snugness and calmness are important ingredients for a fulfilled life- and for entertaining dance music as well, as is proven by the gentlemen schaeufler and zovsky. their debut album could be characterized as a cunning mixture of humorously grinning relaxation and pushing dance floor bounce. this unique sound reflects the stylistic background of the duo: while the one keeps grooving on the laid back and independent vibe of his rural home mecklenburg, the other moved to berlin already some time ago and inhales all the diverse, international influences of the electronic metropolis. the village is rhythmically fuelled by casual and lasciviously house tunes with a warm and friendly character, supported by organic, dubby bass lines. matching this positive and uplifting mood, light melodies, classical styled filter modulations and unobtrusive vocal entries remind the laid-back amusement of a sunlit sunday outing.

aux 88 & dynamik bass system return with an epic four tracker that gravitates towards the sphere of techno bass just like the planetary rings of meteorite around saturn! if the music, encompassing a vast spectrum of infl uences from west coast to miami bass, is composed by thomas werner aka dynamik bass system, sharped vocals and lyrics are performed by tom tom and k1 aka tommy hamilton & keith tucker of fame aux 88

the third release on dublin imprint ghetto quietly presents the debut ep from new york grown, irish dubbed lady grew. a stripped back four track selection of grinding tribal ragga and bass-rave smeared dancehall a la warrior queen vs the bug or dokkebi q, all oiled down in sleazy 808 sub tones. with karl kong (aka prince kong) on the beats and lady grew on the mic this is a riotous sultry affair not to be missed.

felinephonix music sets off 2011 with the first installment of a limited edition vinyl selection from the project house of label artist & founder, mieka du franx, with exclusive dj support from kim ann foxman (hercules & love affair) and nina kraviz (rekids | underground quality). du box chronicles is an intimate collection of works & collaborations set to press. vol. 1 presents abe duque, the acid tech king of new york who delivers an elegant, journey-esq arrangement of avant guard deep house that inspires an uplifting vibe beautifully orchestrated with the warm vocals of mieka du franx, titled >du light<. >du what i du< (dub) is all about the hook and dig on that housey bass line, a classy rendition of the original that takes this number back. the 20th release of felinephonix music marks well earned return to wax. the label’s early most notable works were done with heavy hitters kink, jay tripwire, chris carrier, and fm attack, whose productions can be found along side mieka du franx. the hits that gained high recognition were from mixmag’s top djs of 2010 including kissy sellout (bbc radio 1) and luciano (cadenza), as well as support from derrick may, ralph falcon, hernan catteneo, rodriguez jr., mark henning, and many more.

exit introduce joe seven, one half of they live whos debut album is out on 28th march. snap this one up, unique bass music from the ever evolving exit records label.

one of the west coasts favorite producers meets one of the west coasts leading labels. sfs dj rasoul (soulfood, large, naked music and many others) drops a gorgeous laid-back soulful houser, anchored by a nice vocal and rasoul’s trademark big bass and chunky drums. plenty of mixes to work with here, including the lush main mix, an alternative and a dub. lazy, groovy deep house for those extra sweaty dancefloors.

after visiting the north of bass music with the first ep caterva goes up north, the french band and label i.o.t records continue their journey from this time to southern bass music. for this new ep southern caterva produces a track with the sounds clearly kuduro salta featuring mc baal.it follows the track barrio alto, after a remix sounds salta but in a vein clearly solid dubstep. heavier than ever and halfstep, barrio alto is a bomb for the dancefloor dubstep ravers around the world!to close this caterva goes down south, you can download (using the 3d code visible on the cover),the remix digital version salta baile funk with dj uno.

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

accompanying the debut lp remix ep number 2 straddling the realms of dubstep, house and disco from an ever emerging pool of old and new guard. remixes on the dub orientated ep with mark e, session victim and riley reinhold. duffsteps debut album >getting to sirius< is a heady potion laced with influences of dub and down tempo beats, winding through layers of melody and synths whilst vocals soften the blow providing a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you wont have to wait before a nice big bass-line knocks you down on your arse again

and there’s more.. number six in million dollar disco’s latest release series, as you’ve probably come to expect, is more vintage dancefloor fodder from the reels (mac) of al kent.. “message to the people” started life as a classic, then went through the blender, coming out all wrong, but so right. stomping along on a killer clav groove, punctuated by horns and an evergreen vocal. ” feel the groove” is a heavy hitter, thumping drums and bass with a synth hook that grabs you and doesn’t let go. finally there’s “keep on doing” which is almost house music in it’s simple repetitive bass groove and gospel style vocal shots.. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more

supported by reboot, secret cnema, julian chaptal, shlomi aber, nick warren! nick daring, take note of the name, because the young italian is set for great things. after early releases on rawthentic and greelpound, its time for us to introduce him to a wider audience, with his debut release for kiara. as with many of todays young producers, nicks youth has been filled with music. the vast variety of which has helped in his own eclectic style, both behind the decks and in his own productions. teaming up with kiara was an obvious, evolutionary step, and today he presents his decomposition of the past ep. his three original tracks le mabadi, paint of desh and wyeth, all perfectly showcase nicks ability to create simple, hypnotic rhythms, wrapped in layers of raw funk. kiara favourite leix steps up to remix wyeth. harnessing the impetuous groove of the original, leix injects his own percussive nous and creates a beautifully warm rework. another producer whos never short of a healthy dose of hip swinging serum is dutchman, david lebeij. he gets to grips with paint on desh and presents a classic bass-driven house remix

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

this is the final installment of the heavy-weight >reboot the system< series. showcasing 2 of drum n bass scenes brightest stars remixing 2 tunes from gridloks debut lp >break the system<.
these tunes have been receiving heavy support from many of the top djs in the scene such as: andy c, ak1200, a-sides, bad company, cause 4 concern, dieselboy, ed rush, friction, hive, noisia, pendulum, prolix, total science, state of mind, the upbeats, and many more.

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

australian newcomer delivers a bumper ep for londons 3rd strike. the lead track is a driving deep looped disco house in the vein of soundstream or the mole. gaining support from mark e and the revenge to name a few. lovin you keeps the pace high, again utilizing subtle disco samples with a rigid house backbone and hand in the air keys. hunee is on remix duties and keeps the quality as high as his acclaimed releases. merging a moody bass synth with jittering drums and stuttering keys.

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

southern florida, 1984. the sonarphonic sound was pioneered by james mccauley aka maggotron / dxj / basstech. originally produced for bound sound records in 1984, this is one of the earliest and rarest recordings from mccauley and marks the beginning of the underground miami bass electro movement. in the following years he recorded hundreds of tracks including >the bass that ate miami<, >temple of boom<, and >attack on the planet of bass<. maggotron is still active in the genre and is currently working on a new album. if you are unfamiliar with mccauleys musical adventure, let the sonarphonic be your guide. tip!!

an edit of blockhead was featured on the latest kitsuné maison 10 compilation it is now being released in its full length glory along with remixes by zombie nation, hey today! & symbolone. played to death by 2manydjs.. a great kick-off of 2011!

the rhythm odyssey is dean meredith of chicken lips and bizarre inc fame. >move groove< draws on the wealth of experience dean has in creating spine tingling house music. this club banger has all the hallmarks of classic (ware)house - a relentless piano riff teases an overweight electronic bass, topped off with dean?s trademark, crisp chi-town drums. eric duncan aka dr dunks of rub & tug fame and hot new talent vermin step up to the remix challenge. eric d goes for the disco break approach. he inserts riffs at will and brings an nyc block party feel to the cut. vermin warms up his trusted 808 to spice up the proceedings with a heavy interpretation of this track

nice price deal !!! dj panik and yox do the honours again on frances number one drum and bass label. with catchy synth leads and scatty beats these tracks have been damaging dancefloors around europe for the last few months.

dubstep don vent brings the pain with this release on hardcore beats. >shogun of the dark< will slice you up like a samurai with is stupidly big bass that switches as the vocal samples interrupt the rolling beats. on the flip sees vent team up with critically acclaimed rap, grime and dubstep group foreign beggars. so need we say more?

the subdivision return home to paradise lost with the open your eyes ep: epic vibes, hypnotic bass work, and complex programming manifest themselves as what might be considered their best work to date, and surely a production which defines their unique style for building cinematic tracks of epic proportions. the structure is trademark tsd: a beautifully drawn-out breakdown compliments the progressively building tension, leading to a thunderous climax toward the end. this tune is more of a journey than simply a dj tool (although its a treat to mix with), and djs such as bunzer0, djunya, 501 and claw have used it to devastating effect in the mix.

volume two turns deeper. listen. dig further. acidic meltowns and bass thrusting. let the music speak for the music. artist unknown.

another brutal speaker assault from the coinop camp!!! voted the worlds greatest label ever again..... coin operated return showcasing the uks mutant bass scene. on offer here is a plethora of rave soaked heavy bass bangers from kanji kinetic, micheal forshaw, mr.sly and >off me nut records< rising talent dankle

>mr nice< features snippets of howard marks which are interlaced with clattering breakbeats and booming sub bass. while we are sure howard would approve of a late night after party session, for many this will be the soundtrack to what happens before they leave the club! label boss steppa and his co-producer kitcha provide an excellent aa side which harks back to the classic formation records era. splicing in cheeky samples lifted from anthems of old and twisting them into something brand new, this one is just as fearsome on the dancefloor.

another debut for the new bass culture release. for bcr013, we welcome swedens joel alter. as a trained violinist and composer for the swedish national theatre, joels first steps into the world of electronic composition came with an exotic mixture of classical influence and modern inspiration, from acts such as depeche mode, jean-michel jarre and front 242. a key figure on the swedish music scene since 1995, joel has always seen his music as stemming from the meeting of a variety of artforms. his first steps onto the international circuit came with the signing of material to int. deejay gigolo and minus. since then, he has developed a strong relationship with hamburg label, room with a view, featuring on seven releases since early 2009, as well as releasing on berlin based label sweatshop...

now a full time member of australian super group empire of the sun and 1/3 of the genius of the swiss we honestly dont know how sid found the time to make this heated late night gem. all we do know is arthur russell was integral in his life when he turned it out. echoed moans and whispers, chunky bass line, percussion, arrangement and everything else involved in this 8 minute and 22 second burner are all by the shirtless gentleman of the night you now know as sidwho? session victim is matthias reiling and hauke freer, their house and techno adventures on delusions of grandeur and retreat records have been rinsed out many a time at our future classic parties and all around the world so we knew it was time to get a remix. some guys and gals might think this is too deep or minimal, you just need a bigger sound system!

huge release again on techment feat superb original tracks from pedro delgardo & james alexander on the a and label boss vortechral on the flip both supported with remixes from dj cristiao & thermo and peppelino respectively

vinyl only 4 track release, taken from the forthcoming album >breakdown<, featuring remixes by seiji, klic, warrior one and evil nine.

nice price deal !!!

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

incl rmxs by sascha dive & s catt!! it seems almost ridiculous to refer to zoe xenia as a label regular, when we are only on release number 12. maybe? but zoe is without a doubt, one of the our key artists. zoe first featured on bass culture with her >let the music play< ep in december last year, and whilst it may have been only our 4th release, it was somewhat of a definitive one..

incl. len faki remix !! huge support from, adam beyer, chris liebing, dubfire, joris voorn, dave clarke…. figure label founder len faki offers up an absolute treat with a very special remix of pfirters >the dub track<. a tectonic monster reconstructed, re-inforced and stamped with the berghain residents seal of approval. extremely hard to ignore, this high-end techno weapon is packed full of tension, detail and of course fakis trademark rumbling, deep and warm bass energy.

rabimmel rabammel rabum .... was schledert da herum , flink der fink !!!ackerdub macht nicht schlapp und präsentiert nun carsten rausch & ferdinad laurin mit moving up.. incl mollono.bass remix

volume two turns deeper. listen. dig further. acidic meltowns and bass thrusting. let the music speak for the music. artist unknown.

this may seem like an unusual signing for claremont 56, but this is about as balearic as it gets. mudd builds up from the drums into the live bass ...

two more missives from the leng stable, a stable basking in late afternoon sunshine the whole year round. here we have two remixes of cantoma tracks. on side a is ray mangs remix of under the stars a subtle disco groove, with a sweet rolling bass and a languid horn line that gently eases into the back of your mind, luring you into a hypnotic swirl. over on side-b lexx steps up to deliver an equally stunning take on gambara immdediately setting out a more electronic lilt, the track steadily builds into a mid tempo throb as the vocals wash over proceedings, while flute and acoustic guitar make way for each other in the melody stakes. timeless sounds on both sides evoking the summer just passed

supported by : radio slave, joris voorn, michel cleis, reboot, laurent garnier, sebo-k, ryan crosson, deetron, karotte, gorge, tania vulcano, agoria, ralph lawson, jimpster, luke solomon, martinez, nick curly, mathias kaden, 2000 and one, kiki, franck roger, anja schneider, dubfire,.. september 2009 saw lemos kalooo ep (bcr001) kick off the bass culture journey. hailing from athens, the trained pianist, saxphonist and guitarist, who grew up on a diet of herbie hancock, booka t & the mgs and john coltrane, has already seen his music released to great acclaim on labels including cecille, welcome to masomenos, 8bit, adult only,connaisseur, safari electronique, air london and resopal schallware. as the title suggests his beat of this, beat of that ep offers up a variety of sounds, all featuring the elegantly techy edge that we have come to associate with lemos.

nice price deal !!!

the haunting is a production straight out of the highland beats studio. jan liefhebber goes back to his roots with this old-school techno acid track. the ep starts with three minutes of pure techno accompanied by a haunting undertone. a contagious tb303 bass line kicks in when you least expect it and brings the track to a pounding crescendo inspired by early horror films and the dark rave sounds of the 90s. ritzi lee is no stranger to the art of techno and has remixed the haunting with his favorite tool the tr909 leaving the original acidic skeleton intact. ritzis detroit-influenced techno mix completes the 12inch and makes it an essential piece of red transparent vinyl for all techno freaks. experiments have been carried out on unsuspecting crowds around the globe and the first results are extremely satisfactory. hb041 is supported by miss djax, aaron liberator, bart thissen, nimbuz and buzz goree (mixworks/underground resistance)

well here it is folks, the brand new debut release and label from glenn wilson & mattias fridell. two production perfect works of solid chunky techno with fat vibes aimed at the big floors, both cuts lay down some serious bass heavy hypnotic grooves, pushed along by strong atmospheric sounds. these tracks are no doubt going to be a popular addition to the dance floor and are already receiving big reviews.. no more ghosts is tonal paths second release and the follow up to the debut release the bridge, which received big reviews and heavy rotation from some of the following cari lekebusch, a.paul, adam jay, dj misjah, mike humphries and ben long. no more ghosts lays down two more fat slabs of production perfect techno to conquer the big floors, kicking of with be yourself which is a dark throbbing workout of bass heavy hypnotic grooves which is fast becoming the id sound for tonal path. false sequences progressive layers works and builds into a heavy grinding atmospheric track with a killer break that slams back in for max crowd pleasure.

support by: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent, dustin zahn,.. british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful techhouse encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track >supersonic< and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot

after penning several of the classic cuts on manchesters cult pleasure label, martin played an instrumental role in the rise and rise of the citys famous fat city record store and stable of labels. later work as part of j walk led to yet more acclaimed releases, including 2002s superb a night on the rocks lp, beating zero 7 to the buzzer with their expertly executed lounge-funk. here martin returns to those raw fat city roots however, concocting a fierce bass led freak-out which sounds like a super charged lost classic from the golden age of funk ! manchesters fastest rising aussie star rüfdug gets to grips with the flipside, offering up a perfectly executed modern house jam, which lifts the dancefloor elements to a different level with a great deal more dirt and drive ! a killer release were sure youll agree

usher and pitbull rocking the electrohouse scene... for david guetta fans...