors second ep for running back is turning the curve ball of the first into a wild pitch (if baseball metaphors are your thing). 4 tracks across the disco nihilist spectrum: the rare cheerfulness of house rent boogie is backed up with a classic and no-nonsense rz-1 beat symphony that is aptly titled beatdown drums,while the flip presents the masked mania of film grain and some grumpy grittiness with operator select. mastered and cut in the us of a by legendary engineer mark richardson at prairie cat.

ltd to 500 copies, white vinyl! rmxs by: guti, adam port, uner

after releasing >inside< with nomi ruiz in 2009, germany hot producer rampa, is back on rebirth with another strong vocal track! this time the result of the sinergy with his fellow producer re.you! the virtually indestructible rave banger >work< on rampas label keinemusik established them as club hits machine, followed by productions on labels like cocoon, souvenir, gigolo and a remix for michel cleis worldwide floorfiller >la mezcla< on strictly rhythm plus diverse co-productions with tiefschwarz feat. dop, ruede hagelstein and others. their live-project is also irresistible, covering a spectrum between elegant deepness and unrestrained mayhem, without ever losing the sight of the peaktime fever curve.
>my life< featuring the vocals of meggy is a modern soulful number, with warm sounds and effective beats ... a very cool deep summer little anthem. on the remix front till von sein and tigerskin get in the studio to produce a strong house reinterpretation, keeping the original elements and adding a fierce bass line! kingston based menik proves to be a name to watch, exploring different worlds, and delivering something fresh and forward thinking!

big tune alert! these white label hand stamped promos will be worth their weight in gold for any self respecting dj planning on staying ahead of the curve over the coming months. the man of the moment huxley (hypercolour / 2020 / cecille) adds a new remix to this package. peak time party gear, as the title would suggest only 250 hand stamped copies in existence.

limited to 300 hand stamped white labels, big tune alert! these white label hand stamped promos (well ahead of the official digital release) will be worth their weight in gold for any self respecting dj planning on staying ahead of the curve over the coming months. peak time party gear, as the title would suggest. strictly limited to 300 copies

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...

in 2009 a series of five anonymously produced ink stamped vinyl recorded releases appeared in the global techno scene under the mysterious guise traversable wormhole. the series released exclusively on vinyl. the sound of traversable wormhole is a unique signature of sci-fi laden techno music with gaps of time, space & bass in between sound & rhythm.

fear of flying regular leif provides the 4th release for fofs revitalised limited label. a supa slick slice of modern vocal house, priority sees leif up his game with supremely tight production, a killa funked up b-line and sensual vocal from new recruit donna lea. for remix duties we opted for the up & coming talents of young un ethyl along with production partner flori. they come up with an altogether different take, coaxing elements of the vocal into a bigger sounding deep house experience. finally we thought we opt for a little bit of a curve ball in the shape of daze maxim. upon hearing dazes installment in the excellent story series we knew he was someone we needed to get on board - here daze strolls into tough tech house territory with a groove slightly reminiscent of rick wade at his most dance floor

feat. exclusive unreleased remixes from a mountain of ones critically acclaimed long player >institute of joy< - on ltd edition white vinyl.

nice price deal !!! big with dj hell, steve bug, slam, anton pieete, anja schneider, deetron, karotte and many more!
neuroxydes fantastic neurotraxx deluxe label returns with real curve ball of a release. stepping up to the plate this time is renowned uk don of the deep mr milton jackson.

multi-platinum producer, prolific hit-maker, and sonic innovator timbaland will release his third solo album, entitled timbaland presents shock value ii, on vinyl lp, on december 8th, 2009, on mosley music group/blackground records/interscope records. the album is the follow-up to the super-producers multi-platinum 2007 album timbaland presents shock value, which spawned three no. 1 pop singles, the grammy-nominated >give it to me< (featuring nelly furtado and justin timberlake), >the way i are<, (featuring keri hilson and d.o.e.), and a remix of onerepublics multi-platinum blockbuster >apologize< (one of the best-selling singles of the decade).
on shock value ii, timbaland re-maps the pop/r&b landscape by batting away genre boundaries once again. his prodigious influence and ability to stay ahead of the curve have meant that a wide range of todays most popular artists are eager to participate in the shock value series. this second iteration features guest appearances from justin timberlake, katy perry, miley cyrus, the fray, chris daughtry, nickelbacks chad kroeger, brandy, drake, and keri hilson. in addition, timbaland asserts the wide-screen sonic adventurousness that has led the virginia beach native to dominate the pop charts for more than a decade.

germanys finest michael burkat and lars klein team up to bring you a very special collab release. bound and lk combine forces and deliver a true techno slammer. lars klein starts the ep with his changes. soundscapes introducing a deep and dark techno monster with a powerfull and uplifting vibe. changes all through the track resulting in a 12 minute workout! michael burkat on the flip with his special bound release. bound 026 was a great succes and many people are waiting for this follow-up. the first track is a bouncing track with a catchy feel, while the second takes it deeper. full support by perc, hertz and many more.

mystery white label house mixes of the new cadburys advert cutting up the classic 80s electro freestyle classic >dont stop the rock< 2 seriously good mixes

das reloop access.2 mischpult wird besonders durch ein ästhetisches design und eine klare aufteilung dominiert. eine komfortable bedienung sämtlicher features rundet dabei das mixerkonzept ab. volle klangkontrolle und eine gesonderte led für das vorgehörte signal ermöglichen dem dj optimale klanginteraktion.features: 2+1-kanal-mixer, sehr guter klang, cue-mix mit mini-fader, crossfader mit einstellbarer curve, umkehrbar, 3-band-equalizer für beide kanäle , 2-band-equalizer für mikrofon 1, extra led für vorgehörtes signal, leichtgängige fader

first labelcompilation by aw-rec !! excellent timeless soulful detroit music

played by tiefschwarz !!ultracool black strobe remixes ,front 242 electro/ebm instrum & rmx

a collection of highlights from the legendary nyc lockdown livestream brunch sessions of harpist brandee younger and bassist dezron douglas.

25th anniversary compilation from planet mu.

following 2017Õs Ôpath of ruinÕ, dj richard returns to dial with his much-anticipated sophomore lp, Ôdies ir¾ xeroxÕ. undoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, dj richard imprinted the sound of a bubbling us underground with his label, white material, founded in 2012 alongside young male.

dvs1 aka zak khutoresky, us dj/produzent/labelbetreiber russischer herkunft, ist mit releases auf labels wie klockworks (ben klock), transmat (derrick may) und seinen eigenen imprints sowie regelmŠssigen dj-gigs im berghain und fabric ein aushŠngeschild des zeitgenšssichen techno. auf fabric 96 mit 29 tracks in 80 minuten besticht er mit seinen technischen skills und einem tracklisting mit hohem exklusivem anteil in form von u.a. neuen produktionen von steffi, oscar mulero, mark broom, rod, lando und kirill main auf den dvs1-eigenen label hush und mistress.

d‰m-funk is the kind of guy who seems like he d make great company: laid-back, affable, personable. but to truly get the guy, to really understand him, is to know a deep love of music like no other. dam s contribution to the dj-kicks series gives you an opportunity to do just that. it s a snapshot view into the mind of the pioneer of modern-funk musicÉ dj-kicks invites you to get to know the man behind the shades. dam makes a lifetime of digging and absorbing music that feels as laid-back as the santa ana breeze. years ago, he coined the term modern funk to give context to his music. the elements of the synth-heavy and multi-layered style are gloriously displayed on dj-kicks. -modern-funk is a combination of all the sounds on the mix,- he explains. -funk, boogie, electro, house, modern-soul, ambient tonesÉ a push and pull of nostalgia and progressiveness...- at a satisfying 19 songs, d‰m-funk s dj-kicks lets grooves breathe. this is a mix to happily get lost within, a document in vibe. unexpected contemporary joints mingle with lost gems from unlikely places. the exclusive d‰m-funk production -believer- makes its debut on dj-kicks, an extensive instrumental composition that on it s own could only be classified as signature modern-funk. the mix also includes dam s excellent collaboration with nite jewel, as nite-funk, on -can u read me?-

will to be well is the new studio album by dalhous, their second for blackest ever black. this double-lp reflects writer-producer marc dalls continued interest in the life and arcana of r.d. laing, but also alludes to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical.

nick curly sein debutalbum >between the lines< ... selten harmonierten titel und inhalt besser miteinander als bei nick curlys debŸtalbum. mit jeder menge soul, einfŸhlungsvermšgen und musikalischem feinsinn bahnt sich der mannheimer seinen weg aus den dancefloors dieser welt in die riege zeitloser houseproduzenten a la moodymann, move d oder larry heard.

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-