the return of post punk slowness!

as the title of their new full length recording suggests, green concorde is moving, and moving fast. the direction is one and one only: out!
be it from the dark star palm trees of miami, from the silvercoated buildings in the city of glass or from the claustrophobic humidity of their now abandoned rehearsal room in copenhagen, this outfit is running for safety. out where the stars look like arrows on fire. as they move, green concorde stays true to their pulsating post-punk brand, though some of the sounds characteristic noise has been distilled and filtered, leaving a more soft and atmospheric expression than the one characterizing their previous album, ten cities. and unlike ten cities, this album is not a result of hours spent in a cold rehearsal room in a humid basement. instead the nine songs were written under intimate and private forms, partly in the bandmembers own appartments in copenhagen, partly in a small cottage in the dark outskirts of denmark. the run has begun. are you ready to follow green concorde down the corridor, to the exit, through the gates, out into safety?

blasta s saga comes to an end with part 3 of his incredible adventures of kenzolika and quetzalcoatl among the air castles series. the product of an over-active imagination, this series has fused dubstep and post-garage riddims with traces of jazzy easy listening and psyched exotica. the most successful effort here has to be the garage rollidge of black muscatel offset by smooth and dreamy-clean synth keys, while zeppelin nacelle sails off with gently propulsive garage bass and trip42 brings the story to an end with down pitched dubstep beats subsiding into sunset 303s.

boxon records is changing his style, trying a new kind of music, and staking on the >pop< genre, to give you fresh air for this summer. >y< is a new band in the boxon crew, the label from bordeaux. with a technical and wealthy musical past, >we are terrorists<, >daroc< and the bewitching >music automatic< are joining their respective talent and skills together for this project. >y< looks like it is a band which will revolutionize the image of the label?

here it is - >summertime clothes<, the second single from animal collectives critically acclaimed lp >merriweather post pavilion<. >summertime clothes< is a deliriously warm and instantly infectious track. remixes are courtesy of hyperdubs elusive and spooky beatmaker, zomby, las ambassador of boogie funk dam-funk, and south london breakbeat and dubstep producer, l.d.

already a mainstay in the scene with admired releases on brother label poker flat, and of course connaisseur, patrick chardronnet returns with a wonderful 2 track ep on audiomatique. a delightfully trippy, post-minimal adventure, ‚piper‘ raises the brow for chardronnet, dropping the big room synths this time in favour of a very organic, low-slung addictive groove. sparse, tricky percussion underpins the headsdown late night vibe, as a drifting ensemble of mystic vocals and haunting horns unfolds over 11 minutes. enchanting, mesmeric and deeply spaced, this reduced-percussive foray explores chardronnet‘s more hypnotic side... a priceless cut of of hybrid house from a modern master. on the b side the driving, textural chimes of ‚dropout‘ ensnare the listener into another beautiful and mysterious world. solid-state, bass-led percussion and crisply-cut percussive fx remain subdued whilst an epic, swirling synth landscape weaves its dreamy tale. suggesting moments of real drama, yet all the while maintaining an addictive, slow burning vibe, its a an amazing journey into this producer‘s remarkable, inimitable sonic world.

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. jones best post disco album recorded in nassau, bahamas, with a truly remarkable studio band, including the legendary reggae rhythm team of sly dunbar and robbie shakespeare, along with marianne faithful collaborator barry reynolds on guitar. the songs are generally arranged in an innovative, ahead of their time way (echoey yet spare, with lots of deep bass) that owes a bit to dub and in any case provides a perfect backdrop for jones queen of the undead vocals. highlights include the proto rap walkin in the rain, (by easybeats / ac/dc auteurs vanda and young) and a spooky cover of bill withers use me.

roberto de carlo comes up with a combination of funk, soul, and gospel with electronic elements, remaining powerful and fresh. this revamped cover version performed by colin corvez and with incredible keyboard played by one of worlds most talented musicans in house music - simon grey. de carlo brings back to the club this d-train classic, who were and are one of the most exemplary post-disco/pre-house groups. next to roberto de carlos and diego auguannos classic versions this package includes remixes by san francisco based and salted music boss miguel migs who delivers a fantastic dub for peak time madness.

hailing from the musical mecca of austin, texas, and following up their brilliant debut album from last year, which featured in our year end top 10, with this already hugely lauded sophomore effort. recorded by the band in their infamous studio/trailer, wailing fuzz guitars, soulful, yearning, emotive vocals, and one of the tightest rhythm sections going provide the currency in which this unique power trio explore their brilliant, unexpected and wide ranging musical ideas. an entirely original, sprawling combination of sixties rock touchstones, free form jazz jamming, and a defiantly post punk spirit, and all performed with a precision, and vibrant intensity not often found on record.

in these >post-heater< days it is not so crazy to hear of a kazoo being used in a track, but when style of eye first released >the big kazoo< on dirtybird it wasnt just a sample loop, it was an incredibly innovative usage of the sound - mangled in all the right ways. in 2009 style of eye returns with 3 more monster club tracks. these are the kind of jams that simply work at the club. they arent hard to mix and they arent hard to understand. they are big dirtybird tracks that simply never fail the dancefloor

following the release of one of 2008s most acclaimed records (>the best album weve heard all year< û fact, >an angular post-rock attack delivered with exhilarating energy< û q, >a glorious celebration of sonic excess< û observer), gang gang dance release their new single >first communion<. its a captivating, urgent blend of tribal beats and sprawling vocals, tightly wound into 3 minutes. the title track is joined on this limited 12 inch by two killer remixes û a hot chip mix of album highlight >house jam< and a brand new remix of >first communion< by tv on the radio

crimea x is the coming together of two offbeat, disparate characters, dj rocca (ajello, super sonic lovers, maffia sound system) and jukka reverberi from 90s italian glam cult rockers, giardini di mir, who have often have been compared with the sound of mogwai, arab strap, godspeed you! black emperor. hailing from the far flung cosmos of reggio emilia, italys coolest post rock, cosmic disco outfit, crimea x launch a stellar ep of musical gems titled, phoros, get ready for pure, spaced out balearic bliss as the italo duo take you on a round trip journey to the electro cosmos and back. dj rocca and jukka were brought together by the common passion for cosmic imaginary soundscapes, where kraut rock fuses with the predilection for marxist thought and political stories of last century. the end product is a tantalising myriad of musical styles and tongue in cheek ethos, satirising the sociopolitical climate of our modern era.

nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

busy french scene-climber julian jeweil presents a brand new electrifying offering for his debut on len fakis figure imprint. a resident of marseille, and a well known name amongst the french post-minimal-techno key players, jeweil is beginning to earn a name for himself far beyond the reaches of his home land. this insistent, rolling club destroyer is full of high quality attention to detail, thrilling fills, wild-pitch fx and an urgency that literally demands you to move. >my cat< is sure to be a winner amongst djs who have the confidence to really bear their claws...! instantly recognisable thanks to its immense pitching, hissing moments of climax and release, this cat is wild!..

alan abrahams, the man behind portable, emerged out of the ruins of a post apartheid south africa. growing up in an impoverished cape town township, tagged >beverly hills< by the locals, abrahams was always immersed in his sisters ritual of getting ready for a night out to a soundtrack of 80s soul, hi life and hip hop. inspired by the first batch of chicago house records, the foundations were laid for his future in music. experimenting with ways of combining traditional african rhythms with the 4/4 sound of house,abrahams completed various projects in south africa. most of which gave a commentary to the political turmoil of the country at the time. abrahams inevitably became frustrated by the geographic isolation of the country and relocated to london in 1997. in the uk abrahams went on to complete various releases for internationally recognised labels such as context and background records before starting up his own label, süd electronic in 2002

bukaddor & fishbeck mit einem post-chicago track der alles mit sich zieht was nicht bei drei auf den bäumen ist. mal wieder extrem überzeugend die beiden. ivan smagghe sagt: >just back from 5 hours set at  fabric... this was the record of the night from far... both tracks are amazing. i think my house record of 2009 so far...< also big with piemont, mihalis safras, toni rios, technasia, pierce, matt tolfrey, markus kavka and many many more

limited amount of upfront copies of the latest ep on dave switch taylors dubsided label!!! another trio of brain busting apocalyptic post rave, er...rave! we dont have any info on the identity of sticky k, but if you like your club music to boot you right in the chops with a big digital doc martin, then you ll be glued to this!

hot stuff !! system of survival & amor t s hotly tipped ianvs71 is back with some exciting new signings for their mmix ad (2009) release schedule project. just like with their naturelle ep (ianvs71_001), the label keeps combining with this new release, the primal energy of house and the willful embrace of post-modern techno-deepness. here to-go three mixes to shake and challenge souls and bones. metrica one night offers three exciting mixes combining the primal energy of house to the willful embrace of techno deepness. quality house, irresistible groove with no inhibitions! highly recommended for fans of house, luciano, villalobos

tom dazing is an upcoming artist from brussels who has released on mb selektions, heimatmelodie, coincidence, veryverywrongindeed and toysforboys already and with his new ep >black magic< releases his debut on trapez. tom has a powerful production technique and a cool old school appeal which he fuses with modern sound design. his new release features >divulge< and >cable strap< two peak time techno trax with a heavy 303 bassline that will rock all big floors. >divulge< the a-side is destined to be a berghain hit. the track is a monster. its attitude is down to earth... keeps it simple but effective. >cable strap< on the flipside is a new modern version of music that we believe used to be the post chicago sound manifested by robert armani and friends. >cable strap< is a super cool heavy rocker with a siren sound that will turn clubs upside down, joined by delicate use of 303 basslines. >temper< the digital bonus track has more of an atmospheric deep feeling to it! tom has been voted in belgium in the top 10 chart of the best national producers in 2007 and 2008 and was voted into the to chart top 10 national live acts

bekeschus is a new project in eintakts artist portfolio. the brothers benjamin and sander present here their first release called >dieser moment<. this ep is a combination of moody electronic styles containing 4 tracks floating between deep, dub, and dirty. the songs connect modern music-to-the-floor with timeless sounds and arrangements that both touch inside and move forward. sound inspirations derive from numerous movements of pre and post millennium artificial sound scapes. especially, early club sessions in berlin since 2000 shaped the brothers view and interpretation of the input and output of electronic culture. >dieser moment< stands for an audiophile time document of their development, and at the same time awareness of >this moment<.in the year 2000 the brothers started to engage their selves in djing...

new mixes for this italian minimal electro pop tune, in the charts during last months . post modern japan pop style, with french 60s sounds touch. an increbile mixture of styles. great remixes by jason rooney & alex gaudino, disko kriminals, gianluca motta and stefano mats mattara!

supported by: tom stephan, jerome sydenham, noir, atle, djuma soundsystem, patrick bateman.. we wanted to try something new. to let an outside artist provide the main track. the choice was pretty easy – it could only be danish sensation jack rock. he has been killing the big stages all over northern europe with his technically demanding live-sets. a university background in sound theory and interactive sound design means that his productions of post-minimal techno are brimming with interlacing tones and harmonic elements.

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

unreleased disco soul from new orleans band, a side is a short but sweet single that pairs the soul disco styling of earth, wind, & fire with the cool crooning of bill withers. there must be an answer is somber ballad lamenting lost love. this dramatic track is characterized by its dark piano lines and is accentuated by post doo wop vocals reminiscent of the temptations.

dj support by dj hell, luciano, troy pierce, davide squillace (dc10, ibiza) and many more... name+relucto first gathered praise as remixers for the aforementioned fool with their demented re rub of drama earlier this year. their debut is a four track vinyl and digital release. longblackcurlyteeth’ is a dark and deadly slice of techno which germinates from stripped sleeparchive style minimalism into a gloopy acid evolution that plunges and skews itself into the sinister depths of foreboding, resonant evil. blueballs picks up the tempo and undulates along a jacking groove of raw metallic, mashed up alien calypso funk. title track spawnofspoon is a demonic mongrel of future styles. this scuzzy hip hop homage is riddled with shredded vocals and mutant bass modulations which explode into a post rave, acid armageddon. alex cotex is in devastating form with his hypnotic rework of lbct, the result is a mesmerising, relentless beast that reverberates a pulsing throb underpinned by a fizzing 303 bassline

panthers used to play aggressive post hardcore before their style morphed into a somewhat sober version of anthemic stoner rock. they released albums on both troubleman and vice records. goblin city is the lead track from their second record, the trick. holy ghost! requested to work on goblin city. they then delivered one of the most relentlessly snappy disco dubs in quite some time. panthers also asked run roc to do a mix of the song and he came up with an excellent old school acid house version. this single is a true dfa family affair, bringing together good friends, musicians, and creative allies from the past and for the future. family reunions are not supposed to be this much fun.

so the track is called >>before i started to dance<<, lisa li lund is singing, chateau flight is producing, and our friend prins thomas is remixing. get ready to hear the 1st prins thomas vocal cover! it is great remix, a kind of disco pop symphony that i will post soon,together with some videos….we also done a disco kraut tripped out version… (gilbert cohen)

first full electronica release from piano master francesco tristano, with full on post production and rework from the legendary moritz von oswald (half of maurizio fame)... one track per side for a total of 50 minutes music, in the vein of e2-e4.... future classic for sure for this highly limited deluxe pressing

played by: from disco to jazz and funk, italians have acquired a solid reputation in the making of dance music along the years. those last months seing them firmly back on the blocks, some 20 years after the worldwide domination of the so called spaghetti house!!! what is it then to expect on this 3 tracker? lectrodeep post-disco such as delivered by marcoradi on firefly? abstract phonky house on the shot by upcoming producer mr mama?? synth led deep n sharp tech influenced vibes on the fascinating hidden diva by the likes of tresca aka pastaboys??? who cares as long as its good. and it definitely is...

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

dj support by adultnapper & matthias kaden !! cynosure is proud to present the debut ep of one of italys finest house and techno djs, andrea fiorito. hailing from the southern city of bari, andrea brings new warmth to the otherwise ice cold italian house sound and delivers a timeless deep house original. things commence on >moderato mistico< with a subtle tribute to a close a friend that has some serious issues with partying called >boti world<. a stripped down minimal house groove with several different monster bass hooks. a killer bumping, grinding, walking bassline that heats the floor with every change up. but as we all know this is not enough to really push things to the limit, so andrea answers the call and brings the furry with givan on the sax. imagine that moment where things in your night boil over the edge and you begin to loose control. thats when givans post punk style sax attack begins to push things past the threshold of insanity. next we have the lovely >betty loop< feat the sensual voice amelia saul. a layer of percussion a la spring reverb set the pace leading into some piano chords and a giant bass hook that make up the foundation of the groove, laying the sonic rose pedals down for amelias presence to be heard. with a voice sweeter than honey and some twisted lyrics, she creates a sexy yet warped feeling in this track. and of course if the vocals were too much, you can play the dub version >betty goes to gio< and mix your heart out. with >moderato mystico< andrea fiorito lights the deep minmal house flame for cynosure closing the summer releases in style by producing heat that only a southern italian can. howie mangel

supported by hardy hard, jay jay cunning, baymont bross, barry ashworth, deibeat, denis naidanow, garagefm,… kdb breaks - first post-soviet breaks vinyl label takes a fast start with best russian producers access denied with two huge dance floor hits. both tunes (mini break and d.y.s.o.t.s) are timely dance floor breaks and are guaranteed to put hands in the air when they drop. also includes huge- fat-block-party-breaks remix by italys finest andrea lai and really groovy tech-roller remix by moscow freespace! release gets big support by breaks scene hardy hard, jay jay cunning, baymont bross, barry ashworth, deibeat is playing it already. ring the alarm!!!

fachwerk comes with probably their best release sofar! mike dehnert is one of the tresr resident djs and you can hear he knows what works on the floor! great post detroit techno wth that raw berlin flavour. one of the most promising producers from germany right now

support from efdemin, loco dice, sebo k, shinedoe, dave dk, agnes, d julz, serafin, ame, ben watt, ray okpara, sasse, luke solomon, peace division & ashley beedle, among others... anonym is the one who is anonymous. his music, however, is anything but anonymous. hailing from the mecca otherwise known as detroit and with releases on his very own anonymous releases and on sushitech, anonym embraces in his music the ways of future past of the motor citys unique techno scene. anonyms new release arrives exactly when detroit techno is again paving the way to the future by transforming the now: post minimal strategies and a desire to find its own place in the tradition, make the music signed by anonym a strong creative statement, something that could only be cooked by a detroit native, but that resonates all over the world. for remix duties, we asked our good friend patrice baumel to take it amsterdam style. detroit techno has a strong hold on amsterdams music makers but the natives of the city of the best coffee shops in the world have also always shed a different light on their own productions. patrice is a perfect example of this: his originality and fierce work ethic has gained him a place in get physical and trapez. we were hoping for something special from patrice and he definitely delivered, taking shanghai express in a completely new direction, making it something else, but also his personal tribute to the city of cosmic cars and vital underground resistance

mc/producer from houston, texas. 5 songs, limited to 250 copies. picture disc.

since the year 2000, belfastian dj and producer phil kieran is providing us with a constant flow of outstanding records and remixes – among them for novamute and soma – with his energetic sound from the capital of northern ireland. not least has he gotten awareness with his alloy mental project on fatboy slims label skint. his new maxi for cocoon designs two blueprints of uncompromising techno between tradition and modernity. whereas the post-acid sounding a side can be indeed called >wasps under a toy boat<, displaying ongoing >wasp sounds< which are shifted against each other, the break- and bass-orientated b side >tartan paint< sets new standards regarding the sound abstraction beyond popular expectational attitudes. and thus stays a highly functional dj weapon for intelligent techno bashes.

seit langen wieder einmal ein naturtalent aus köln, der ähnlich wie audio werner die welt des post chicago house mit techno vermischt und etwas neues schafft. zur erinnerung, der hammer track der trapez ltd 63 von lucio aquilina war sein remix

5 years ago back in february 2003 in montmartre (paris, france) pedro winter aka busy p created the ed banger record label. most of the artists have been discovered by pedro, and often live near the labels office. over the past 2 years the rise of the label has been something like a phenomenon, with all artists being on a worldwide tour (dj and/or live) at sold out venues, each appearance always long awaited and celebrated like a the coming of the messiah by thousands of raging kids from each and every part of the world. drawing on the street energy of hip hop, rocks explosion and hypnotic compression of techno music, but remaining open to all other influences, the sound of the label, mostly electronic and saturated, has become a trademark, registered worldwide. justice, busy p, uffie, feadz, mehdi, dsl, oizo, vicarious bliss, mr flash, krazy baldhead, sebastian and so: mes post cartoon imaging are practically pop culture icons, especially within the new web media (myspace, blogs, forums) where ed banger remain one of the unbeatable masters of its use. this third volume of the labels own compilation features 12 new tracks and mixes.

last summer, the berlin-based producer and well-known remixer chris zippel (who already worked with the pet shop boys, robbie williams or ich & ich) already celebrated his very personal interpretation of modern and complex ambient between zwischen triphop beats and melancholic pop references by his genuine horizon album. with this ep, chillout producer zippel has chosen a way quite unusual for him by taking four tracks of the album, making them compatible for the dancefloor with a number of co-producers and proving that dub is still up-to-date in 2008. the ep starts with an interpretaton of electronic spain recordings producer mangelt: again, a straightforward energy flash between reminiscence and modern club sound, takes on the powerful post acid minimalhouse sound a la steve bug. the dane mike salta turns mirror dawn into deep techhouse dub, and also the schwerin-based downtempo producer andre muelle alias vakuum sounds shows that he is influenced by a timelessly valid unterstanding of dub and fragmented s mples by his version of glacier. finally, the tribal progressive house dub of blade remixed by kling klong impresario namito (berlin), undoubtedly the most famous remixer on this ep, goes right into your hips

after a long trip in space (remember the golem 3...) the golem is lost in the 80s for the 4th episode. first, on side a, he brings us a post new wave/pre new beat catchy track, which will rock even the more lethargic dance floor! on b side, you ll find a real masterpiece of electronic music! a fast driven track which reminds to the delirious pop of yellow magic orchestra or vicious pink.

not only is franklin sharing his flat with yapacc these days, hes also remixing the likes of peter grummich, colorswitch, ricardo villalobos or pheek, the berlin resident is also releasing constantly persuasively arranged and produced music on crack & speed, sender, trapez, immigrant and on his own imprint the green empire (which is he co-running also with his long-time friend yapacc). >this is probably the best cadenza release which hasnt been released on cadenza<, said a journalist a week ago - and who are we to deny this? these two tracks are beautifully towering tripped-out, post-minimal techno pieces which are not only suitable for late night moments.

post detroit & futuristic pop sind hier die schlagworte... 4 tracks die eine klare handschrift hinterlassen !!!

sunset diskos is back with an other killer ep from agaric, this time with remixes by no less than camea from clink records

nice price deal !!! behold ear goodies from fjordfunk, with his hi quality sonic fishing fleet. the sounds of epic coldwater trawling can now be yours in the safety and comfort of your own adobe. the scampi disco scamp takes dancefloor analog melodic waves from the seas and oceans of tranquility, and then weaves the cosmogony of new record label, luna flicks, deftly and with the skill of loki himself into strangely solid beat nets to catch unwary listeners by the feet. with this, the first lunar orbit, we hear ovid 8 metamorphose into a post 9/11 poissonier. good lord, st. francis himself couldnt get the mackerel dancing so well (despite their lack of jiving feet)! an anthem for the pre apocalyse generation, spinning a woven path to dancefloor bliss and enlightenment. this is fjordfunk: hear him roar.

big room electro house incl backside artist remix! yes, its indeed a remake of fehlfarben great early post-punk/ alternative dance tune >es geht voran<. monarchie + alltag

kicking emotional filter house/ phunky hands up house tune with great guitar lick and a catchy post 80s vocal hook!! a real slammer

the package comes complete with mixes from hardsoul, sergio flores and dj prom and is to be one of the post-summer anthems of the year.not bad for a dat tape that was gathering dust in a house in the centre of amsterdam

from the four corners of the globe (sort of) comes a collection of some of the hottest club bangers 130bpm has ever seen. first up is dangerous in the 80s from kid who (brixton) who managers to unite the strange pairing of calvin harris and busta rhymes to make an old school electro tinged post classic combination. t wrecks (toronto) is next out the box with stabs, cut ups and the think break that turns timbalands tune into a baltimore anthem. estaw (amsterdam) takes the hip hop anthem of all hip hop anthems, breaks it down, builds it up, bobs, weaves, throws a right hook, throws some ds on it and throws the dance into a frenzy. last but not least, jim sharp (london / toronto) re animates talib kwelis ode to the fairer sex into a fidgety, bumpy, electro slab of sound that makes feminine undergarments moist.

wave music is excited to showcase the boy wonders newest sound statement, you glow, an electro-tinged tune credited to lascivious the duo of pal joey and adam hawkins. the slinky new-wave flavored release builds on the minimal electronic tone of the lascivious tune shes here, unleashed on wave in 2004. you glow is a deeply sexy post-modern pop song with sweet emotion expressed through its glitchy techno backbeat and a robotic sounding vocal uttered by pal joey himself. wave delivers two cosmic interpretations by french whiz papastomp on this 12.