one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

faze action release their latest single taken from the new album which is out now , >i wanna dancver< has been described as like a lost disco classic from 1979 , >its the sort of tune you if you were digging in the crates and came across it you would want to release it as a re edit<. this breezy summer disco classic featuring the vocals of mary moore has already been receiving huge support from a wide selection of djs including dave lee (joey negro)on his recent australian tour, pete herbert (reverse 68) and many more. radio is also getting behind it with plays on bbc and already receiving plays off the album on the ministry of sound radio courtesy of ross allen, the 12 inch also includes a disco rock dub mix which has added pianos and a pulsating bass line aimed more for the after hours party and a reflex mix which includes a more early eighties boogie bass line. watch out for it at a festival near you this summer

played by brothers vibe , gerd janson (running back)... introducing two brand new lindstrom tracks: the magnificent and disturbing the perfect symmetry the leftover ep came about when prins thomas, todd terje and smalltown supersound were let into the lindstrom vaults so to speak. lindstrom makes a lot of music obviously (he has one album out this year already with prins thomas and another one with christabelle coming in october), and these were two tracks just laying around that he hadnt thought about releasing. when both prins thomas, todd terje and his label insisted that the tracks had to be released, he decided it was maybe a good idea to make another 12inch since it had actually been a while since the last one. and we are all happy by that. these are some of his finest moments. his signature melodies and sound are all here ready set dancefloors on fire. hope you like them as much as we do. enjoy!

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

as the lead front room representative daniel steinberg has been one of the main flavours on the label, with this being his fourth release for front room recordings. daniels records frequently land in the crates of artists such as ricardo villalobos, luciano, claude vonstroke, richie hawtin and jesse rose to name a few. his previous releases on front room like cobra limbos, uptown and keep on movin still resonate around the dance floors of the world, proving time and time again that daniels sound continues to inspire djs and club goers alike.as well as having great success on front room recordings daniel also regularly airs his talents on labels such as style rockets, leftroom and grandpetrol. daniel can also be regularly found trotting the globe to showcase his skills at some of the finest clubs throughout the world. daniel steinberg is once again stepping up to the plate with two killer tracks showcasing his own unique take on house that will be sure to keep dance floors pulsing and hands in the air through summer, winter and beyond.

fashions come and fashions go but disco will never die - so hoist up your hot pants, polish the glitter ball and pop your collar cos disco international is in town and its time to throw some shapes. as in every true kandi anthem >ready 4 more< has all the hall marks of a kandi classic in the making. addictively catchy vocals, a pounding bass line and a sprinkle of disco kandi magic makes for another unforgettable release from the hed kandi camp that any true disco-lover would be proud of, so get on the floor if your >ready 4 more< with disco international

big love go from strength to strength next up for them is up n coming french producer romain curtis teams up with seamus haji and rising swedish star awa on vocals for this sublime track that should do the biznizz this summer. romains club mix has an infectious feel and teases the chorus vocal to crowd-pleasing results. seamus hajis vocal mix rushes straight to the top of the anthemometer whilst his dub goes deeper and tuffer with a slight tribal edge. all round dirty/techy/funker filthy rich really goes for the peak time slot making great use of the vocal for light relief

hot on the heels of the highly acclaimed borrowed 4 comes the next installment. after the eighties-fest of its predecessor, borrowed 5 brings us up to date(ish) with a couple of funked-up dj-friendly house stormers guaranteed to make your dancefloor move! track a kicks things off in style with a couple of naughty samples from a cartoon monkey band (who could that be?) building into clav keys and vocoded vocals. a party tune! ,pure and simple. miss this at your peril! track b takes things deeper with a locked-in and tracky groove built for the early hours. check out the vocal snips and acid riffs!. this has been doing the rounds for a few weeks and feedback has been crazy, a must have!

susu bobien has established herself as one of the signature voices in gospel house music over the last decade. already a widely recognized name in the often cluttered world of house music, susu has vocalled many a championed release across leading labels such as strictly rhythm, slip n slide, azuli, ffrr, nervous, jellybean û and of course nycs own soundmen on wax. this limited ep features 3 lovingly hand-picked (& re-mastered) tracks from the timeless catalogue of susus work on soundmen on wax. each one rightly labeled a classic, and featuring remixes from both sides of the pond, this is certain to become something of a collectors item û make sure you dont miss out

dub records is an independent house music label based between munich & rijeka, focused on funky minimal house music from all over the world. in the year 2009, after many years of djing, playing and producing music on croatian electronic music scene - daniel & lukka from dubsupliers decided to start a record label called dubrecords with a simple, but yet a challenging goal - to unite the croatian dj s & producers with the worldwide pool of house music. because of their long presence at the music scene, some well known friends and artists will support the label with their remixes and releases. names like trick & kubic, robert babicz, oliver moldan, markus lange, stephan hinz and def disko will surely make the releases on this label more essential and professional. dubrecords 01 has already big support by many dj s worldwide. 4 different tracks made of well know artists will surprise the dancefloor. dark, melodic,funky minimal house to techno. between them trick & kubic from greatstuff with a masterpiece again. supported by dubfire, eelke kleijen, florian meindl and abe duque.

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.

baltimore trio double dagger creates a cacophonous wall of sound. their dynamic combination of energy, melody, angst, and playfulness is captured exquisitely on their third full length thrill jockey debut. lp is limited to 1.000 copies and includes free download coupon. double dagger has performed with no age, lightning bolt, pissed jeans, pere ubu, and the buzzcocks, and they ve toured extensively with dan deacon and the deathset.

after the long series of remixes on excentric music we now have an outstanding new release from the very popular reset robot. he has recently had tracks released on noir music as well as collaboration projects on 8 sided dice and tracks forthcoming on sci-tec and tronic. on the a side we have an anthemic horn laden club killer that builds and drops with maximum intensity which the man himself - fergie gets to grips with on the flipside.

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own- version 2.0 the upgrade ! this is the first single to be taken from the album, and contains two of the hottest club bangers from the new selection. necessary madness has karizmas trademark power drum programming and raw bassline as the track builds from sparse elements into a killer throbbing groove that will destroy any dancefloor. on the flip-side, drumz nightmare has karizma once again pushing the boundaries of dance music with an atmospheric, electronic, percussive soundscape, using sparse elements to create an eerie mood while providing reasons to move your body. on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide. this 12 inch reminds us why karizma is considered one of the most creative and influential producers currently working in dance music.

channel 83 is the new label and production project from ben rymer (gucci soundsystem) and damon martin (disco bloodbath). releasing both edits and original material, the label will focus on a broad range of styles, reflecting the diverse and eclectic tastes of the labels founders. this commitment to diversity is demonstrated on channel 83s first release, tonite/acid crunch. the a side is a slice of euphoric nyc vocal disco that wouldnt have sounded out of place being played at the saint in 1980. originally coming in at under 4 minutes the track has been given a longer more dance floor friendly mix. this track is already gaining attention following its inclusion on disco bloodbaths resident advisor pod cast and is proving popular with the likes of pat mahoney (lcd soundsystem) and mark e. on the flip, acid crunch is a classic late 80s chicago house tune given a modern reboot by the duo.

ed’s first offering for autoreply references the early building blocks laid down by pioneers such as carl craig or robert hood twisting & turning them with his own crisp production & drum programming with the end result being a unique contemporary take on modern dancefloor techno. both tracks effortlessly build teasing as they progress sometimes climaxing but always leaving you thirsty for more. the ballroom is a deep complex work that starts its journey showing the characteristics of a light stepping waltz - as the track progresses something more sinister starts to emerge & the mood subtlety transfers to a dark prominent space tango. this track will not only make you dance, it will also make you feel nervous & excited! the well tempered clavier – this track has it all: dancefloor bomb - dj tool – 9 ½ minutes of absolute linear pleasure making a statement from the word go with its solid kick and catchy lead synth floating in and out of the mix building to an unmissable break which is guaranteed to get cheers from the dancefloor + beyond. serious techno for serious djs. linienwerk – this is the perfect track to help build a room or wake up an afterparty, beautifully paced with an organic feel not to mention the dark synth stabs that seem to cover the entire stereo field.

played and supported by: italoboyz, pete tong, martinez, sety, misstress barbara, coyu... third release for the label which has been revolutionizing the italian electronic and underground dance scene: after the winter floorfiller no rulez ep signed by skyboy and edo pietrogrande (just to name a few dubfire, loco dice, 2000 and one, sis, raresh...have literally gone mad for without by skyboy), 7 oz records comes out with a killer summer dancefloor hit: donde estas y donde vas, produced by edo pietrogrande, friend and veteran of the label. big remix, expertly produced by david keno (keno records, kindisch)!!!

big with richie hawtin, tiefschwarz, loco dice, dubfire, jeff k ... new sub-division lessizmore limited is the occasion for us to produce new artists and to release their work in a beautiful colored 10 inch, 500 copy limited pressing for audiophiles. the first release is focused on two new hopes of 2009: jin choi and dop. jin choi has released many impressive eps on ware, archipel and roman photo. his tracks are subtle, full of details, he looks for instruments and singings you would never expect in a usual dance tune. carnivores is a long and melancholic trip which cannot let you unmoved. french trio dop does a complete rework of the track, adding their own voices, some punchy percussions and a pinch of sex appeal. they keep the original vocals and instruments but use it in such a different way that makes it look funnier.

baby ford has been making electronic music since the late 1980Æs and is regarded by most as having been one of the key players in the uk acid house scene. since then he has steadily released countless numbers of compositions ranging from the chart topping æoochy koochyÆ and æford traxÆ to the blissfull underground walks in space that have recently appeared on labels such as perlon not to mention the work he has done with fellow collaborators such as ian æeonÆ loveday as minimal man, mark broom and thomas melchior on his own highly respected ifach, trelik & pal sl imprints. 2008 saw the hugely popular re-issue of minimal manÆs æmake a moveÆ on trelik & now the boys take things to the next level with a rework of æmake your own sunshineÆ which was one of the stand out tracks from the 4th release on the pal sl label æbford 14&#8242,,,,. now complete with deep haunting vocals, a stunning minimal man remix not to mention a cheeky acappella this record which already boasts deeply infectious keys and a warm analog house bassline looks set to become one of the most essential tunes of the summer months being perfect for the peak time set as well as the sun rise after party making sunshine with deep house & techno followers alike! this latest offering on pal sl label comes as a new joint partnership with london based independent store juno which since 1996 has been devoted to selling first 12&#8243,,,, records, then cdÆs & now digital downloads with the manufacture of high quality vinyl pressings being their latest forte which aims to keep the vinyl side of this business very much alive for our future generations. this ep was mastered by the legendary kevin metcalfe of æthe soundmastersÆ who has worked as an engineer at rca records, cts and townhouse studios. kevin mastered bford 9 and the entire ifach catalogue not to mention ædiamond dogsÆ by david bowie, as well as countless projects with lee æscratchÆ perry & king tubby. make your own sunshine!

cuba is a cool melodic tech groover, that demonstrates denis a s ever evolving production skills perfectly. he s definitely a talent to watch in 2009. on remix duty is germany s robert babicz, who has created an amazing deep melodic tech anthem that is set be a very big tune throughout the summer months for djs across the board.

after six years exploring music production in an extended meaning, oscarfly decides to go into the professional field and starts a new project with his friend and colleague zippitcher.they ve been working in projects like www.colorsopenlabel.com a netlabel website designed to promote young promises in the music business. as well in the www.putocolectivo.com a group of musicians, sound designers and video artist who played for a couple of years in barcelona and around. soon after that, they decide to create their own record label >poco< (powered by colorsopenlabel.com) in order to release their best tracks, col s artist tracks and even well know artist tracks. first release of this new label born in barcelona emanate freshness, sexy grooves and these beautiful colors that people love so much at the dance floor. this first work includes a great remix of mihalis safras.

based in strasbourg, florent is a very talented french artist who has already released a bunch of maxis on k2, modelisme, funktion, style rockets ... his simple view ep on modelisme had shown his flirting with deep music, his plus ep confirms his love for it ! plus is a beautiful, very groovy deep track, full of old school mellow tunes, with a very personal touch and varied influences. as remixer, modelisme welcomes the excellent jonas bering, master of the genre, mainly wellknown for his huge beautiful discography on kompakt. the result is a superb transformation with charming melodies and hypnotic layers, driven by a killer bass and subtil effects.

since its foundation in the year 1995, reykjaviks gus gus are working hard to make this world a less boring place. initially tagged by the press as the next big icelandic music export after bjoerk, the band swept away all cliche thinking with their highly infectuous metrosexual multimedia pop and secured themselves a deal with the prestiguous 4ad label. &#8233,,,since then a lot of hot water has been ejected by icelands geysers but gus gus miraculously always managed to combine avantgarde with pop, soul and of most prominently - with electronic music. especially with their furious live shows they ve earned themselves a devoted following worldwide. &#8233,,,&#8233,,,this years september will bring us the release of their sixth studio album that goes by the name 24/7. at this point, we dont want to let too much of the cat out of the bag but its certainly right to say that they ve once more reinvented themselves and the result is truely breathtaking. as we re convinced that the world-embracing harmonies and impeccable catchiness of add this song should be heard during this summer season, so we ve decided to already share this with you now. &#8233,,,&#8233,,,the remixes all sound as excellent as their producers: patrick chardronnet, lopazz & zarook and gluteus maximus...

we proudly announced the debut release of john daly on mule musiq! his music was already released from wave music,irr and his own label and he has made an excellent remix for rekids,compost,internasjonal. title track of a side is sounds like a spacy mr fingers! b1,morning moon is a melodic deep house and b2,light years is a cosmic house. all 3 tracks are timeless pices but could fit to the current deep house scene at the same time

alasdair roberts spoils album features alasdairs old hands from appendix out (tom crossley and gareth eggie) as well as free percussionist xtraordinaire alex nielson, noted baroque guitarist gordon ferries, emily maclaren, niko matti ahti (of finnish free pop duo kiila), and david mcguinness and alison mcgillivray (both of scotlands concerto caledonia), bringing a loose and lively mixture of drums, bass, piano, flute, glockenspiel, harpsichord, harmonium, viola, synthesizer, dulcimer, psaltery, hurdy gurdy, fiddle, and of course guitars and voices. spoils has a lot on deck, but its meted out evenly and with an intense energy, always in service of the songs, which are marked with some of alasdairs finest melodies. additionally, spoils ingratiates new compositions in a deeply personal manner with the world of traditional music that has sunk beyond the horizon for too many of us. it is a gift to these latter days that a man like roberts exists, to sing us back to our ancient home.

peter kruder is one of those emblematic names that lead a whole decade and inspire myriads of djs, producers and clubbers all over the world. while he enjoys unprecedented success with kruder & dorfmeister and crossed into the platinum range (selling 1 million copies of the k&d sessions album), he never lost track of the underground. probably his stellar career would never have happened exactly this way if there wasn’t the other kruder: the adventurous dj, the deep producer, the challenging a&r at g-stone, the producer behind dj hell’s highly acclaimed “teufelswerk” album. in 15 years peter kruder has done only 3 singles under his own name though. when you get your ears around “chordal” and “law of return” it becomes totally clear why this rare outing happens on macro. kruder meets his macro debut full on modernism - showcasing his deep, dark, dancefloor grounded side. with a crisp harmonic sequence reminiscent of tchaikovsky’s nutcracker suite, “chordal” hijacks brains on the dancefloor with its vacuum depth and sizzling details. “law of return” on the other side is a kruder signature take on deepness - solemn chords wrapped around a hypnotic groove give you tears of joy. a masterpiece!

so inagawa first release compiled >deep house part 1- mixed by harley & muscle< compilation. japanese underground label >relaxine< will proudly announce deep tech house track >ride ep< that is second release coming from murakami(poker flat/dessous/morris audio)! ryos career started as dj, on the base of influence by the oldschool hiphop, house, techno, and rock. as soon as he was inspired by alternative sounds like analog synthesizer and old rhythm machines, he began to devote to produce electronic music. his sound contains experimental minimal and cutting edge house music. crosstown labelowner damian lazarus has picked him up and supported to releae ‘the lizard’ as the name of p.a.n on revelone which is sublabel of crosstown in 2006. ‘groove master’ daniel bell has played ‘the lizard’ in his mix cd and it has brought him deserved recognition as bona-fide new talent. steve bug, who runs poker flat and house line labe dessous, dropped ryo’s “my soul rise monument” to best album best kept secrets ” on dessous in 2007. he has became the first artist to be played 2 tracks on the fabric mix cd series steve bug mixes fabric 37 and it was great achievement for him. he has been releasing rise on dessous, down the sky on poker flat and lovin ep on morris audio since then.

varoslav from paris is up next on dirt crew with his i love us , an exciting new dj/production talent the label is very happy to be friends with. this ep sees varoslav team up with paris-based trio and long time friends dop (circus company) who all of you may well know from their current live crazyness and deep jams in the clubs out there … varoslav is a new talent rising amongst the parisian new house scene! playing in his groovy, sexy and energetic style sliding from tech to deep house is apparent in his releases also. when he isnt working on his own music he is found at supplement facts working along side guy gerber, another great label where varoslav released his first records. recently varoslav has a huge bomb out there with his >dont stop< bootleg that is being caned by people like ricardo villalobos and ellen allien … this ep has a little bit of everything for the house, tech house and even breakz lovers. with two very nice remixes full of variety from varoslavs friend david k (freak n chic, cocoon). his smashing breakz remix is a sure destroyer, with its phat beats and pumping bass line it is one of his most outstanding tracks ever. with the vinyl featured house mix david goes deep into the house groove and gives you his typical epic deep house flow.

long awaited new material from the detroit master andres on moodymanns >other< label. in true mahogani music style they decided to release the second of his two eps before the first. there has been a new andres album rumoured for a while now so we are thinking this is the second half of it. theres eleven tracks in total, with a few skits and interludes bridging the gap between classic detroit house jams and gospel style vocal tracks that kdj himself would be proud of. this one was well worth the wait!!

tbd is the much anticipated new project from rong musics lee douglas and justin vandervalgen. side a >what is this< is a deranged house monster with and absurd white noise break. on the flip >i dont know< is a sleazy afro chugger with a sexy french spoken word. the cdr has been burning up nyc since autumn 08 and is a powerplay for tim sweeney

data drops 2 heavy new remixes of the massive holligans from man of the moment example who teams up with don diablo. wire is examples tour dj and is probaly best known for making killer drum & bass tunes here he drops a wicked dubstep mix that has had heavy support from radio 1 main players annie mac/zane lowe. club fuckers provide a good variation on this concentrating more on the vocals.

for over fifteen years, orphx has been exploring the grey areas between techno, industrial and electro-acoustic music. using an assortment of synthesizers, samplers, feedback systems, and various homemade instruments, orphx combines the dark, experimental aesthetics of early industrial music with the pulse of techno, electro and dub.

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

apendics.shuffle’s elegance & malice ep has been reworked by two great talent’s the master of minimalism thomas melchior & ransom note’s adultnapper, both artists have expressed there interpretations to the highest order. adultnapper has taken a darker path, raw & steady drums keep you grounded whilst disassembled voices and eary strings make you realize things are going to get weird. there is a constant hook in the background that sounds like the noise of a sleeping monster but as it gets louder you know it’s about to wake and it does, throwing you backwards in a totally different direction. melchior’s remix takes you on a different journey one that you never want to end. lush melodic sound’s and stunning percussion with deep soulful vocals keep growing and growing drawing you ever nearer all the time never letting you go.

vlad caia, a young romanian living in norway, with his wide range of influences are worn as true colours in his music. his demo was thrust into our hands by one of his fine colleagues, and now finally we can bring his debut platter for horizontal. as you will hear its a bright start for vlad at horizontal, he brings us two charming pieces of upfront house, chango with its cuban overtones and incessant groove calling all at the party. johnny frisco on the other hand has its own low deep funk flavor. both tracks nevertheless are proving to be a favourite of chefs such as tobi neumann, locodice, onur ozer, raresh, josh wink and of course dinky & matthew styles. we hope you enjoy as much as we do this summers release for horizontal!

massive support by extrawelt, ortin cam, tony rohr, the advent, xpansul, xavier morel and many more!
frederik hatsav and jamie kidd joined forces to create the new metalogic sound - edgy, dynamic and highly rhythmic electronic music. their first output on nachtstrom schallplatten has been a true highlight full of fresh and deep techno-tracks, containing 4 bass-driven heavy monster-tunes that rocked the dancefloors around the world.now it s time to present the remix-vinyl of this masterpiece!!!
we are very proud that we could sign 3 of the most famous and established techno-artists worldwide:the first remix is coming from brian sanhaji. brian is releasing since years on chris liebing s label clr, enable and sonata (just to name a few) and is also mastering-engineer of labels such as sven vaeth s legendary cocoon, clr, spinclub, electric deluxe or intergroove. he just released his latest album on clr and since then is touring the world and playing on all major festivals and clubs.the second remix is produced by dietrich schoenemann, who is the man behind new york s legendary hidden agenda and addon records. he released countless ep s together with his long-time friend tony rohr and is known worldwide for his brilliant dj-sets and live-pa s.london based producer perc is completing this outstanding remix-package. he is the owner of the english label perctrax and released various ep s on the most famous and respected labels on the planet, such as adam beyer s drumcode, chris liebing s clr, ovum records or kompakt.

producer bradka began his career in 2002. once he entered a music recording studio, his position of a perspective young pianist was immediately replaced by a dozen of knobs, switches, buttons and cables. it was a place, where not only somebodys creations could be performed, but also a place where music history could be written. a few hundreds of his created or produced works for different performers, tv identities and commercials are found in his biography. in 2007, bradka began paying more attention to his own creative work, and since then has been cooperating with san francisco based world famous dj and producer andy caldwell and with a french recording label tubetracks. working in team with other creative people gives new possibilities to successive projects such as downtown party network. highly evaluated by the djs and the representatives of music industry duo is combining the best from legendary disco times, groovy electric additions, proper beat and the undescribable lithuanian point of view.

here is handguns , the new single from alex gopher. it s a four tracks ep : the original from mr gopher kicks off the show. galactic electronica with shudders of white noise and gurgled bass. this has peak time plays all over it! beni follows up with an electro guitar driven through with subtle bass lines and snappy beats. more dancefloor fun from dada life with an influx of heavy hoover bass and nifty percussive elements. knuckles finishes up with an awesome mix - stomping electronic beats and buzz saw synth breakdowns!

chris liberator the acid techno legend and workaholic dj teams up with the amazing sterling moss racetrax records for another collaboration to go with their bored of minimal recent release for stay up forever. this release for chris and aaron liberators cluster label kicks like a mule with three very different styled tracks. first up dirt box is a funky builder that grabs you by the neither regions and doesnt let go. a riotous attack after the breakdown will send all doubters packing. x hale has a classic cluster sound, fat bass drum and sinister riff combine to deliver a quick killing poison. finally jammy dodger is a looping techno workout for the heavy mixing dj.

over the last half year shaun baker has been busy producing and fine-tuning his new single give!. in the meantime together with dance nation shaun produced the hit single sunshine 2009. to make the premium package complete just like with v.i.p. & hey hi hello, uptunes have pulled in again the remixing talents of the internationally acclaimed michael mind. raindropz! has also been employed yet again to produce his version of give!. we are sure his version will not only find acceptance from the hand ups quarter but from a much wider audience making this shaun baker release probably the best shaun baker track to date.

its a hard task to capture the raw emotional elements of deep electronic house & techno - itamar sagi has managed to capture and mold it, on this detroit influenced ep

part 3 of the nice cd compilation! >aus music… all night long< as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn… all night long

toms credits started wracking up and he moved to the world famous townhouse studios as an in-house engineer in 2005. by the time he left in 2008 he had worked on sessions for artists including mary j blige, muse, take that, estelle, lily allen, snow patrol and damon albarn to name a few. this is toms 1st single under his own name an superb piece of saturday night party housein hed kandi style a superb remix package has been put together by born 2 dance. kicking of with the legendary stonbridge who provides 2 superb peaktime versions that we are sure youll be hearing all summer.. radio 1s jaymo pops up with a tougher bass heavy version on the flipside with toms originally vocal rounding things off very nicely. simply irresistable

hailing from latvia and under the guise of craft b aka andis cinitis, sandis soms & reinis jakobsonsturn up the heat for summer with the aptly named >summer voyage (cover me)< originally made as an instrumental they teamed up with nica brooke from california (usa), who has already worked with da sunlounge (uk), ryralio (lithuania), rithma (usa) and blacksoul (croatia). now signed to the mighty hed kandi and with some fresh remixes this is sure to be a big hit all over summer. dj support grant nelson - swing city (uk) christian hornbostel - housepacific (germany). richard earnshaw -duffnote / guess records (uk) deep josh (spain)

stephen hellm is back on k-records with a brand new release called “taste”, without a doubt a perfect title that really says it all. in the original version you get carried away by a dreamy melody and very subtle nature sounds in the background. listen to it at home lying in bed, or float above the dance floor in your favorite club. this is a multipurpose track.robert babicz has taken the remix side for his account. with some extra punch, a pulsating acid line, a sharp synth and even a piano riff, the master himself made it a real dance floor killer.

weare proud to welcome marc antona as the newest member on the highgrade artist roster. unless youve spent the last few years living under a rock you will most likely already know his name! the french producer has recently put out releases on several hot labels like freak n chic, micro-fibres, sender and mobilee . the opening track, >red faces< instantly proves why marcs sound fits perfectly into the highgrade musical universe: highly energetic and hypnotic, it develops slowly but relentlessly into an irresistible groove. the first track on the flipside >wheel of chance< skillfully picks up this train of thought, throwing some more percussion into the mix, which next to some bleeping synth lines will guarantee effortless intoxication on the dancefloor. hustle< on the b2 grooves on relentlessly as well - with some slick seeded reverse claps and detroit inspired synth stabs. our hats are definitely off to this release, and we look forward to many more from mr. antona!

loved by jennifer cardini, dubfire, chris liebing, mihalis safras, dj hell, florian meindl!! jakob hilden is one half of format b and part of the project red robin & jakob hilden which was very successful on trapez ltd. jakobs new solo project involves his vocals and band skills from the past which he has fusedhere with the production skills he has earned from format b productions. what we get with the a side track >glamouflage< is a cool and mighty organ grinder with vocals by jakob hilden using catchy lyrics. less minimal and a big hit. the b-side is called >ground n pound< and moves like a rattlesnake with its strong driving percussion.