1994 - chicago producer rick lenoir has already released a slew of legendary records under many well known aliases and his house jam label has been in business since 87. the sanctuary project is the nom de plume utilised by rick for this particular killer disco infected 4 track ep from that period. the keen eared among you will no doubt recognise some of the sample sources used throughout these tracks, lenoir flips jazzy loops, chopped up vocals and lays it all out over some kicking drum programming, this is that style of sample based house that has the hardened dance heads and hip-hoppers unified, gritty, raw and brimming over with soul! the cuts featured on this ep will sit nicely with most contemporary sounds and shows how on the money rick was in the mid 90 s! the record has long been out of print and has been forever popular with the diggers out there, commanding a healthy price when available in the second hand stores and online. this reissue has been realised with the full involvement of rick lenoir / house jam records, chicago and is 100% legit! don t snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2017 - running it’!

he is dominique purdy, born and raised in koreatown, los angeles. his first hip-hop influence was his own mother, who made jewelry and hung tight with ice t, the rhyme syndicate, and grandmaster caz.
the vinyl release includes a downloadcode.

release #61 in mr bongos brazil 45 series.

ehrlich und direkt! atemberaubendes pop-album der schwedischen ausnahmesängerin. “reverseries” erscheint als doppel-lp mit download-code und bonus-track.

entgegen heute gebräuchlicher gepflogenheiten erscheint die wiederveröffentlichung von “the closer you get” mit dem originalsound aus dem jahr 2000, das heißt nicht remastered. dafür wird die platte durch ein zweites vinyl flankiert, das auf der a-seite die dritte (von fünf) peel-sessions enthält, mithin fünf songs, und auf der rückseite zwei single-b-seiten (“get a real tattoo”, “i’m wide open”) sowie den track “oh! dear”, aufgenommen während der ersten peel-session.

as a sister companion release to -the wild life- career spanning greatest hits collection from visage we are pleased to also feature -the wild life (the best of extended versions and remixes - 1978 to 2015). it features tracks from the birth of visage in 1978 to the final tracks from steve strange and visage before his untimely death in 2015. long versions, extended intros, expanded middle sections, intricate breakdowns and alternative takes and remixes... something for all 80s music fans who prefer their music a little larger.

speed boat is eden burns, one half of dunedin house duo sandboards, who brightened up 2016 with heavyweight releases on feel my bicep and cold tonic. splitting off for the first release under his solo moniker, speed boat applies the base coat to new label the nail shop with a gliding four track ep for the imprint’s debut release, that makes the foot-tapping accompaniment to an afternoon waiting for your nails to dry.
the vibe is in the name, as ‘speed tools’ packs a mighty punch, featuring skittering percussion, steady-movin’ bass and infectiously sensual pads that effortless take the forefront. just don’t be surprised if it swoops you straight from the salon onto the dancefloor.

nice price deal !!! anthony shake shakir, west norwood cassette library and don froth have teamed up to remix tracks off froths 2012 uno release, reflex. this four track, vinyl exclusive, 12 inch ep is an unpredictable, roughneck slice of acid, techno, bass and breakbeat. album artwork by frothnrecs founder don froth. straight from london, detroit, and los angeles to you. enjoy.

ice cube’s 1992 album back .

it is mmmm?, it is aaaaaah, it is roar-roar!, it is boombittyboom, it is yess-yess-yess-right-there, it is what?!, it is looong-so-looong-not-long-enough, it is oh-oh-coming-please-don’t stop!, it is seriously?, it is intergalactic, it is yawp-yawp!, it is pandemonium, it is never-been-heard-like-this-before: superpitcher!

kicking, pumping, highly effective techno set

eine liaison traditioneller dodo-musik aus kenia und aktueller elektronischer tanzmusik.
die vinyl-ep erscheint inklusive downloadcode.

the very best of elo back on 180 gram double vinyl. incl dont bring me down !

der film der zweifachen oscar-preisträgerin barbara kopple begleitet die dynamische frontfrau bei ihrem kampf gegen den krebs im jahr 2013 und auf ihrer triumphalen rückkehr auf die bühne mit dem release von “give the people what they want”. der soundtrack besteht aus klassikern von sharon jones & the dap-kings: von frühen singles auf daptone bis zu songs vom album “give the people what they want” von 2014. der song “i’m still here” ist exklusiv auf dem album zu hören. so wie der film gewährt auch der soundtrack einen intimen und ehrlichen einblick in das leben einer frau, die sich weigert, auf ihre kämpfe reduziert zu werden. kurz: dieses album ist die perfekte ergänzung zu einem wirklich außergewöhnlichen film!

limited edition of 1000 copies on translucent, multi-color splattered vinyl.
experienced crate diggers are no doubt familiar with new birth, the 17-piece funk ensemble sampled on classic hip-hop records by wu-tang clan, de la soul, junior m.a.f.i.a., black sheep, lil wayne, ice cube, and many more. the genesis of new birth can be traced back to the nite-liters, a louisville-based instrumental outfit. founded in 1963 by motown songwriter/producer harvey fuqua and saxophonist tony churchill, the nite-liters released a handful of albums in the early 70s, scoring a few minor hits and perfecting the sound that would power new birth to further success as the decade progressed. while much of the the nite liters’ early material has been overlooked, their self-titled debut album is worth revisiting. originally released on rca records in 1970, the nite liters is a raw, soulful masterpiece that has been sampled by kmd, ghostface killah and others.

das neue album von robbie williams als doppel-vinyl im klappcover, downloadcode inklusive.

erstmals auf 7” vinyl: zwei songs des legendären produzenten und drummers norman connors aus seinen alben “invitation” (1979) und “take it to the limit” (1980). mit vocals von adaritha (ada dyer) und al johnson.

the original soundtrack from the acclaimed documentary 808, chronicling the revolution sparked by the iconic drum machine. double 12 inch vinyl in gatefold sleeve with download code included.

after his recently, well acclaimed balearic adventures as “jane in palma”, don froth makes a welcome return to the wncl fold. he comes out fighting with the bass and bleep heavy “hr22”, nicely juxtaposed with the equally quirky but altogether more soulful sounds on “joint loose”. flip to the b side for more jump up adventures with -docs- and, by popular demand, his previously bite-sized cut “a broad range” gets extended into a full on acid squelch “widescreen mix” to close the show.

2016 ist es so weit: mit »the real royal albert hall 1966 concert« gibt es endlich den echten mitschnitt des legendären konzertes auf doppel-lp.
ursprünglich war nämlich schon 1998 ein album mit diesem titel als bootleg-variante erschienen. dabei handelt es sich jedoch fälschlicherweise um die aufnahme einer show aus manchester, statt aus der royal albert hall.

the 2010 black eyed peas album “the beginning” as deluxe edition 180 gram double vinyl in gatefold sleeve.

donna summer erlangte während der disko-Ära berühmtheit und trägt den titel »disco-queen« zu recht. sie war eine der erfolgreichsten musikerinnen der 1970er-jahre und eine der meistverkaufenden künstlerinnen. diese neue compilation enthält internationale hits, die donna summers beliebtheit jahrzehntelang vorangetrieben haben, während sie mit den legendären produzenten wie giorgio moroder, pete bellotte, harold faltermeyer, john barry, richard perry, stock aitken waterman und quincy jones an ihren zeitlosen alben arbeitete.

after the release of their collaborative breed ep at the end of last summer, nicole moudaber and skin (from skunk anansie) have unveiled their highly anticipated remix package featuring a long list of respected producers. carl craig, fur coat, jamie jones, jerome sydenham, paco osuna, pan-pot and scuba, are just some of the names which have turned their hand to the project. originally born out of nicole and skin s desire to fuse their rock and techno backgrounds, this is a true collaboration project with a difference. the pair have also recently been sharing the stage at high-profile slots such as space ibiza and coachella. the first track on the second part see s don t talk to me i m dancin remixed by hot creation boss jamie jones, which features a thudding heavy bassline, and zebra katz vocals sampled over the top. the second track on the a side see s french emotive techno specialist paul ritch turns in an atmospheric, driving remix of these walls are made of water . first up on the b side is pan-pot s take on these walls are made of water , adding the duo s characteristic stomping touch, as well as dramatic new synth melodies. this remix is another nicole favourite, often featured in her sets and her in the mood radio shows. rounding off the b side jerome sydenham remixes don t talk to me i m dancin feat. zfk and takes the track into uptempo driving territory.

from minute one, it’s obvious that “he is the voice i hear” is something extraordinary. glimmering piano sets the stage until an insistent violin gives way to a rollicking disco bass line — and then we’re off. it’s the rare work that feels truly greater than the sum of its parts, once it’s over, you’ll be counting down the minutes until you hear the whole thing again.
“he is the voice i hear” is dedicated to the voices who inspired the black madonna to become who she is: frankie knuckles, larry levan, arthur russell, walter gibbons, loleatta holloway. says stamper: “i wanted to make a record that returned to the core values of dance music. in a lot of ways, i don’t think i’m doing something new with this record. i’m doing something old.”

with jealous god, eerie and l.i.e.s on his c.v. they don t come much more approved that domenico crisci, but few would be prepared for the onslaught that leaps out of this first release on summa cum laude. the violinist champions distortion as a weapon, running everything through a fuzz pedal in a most unrelenting of fashions. its certainly not for the feint-hearted, and all the more powerful with it. meanwhile return would sound brutal in any other context were it not for what came before, all slamming, grubby drums and the noises that splay off them. blacklord them manages to push the vibe further back into the red with a searing throwdown to finish the ep off in a masterful display of intensity.

even though “darkness on the edge of ecstasy” is the first album by jonatan bäckelie under his given name, the singer from gothenburg is not a newcomer at all. under the moniker ernesto he already released four rather jazzy longplayers. as pinku vääty or jong tan bäckelie takes care exclusively of his electronic productions. and over the last few months and years he collected international acclaim as a gifted guest singer. for example on alex barck s debut (“reunion”) on sonar kollektiv.
double 12 inch vinyl with download code included.

betty harris’ the lost queen of new orleans soul features all of her classic deep soul, sister funk and northern soul songs recorded in new orleans in the 1960s - all written, produced and arranged by the legendary allen toussaint, and featuring the cream of new orleans musicians and the incredible meters. the heavyweight 180 gram double vinyl lp comes in a gatefold sleeve with.

a pivotal moment in 20th century politics, history and culture the november 22nd 1963 assassination of president john f. kennedy (in dallas, texas) produced a mountainous range of forgotten, discarded and ghostly vinyl artifacts. country songs, private-press lamentations, mournful poetry and violent political diatribes were rushed onto rough-hewn 45s and marginal lps that vied to be heard above the noise and confusion.

the third volume in the road kill compilation series from hit & run. a curated selection of exclusive beats featuring beats from some of the most notable names in electronic, hip hop and experimental music. pressed on a slab of red vinyl with black haze - limited to just 300 copies!

death on the balcony s ‘tides of fortune has been the subject of relentless -track id- requests pleading us to reveal the name of the artist and track since be-at-tv streamed the bpm performance of lee burridge and matthew dekay back in 2015. joined on the ep by three other tracks there s a cohesive feel to the two friends vibe. mysterious melodies drift in and out of the hypnotic grooves on rivers of sound that could have soundtracked a star trek episode from the original series. 1700 miles is delicate and deep with a simple infectious vocal sample. don t be deceived though. when played on a club system the kick drum and bassline draw you in while the atmospheric elements send the listener to otherworldly places. we feel rather privileged as this track is mark’s first solo outing from dotb under his new moniker “caramelli” and dotbs first full length on all day i dream. mark’s back in the band for memories of the future which completes the release with its funky bass and trippy ambience. close your eyes and be transported.

the vanguard project is the brainchild of steve bcee & andrew villem wilson. both already being established producers this new project sees them truly going from strength to strength with every release. for the daredevil ep they deliver four soul-soaked slices of deep spaced drum & bass with rolling drums. to keep things short and simple, this is dope.

reissue of a timeless jazz classic, originally released in 1963.

double 12 inch on prspct recordings by detest.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

ay what? josh butler returns for his solo this time with don hauswerks! uk invasion once again on material with a legendary ep! tip!

remastered reissue on 180 gram double vinyl, housed in a gatefold sleeve.

nice price deal !!! drums and bass are brought to the front of the mix, while his arrangement effectively chooses to repeat the lighter verse and save the headier chorus for one time near the end. new synth elements are introduced throughout, adding a spacey feel to the mix but all the while staying true to the overall sound of the original version.

the definitive bob dylan collection, spanning 6 decades with 23 tracks on 2 lps.

nice price deal !!! breaks re-edit of reggae-legend rod taylor

a career-spanning retrospective, featuring 28 johnny cash classics. remastered from the original sources and delivered on double 12 inch vinyl.

limited 7 inch vinyl, featuring the same track on both sides.
so when stu gardner was rounding up a late night studio session, putting the finishing musical touches to a t.v production he had been commissioned for, he thought he would use the last few hours to record one more song. wow are we glad he did. “don’t fight the love” is making movements in the disco circles and with the modern soul boys. an unnamed female vocalist gives you the performance of her life! this had been sitting dormant until 1980.

so wow... jiraffe - out’a the box. well what can i say, when i first heard this record i just melted... on the first few bars and the tempo already was a fav, my ears pricked up and then woahhhhhh... that bass came in and oh god how that went through my whole body and shook me like a thunderstorm... those synths and percussion just left me floored... probably one of the most cherished re-issues that you will buy... don’t know about out’a the box... if you don t already own it, you will and it will be in the box for a lifetime.

a career-spanning retrospective, featuring 28 elvis presley classics. remastered from the original sources and delivered on double 12 inch vinyl.

„you break through into that space, exactly how you were before breaking through. don‘t feel profoundly alone. you will see the light and enter the realms of higher consciousness.“

tribut-sampler mit klassikern, versions, covern und einem konzertmitschnitt der marley family auf 180 gramm vinyl.

ovum welcomes leftbank records co-boss dudley strangeways: a uk house and techno dj rooted with serious residency stripes at the legendary back to the future parties and appearances at the likes of boiler room. hot off the back of releases on stardub, little helpers and made of concrete comes his ovum debut, three tracks made constructed for one sole purpose… melting minds in the darkest of rooms. keep it clean is twistedly simple, a rump-busting roll in the drum department and paranormal pad leave space for a precision tuned tone that warps with the gravitas of a life support machine. sinewy, cold and deliciously disconcerting, dudley ensures funk and focus with delicately placed rhythmic elements and constant fluctuations. next we find ourselves breaking into an early 90s warehouse as transition whisks us on an acid trip with flurries of jack and a lean lead line that slithers through the ever-mutating drums and occasional fx hailstorms. devilishly futuristic and tailored for those deep long blends, the stripped back extensive nature of this guarantees mixing bliss. truly, tracks built by a dj, for djs. don t let this one slip…

this is the second collection to bring together many of the visionary producer clement ‘sir coxsone’ dodd’s early recordings made with jamaica’s most exciting young artists and musicians. the triple 180 gram vinyl release includes a download code.