side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

test and excel with a cool classical electro 4 tracker

fuckin good chicago ghetto tech !! dj assault style

dirty and nasty chicago ghetto tech!!

mollono.bass kennt man schon durch seinen remix für marloses >hey na< (ostwind04) und jetzt kommt ein viertel vom kombinat 100 quartett mit seinem solo debuet auf seinem eigenen label acker records !!! feinste zeitlose deepness mit dem noetigen punch

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

the 2 masters of tribal grooves got together and tributed with 2 trax each. boriqua tribez on the a-side is just the funkiest of shit you could imagine. the first track with a monster groove and after almost 2 minutes, the bass drops in and what a bassline! this is just massive. and after a white the beats comes in again. on the flip you find the other master of tribal techno, cave.

justin martin is currently recording his debut album for buzzin fly and here is a taster >the fugitive<, a sick underground groove skewered with grunts, grinds and sub bass that finally launches into a gorgeous spring-loaded nu-techno ride. on the flip, more of the same, dastardly.

nice price deal !!! twisted bass heavy breaks featuring d ranged, mesmer and white papoo

acid & electro infected dark influenced minimal techhouse tunes by dj bismark

we are the grand kru and who are you?!? dirty maximal house rebellion track from berlin. dark analog beats clunking out of a 606 drum machine mixed with deep bass hits. long approach before the chant begins. long synth stretches highlight. a late night epic. ep is complete with instrumental mix and accapella. limited 450 pressing

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours

top notched production again coming from franck roger featuring top musicians currently playing for maw & the likes, fantastic vocals by female singer zonkes.produced, edited and mixed by franck roger.lead and background vocal by zonkes.recorded by franck roger & bruce at oskido s studio, johannesburg south africa.drum programming by franck roger.rhodes & synth lead by olivier m sellem.bass by gene perez.guitar by mike ciro. additional production by mike ciro.

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

careless # 003 presents 2 drum & bass / breakbeat tracks by olivia fx a live band based in berlin >pinkus on the run< a dance floor filler with rolling beats and a rave hook line û classic build-up to a long-standing break followed by a sweeping e-bass and dark haunting vocals from lebanon born mc massiw le ghaza. finally hitting with full-on power to the end. high speed mania ! >> limited restock !!

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

(da-fresh remix) with the demand increasing day by day missile is proud to launch this bomb officaily with the inclusion of a very rude and naughty electro bass treatment from the ever popular da fresh

new imprint from long-servicing house/ disco aficionado mr.rob mello.the energy is a bleepy, jackin groove & low humming sub-bass that serve as the perfect complement to owens gospel-like vocals - a classic in the making, unstoppable

4 finest electro computer phunk trax

bass invaderz fourth release sees a debut pairing of tear out regular and label boss distortionz with hardcore producer and promoter enzyme. having seen releases grace labels such as hardcore beats, mechanoise and unstable, distortionz has earned himself a reputation for breakbeat of the harder variety, with enzyme known for his involvment in the early 90s hardcore scene with his efforts now firmly directed towards the hardcore breaks and nu rave scenes

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat

slamming garage track using aretha franklins respect sample flip flip over for a nice electrohouse banger not to be missed

this is the first volume of a limited edition serie of 12” featuring some of his unreleased tracks or lost gems for the first time on vinyl duriez was very active behind the gears in the nineties and his appetite for electronic tunes lead him to produce hundreds of tracks in many genres. the man did produce house & techno but also drum&bass (he has produced an album in 1998 unreleased for now that we will release as download only on our new imprint aperto – check the web soon, the label will also release his unreleased album from 2002 as le dav) or downtempo.

fantastic booka shade remixes !!!

cassagrandes exclusive edition contains 3 huge eps with mixes by john jacobsen the sunloverz jules spinner stereofunk sine sharpe and electro phase not to be missed

after 4 wicked releases with impressive sales it is time for hertz to enter on his own label. the a-side is nothing else than a funky techno hit. you will recognize the old 70s bass-sample, mostly known from s-express in the 80s. with a full on arrangement and a great break, this is a guarantied anthem. on the flip you will find a massive tune, with a fat driving loop working in 130 bpm !!

dexter and marco passarani team up for one of the hottest releases on nature. kind of dexter meets passarani actually... chicago and detroit influenced trade mark tracks of passarani mixed with the razor sharp beats and phat basslines of dexter. the original version is probably the most advance mix with it sharp beats and funky basslines. the dexter mix is kind of minimal techno-ish funk or something, and the passarani mix is an excellent rocking chicago influenced house/techno track. very strong cuts which are allready rocking the dancefloors

very dirty & freaky bass heavy electro tunes with an industrial touch !!!

thumping backdrop of heavy kick, bumping bass, melodic chords, and drifting synths for some quality prime time house

>through the door< is a classic chacona production - atmospheric space funk, combining more synths than a jean michel jarre stage show, solid disco beats and eyes firmly on the dancefloor. imagine lindstrom on disco biscuits and you get the idea. >the next< wears its italo influences on its sleeve, and will appeal to fans of francisco, morgan geist and chicken lips. the disco synths return (he loves his synths!) and ride over shuffling percussion, a rubbery bass and build into an epic piece of 21st. century disco

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

side a tech funk bass fuelled fresh as fresh can be sound. skanky bassline, ska style stabs and techno pads and tripped out synths send ya head way ward.side b takes on the same direction as the a side but comes in with a dreamy old skool vibe vocal to get the ladies excited, it seems to feel a lot faster than it actually is, energy flowing from each kick and snare. dont get the wrong idea when i say this track turns into a floater, were talkin hands in the air smiley dreamy touchy feely break beat! nice!

nach genau 252 tagen ist der nächste ada release fällig. mit dem bass im herzen und schönen melodien auf den lippen rockt sich ada auf unsere plattenteller...

schöner house, plus fetten triable mix mit bekannten sierenen ton!!!

you make me spill was already featured on the recent compilation from brussels best new club, dirty dancing. now picked up by suicide a&r geoffroy aka mugwump, and backed with a killer and dirtier low slung funk remix by suicides shapemod whos just released his amazing debut 12 with jamie lidell and snax (from captain comatose) on suicide, loves too much. also the engineer and bass player for eskimos supergroup the lotterboys and previously terranova, shapemod has given you make me spill the berlin sonic treatment while setting the funk factor even higher. to complement this fantastic pairing of mixes,arpolis is a serious piece of border community style atmospherics melt down with an electronic disco

nice price deal !!! 10kilo once again enlists the talents of aussie breakbeat rocker smithmonger. here he delivers an intense bass fuelled outing that effortlessly slips into 4/4 groove and back again. atomic hooligan is on remix duty on the flip and delivers a typically assured big room version.

depeche modes everything counts goes techno in a bass heavy filtered stomping new version flip for the 80s electro flavoured let the beat control your body

french label babylon, launch a new limited series which will only release a single run of each catalogue. this will include previously unreleased mixes & specially commissioned remix packages of their key titles. the second release here sees greek rising star v-sag take over the remix duties over te whole 12inch native ft. ani >believe in me< is a chunky chugging houser, fat rolling beats and a round stomach tugging bass make this for floors that need pepping up….

expect no frills some chills and lots of bass licks they re quick and oh so dirty their debut release the party ep is really what you can expect when you think about all the right ingredients

somebody went to detroit and all i got!

never heard about german(hardcore)humor?

pumping bass lines, pure electro-tech...

killer electro house rocker by kristoffer zaar includes mixes by killswitch rocker mashtronic and stian klo a must have

patrik has already released on the worlds leading techno labels like drumcode, planet rhythm, fine audio, mankind and many more. for -the 12th strike- he did a real bass monster in his also well known headroom style ..

2 slamming hardcore tracks includes joey riot remix

the jinks productions always feature live instrumentation and this third single is no different featuring tom ashe on synths rhodes and piano remo penstripe on bass and eddy freeman on tambourine supplied with the injection of stormin norman andersons vocals jamie lewis makes it into a sure fire winner