repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.

the next release on the invariants contains three edits of tracks from the deep. the a side contains a chicago leaning version of middle eastern esotherics and a more techno dub version of the same track. on the flip are black metal synths combined with 90s strings in a live jam recorded slightly in the red. comes with two locked grooves to serve as a vessel for drumless tracks

1xlp metal-coated silver sleeve + black inner sleeve + mp3 included. following on from a & b, c is the end to the trilogy.

subjected, boss of the vault series imprint, makes his warm up debut with his rest one ep. the release includes two original tracks plus a remix by oscar mulero. rest one is based on a cemented beat made of metal hits, fat kicks and abused hi hats. the synthetic sequences, deep sub frequencies and aggressive drones move along the beat changing shape and evolving as the track goes on. shift is the second number, sci-fi arpeggios, subtle kicks, moving percussions and an hypnotic arrangement. oscar mulero reshapes shift by preserving the original arpeggio, adding effects and peppering the track with synth stabs in a constantly changing structure.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

it s been some months since the last gold release but only david phillips two bangers doogiehouser and daaance daance had the golden touch to deserve the expensive metal. and being played by gold rcrds boss rainer weichhold for a long time he knew exactely how to make his own version together with greek kling klong artist vangelis kostoxenakis. as enzo siffredi s last keno records release became such a big track in rainer s dj set he was very glad that enzo agreed for his remix of doogiehouser . beware of the doogie.

the inaugural release for the label offshoot of australian radio show noise in my head, tracks for performance serves up two new tracks from la-based anomaly suzanne kraft. originally conceived as a contemporary dance score, these proven body movers are some of the producers toughest work to date. dead ringer finds a snake charmer harmonising with the racket of a metal works factory while ruff bathers tries to operate the forklift under heavy sedation.

de:tuned was founded in 2009 by ruben boons and bert hermans. the pair first organised a series of old school techno parties in antwerp (belgium) before launching the record label in 2012. to celebrate 5 years de:tuned they now turn out a very special 5lp album featuring 21 tracks from some of the most respected names in the game. the album has its roots firmly in early/mid 90s techno and electronica, a style which de:tuned has always presented, and spans some 20 years of electronic music.

ltd edition 200 units
nabla is a mathematical function that when applied, gives a multi-dimensional figure the ability to have many slopes in different directions. like the label’s name, the artists’ of nabla interest in all genres and textures will reflect in the varied nature of their future releases. for its first release, nabla artist lakehead continues the well-trodden path between techno and sci-fi but with a more eerie waif-like approach. raw lo-fi influences impose themselves through interesting percussive mechanics and ghost-like synths in a1. the ambient weightlessness of a2 gives way to a greater intensity on the b-side. the offbeat delivery on b1 is guided along industrial sounding landscapes while heavy metal hi-hats and trance-like melody of b2 rounds off a versatile first release

exklusiv für den black friday! kevin martin aka the bug kollaboriert mit dem ambient-metal-drone maestro dylan -earth- carson und veröffenlichen auf ninja tune zwei herausragende bass-drone tracks! limitiert auf 150 stück für den black friday!

limited nice price action
excellent phunkin electrohouse

ice ts infamous and influential metal band debut from 1992.

having blown the doors off with their r&s debut *containing a thousand*, lakker return with a devastating new single that concentrates and coalesces their sound to unprecedented new heights. their intricate, yet muscular soundscapes and skittering percussion have an epic, alien quality that set them head and shoulders above their less ambitious peers. having a background in punk, metal and broken beat as well as noise and techno helps give lakker their truly unique and uncompromising sound. currently touring their blistering live /av set across the planet and hard at work on their debut lp for r&s you will be hearing a lot more from lakker very soon.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

publicist is longtime producer/performer/musician sebastian thomson. his tracks approach house music from a darker angle, adding processed vocals and noise to a raw foundation that also takes cues from new beat, acid house, and detroit techno. when performing live publicist sequences the synths and not the drums, preferring to play an electronically treated drum kit in the middle of the dance floor. this adds an element of sweat, excitement and virtuosity not found in most electronic producer s live performances. sebastian thomson is also known as a founding member of post rock pioneers trans am and as the drummer of heavy metal innovators baroness. living in brooklyn by way of buenos aires, washington dc and london, publicist has spent the last four years touring europe extensively.

nsm002 is me, mosca, again. two not-house not-techno tracks, a little more raw and textured than my last 12inch but with the same emphasis on dark, sexy grooves and just enough dissonance and freakiness. the greyhounds is a dubby rolling thing with an indulgent breakdown that i wondered about scrapping. i ended up backing myself because the crowds i played it to seemed happy, and ive wanted to use those strings for eleven years now. i tried to make clinical trial for the basement clubs, dust and metal and tape. thanks for checking it out.

epic sub-driven & upfront dancehall-steppin exceptional riddims, electroid hip-hop and house of the deepest kind produced between 1997 - 2003 by don papa in the underground solitude of moss norway. true in spirit and heart - as well as in groove and bounce. sex tags mania issue 26 represents

the first part of another golf channel double header from the insanely prolific and scarily on form combination of dean meredith & ben shenton. a side *c.e.r.e.m.o.n.y.* has been dubbed the barnyard stomp by split secs / sonns travis kirschbaum (aka tk disco) - 11 minutes of bluesy peyote riot that features derek holt of 70s black country legends the climax blues band. b side *hiding from my shadow* is ripe with the funk too, but takes us away from the fertile stench of the psychedelic session in the barn and instead channels minneapolis via stafford as p-funk squiggles give way to mr. meredith’s trademark chugging bass. metal and technology vs mother earth in an elemental battle - both sides win! golf channel every time !

exactly one month on from tp5, demdike stare unleash the 6th instalment in their ongoing testpressing series, a split session focusing on damaged dancefloor articulations on the a-side, and demented metal edits on the flip.

purveyors of fine underground music, joe s bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball

pleasures of the flesh ist das zweite studioalbum der us-amerikanischen thrash-metal-band exodus.

3 cryptically titled edits courtesy of fizzy veins. limited and lovely. insert included.

frozen border turns violent with this massive, industrial-noise ep by mysterious artist oxcure. acoustic claustrophobia while drowning in dark metal sounds and a powerful heavy bass remix by violet poison.

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions this one is bound bound to be caned by all the usual players!

brown sabbath is the alter ego of austin-based brownout, delving into the catalog of the hard rock and heavy metal godfathers themselves black sabbath .>hand of doom< featuring black angels singer alex maas on vocals is the lead-off single with >the wizard< on the flip, pressed on limited colored splatter 10inch.

7 years after the last zhark vinyl release, heavyweight techno nihilist & labelhead kareem opens up another chapter of advanced technoid noizcore with his 11th full length ep on zhark. after a few years of silence kareem had just reemerged with releases on foundation sonore (fs 01), porto ronco on death of rave or mesmer on zhark digital but is now threatening to inspire more uncompromising percussive hostility. let this just be the beginning: whereas side a emphasis on a very distinguished dance floor groove concept of machine funk embedded in metal layers side b leaves room for a less formatted approach building up tension which is leading to a free firezone of depravity. while methodic differentiations can be discovered on each side, the listener is continously confrontated with haunting sonic extremism.
pressing on dark red coloured and black marbled vinyl.

exklusive 12inch vinyl mit vier exzellenten reinterpretationen von jon hassell tracks von bandshell (hessle audio/mute), patten (warp), no ufos (public information) und some truths (magic & dreams). drei tracks stammen aus der cd3 der expanded reissue von jon hassells city: works of fiction, der bandshell remix aus der greather lengths 2cd-compilation.

each song has been mastered for vinyl at fantasy studios in berkeley by george horn. each lp is packaged in a custom-made jacket by our in-house designer eloise leigh and incorporates the geometry of analog synthesizers and celestial rose patterns.

first pressing limited to 500 copies on clear vinyl.sound houses is an album that sees walls exploring the sonic archive of the late daphne oram - composer, inventor and founder of the bbc radiophonic workshop

pavel khudyakov aka brain crisis. a young producer making a sound that teebee has described as *like aliens mining a colony out of metal* and the producer to watch in 2014. brain crisis *hands up* is proper rude bwoy skanker and has become one of the biggest tunes in calyx & teebees dj sets. on the flip brain crisis & teddy killers join forces for *local 2* a cold piece of d&b pressure. creating a track that is full of bruising bass, techno fear & frantic drums.

the latest drop from retrometro is not for the faint-hearted, as germanys myk derill brings the metal machine music. you are is a stomp and grind monster, with speaker-troubling kicks and torture chamber soundscapes. zerone is a brutal, relentless berlin warehouse workout, with deep reverbs, on-point percussion and a juicy roll on the low end. alert brings yet more of the factory floor pump, with its white noise build-ups and decayed percussion. and the caustic rhythms and haunting synths of between bring another dynamic to the ep! bruising!

top-notch & soulful tribalistic deep house biz....

2014 repress on black double vinyl, including cover foto as mini-poster.

die einfuehlsame verschmelzung der musik von so unterschiedlichen kuenstlern und stilen, zu einem atmosphaerisch dichten gesamtkunstwerk macht die pop ambient kompilation alle jahre wieder zu einem unvergleichlichen und vor allem zeitlosen hoererlebnis.

earlier on this year andy stott found himself playing on the same bill as new york heavy metal hoarders batillus. despite operating in completely different spheres, batillus had been playing luxury problems, stotts most recent album, on their tourbus and suggested a remix. the result is pressed up on this one-sided 12inch, a deadly reduction that pitches the original down into the abyss. andy stott will be back in 2014 with new material.

stunning double album of grand bombastic melody filtered through noise & black metal aesthetics from m.c. de jong (gnaw their tongues). the marriage of wedding bells to blastbeats. limited edition of 300 copies on 180 gram black vinyl.

opening up the release is *der groove günther*, a stripped back bit of rubbery, supple techno. the groove sure is infectious, but it’s the way its detailed with such curious sounds – metal twangs, squelchy chords, icy hi-hats – that makes it so engaging. on the remix, tinush reimagnes the track as an even weirder thing. it’s all about micro-evolving details, subtle and inherent funk and keen sound design that is part shiny and stiff at the same time as being elastic and bendy.
the first vinyl pressing is a limited golden seal edition!

jorge bule , the iberian artist ushers in dubby basslines but drowns them in shards of metal. you would be forgiven for thinking this was dub techno, or even electronica. epic_deep

pressing on transparent double 12 inch vinyl. comes in printed sleeve with detachable postcard.

bruno pronsato presents his new project, archangel - his first solo release in 2 years. this single highlights the developments that have occurred in the pronsato sound in that time, and features bruno himself on vocal duties.

recorded in berlin at studio schwedenstrasse one day in june 2010. recording engineer: marco paschke. mixed and mastered by daniel karlsson in stockholm at elektronmusikstudion. mika vainio - electric guitar, processing, metallic percussion. joachim nordwall - electronics, electric bass guitar, metal objects, hammond organ, vibraphone.

samuel l session back on his own imprint. 4 bass driven techno monster. slow build ups, sublte grooves and modulations makes this ep a winner. shrinked!

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

dubby techno and house with a huge detroit feeling and a remix by the legendary mikkel metal.

featuring charlotte le rouge on vocals this is a haunting balearic song with sparse, but tense beats. the cosmic metal mother remix adds some sax and takes the track down to lower manhattan with a lounge lizards vibe. b/w a remix by label head dennis kane that brings the party vibe.

just when you thought it was safe to get back in the water two of drum & bass longest serving soldiers return with an ep of immense proportions on their own product recordings. with years of experience between them shining through craggz & parallel show their stripes in spades here with four brand new productions designed to put hairs on your chest, some of the most powerful drum & bass you will have heard this year.

total fantasy records presents its first release: bØne squad. four pieces of grime, hardcore and bashment channeling the lo fi noise aesthetics of black metal. created by heavily sampling ambient sections of black metal cassettes and vintage grime records, the result is the sound of the uk underground filtered through the dark forests of norway.

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl. the now legendary acid village demo sees the light of day pushes into the mysteries and darkness of night, looping crackless & melodies pop through an atmospheres of samples & strings, stetched out, deformed and leaving us asking who the creators are?

gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o malley and attila csihar. the group formed initially to tour in israel summer 06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer 08 the trio reformed together with the addition of australian drummer matt skitz sanders for a short european tour culminating at a headlining performance at supersonic festival in birmingham. in late 2009 the original trio reconvened for a special one-off concert at londons institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network.
ambient/ruin was created with the 2008 quartet, elements of tape collage, concrete, field recordings blend within a strong geographically diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock.