here it is, the last 12inch in the series of relatively hard to find disco re edits and exclusive remixes from detroit. we kick off with an extension of brainstorms beautiful understated journey to the light from the album of the same name. then its the full on uptempo retwisted disco of gq as heard on several sound signature mix cds and live sets. these are original copies from detroit!!!

hinode’ is a tribute and farewell to our favourite club, yellow in tokyo. we’ve played some great gigs there, six or seven hours in the dark with eight hundred people and one strobe light – perfection. endless saki in the bar, obligatory stalkers (“93!” and hedgehog girl step forward please), smoke and heat on the dance floor. finally emerging deafened and sun blinded into the brilliance of saturday mid-morning in tokyo… backing up the original is an exceptional remix from our favourite techno genius - fergie.

superb minimal techno/ techhouse from berlin.. produced by s.hirtenfellner

first labelcompilation by aw-rec !! excellent timeless soulful detroit music

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

incl 10 stck 12inch vinyls: deadmau5 - not exactly *remixes, lissan & stills - wings, northern lite - im so glad, novy & bahil - fluxkompensator, bee gees - if i cant have you, king roc - communique ep, nudisco - aji cito, hatzler - quarterpounder, cristian paduraru - equipping education *remixes , azzido da bass - dooms night 2008

excellent electro trax for bunker/electro & wave fans part 2.. including sneak thief, polygamy boys, divider, zhark and many more..

thumping house gear from ferrer and sydenham on this 10inch release on ibadan. behind a booming bassline and a little french kiss synth influence as well, double penetration is perfect for that late night floor action, with a little progressive feel in the sweeping synth lines setting it off just right. both mixes glide effortlessly along - in fact if you get 2 copies and play both sides one after the other, the results would be outstanding!

matt k from wiesbaden germany and boytoy from paris france found the way into the studio to bring boytoys voice and ambient influences together with matt ks brilliant minimal producing skills. this crossover is an amazing mix aof both worlds. track 1 on the side a >kultur< is a typical matt k production nice effects and bongos. the 2nd track on side a is the >kultur< boytoy remix french experimental. the side b comes with an unforgetable tune by the nameof >froisse< matt k remix. the voice of boytoy and matt ks handwriting is a perfect match. the 2nd track on the side b is boytoys version of >froisse< and calms you down after a long party night!

life is long is an opening gate to the world of lithuanian jazzy house. the funky basslines and turntablist stylings, topped with the organic sounds of light, swinging, latin percussion, wailing saxophones, and fluttering flutes forms the distinct sound of jazzus juice. the release includes amazingly frivolous and funky remix crafted by talented mr. rithma (om records).

inner thoughts is a rolling acid track with off beat snares and broken hi hats while space disco is a deep detroit esque, mid tempo slice of electronic gem. sonja moonear (karat, katapult) has added her own dimension into the release, having reworked space disco into an obscurely deep, heavily bassed broken piece of dance floor wonder. also on remix duties, lasimo (senator/germany) has taken the original from down town detroit to a parisian night club, dropping the main acid line out but manoeuvring the percussive groove and gentle pads to an altogether new kind of experience.

tech -/minimal -/electrohouse tracks made in italy by jay high & fabrix, franz, blanda & galati and ferro & sarullo. includes scalambrin & sicily mixes

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

after being discovered and initially managed by jamiroquai, cozi costi has co written with a host of the industrys most proven artists like sucker djs, sunfreaks and david guetta. fireworks was released on toolroom records in early 2007 and was a buzz chart 1 track. cozi also co wrote the lyrics for counting down the days by the sunfreakz, released on oxyd, positiva and starlet in 2006! cozis latest collaboration is with david guetta: performing baby when the light on his poplife album, cozi is now set for further chart success. but now its time for her collaboration with starlets phonjaxx! sensual has recently been signed to ultra and positiva and is now finally available with brand new club mixes!

streetwise was one of the seminal dance labels of the eighties, responsible, with its subsidiary imprint partytime, for several important and influential examples of the dance genre. several of its releases were indicative of the directions that both dance and r&b would take over the next few years. the signing of vocal group new edition and their resulting hit candy girl is generally acknowledged as the beginning of the boy band phenomenon, and the labels last hit, music is the answer, was also a key element in the rise of house music. the label lasted for only a few years before falling victim to its own success and the related success of its owners, especially revered producer and remixer, arthur baker. here is a selection of streetwises greatest 12inch mixes, gathered from the archives during streetwise reign over the dance market presented on this vinyl.

4 killer remakes here from chicagos disco master dj rahaan, includes a tasty rework of le pamplemousse (aka rinder & lewis) 1979 cut >you can get off on the music< plus an edit of former temptations eddie kendrick s 1976 disco gem >thanks for the memories<, along with feel-good disco slammer from two tons o fun, >make someone feel happy today< and from 1987, >walk the night< from canadas answer to the village people, the bent boys

there is a truly massive buzz around this record. pete tong is all over this amazing cover of underground resistance - night of the jaguar produced by sebastian leger. this is a legal cover and not a bootleg and his mix has been massively respectful to the original using many of the original elements and also keeping true to the arrangement to create a brilliant up to date interpetation. listen and enjoy - this will be massive.

huge richie hawtin support !! oliver dodd (acacja/xylophone jones) first appeared on addon06 and returns with a timely ep of analog rhythms and head tripping movements. hailing from nashville dodd creates a sound all his own between the influences of detroit techno and euro minimal shifts. stark, deep and pulsing best describe this 4 track ep. elevators and escalators is the title cut which will flip you up and down. a sure cut that is already in the hands of hawtin, drives with 808 beats, falling synths and rising plucks. an epic dj tool if there ever was. let it ride and play tricks. the rest of the ep is rounded out with dance floor cuts for mind and body. enjoy

re-release part one of several classics from the raw elements back-catalogue.. incl tracks by steve bug, vincenzo and superlova (steve bug)

5 track industrial massacre!!!

newest release from fools gold (kid sister, a trak). huge club rework of a rap classic, includes remixes from flosstradamus and nacho lovers and b side party smasher juggle it!! after five years running their wildly successful club night disorganised which has hosted the realiest canadian appearances of such party favorites as mstrkrft, css, diplo, crystal castles and girl talk longtime selectors dj booth and chameleonic decided to dive headfirst into producing tracks of their own, and jokers of the scene was born. jots take the best and most mind meltingly intense parts of dance music through history the ecstatic buildups of big room euro house music, the hyper distorted basslines of electro rock, and the lighthearted samples of 1990s rave and throw them all in a blender at 130 bpm. its loud, its fun, and its lighting up dancefloors worldwide.

reissue of 96 classic as sampled by janet jackson on got til its gone

the a side kicks off with the highly anticipated release of party all night from french producers bobby and klein, chanting we gonna party all night over an infectious groove that kicks things off proper! the a2 follows party all night with nashvilles real time hand motion hitting us with their amazing honey tune. all the trademark rthm cuts, edits, and vocal bits come together to deliver a funky analog bassline jam with a really unique dancefloor jam. on the flip, mebourne, australias d t3ch turns in the gorgeously funky meerkat music, a tune thats been killing danceloors and a vocal that puts a smile on everybodys face. not to be missed! and last but not least, label bosses the sound republic deliver a tongue in cheek tribute to jason hodges with a chopped up tracky jam that jacks through rolling pianos, xylophopne backed with a bass bit that is humanly impossible not to dance to. all in all, the 4 piece set ep is kicking off the new year in style!

remember tullum combines slick guitar licks, rolling breakbeats and a warming bassline. flipping over and the equally as classy water goes for a stepping drum beat with light percussive touches and an effortless vocal that slides in and out of the mix while the bass notes soothe your soul as you dance your ass off. classic ac business.

ultraphat marek hemmann remix !! support comes from anthony collins, italoboyz, karotte, dj misk, mark henning and many more.. on a1 marcus meinhardt is telling the story of jerry lee in passionate dark sounds. he’s painting pictures from the dark side of town in which he was torn into. in the dense frames he hunted the adventure. a visionary, whose hair followed in electric line shape the power of his movements. when he runs - he runs for his life. marek hemmann how ever highlights jerry lee to a sunny place, to pick and count some daisys, in which the rough guy revives like a tame light being.

the first single from the album last night, this futuristic hip hop track features smokey and s.o. simple of nigerian hip hop group 419 squad and aynzli. includes remixes by general midi and drop the lime!! not to be missed

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

ha! a tribute to james brown is pure 2 step retro junglism by darkwah. while menons production of an afro step broken beat classic is designed for hot sweaty nights in brixton or bahia. quiet storm demands a phat sound system and the right night, ripe for something good in your soul.

zeep dreams finally sees the light with a massive 12inch release featuring heavyweight and veterans on the scene da lata (patrick forge & chris franck) and afronaught (bugz in the attic) punching a string of right handers and basslines to boot. underdogs and remix competition winners, john johnson and dj lk respond to the challenge with some deft footwork and some surprise dancefloor sonics keeping a truly competitive edge to proceedings.

dark energy is the first in a series of sonic strikes engineered by ur to be carried out during the winter equinox of star year 1994-1995, against programmer strongholds. the primary strike will consist of a series of 6 dark energy waves. this mission will be carried out by nitestrike leader james (suburban night) pennington. the dark energy waves will engulf the earth in a ultraviolet midnight sunshine allowing the suburban night and other resistance forces worldwide to finally see the truth and pinpoint programmer positions for the now mobile ur divisions moving out of detroit for the upcoming assault worldwide. to our brothers and sisters of the underground - stay low, stay strong, stay underground

on the previous release of dualblock taras van de voorde, estroe and thomas lauren all dropped great tracks. on this release the same three dutch producers are represented. thomas lauren on the a-side comes forward with >fairwinds gossip<. a quality track that is great for warming up any crowd. on the flip side estroe takes us a little deeper into the night with >beatbox contest<. a techno based track with a nice drive, making clear estroe is influenced by the detroit sound

lingo recordings back in action after a 7 month hiatus, but boy was it worth the wait… slum sciences danny white turns into two wicked cut that are on the deeper side of the house spectrum, yet still have plenty of jack to work any prime-time dancefloor. >she likes it< features a full on underground groove that reminds us of hodges material. >absense< is a touch deeper and features some really cool filtered string samples - hot! remixes come courtesy of jt donaldson (aka mr can-do-no-wrong) who delivers a slammin deep soulful, musical outing that is perfect end of the night stuff, and nu-jack dudes rthm who twist and turn the track into a funky jacker. this ep is no joke folks, a smoking release that has a little something for everyone

supported by cosy mozzy, felix da housecat, tocadisco, john acquaviva funk d void, miss kittin, da fresh, angel molina, jori hulkkonen, terence fixmer. french techno uber-lord kiko delivers his best track since monique, returning to his nourish techno roots to drop a 9 minute late night gothic epic. melancholic chords and strings dominate- vitalic fans will love it.

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

incl remixes by dj assault, trevor lovers, pig & dan !! swedens next big thing the touch was recently titled >one of 2008 >gonna bes<< by one of swedens biggest newspapers. without a single release out they have already conquered sweden s club scene from north to south, performed alongside justice,ozzy osbourne, pet shop boys, dizzee rascal, boys noize and uffie on swedens biggest festival and have managed to cross over with both a strong indie, dance and major audience. with influences from early factory and hacienda era manchester and acid house and electronic music scene from 80/90s detroit the trio has added an extra dimension with futuristic sounds that has a crossover appeal

ltd backstock.. woddy mcbride acid techno double vinyl.. spinning backwards

skizofonik and by records has celebrated the forthcoming release (march 2008) of kizofonik first ep. at the n.e.m.o/bulex on saturday feb 2nd. what a crowded night. the vinyl is kicked very this march. included lady bs high pressure remix.

big with: minilogue, dj yellow, luca morris, gregor tresher, davis&may,.. arcobaleni, thats the massive debut single of the talented italian boy spada. hypnotizing bells, sweet melodies and bassline fuse together warmly to create the kind of emotional maripoza stuff everybody loves. as special guest mixer, zakko, who was heavy played by james holden and gregor tresher with his >for her< masterpiece,was in studio to do a deep and melodic interpretation to enjoy…also teatro a devotionful producer created with another point of view for the song a dark, groovy and atmospheric walk

big with fabrice lig, funk d’void, dj hell, jimpster, steve bug, 2000 and one, michael mayer, karotte, sebo k, kiki, gregor tresher, satoshi tomie. in 2001, art bleek started to release his first tracks on compilations. he played the saxophone alongside deejays and started spinning an eclectic blend of jazz, nu-jazz, broken beats, bossa-nova, world and electro jazz records in hip parisian bars and restaurants himself. at the end of 2004, art bleek signed a record contract with lounging records. he released his first album there, followed by a single, two eps and a remix album.

played at rogers sanchezs release yourself night at pacha. defected in the house at pacha. eric morillos subliminal night at pacha. renaissance at pacha. david guettas fuck me im famous night ibiza. pete tongs pure pacha night. david morales def mix night ibiza, chopstick, the disco boys, the admirals, 2 elements, finger&kadel, nicki elise, agent greg...

at the forefront of the new wave of german techno, p.toile and her co-producer alexander krueger (aka tigerskin, aka dub taylor) have created a jittery, bubbly bomb without a piano in sight. propelled by chopped up vocals and rolling snares, >piano piano< conjures up images of an 18-wheeler chugging down a lonely highway on a rainy night, receiving fractured instructions over a faulty cb radio. midway through the track, ethereal pads pierce through the darkness. the rain stops, the clouds part, and the melodic percussion hammers back in. sven tasnádi has dominated cargo editions recent release schedule with his own unique productions as well as collaborations with daniel stefanik, so we are understandably excited about his first contribution to mothership. svens >adventsfrequenz rimüxx< pulls us even deeper, exploring >piano pianos< main chords from a percolating underwater world. a steadily building groove unfurls majestically on the ocean floor, punctuated by rolling congas and sudden crashes, as if a hurricane raged on the waters surface

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

dj disse returns with another hot slab for music for dreams. the real roots ep sees the man reworking the doors break on through to maximal dancefloor effect and its teamed with an additional three deep and duby originals. more quality from the music for dreams camp

serious electrohouse/techhouse businezz on the fine electric spain imprint

funky saxy house licks

schwarz glänzend und eiskalt, die drei bretter, die uns treibstoffs maetrik hier serviert. der in texas lebende exil-kubaner kennt sich aus mit abgründen und widersprüchen, scheut sich dabei nicht, auch mal voll zwischen die stühle zu gehen. toller primetime techno

1985 classic. oldschool electro sounds for all lovers of the ancient 80s sound. feat utfo, roxanne shante, whodini, egyptian lover, douge fresh...

remixes from the upcoming remix album entitled night blossom features the pasta boys rendition of where the music takes you, and the rurals and king streets own tomo inoue take on stay as you are. this is a must have to your 2008 collection!