supported by audiofly, steve lawler, marc romboy, sebastian roya, afrilounge, rekleiner, nick curly, reclick. the next artists on 8bit records come from downunder - directly from melbourne/australia with their first own ep. on side a is a track from mic newman, called >blasphemie<, a track full of exceptional sounds with surprising settings and derivation. feel like being in a casino. hear the roulette an the slot machines. and this ist all mixed together to a real warm track. >hermion< b1 is a classic 8bit track, musical cordial. the original mix is more minimalistic as the mic newman remix on b2 that is more based on athmosphere sounds

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label

off-key limited is a new subsidiary label of off-key industries whose aim is to give exposure to new artists alongside established producers and to bring a wider range of genres with less of a focus on the dancefloor. each release will be strictly limited and will not be repressed. we start by raiding the off-key vaults to unleash a series of releases entitled >the dust off<, featuring material written in the off-key studio over the years by matt o brien and various collaborators and associates. matt kicks off the ep with >a new page turns<, a bangin dubby detroit techhouse cut driven by a low slung rhythm and analog stabs dripping in reverb, overlayed with a melodica riff which calls to mind the smokey refrains of augustus pablo. next up is >untitled< by newcomer mat gates, a beatless slice of electronica whose understated melodies conjure up thoughts of late summer evenings of times gone by. on the flip, o brien and gates combine under the artist name kimble to bring you >epiphany<, led by a shimmering melody underpinned with haunting strings which combine to form an electro track of rare beauty. this diverse ep is completed with mat gates second contribution, >in a hole<, a drum n bass track with a disjointed, skeletal rhythm, sub bass drops and fragile, melancholy melody.

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label.

being compared to &#147,dance machines, fuck friend is easily recognisable thanks to their enormous sounds between lo fi and post punk, metronomic distorted drums, some vintage keyboards, very heavy bass lines, and bitchees crystal like voice singing melodies inspired by what they call candy pop music, meaning cute songs sang by cute people. despite the projects young age, the band is already being supported by some of the greatest artists and djs: soulwax, digitalism, erol alkan, brodinski, css, bonde do role, mr flash, the teenagers, yuksek, mixhell, poney poney, benjamin diamond etc. fuck friend has been remixed by brodinsky & yuksek, mixhell (aka iggor cavalera from sepultura!) and css. dance machine is the word!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

supported by gusgus, markus lange, nudisco, alex flatner, leigh morgan.... >waters< with its pure melody and throbbing groove reminds of an mid-nineties techno classic, which represents a period of unforgotten music. pierces captivating remix put the original in ultra-modern musical context. this is the perfect version for a drifting-away closing tune. with >undisputed< henneberg reveals his other side of studio-work. you can call it minimal with soul

shack musics sister label ugh rolls out its 2nd release in time for the summer! already finding favour on early promo from djs as diverse as osunlade, rainer trueby, rocco, alix alvarez, franck roger amongst others, this is one deep as fook tune! seed allstarz are bradford james and nef nunez hailing from bean town that is boston and brooklyn, ny respectively! now seeing the light of day shack label head soy mustafa steps out with co-producer alex celler under the kemistry guise to unleash a peak time stomper with the terrace mix, that is aimed straight at the floor with its synth stabs, infectious bassline and melodic keys. on remix duty we have called in boddhi satva who at the moment is doing amazing things alongside alton miller and osunlade working on his album for the yoruba imprint. boddhi kicks things off with a choppy drum pattern rolling it out with some fat bass and deep ass strings which tells you that this brutha truly hails from the mother land

next strike on fumakilla, this time new shots produced by french artist paul ritch, well known for his stunning releases on labels like get physical, resopal, kickboxer and paradigma, just to name a few….paul definitly knows how to create deep and smooth atmospheres, without sob stuff….he has resources against boredom!!!! fluffy basslines and soundscapes, a wicked little synth chord and a reserved drumwork starts the main track called > back to time<. after a short and constructive break the principal theme restarts, with a striking sound selection and harmonious arrangements. call it mini-trance, call it tech-house, or even detroit-tech, call it whatever, it doesn t make any differences, the main thing is, the boys and girls all over the world will boogie with a smile on their faces, and deservedly so….trip down memory lane!!!!on the flip another tune called >vaticans bell<, and also another straight forward goin up groove monster with pretty great arrangements and awesome placed strings. paul ritch plays the first violin, he knows how to produce a timeless masterpiece, reduced but heavily effective monster tracks at the end, come, look and see… 10 points to berlin again!!

italian dj/producer remo is no newcomer to the international scene and to dance electric label, his black sabrina track was a massive hit throughout the hottest clubs worldwide. now he returns to huntemanns outlet presenting >mild steel< alongside his studio mate max cassan, and introducing a new project called: >sidechainers<. the title track is a huge arp-trenched killer with a big melody, stunning and spaced out efx and a certain dose of italo feeling. steel 24 on the flipside drives through the club like a heavy tank fuelled with acid. a big statement towards machismo and patriarchy – metaphorically spoken you know the deal ladies. remos music always has this special kind of presence and thats why we love it so much, ragazzi!

belgium is back! besides activists like the gimmers, marco bailey and spirit catcher there is a new star rising up in the landscape of electronic music. besides releases on labels like turbo, blue fin and king kong, kolombo has founded his own creative cell called vice versa. >seat back< is the original version produced by the loulou players member himself and >back seat< has been remixed by swedish top producer david ekenbäck who has already made several great productions with stockholm wunderkind john dahlbäck. definitely something to watch out for

rmxs by etienne de crecy & proxy – essential 12inch !! …new single called tenderoni......i love the song. makes me dance. killer bassline, serious groove. groove. funk. groove. yeah! its my second fave on the album. mixed by zdar. its a funk bomb. theres that word again. we needed remixes and we spent so much time on it....oh man, its soooo annoying! why isnt there just a machine you can drop the track into and it comes out with remixes.i should list all the people that almost did remixes..... we got proxy to remix it, cuz hes russian and on turbo, and hes the future,and it was a great way to hype him up and save some cash.....but that does not mean that the mix is a compromise... in fact it is my favorite remix in ages....total rave-pop-bomb. i love it so much.... but maybe it could have been louder. i also think this is proxys first ever remix....a piece of legitimate musical history can be yours for under 10euros

big one for all the italo and cosmic disco heads!! >satellites are spinning< is an amazing disco oddysey which kicks off with a patrick cowley like electric bassline and the builds slowly. more and more synths are laid down to ensure for a mighty climax half way true when the lead melody kicks in. on the b-side we have this amazing vocal booguie tune called >u cant help but dance.< this can be compared with a moodymann meets theo parrish meets dexter wansel kinda song. whatever this may be, rest assured this nugget moves booty when dropped in the club. this awesome package ends with an electronic p-funk track called >zweap.< the mighty linndrum computer reminds of earlier prince productions and the crazy synths sound like amp fiddler playing on another dirty and energetic george clinton meets parliament gig

born in australia but moving to japan in 2000, luke le mans is the main organizer of the night >quop< in osaka which focused on bringing big international djs and contribute to create a scene in the roughest japanese city. after releasing his debut ep on trapez luke is back with this 2 tracker ontrenton. much more mature, his talent as a producer are undeniable and we hope that this will be the beginning of long series of old school but yet modern minimal material for trenton. >dark helmet< has dry beats and a funky bass line with a crazy chords pattern that has some sort of a b horror movie vibe… like a minimal techno version of a dario argentos soundtrack, dark helmet will bring you out-there! the second track called >lisa< is a bit more old school but still rules and the endless loopy bass ramp that just keeps on building up will make your legs feel a bit less heavy and your mouth a bit thirstier… slg is back on trenton, but for a remix this time. after is very first ep on our label we are proud to have him back. his version of >dark helmet< is just outstanding… pure slg style, it has it all: detroit, minimal, forward, groovy… if you are still sitting in a clubs corner after hearing that on the p.a…. means that you have serious issues with being able to feel the funk!!

who is dj swap? after his first introduction on smallville01, swap now starts with a first full 12inch of real minimal music. simple deeptech grooves, deepkickin basslines plus superb soundwise hooklines makes this three little tracks glimmering perls of technomusic. “the walk” comes up with that kind of double minus rythm ending with a dubby chordish groove to make it an awesome debut a side. on b1 swap features the african kalimba on the sametitled piece of switzerland related minimal endless loop, and the last track consequence features a trippy sequence on simple bassy beats- this one goes out to daniel bell, we may call him the mental father of swapmusic.this is 100 % advanced dancefloor shit for all you ibiza underground afterhour junkies! we stay to dance

björn stolpmann crossovert hier ins progressive-fach. aufwendig inszenierter euphoriesound, wie man ihn auf onitor so vielleicht nicht erwartet. die können eben auch anders, die schwaben

ever think you d be listening to a gorgeous house tune called piece of meat? pardon the pun but this is one tune you can really sink your ears into. ex ten city member & legendary house music vocalist, byron stingily, takes the notion of a broken or stolen heart literally, so often such is the feeling of lost love. four different remixes bring different flavas of house, from the revered remixing super soulful skills of quentin harris, to the more classic sounding production of byrons original mix, to the dubbier & more bass heavy style of ron carolls bmc emotional remix. vegetarians & carnivores alike will learn to put their differences aside & dance blissfully to this top tune

"montreals prolific producer miguel graça teams up with roy davis jr. and mile ends very own patrick dream, for the realdeal; an old school dirty booty shaker. featuring a hypnotic heavy vocoded call out to the dance floor by roy davis jr.,along with miguel and pat snappy beats and a jacking trumpet line that takes the track over the edge. this package includes mixes that veer toward the tracky chicago side of things, the booty detroit side and a miguel graça remix that takes an eclectic electronic approach"

his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. now its time for his first release called >back< on t:classixx. its a track which is taken from his debut album >mental disorder< and features beside the original mix an amazing sven wittekind remix and an earthshaking robert natus remix. nothing more to say

massive hard-techno lp !! during the last years the labelhead of frown records called not only massive attention to himself by producing acts like felix kröcher or sven wittekind but also by his own records, which were released on reputable and well-known labels like bitshift, abstract or inflicted. his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. you will find his vinyls in the cases of robert natus, arkus p., pet duo or dj rush. today boris s. is a class of its own in the techno scene and since two years it is not imaginable to experience any techno event in europe or brasil without boris s.

roman salzger evolved into one of the most requested house remixers, providing mixes for steve angello, lifelike, dave armstrong, muttonheads,tube & berger, to name just a few. in addition to his production career, roman is also recognized as an enthusiastic dj with a dj style on his own. his well-thought-out and meticulously mixed sets have been heard in various international clubs. now its time that he delivers us three different mixes of an outstanding floorfilla called >sunday night shuffle<.

supported by: sven väth, steve bug, mike monday, miss jools, karotte, satoshi tomie !! childhoods end is a massively bouncing detroit-influenced tune with a dominating chord theme you will not forget. this track has a story: when we received the first version almost one year ago, we already knew this could be a big one, because of the wonderful chord theme. however, we weren t completely convinced by the mix down. the improvement of this tune became a mental trip for pele. by producing his final version, he acquired so many skills, that with this track he has left his fledging stages – which is why this production is called childhood s end

teenage bad girl is french duo guillaume manbell & greg kazubski. some say they are a genetic mix of daft punk, aphex twin & the stooges, anyhow they are part of the new french electro nouvelle vague , together with digitalism, kitsuné, justice, para one , modeselektor & a few others, they can blow any dancefloor... if you see them in a club near you, be there ! so far they ve only released one 12inch called hands of a stranger , but it s quickly becoming one of the hottest songs on the dance floor. and they just done a remix for the scissors sisters... teenage bad girl presents here few tracks from their first album cocotte this beautiful picture disc includes 6 dirt-electro tracks & also some remixes from boys noize, yuksek

this series on bpitch control called >camping< consists of 3 parts. the first comes with two great minimal melodic and dark groovin tracks by ben klock and safety scissors in the ellen allien germany remix.. tip

second release on thema is by a trio from rosario, argentina called, fran matjor. we are honored to introduce this new group which consists of jorge savoretti esperanza, telegraph, franco cinelli milnormodern, alphahouse and matias oviedo. together they blend a sound all their own, full of groove, subliminal atmosphere and a low end that will end up shattering champagne glass on dancefloors around the world, which makes the title all the more meaningful >vidrios rotos<. there must be something in the water because of the incredible sound that is being produced in argentina these days. these guys are no strangers to the sound they like to call >tesh<. they are a part of a new breed of young and talented groove setters, with a keen sense of rhythm, atmosphere and glitch on and off the dancefloor. in other words they know how to get into your mind and and shake that soul!

its the first vinyl release of the hungarian electronic duo (sab & lazybones) at chameleon records label. the disc contains four excellent versions of the track called try. the original version is the bands own pulsating, dynamic, triphop like composition with sabs vocals tramping along the membranes like a road roller. apart from two great dreadzone and paul murphy remixes, the vinyl also contains a high bpm club version radiating a jazzy breakbeat atmosphere. the dreadzone version is an even more rapid and measured piece and its afrobreak rhytms and heavy bass parts will surely not leave the dance floor empty. the last track of side b features the legendary afroart dj, paul murphy who they have already collaborated with on a piece called budapest cha cha cha (afroart records) no doubt secta chameleons try will prove a real treat in europes electronic music scene

>love manifesto< from mos is a cleanly produced track, with a beautiful melody which will hook you from the very first moment you hear it, trancy and hypnotic.. the remix comes from a swiss producer and dj called khainz, with this as one of his first releases under this name, but simon schwendener is certainly no new-comer to music production, with over 30 tracks already released under the name of freakulizer and his first album out in 2005, you can find him constantly touring the world. support by hernan cattananeo, satoshi tomiie, steve lawler ,john aquaviva, anthony pappa and dave mothersole

dj support : 2000 and one, james flavour, jennifer cardini, josh wink... sebbo the first german act on trackdown, sebbo suckfüll and denis gökdag come up with a monster that could already be called >anthem<. the track features a chord sequence that will be heard and remembered. upfront electronic house music meeting funkiness and minimalism. raphael ripperton of the lazy fat people crew, a big fan of the track himself, is on remix duty here. overlooking the lake of geneva from his studio facilities in lausanne, he watches autumn taking a firm grip of the landscape. colors are changing and fog banks hover above the lake. inspired by this view he completely changes the atmosphere of the track while preserving its funkiness. the result is a haunting, psychedelic and equally catching interpretation of the original

it has been over four years since koops last album waltz for koop was released. today the record is still considered their breakthrough record because it sold over 160.000 units worldwide. the critics and fans were raving about the band and even the legendary director woody allen fell for the stockholm based duo and featured their hit single waltz for koop in his film match point. on their new album called koop islands they take us back in time on a enchanting journey into the era of swing orchestras and jazz crooners spiced with some exotic mento, calypso and chanson elements.the first 12 features three nice reworks done by some of swedens finest producers in club sound. markus enochsons transforms i see a different you into one of his trademark deep house tunes while hird puts the vibraphone scented ballad koop island blues into a completly new context by creating a slow rolling dub mix. tiger stripes picks up the pop appeal of the album and delivers a sunny house version of lets elope a perfect radio tune!watch out for a second 12“ coming up on compost records with more fresh remixes by beanfield, alif tree and the innocent sorcerers

and here is the kitsuné maison 3 compilation dlp. kitsuné means >fox< in japanese. this compilation could have been called >lair<. put the records on your decks, try to restrain from playing it too loud, thanks for the neighbours..

following in the footsteps of audikas cd reissue, arthur russells most extraordinary work, world of echo is reissued for the first time as a newly remastered limited edition double vinyl set. 18 tracks are featured including drumless versions of his disco classics lets go swimming, tree house and wax the van along with four previously unreleased tracks from sketches from world of echo. originally released in 1986, world of echo is a deeply intimate and meditative work of awe inspiring grace and remains a timeless work of sublime beauty. arthurs aim was to achieve what he calls the most vivid rhythmic reality, with just cello, voice, and echoes. arthur achieved all of this and more on one of the most incredible suite of songs ever recorded

iiwii launches its long awaited new limited edition 10 series called the >gallery series<. this series will focus more on downbeat, leftfield and house genres. first up is a four tracker from dante and dhula, two members from iiwii recording group cobblestone jazz. the first track from this release, a modern electronic dub excursion, >why do the wicked ones rule?< has already found its way into the charts of straight no chaser courtesy of gilles peterson, and gotten play on his worldwide radio show on bbc !!

well, well, well… d.classics returns again to spread the funky good news… whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s… but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse

sébastien thibault (also known under the name of >cebb<) started djing in the mid eighties for his friends. in 1997, he caught the attention of some event producers who proposed him to play at their huge techno parties called mecanic. that was the beginning of his residencies that leaded him to play along with top djs like jeff mills or richie hawtin. then he quickly became popular, playing in every event in the south of france and in famous clubs like villa rouge (montpellier)

christopher just looks back over his shoulder at the time when a bass used to be called a murderbass, bleeps were meeting clonks and techno was feeding the illusion of the everlasting party. dry beats, being swinged and pushed up cascade-like over the holy disco bass again and again, heralding - by sawtooth and an apocalyptic peal of bells - the ultimate party happiness. dj glow known from his always cool trust imprint delivers a great futuristic robot electro remix from outer space. crazy funky

florian meindl, aged 20 seems to be a new genius from a small town, called eferding in austria. by the age of sweet 14, he started to turn the decks. very soon he became a professional and played already with ricardo villalobos and monika kruse. florian had his debut on balkon rec. he is also know from our <talente mit stil> compilation. oliver koletzki has always a meindl track in his charts and dj-sets suggesting this boy to be the newcomer 2006. florians three tracks make our ears smile, because of their amazing sounddesign and composition. >sputnik<, get supported by kiki, jona, gregor trasher, martin eyerer, benno blome (sender)

the dutch techno label found it was time to revive one of his biggest smashers called >birds on e< the title gives us quite a good idea of what this stuff is all about… this time there are two brandnu remixers in this new djax-pack including the original version! please give these men a warm welcome: sandy warez & the edge of motion crew fire away two mind-blowing nukes and show that the heart of acid music still has a pulse… and it s getting stronger

songs from serge gainsbourng.

pan-pot has a huge output. black curran t is a slow motion minimal stomper. hear it loud first and then play it loud at peak time on a japanese mega rave , the flipside with moon harbours daniel stefanik he presents the bellson mobilee records. its another kind of sound that you are used to while listening to his great moon harbour releases. lets call it alte schule! pumpin with a lot of detroit energy! have fun with mobilee005plus

'music business' is the debut solo album from roman home boy francisco and is a right royal romp through the worlds of chicago house, techno and classic italo disco. the album also folds out into a fantastic old school board game where the players have to face the entire process of the music business world. as a dj francisco s sets are based on humour and groove, both of which abound in this album. from the opening 'big love' to 'house pigna' and closing 'soul song', francisco s space disco, classic house and pure sex grooves shine through like a beacon of funk through the murky waters we call the 'music business'

the 22-year old alex ridha alias kid alex released successfully the bomb / boy neu-ep on gigolo records . now he accelerate in his sports car on datapunk. as a consequence, the first track is named jaguarand whoever has thought that italo-house elements, a spinet out of tune and a sturdy saw blade do not go together will be very positively surprised. already now, the track is one of the hottest summer dance floor tips. achtzig(eighty), too, has not incidentally been called like this. melancholic hi-nrg-sequencers compete with powerful hand claps before the title track are you in?completes the trio with a sonic valve rocker around the rave signal. welcome aboard!

back in stock.. archaische elektronik von owen ashworth. zum flachen klang uralter, batteriegetriebener casiotone-keyboards singt er von tiefem zweifel durchzogene gesänge der liebe, melancholische popsongs..

for the flip side rob and colin have stripped things right back to the bare bones and rebuilt with a more techy melodic feel too it, making it ideal for a more progressive set. houston calling has been a regular feature in the sets of all the usual suspects inc hernan cattaneo, satoshi tomiie, deep dish,

superb acidtechhouse styled with funkness..this duo has remixed for spektrum, the knife and a man called adam.. supported by michael meyer (kompakt)..chris duckenfield and steve lawler..