original 12 inch mixes by new order, simply red, the brand new heavies, electronic, all saints, dee-lite and many more

features the same tracks in the same order. short info: since 2016, rŽmy poncet aka chevalrex sits among the top new french songwriters to watch thanks to futurism (vietnam, 2016), an intimate sophomore album critically acclaimed by the press and on which he plays all the instruments. wondering how one finds his/her place in todays world while staying true to him/herself, chevalrex offers his answers in this third album and leaves behind his minimalist compositions to raise his ambitions and push his music into a whole other dimension. recorded this time with additional musicians and even a whole string orchestra, anti slogan compiles ten songs meticulously crafted in which the worlds of jim orourke, vincent delerme, tindersticks and boris vian collides, showcasing a level of refinement hardly ever heard in the french pop scene.

polegroup presents the 5th opus of his cd mix series unknown landscapes vol 5: a compilation of unreleased tracks, mixed and compiled by a member of the polegroup platform.
to make up the 5th volume, jonas kopp, has selected 22 previously unreleased tracks. besides tracks by reeko, exium, kwartz and oscar mulero, the tracklist includes works by many new faces at the label, such as kuf, dold, farceb, marcelus, steve stoll and dimi angelis. with this fifth volume, polegroup invites you to discover a powerful selection of unreleased tracks from high-quality techno producers, all mixed by jonas kopp in an 69 minutes long compilation.
the cd, limited to 250 copies, will have a special packaging, including a poster.

after twenty years at the center of the electronic scene, the enigma that is chlo? still stands. while chlo? has long transcended her image as the ¦djÖ behind legendary club night pulp, headlining the rex as well as clubs and festivals throughout europe, endless revisions represents yet another deviation from rigid genre classification, deepening the often-linear perspectives on current music. a rich and multi- faceted work, the artist‹s captivating third album drifts from one mystery to the other, harkening back to philosopher theodor w. adorno‹s maxim: ¦the task of art today is to bring chaos into order.Ö

in seiner fast 25-jŠhrigen karriere hat paul fast alles erreicht, was man in der internationalen dance-welt erreichen kann: mehrfach wurde er von den dj mag-lesern zum no.1 weltbesten dj gewŠhlt, 2014 sogar zur no.1 aller zeiten. sein klassiker -for an angel- (1994) zŠhlt fŸr das mixmag zu den 10 besten dance-tracks aller zeiten. weltstars wie madonna, u2, depeche mode, new order oder rammstein nehmen seine remixkŸnste in anspruch. paul spielt jŠhrlich Ÿber 150 shows, mit 1.5 millionen gŠsten gelang ihm silvester 2008 in rio de janeiro ein neuer publikumsrekord. und seine wšchentliche radioshow -vonyc sessions- feierte im mai 2016 ihre 500. folge und gehšrt mit einer durchschnittlichen downloadrate von 250.000 zu den 10 beliebtesten dance-formaten auf mixcloud. nun liegt pauls neue cd -from then on- mit 14 exzellenten tracks und zahlreichen kollabos vor. darauf befinden sich u.a. die 3 bisherigen single-auskopplungen -everyone needs love- (beatport trance #2), -touched by heaven- (beatport trance #3) und der jŸngste smash -stronger together- (beatport trance #1). damit wird die umfangreiche paul van dyk alben-diskografie, die mit album #7 -the politics of dancing 3- im frŸhjahr 2015 ihren bisherigen hšhepunkt erreichte, mit dem achten werk endlich fortgesetzt.

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fŸr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflŸsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fŸr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

pianos have featured in house music since day one. there s just something about the combination of looping piano chords and a skipping house groove which works so well. in contemporary dance music the piano still remains intrinsically linked to house, though it was in the late 80s and 90s that the true piano house classics were created. we took it to our hearts. the emotionally charged piano riff became a defining motif of uk dance music. producers knew they only had to alight upon a suitably uplifting three-chord piano hook in order to unleash a tide of misty nostalgia for rave s halcyon days. ministry of sound are proud to present piano house classics.

2cd compilation incl ibiza summer 2017! faul & wad vs avalenche city, felix jaehn feat.thallie ann seenyen, moguai, nalin & kane, odd mob, luciana & dave aude, calippo

2017 dance house summer hits ! incl. lost frequencies, starley, low steppa, edx, croatia, squad calippo, inpetto, luke ! 2 cd compilation!

island people is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and dj graeme reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: Òduring the whole creation of the album, we never realized our actions were quickly leading us into forming Èisland peopleÇ, we were too busy having fun, making music and sharing ideas.Ó the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, Èisland peopleÇ is a pure listening record in the best tradition of ambient.

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90Õs electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his Òpoint epÓ, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune Òpoint in timeÓ, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album Òpurposely uncertain fieldÓ on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops Òphase transitionÓ, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

auf 2 cds finden sich hier die derzeit besten und angesagtesten dance-hits gemixt von dj deep , Ÿber 80 tracks incl. niels von gough, alex m, van harden, klaas, mark villa und viele mehr

bei vielen clubbern mischen sich in diesen frŸhlingstagen vorfreude und erste aufregung: die angesagten ibiza-clubs šffnen in kŸrze wieder ihre pforten, und somit steht einer rauschenden partysaison mit viel sonne, glamour und neuem, trendweisenden sound endlich nichts mehr im wege! auch megamix-chef dj deep kann sich der bevorstehenden sommersaison nicht entziehen und hat in einem ca. 80 tracks starken megamix gute laune und summerfeelings auf 2cds gebannt. coole deep und future house-sounds, die in den hotspots der insel gespielt werden und auch ihren weg auf die heimischen partys finden werden, das ist der ibiza opening megamix 2017!

dr. lektroluv, die belgische dj-legende mit der grŸnen maske, prŠsentiert mit der deluxe-box -elektrik world- die besten electro-klassiker aller zeiten chronologisch sortiert auf 4 cds. mit dabei sind classics von miss kittin, tiga, boys noize, zombie nation, alter ego und anthony rother, aber auch new order, telex, zoot woman, mgmt vs. soulwax und ršyksopp vs. trentemšller. schšne cd-klappdeckelschachtel (pizzabox) mit 4 cd-stecktaschen und faltpolster-booklet.

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

when it comes to a state of trance, thereÕs no desire stronger. we need it in order to make the most of life, to fill the gap that would otherwise remain unfilled. to make us want to be in that moment, to have the very essence of our existence looking for that emotion. itÕs what we live for. with Ôa state of trance 2017Õ, the titans of trance have gathered round to show us all that we envision. it is a happy place where we can celebrate music and life, chock-full with exclusive records and emotion-driven cuts from flag-bearers such as alexander popov, armin van buuren, marlo, omnia, orjan nilsen, protoculture, super8 & tab. the compilation has captured the essence of all we hold so dear, touching us in ways that makes us shine even brighter. if you are part of the movement, you will share its beliefs and swear by its ideals. yet, few words are needed to explain the feeling. one phrase says it all. i live for that energy.

the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

a collaboration between aphex twin (richard d. james) and µÐziq (mike paradinas), mike & rich - Õexpert knob twiddlersÕ was made back in 1994. richard edited the tracks into shape later in 1996 with his new apple mac computer and it was released later that year on rephlex, the label he co-owned and which released the first two albums by µ-ziq. this new reissued version has been carefully cleaned up, re-edited and remastered from the original dat tapes, put into a more fitting order and, more excitingly, seven new bonus tracks and alternative versions have also been added. the album was recorded over a few days during the 1994 world cup, back when richard lived in a big shared flat in stoke newington. richard had tried to collaborate with a few other likeminded artists but something clicked when mike and rich worked together and the sessions have a unique feel, playful and at times actually drunk. these are fun experiments in the spirit of lighthearted moog pop and ripe 70s british tv themes, standing out from the po-faced electronica of the time with a garish glee. the record was made on what is now seen as pretty primitive gear - an atari, roland mks-80, memorymoog, roland r8 and a handful of samples on a casio fz-10m - but itÕs to their credit that it resonates well with the hardware workouts coming out today. there s a broadminded but sloppy funk to the record, even whistling, singing and harpsichord in reg and wonky beat pile-ons in jelly fish . there s latin piano and wheezy drunken techno in ÔvodkaÕ, or the sleepy spaced out ambience of Ôbu bu bu ba with its barely contained laughter which seems to reflect the absurdity. the new versions and bonus tracks are an absolute delight - from a trancier version of Ôvodka to the wonky bounce of Ôportamento gosh , the 3/4 dub of waltz, the banging door bass of brivert and muonds , the creepy seasick atmosphere of clissold bathroom and finishing with the strangely graceful and serious organ plodder . a generous and welcome return to the racks

excellent selection thru da 80s

the cd included in the lp version features the 12 tracks of the album in the same order. since the release of the album catapulte in 2013, media have been used to describing chevalrex music as miniature symphonies. for this album, rŽmy poncet, the handyman that plays himself all the instruments, writes his own lyrics and even makes his own cover, has decided to keep the same path but meanwhile, has grown in melodic power and maturity. i finally let my teen life behind, and from now on, offer me some peaks he sings in Òaussi loin. with this new release, there is reason to wager that chevalrex will be one of the future pearls that will be used as a reference for those who will venture out on the roads of french pop.

garden of love one of the first single tracks feat peter hook (new order) on the cover of their new album malamore, their first album for because music, lionel and marie limi–anas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duos home town of perpignan. theyd been playing a dj set, only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks, they recall. the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

when i joined mouse on the keys, i envisioned a concept that mixes diverse elements of contemporary music, such as dynamic hardcore drumming and modern french harmony with the feeling of a detroit techno follower. since we got an offer to release an album on mule musiq, a label with much diversity in dance and contemporary music - our new album has been pulled out of us by itself- reveals the japanese acoustic and electric piano player daisuke niitome. together with drummer and piano player akira kawasaki and synth and piano player atsushi kiyota he is mouse on the keys, an energetic, hard to pigeonhole tokyo based trio that combines the sound of divers pianos and synthesizers with out-there drumming.

london-based producer laurence matthew blake has been causing a stir under his citizenn alias for some time, delivering intoxicating, tactile, otherwordly blends of tech-house, powder-house, garage and electronica for the likes of madtech, love fever, 20:20 vision and, most recently, crosstown rebels. here, he returns to the latter with human interface, his debut album. it s a typically fluid and quietly soulful affair, with dreamy pads, touchy-feely electronics and shuffling dancefloor rhythms the order of the day. while there are a few powder house dancefloor moments, as you d expect, blake also doffs a cap to 2-step garage, booming bass house, skewed synth-pop and, on the wonderful you are, string-drenched deep house loveliness

auf der anderen seite hat er fŸr factory records (new order, joy division) das sublabel -factory classical- betreut. er ist als musiker auch mitglied bei durutti column und dem duke quartet (interpretationen von steve reich etc.). mit dem solo-album -the appearance of colour- schlŠgt das pendel in richtung elektronisch-gefŠrbter pop musik aus, wobei er seine fŠhigkeiten als komponist und arrangeur nicht vernachlŠssigt. so Ÿberzeugen die neun titel durch die spannenden kontraste zwischen electronica, pop, ambient und drum & bass changieren die stŸcke und bilden doch ein unnachahmliche einheit.

prosumer, gebŸrtiger saarlŠnder und begeisterter fan des klassischen house ‡ la chicago, detroit und new york, mixt nach zeitlos guten releases auf ostgut ton, playhouse, mobilee und get physical die neue fabric-cd, die zu einem statement seines tadellosen geschmacks und seiner dj-technik wird. so sehr sein vielfŠltiges house-set mit unvorhersehbaren entwicklungen auch Ÿberraschen mag, so kompakt ist dessen flow. es ist an der zeit fŸr den undergroundhelden, seine geliebten klassiker in frisches licht zu setzen.

cocoon recordings very own best of series presents the next issue which is again simply called by the number of the release-order. so its number nine this time (neun).yep, you heard right, number nine it is and another proof how fast time is passing while we listen to house and techno

machinecode - velocity lp (subsistenz). velocity is the third album from machinecode, following hot on the heels of 2013s seminal under the sun and continuing where its predecessor left off, taking up a position outside currently definable sub- genres. 12 tracks deep this time (including remixes from mindscape and the sect), the duos classic d&b sensibilities are well-evidenced, with rugged breaks, deep basslines and elegant pads the order of the day

philipp david jung und patrick bodmer haben zusammen als m.a.n.d.y. die clubmusik der nuller-jahre mit ihrem emotionalen, melodiösen und knackigen minimal-techno stark geprägt, nun präsentieren sie diese tolle compilation.

nach veroeffentlichungen auf planet mu, super und ninja tune sowie remixen fŸr franz ferdinand, wild beasts, clock opera oder aluna george veroeffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debuetalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.

must is pure sonic architecture that breathes and sweats, this is how asphalt and steel sounds in contact with rain and sun. the hunch synthetic of pablo bolivars interlinings, reaches in must a degree of warmth and unpublished maturity. oblivious to this musician modes and contemporary fashions, he deliver the album he always wanted to do. idm, deep house, soulfull and sunny electronics designed and crafted with the meticulousness of a goldsmith. songs as sophisticated as friendly, loved but without raising fears. never bolivar has been as musical as now, delight and enjoyment in each beat. that is must, an album to listen carefully.

one of the cliches about scandinavian countries is that they are neat and tidy, well ordered, clean. the same could not be said of copenhagen four-piece when saints go machines second full-length album, infinity pool. the opposite, in fact. its a record born out of an atmosphere of chaos.

both known for giving the opportunity to french emerging talents to rise, inrocks lab and because music decided to work together in order to create a necessary take off platform highlighting those artists coming from the online and live scenes. this association aims to release every year a compilation of young artists who represent the future of the french indie-electro scene : the inrocks lab compilation.

berlin based dj, producer and label owner oliver deutschmann has announced his debut album

its a great honour for us to be able to present conrad schnitzlers last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

what a fantastic era the 80s was for music, to celebrate that time ministry of sound drop electronic 80s anthems. three cds ram packed of huge charts hits from inspirational groups and artists such as ultravox, gary numan, soft cell, joy division, duran duran, the human league, pet shop boys, new order, erasure, blondie and many more.

for the first time in 30 years throbbing gristle are now back on their own original industrial records label. to mark the occasion we are pleased to announce the rerelease of tgs first five albums on vinyl & cd. each album has been restored and remastered specifically for each format by chris carter from 24bit baked tape digital transfers of the original first generation analogue master tapes. each of the cd special-editions are presented in a gatefold sleeve featuring restored and remastered cover artworks and an integrated 8-page booklet (the booklets feature different artworks and content to the vinyl editions). while the cd releases feature the same track count and running order as the vinyl editions each cd special-edition also includes an exclusive bonus cd containing content from the year of the albums original release. this additional content includes tg live tracks and remastered singles. the greatest hits cd special-edition also includes two previously unreleased throbbing gristle mixes from the 1980s.

compiled by: (in alphabetical order) christian burkhardt, damian schwartz, einzelkind, ernesto ferreyra, franco cinelli, guillaume & the coutu dumonts feat. qzen, ivel tax, johnny d, juan sorrentino, skipson, leonel castillo, maayan nidam, michael melchner, markus fix, noidoi, reboot, ray okpara & nekes and sascha dive. all of the tracks are previously unreleased.

good price for good music! these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein he s distributing straight dope, however, in the sense of emotional impact Ð dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated author-future-popfor the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos

boom bip was one of the canniest underground beat producers around before he hooked up with gruff rhys of super furry animals to create the fascinating neon neon project, which took as its focus automaker john delorean and what his car (and charisma) meant to the 80s. bbs return to the solo realm finally came on 2011s zig zaj, which has more in common with neon neon than with his early solo joints. (features for cate le bon and franz ferdinands alex kapranos, among others, certainly fit in.) as always, its impeccably produced - hollon has only gained in proficiency and maturity as a producer. but compared to seed to sun or blue eyed in the red room, whose fascination with sound was positively contagious, zig zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating. heavily influenced by rock and 80s new wave, similar to neon neons stainless style, its impressions are largely textural, and as talented a producer as boom bip has become, zig zaj sounds more like a rehash than the entirely new recipe that music fans are undoubtedly looking for.

this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. this release will be available on vinyl as well as in digital format including bonus tracks and later on also in cd, with even more unedited material! listen to these tracks and have the opportunity to discover something totally different with some of jorge drexlers uncut material. this new album was supported by amazing artists as well as magazines and radios stations that you can check bellow.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

standardised version of the original product >music - the best of the beta band<, released in 2005. contains cd1 - best of the studio recordings, as selected by the band. their finest moments from their four albums in chronological order. excludes disc 2: live at shepherds bush empire. artwork - remains the same as orginal, which was a combination of their four covers. 3 studio albums + 3eps album.

junior sanchez produced albums and tracks for katy perry, ima robot, morningwood, princess superstar and good charlotte. he also remixed artists including madonna, shakira, katy perry, good charlotte, placebo, the bravery, daft punk, gorillaz, blaqk audio, hot hot heat, roisin murphy, felix da housecat, the faint, new order, emiliana torrini, jamiroquai, giorgio moroder, moving units, les rhythmes digitales.. and after that,he is currently djing in the biggest clubs all over the united states and across the world

exclusive tracks by some pretty wellknown artists like gui boratto, dusty kid, extrawelt, kreidler, popof, khan, martin eyerer and many more. original & exciting concept: dancefloor heros showing another side of their passion & work. 2 cd compilation with noble digipack!

this is the debut home-listening album from one of the uks biggest techno djs. hes half of blindingly successful techno duo two armadillos but his main focus for the last two years has been the heavily publicised chapters project - five eps of mood music to trip-hop to techno that have now been totally ripped apart and turned into cinematic home listening for his debut cd. king roc history includes remixes of new order, future sound of london, s xpress. hes been a very big electro dj in the past who has recently focused on ubercool european and brazilian techno mixes - remix packages include people like alex kenji, same mastering guy as portishead - sounds incredible.

bpitch control / in recording moderats self-titled album, the three men began by renting studio space at the legendary berlin hansa studios (where bowie recorded heroes) in order to record the album in analog with the help of the studios vintage tube technology and an old emi console from 1972, restored especially for moderat. american software designer, joshua kit clayton, was hired to program a superb reverb algorithm specifically for the recording process of this album