its a fine line between reference and cliche
its a fine line between rough and cheap
its a fine line between moody and dark
its a fine line between independent and arrogant
its a fine line between obscure and abstruse
its a fine line between intricate and complex
its a fine line between passion and obsession
its a fine line between ambiguity and confusion
its a fine line between style and genre
its a fine line between loud and proud
its a fine line between repetitive and repetition
its a fine line between principles and rules
its a fine line between simple and easy
its a fine line between ideas and ideals
its a fine line between nu and new
its a fine line between disco and disco
its a fine line between tim paris and ivan smagghe ... and thats why they are walking it.

space ranger comes from the stars. the trio based in stuttgart have a wide experience and an unlimited love for music. in their previous disguises they have done remixes for the likes of kool & the gang, sugababes and kurtis blow, but now they are absolutely focused on this new project. space is the place. he three members their dj careers in late 80s / early 90s and they are strongly influenced by the deep club sound of those days. combining sophisticated production skills, a huge range of analogue equipment and a long-term experience of what works on dance floors around the world they know how to move the crowds. by accessing to samples taken from a huge collection of old-school dance, disco and soul records they are creating the distinctive and sophisticated house and disco sound of today

the advent & industrialyzer bring you another dance floor monster. doing what they do best.. serious intense techno with slower bpms that keeps the true soul of techno alive..

sometimes things get complicated and a groove becomes a symphony. but sometimes, all we need is the groove. venturing back to how it all started, octave one begins a new chapter, 20 years after their introduction to the electronic music world. connecting to their origins on derrick mays legendary label, octave one pay homage to their transmat catalog number with the launch of a new limited series and label, ms10. returning to basics, ms10 brings the burden brothers home to how they started it all, minus the hype and >back to the essence of the groove<. this special series begins march 2010...

decks tip : >500 shapes< best moodymann stylee !!!!! two years ago murmur set out with a mission to make their mark on the underground house and techno landscape. along the way they guided the journeys of a bright array of artists, heralding early releases from nick curly, mic newman, nima gorji, bearweasel, tom demac, craig torrance and labelhead geddes, and have forged their own unique musical stamp. happy with that achievement they are now expanding and launching a new arm - murmur-? – creating a concept not to direct from but to compliment its forebearer, murmur-? is a chance to encounter a new shade of music, not just about floorfillers, but exploring music with soul, music with a different tempo and style, often still material you could play in a club but that can also be played and enjoyed anywhere.

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

starting the year off with this cracking deep ep by our new guys on dirt crew, the runners ! after their extremely succesfull first 12 inch in the beginning of last year which featured the stunning jay shepheard remix they are ready to deliver the next dose of classic house grooves that range from deep house to the more techy edges of electronic dance music. the four originals on this ep alone stand out and keep dirt crew recordings headed towards the future of true deepnes. but as we are real purveyors of soulfull rolling beats we had to add once more one of our favourite producers in the scene to do a remix, this time its our friend from barcelona soul minority who has gained great respect with his cool deep house records over the past years, especially his latest releases on pack up and dance were amongst our most played tracks last year. so here you have it! a great start and there is more coolnes to follow this year! stay tuned and stay deep!

the soul square were born in 2005, when 3 french hip hop beatmakers (arshitect, guan jay & permone) influenced with the same musical roots (mainly jazz, soul, funk?,) decided to work together. on the same year, they released their first remix album, the fresh touch, available for free on the web...

chicago natives the shake up connection with their second release on ao. their debut single you got me (on ao10) a super gorgeous, melancholic affair already caused a huge reaction with the househeadz worldwide. these 3 tracks are suitable for any dancefloor and mark the shake up connections fine blend of samples, electronica and acoustics and they get on their mojo for sure: pitched down guises and ready to rock. the immaculate production and frighteningly powerful build up should prove it all. must have!

the agency was released in 1997 on sf label called solid trax (ebe sub division) was one title expiremented between jazz & techno. new additionnal remix by phil weeks & didier allyne. they delivery a jazz hypnotic techno.

beautiful soulful house from soundmen on wax italys souldynamic recently appearing on labels like tempogroove / purple & duffnote. here they deliver 3 superb mixes feat emory on vocals & with some quality dj tools

cityfox moves on and winds up its first label year with a pretty crazy ep by zurichs hottest new talent andri. dive into his funky, weird, psychedelic worldwhile listening to the seven tracks. they all feature andris unique groove, sound and vocal signature. and still, each one of them has its own character: be it the straight forwardness in the change, the cool groove of feel in love with uuu, the catchy funky vox in housers revenge or the hit machine tschege.

chantals tracks are tinged with a hazy, nocturnal sadness, a touch of sexy, decadent disco glamour and a retro palette of sounds that reminds the listener of the synthesised soundtracks to john carpenters horror films. diegors & the dons (aka m. aguayo) tracks are testimonies to this fact. built simply but well, in the comeme style for maximum dancefloor power. the overall strangeness plus the syncopated melodies are distinctly latin and couldnt have come from any other label. cÓmeme is hot right now and this is definitely the best record they have done so far

blackstrobe are back from beyond. their newest dance floor gems are a foray back into the darkest realms of disco with their unique blend of boogietrance, softgoth, gaybiker house music. on their latest release they employ deep gothy hooks that match perfectly with a nostalgic italo flair and dark disco pulses. dancefloor zombies and casual listeners should find these retro-futurist tracks akin to the worlds of john carpenter and the twilight zone. trevor jackson >great release< // chloé >good tracks, will play them< // dj hell >great single<

the heels of love, the new milan based duo born from the joint between michele tessadri (fratelli riviera, bearfunk) and sapo (member of the love supremeproject on tirk) >two disco reprimands with an unhealthy penchant for slap bass, synths and vintage drum machines< has made a lot of noise lately with just a couple of works. after debuting here on mom with a huge remix that made its way up to beats in space and tsugis 2009 best of compilation they have had the first official release on david griffiths (the man behind jisco music) new label, under the shade. this one has sent them right into the chart of almost every known dj of the scene. >quiet please< is a slow, 110 bpm groovy piece of psychedelic disco that has its force in the balanced mix of the wobbling analog bassline, the p-funk guitars and the old flavouredsynth riffs reminescent of 1992 chicago house.

>trippy monkeys< and >ringneck< are typical gurtz style dark, trippy, tracks with lots of bleeps, detuned voices and athmosferic fx, but yet with a energetic, strong grooves. >trippy monkeys< gets an additional remix treatments by marcin czubala and bruno pronsato. czubalas version is the most warm and funky one, probably most dancefloor friendly track off the ep, while pronsatos is the most experimental, in his trademark abstact, hypnotic and psychodelic style.

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

die nächste kts strahler ep , nun auf diynamic music !!! they have come a long way…. remixes for hot chip, releases on cocoon, and part of the diynamic family from the very beginning. christian hilscher & nico plagemann, better known as kollektiv turmstrasse. they return with one of their finest tunes to date. always loyal to their own label-mission - music wins friends (musik gewinnt freunde), this new release upholds this principle! with this new ep, they once again confirm that they are one of the very best in their class. and we are certain it will win them many new supporters for sure!

this 12inch features heist, which puts you behind the wheel in an explosive hi nrg car chase, and russian boat commander, which could be described as progressive cossack disco. together they take you on an epic voyage of mystery.

already played by efdemin, akufen, mathias kaden, jimpster, frivolous, magda, jeff samuel, kez ym, mathias schaffhäuser, tomboy and more... strong gymnastic house tunes brought to you straight from the gym. pumping iron by brandt brauer frick… and 1 and 2 and 3! brandt brauer frick produce club music with self-recorded acoustic instruments (prepared piano, vibraphone, drums, various per- cussions, brass and string instruments), rhodes, bass guitar and few analogue synthesizers, as heard on their ep „iron man“ (incl. remixes by lee jones and treplec) or at their great performance at berghain last month. for the gym they have made two rather untypical house tracks, using more synths than they usually would, celebrating a more gymnastic dancefloor approach. enjoy!

amplified introduces new kids on the block: the shake up connection. heading from the same town as fellow label artists amplified orchestra: chicago! their debut single you got me is a super-gorgeous, melancholic affair which sees 4 tracks suitable for dancefloor play. the tunes on this ep mark the shake up connections fine blend of samples, electronica and acoustics and they get on their mojo for sure: pitched-down guises and ready to rock. the immaculate production and frighteningly powerful build-up should prove it all. do not miss!

check the a side for a wicked carl craig alike track. three more house tracks from this underground glaswegian label. we usually only get a couple of these and they always sell out fast. tracks have already been played by claude young and gary martin.

this new outstanding enliven music release, called „the dust“, is a cooperation of the three french whizz kidsdop andenliven deep acoustics. they were throwing the old method of original+remix overboard and were developing two completly independent tracks which share the same underlying theme. the dop interpretation comes with a chorus which spins a web of harmony around the listener, the rest of the track is pure groove which leaves no quiet legs, the cherry on the cake is the charming and very sexy vocal by jonathan. the enliven deep acoustics version transports a unique atmosphere by a proper portion of funk. like a diamond on the ring

the phenomenal handclap band, are a many-membered ensemble which also features musicians from tv on the radio, jon spencer blues explosion and amy winehouses backing band the dap kings, all of whom contribute their individual talents to make for a very exciting whole. their sound is an anthemic, dancefloor-oriented blend of progressive rock, disco, electro, and 60s soul with sprinklings of hip hop-styled orchestral breakbeats and moody, synth-soaked & heavy hooks. using live instrumentation to evoke the intricate arrangements of norman whitfield, quincy jones and phil spector as well as the pared down beats of contemporaries like the neptunes and danger mouse.
a prime example of this melting pot of styles, this single >15 to 20< , combines >vintage sounds of blondie and esg with some css and james murphy thrown in< (zane lowe, bbc 1) to make for an instantly catchy disco pop concoction thats times-tabling chorus will be as popular in the playground as on the hottest dancefloors. >15 to 20< enjoyed spot plays from the likes of radcliffe & maconie, john kennedy and zane lowe, who made it his >hottest record in the world< and went on to describe it as his >breakthrough record of the year so far.< press-wise it has featured in the nmes 10 tracks you have to hear & in the guardians film & music playlist.
live they are a core band of 8 all of whom participated on the album, being daniel collas (organ / vox), sean marquand (keys/effects), quinn luke (guitar / vox), luke o malley (guitar / vox), nick movshon (bass), patrick wood (drums / vox) amanda tomme (lead vox), laura marin (lead vox) with special guests from the album popping in all of the time. dont be surprised to find a 15 piece psychedelic, disco-matic, get down, groovy, hippy cult, rock spectacle-supergroup that really is not to be missed!

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

the travel reports of the wilderness ep part 1 & 2 follows a documentation of a time when the cheapers were together in a dark vault and they were only attending the on going outer world through a >white hole<. in chapter a1 they report about the mondane mess that interfuses through the small opening into their facultative dungeon. they aim towards their profile and fill their surface with melody and intoxication. b1 describes basseruptions in front of the white house and while buzzing, pouring oil onto the strings of their piano, to proove the efficiency of renewable soundenergies. their mission was succesfully kept a secret until rising winds released the manuskript blowing them out of the darkness to the cd of the current groove-magazine. finally all parts are official and available on upon you records.

supported & played by : boyz noise, gregor tresher, motor, frank kusserow, jor-el, nicolas masseyef, franz & shape, david carretta, felipe ...
this classic and legendary track from 79 belongs to the very origins of techno. it has been sampled by djs but was >impossible to find on vinyl<, now this finally changed! the track is back on vinyl and even includes some new remixes. danton eeproms remix a real club monster, and terence fixmer remix with an unexpected groovy mood sound, changing suddenly into a dark deep track. crash course in science have also reworked this year their own original mix and now deliver us a new version, that prove us that they are not out of date, but still remain the real brain of sounds, that for many artists has been the core influence of techno.

zoot woman present their third album. things are what they used to be has by no means strayed from the dark and atmospheric, hooky and melodic road, but what we now hear is a strikingly upfront, passionate, and mature development.the euphoric title track emphasises the want to return to how things once were in another state of mind, time and place. while this album takes you on a journey, sometimes introspective and often drenched in desire, each track is unique. from the pulsing hook line of we wont break, feeding an addiction to emotional melody in lonely by your side and more than ever, then to be shaken up by the pounding stadium electro of witness.

ame fan nwaq get s remixed by nwaq fans, ame. they pay homage by bringing the big drums and vintage drumboxes. a beast. side b s wonderfuly deep space meditation takes on it s own mantra and reaches g-ame-lan like serenity... this is one finest of the records of the year, no doubt

this record is just so wooow it hurts to close the gap. it s like it says on the tin of cliches: >the definition< is giving you a concise description of where soul clap, the humorous boston-based house duo, is heading. well, not quite: more where they have arrived, actually. they have found their style. eleven out of ten! this is light years away from the sick >puppy crack< anthem that left you with wobbly legs. get ready to be completely overwhelmed as the sassy producers beamed themselves into futuristic groove heavens while staying firmly grounded on the proto 90s floor. right on!

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

following the success of their storming funkatech debut >wickedest combination ft. ic3/the system<
west london threesome pyramid are back with the first single in a four part series entitled >elements< consisting of earth, air, fire & water but inspired by their four prefered staples: sex, drugs, rock & roll! in true pyramid style expect nothing less than dancefloor destroyers with uncompromising attitude that deliver the breaks fundamentals: big bass & real breakbeats wrapped up with a fresh twist for 2009.
proclaiming the arrival of this new series in full effect is the preacher this summers first festival anthem. take heed all ye doubting thomases this will bring you to your knees. the ominous intro gives way to heavy rock guitars and a foreboding preachers sermon whipping the crowd into a frenzy before suddenly being struck down by waves of bass and earth quaking beats so big they will bring the lame back to their feet. this is a big room track guaranteed to smash up the dance. big warm and heavy it will rock the most sinful of ravers into repentance. watch those hands reach for the sky ... hhhhallelujah!
not letting up the energy for a second and next up on the flip is >broken dreams< featuring the vocal and production talents of yoof (sons of mecha). no massive build ups here just a great vocal hook, raw beats and bass. no sir this is a ram raid. break steppin broken beats, rapid distorted basslines, thrash guitars & crashing cymbals... have it! underground and uncompromising pyramid bring the skank for 2009.

the spanish duo exium attacks again, and this time they are not alone. contributing a remix of the original track the omega man , the dutch duo radial add their special touch of today s techno with a style reminiscent of the best hits from the 90s. this 12 disc closes with exium s remix of dominik muller s silesian boy . the original track was released on the british label locked records, and it can already be heard in sets of artists like surgeon and rob hall.

scandanavian pair holmar filipsson and klas-henrik lindblad aka sasse are busy people. what with running their collective labels moodmusic, crack & speed, thugfucker recordings, and a gallon of original releases they have somehow managed to find time to hook up to produce a cracker of an album. the pair share a love for disco and deep house music and this is very apparent in the music they come together to create. this ep features three choice cuts from their upcoming album æa splendor in the grassÆ.

the upper austrian youngster has been addicted to electronic music since his early youth. after experimenting with different kinds of music he was fascinated from techno and house music and decided to buy his own dj equipment. through his outstanding talent in mixing records it didn t take him much time to be booked to local clubs and festivals. due to his unmistakable style of djing he attracted the crowd and found his own place in the austrian house- and techno scene. after his successful start as dj he started being interested in producing. at the moment he is expanding his international career and producer skills with the music association >elmart - electronic music art<. in october 2008, his stunning remix of chris eckers >when they say hello< was released on the german label >resourced music<. a month later, mike absolom released his first vinyl single >from absolom to heaven< on >elmart<. in 2009, he did several remix projects for mike turrentos >tele commander< on >elmart<, stefano vozzas title 2 on the irish label >dublin xpress records< and rob glennon on >nice &nd nasty records< with other remixers like orlando voorn, paul mac and many more

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

as the title of their new full length recording suggests, green concorde is moving, and moving fast. the direction is one and one only: out!
be it from the dark star palm trees of miami, from the silvercoated buildings in the city of glass or from the claustrophobic humidity of their now abandoned rehearsal room in copenhagen, this outfit is running for safety. out where the stars look like arrows on fire. as they move, green concorde stays true to their pulsating post-punk brand, though some of the sounds characteristic noise has been distilled and filtered, leaving a more soft and atmospheric expression than the one characterizing their previous album, ten cities. and unlike ten cities, this album is not a result of hours spent in a cold rehearsal room in a humid basement. instead the nine songs were written under intimate and private forms, partly in the bandmembers own appartments in copenhagen, partly in a small cottage in the dark outskirts of denmark. the run has begun. are you ready to follow green concorde down the corridor, to the exit, through the gates, out into safety?

marco petralia: his sound is deep, dirty and twisted – his dj sets are energetic and impulsive! as bigcitybeats resident he played already side by side with international dj stars like george morel, roger sanchez, steve angello or mark knight and further is responsible for mixing the very popular bigcitybeats compilations which hit the top ten of the german compilations charts each time they are released. marco can refer to a row of successful releases on labels like open bar music, miss moneypennys and of course bigcitybeats. the baggi begovic remix of his last single >getting deep< got massive support from roger sanchez! without exaggeration you can call >breaking all the rules< marcos best release so far featuring stunning vocals by the young and beautiful us singer taleen marie and a bunch of rocking remixes from superstar d.o.n.s, uprising newcomer cold n what, abel riballo & dj kds and robert heart & christian gimbel.

data drop another massive bomb for the summer sharam (one half of deep dish) teams up with kid cudi whose smash hit from last year day n night just wont go away (with so many bootleg mixes still being made and spread all over the blog sites) this time they go for a country & western vibe with a sample from patsy clines strange big support for this already from pete tong who started his show with it and has since made it his essential new tune remixes come from sharam himself who takes it deep and dubby on his homage to the white isle with his ecstasy of ibiza mix. andy van, kam denny aka australias vandalism provide a superb slammin house mix in there usual no nonsense style!! an essential summer anthem!!

they are from new jersey. they are a trio (well, a quartet if you count parrot shithead). they were one of the lucky winners of 2008 issue of the international nuclear blast myspace contest and they will teach you how to thrash the right way! arrrrrr!

the second release on the newly formed barcelona label they are changing it comes from barcelona based american dj/producer fluen. on this ep fluen gives us a glimpse into his production range delivering an ep that has a clear chicago/ny house influence , but manages to avoid the conga fever that has swept the scene as of late, and at the same time sounds very current. on the a side, things take off with better days, fun and very dancefloor oriented. the second track on the b side, mary says stands out right away thanks to a catchy piano riff and female cut up vocals,reminiscent of old chicago records. on the b side, fluen mixes things up a bit with a song that catches you from the get go. music remains starts very basic, with a dreamy piano line and a kick that lay the foundations for a song that could easily be a hit, simple, beautiful and very dancefloor friendly. the vocals wisely remind us that >people come and go, times do change and allà. but the music remains<. limited edition of 500 units

here they are - the 2009 takes on madan and da hools uberhit.

tensnake has been hamburgs best-kept secret. has been! past 12inchs for labels like radius, mirau (which he co-runs) or his gorgeous >keep believin< three-tracker for endless flight speak louder than words. on top he delivered all these nice remixes for the likes of junior boys ( fm÷ is theee one), sally shapiro or more recently toby tobias on rekids. firmly rooted in new yorks sweaty boogie dreams and with a soft spot for dazzling house music, >in the end< stays true to tensnakes juicy techniques and pleases our friends and colleagues (radio slave, robet dietz, prins thomas, gilbr, mark e) alike. we start off with a courageous house tune that has all the qualities of an a-side and concisely defines the dilemma of lovers: in the end someone always has to cry. but as long as it sounds like a cutty ranks rocket launcher, we want test it. the other side of the medal features >holding back my love< a slow-motion disco robot bomb with a crooning tensnake on the mic that makes everyone feel happy like they should. finally, >thethenunknown< somehow melts the moodiness of early factory records (think a certain ratio with a little finger exercise) with the atmosphere of kenneth dixon jr.s >misled< - one for the heart, soul and your headphones. at least, gerd feels and thinks like that. speaking of feelings. if downloads are your thing, you can get the digital bonus track >can you feel it< at all the usual spots. how is that for a change? this guy aint a blindschleiche

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

once again a sure shot from this much loved imprint. as they usualy do, one side is an original flavor from back in the days, as the flip highlights the amazing talent of wonder duo the old boys (dont trust the name... they re not that old at all...). killer release again... to me, maybe the best one so far...

after their debut single turn you onhaving such a wide success on goodgroove, they are back to bring some disco breaks to the floors. san francisco meets south west england. the sly players are tal m klein and slim goodgroove. they create disco vs breaks vs funk that bridges boots and original production, leaving no musical stone unturned, each sly players track is born of tal and slim s crazed experiments at throwing the kitchen sink at dancefloors, keeping what sticks and throwing out what doesnt.

in these >post-heater< days it is not so crazy to hear of a kazoo being used in a track, but when style of eye first released >the big kazoo< on dirtybird it wasnt just a sample loop, it was an incredibly innovative usage of the sound - mangled in all the right ways. in 2009 style of eye returns with 3 more monster club tracks. these are the kind of jams that simply work at the club. they arent hard to mix and they arent hard to understand. they are big dirtybird tracks that simply never fail the dancefloor

for the latest soulful installment from nysoul records we have called upon the incredible talents of some of the best house music producers in the game: karizma (r2, defected, basement boys), the fanatix (bbe, soul heaven, sfere) & ceramic (broadcite, unique ). they each have given the killer broken beat track >believe in something< by mr bongos greymatter the house treatment. this incredible song is refitted as a 4/4 banger and has already been rocking tastemaker dancefloors around the world. karizma strips the vocal down and maximizes the percussive elements in his mix, whilst both the fanatix & ceramic lay down lush instrumentation and keys, pushing the uplifting vocals to the forefront of their respective interpretations. support from the likes of osunlade, phil asher, eddy meets yannah, dj disciple, kev beadle, simbad, ian friday, dj romain, aaron ross, neil pierce, marlon d, master kev, souled...

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.