drumcode artists, excellent phunkin sweden techno !!!

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

double 12 inch celebrating 5 years of kanzleramt records. great snapshot of 1999 techno in and from berlin and already a classic.

back to funk is a first class peaktime bomb with a guarantee to blow up spots!!

another killer release from hudd traxx this time label boss eddie leader teams up with robsoul artist hector moralez

jens kuhn from schmalkalden in thuringia has been producing electronic music since 1995.
as a part of r.a.n.d. muzik he managed the label out to lunch, which represented minimal, electronic, experimental as well as floor compatible music. besides releases on the r.a.n.d. labels out to lunch, united states of mars and science city he also produced for labels like playhouse and source records under the aliases lowtec and red sparrow.
in 2006 he started his new label workshop together with paul-david rollmann aka even tuell.

more untried sounds from esteemed producer hieroglyphic being aka jamal moss, who offers two of his most gap-bridging electronic compositions to date on this 12 release, exclusively made for dope jams 3rd anniversary - strictly limited to 100 copies!

• dj-plattenspieler mit riemenantrieb • leistungsstarker motor • finish in gebürstetem aluminium • metallgehäuse • aluminium druckguss plattenteller • gleißend blaues oder rotes advanced-led board • extra schwere ausführung • statisch balancierter, s-förmiger tonarm mit anti skating • pitchbereich +/- 10% • stroboskop-geschwindigkeitskontrolle • sicherheits-netzschalter • anschlussmöglichkeit eines fernstarters • elektronische motorbremse • schockabsorbierende füße • ausfahrbare nadelbeleuchtung • lieferung inkl. slipmat, reloop headshell und audio technica 3600 l system - technische daten • typ: 2 geschwindigkeiten 33 1/3, 45 u/min.), voll manuell • motor: gleichstrommotor • startdrehmoment: > 1000 g/cm • start/stoppzeit: < 1 sek. • drehzahlübergang: < 1 sek. • gleichlaufschwankungen: < 0.25 % wrms bei 33 1/3 u/min. • rumpeln: mehr als 50 db (din - b) • anti-skating-bereich: 0-7 g • einstellbare nadelauflagekraft: 0-4 g • gesamtanschlusswert : 7.5 watt • spannungsversorgung: 115/230 v, 50/60 hz • maße: 450 x 352 x 144 mm • gewicht: 8.6 kg

3 straight up techno tracks, tough machine funk for the anti boring minimal massive! the first solo release from ben sims on theory for a very long time and it s a move away from his usual sample driven dj tools, what we have here is 3 straight up techno tracks, tough machine funk for the anti boring minimal massive. already getting hammered by james ruskin, paul mac, dj bone and of course, mr sims. this is one of many new projects lined up for release in 2009 from ben, so expect more theory action very soon.

to those of you who know your techno, shawn rudiman should be a well-known name. a prolific producer, he has nevertheless always kept his quality control on a tight leash, and releases on 7th city, technoir audio, integrated, dust science & matrix (amongst others) have brought him a reputation of being one of the finest producers around of contemporary detroit style (aka melodic) techno. a nice taster on the last minimalsoul release (sashimi hi) has hence led on to a full ep, and its classic stuff...tough beats and esoteric but catchy melodies all tied up with an expansive production ethic make for a great listen, and (perhaps unusually with this style of music) for a great dancefloor experience too!

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

sentenced to a life among humanoids, the massacre, jensen, lowtek, gabba front berlin and ebe company have teamed up to stick up their fists to the human filth and unleash a statement that will shatter your bones for weeks to come! 5 tracks of industrial hardcore to raging death metal speedcore.

adjustments features 4 tracks worth of classic millsian space techno. its not too pounding but still its pretty intense stuff and jeff lovers will certainly lap it up.

the 2009 sonic youth album on double vinyl in gatefold sleeve.

the seal cub clubbing club have a book club. say that five times fast and you deserve a prize. bizarrely enough, its true, this five piece band brings books on tour for fans to take away or add to. this obviously unique band is releasing their first single, dawn lamb from their upcoming debut album, entitled super science fiction, on 6th april.

mark knights much anticipated toolroom knights 2.0 mix compilation is due for release monday 1st june. the double pack vinyl sampler is packed full of exclusives and killer tracks, its the perfect soundtrack for this summer.

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

2001 release by decal for nyc based satamile records. the perfect soundtrack for a high-tech science fiction thriller.

the first release from freelands new album cope is available now! filled with paranoiac, satirical wordplay and skewed political commentary that complements the futuristic yet dissident sonics, under control ultimately proves that rarity in club music: an anti anthem with a brain, yet with beats ballsy enough to crush dancefloors in a neighborhood club near you. mixes by alex metric, golden bug and evil nine!!

kinky movement aka andy mcloughlin, lee eden and john symms have become the producers for the outfit and since early 2004 they have released their music on some of the worlds top deep house labels including tango recordings, mobile trax, drop music, myna music, flavor recordings, amenti music. this 3 track ep for the superb smoke city music an offshoot of hudd traxx members slum science & hoodfellas, is a wicked bumpy affair with familiar sounds & samples including donald byrds classic æwind parade

after his 2nd album, remixes for modeselektor, cassius and zombie nation, housemeister is back on bnr with his new ep >beef jerky<. 100% analog produced techno and breakcore - and as usual outside of any trend. >who is that boys<, a pure housemeister style banger with a crazy beat programming, is garantied to rock the club. >beef jerkey< is a dirty breakbeat-core trak and like pedro winter said if it was labelled as chemical brothers people would take it as great track back to the roots. >rambo< is a tropical beat mix of baltimore, dubstep and techno, >vakuum< gives you the deeper rephlex techno vibe and last but not least there is >gehacktes<, a cool beat tool for the anti rave night. this record proves that the magic and excitement of electronic music is based on the good old fashioned analog production. word

stunning electro 4-tracker by paul blackford, a name you can trust when it s about real electro.

after a long break quagmire strikes back with a limited recordrelease. 300 pieces of vinyls only. this time, ion ludwig teamed up with thomas azier, a young dutch rising singersongwriter. together they blended their particular styles into four different tracks, all working soulfully and musical. all tracks where created with own recorded sounds. keys, vocals, harmonicas, djembes, bongos, shakers and so on where played by ludwig & azie,

sampler 3 has a tougher more tribal feel from david penns selection. kicking off with the man of the moment henrik bs mix of the classic cant get enough from soulsearcher & mark knights awesome mix of save us a classic moment from black science orchestra. on the b side we have fellow spaniard david tort with his mix of amazzonia by giorgio giordano, rounding things off very nicely is the eddie thoneik mix of todd terry’s new single play on which also features the vocal talents of tara macdonald.

french artist, lee van dowski of num and cadenza lowers eyes and draws lips to partial smirks with his charming and witty release. „the variable man,“ based on the title of a science fiction story series from the 50’s, is brilliantly transmitted through a tunnel of sound engineering and audio design by lee van dowski. lee’s electronic rendering of „the variable man,“ distinguishes several dominant male voices accumulating a rhythmic momentum to the peak of the track, a peak where an orgasmic flow just stops short of the central explosion, fundamentally, fading the instrumentals before revamping again. the b-side of the track, „thomas coles lives,“ co-produced by agnès, comes alive with a fascinating mix of symbols and keyboards. „the variable man“ is lee’s second release on leena music, after his first 12“, „louder elvis,“ in collaboration with agnès appeared on leena in 2008. both tracks express very minimalistic tones yet are characterized by rather divergent

how to toast an electric violin? find the answer and more funky stuff inside this electro lucky-bag!

justin maxwell and carl bradshaw aka diskchordians explore outer space and discover a new star called >m-439 class a< in electro-universe. on the flip kraddy gets an advanced lesson in rocket science.

when we first started thinking about the compilation, we had in mind the idea to put together a great minimal techno selection with stuff from the early 90s, which really inspired us, like robert hood, dan bell, plastikman, pansonic and mike ink to name a few. whilst working on the project we had the feeling that there is so much more great and influential minimal music from way before the techno thing started. so we were very excited to combine the music from the electronic pioneers, with the tracks from the minimal techno godfathers in a very modern way. in minimal music there is so much (space) in between the sounds and the space that gives you a lot of opportunities for an own interpretation. the grandfather paradox is a scientific theory about time travelling and was first described by the science fiction writer rene barjavel in his book - le voyageur imprudent. we took suggestions out of that because we felt like we are travelling back in time and manipulating the old music with modern knowledge. the fact that we did all this with the deserved respect to the originals makes us quite sure that the results are bringing something new and interesting to the old tracks and transport the past into the here and now. - henrik schwarz, ?e & dixon

special 180g gatefold vinyl pressing to celebrate the 20th anniversary of the 1989 classic.

here we go again with some crazy party music - directly from the acid-drenched mind of the most fidgety of them all, your favorite bulgarian! after some great releases on such labels as noodles recordings, potty mouth recordings and second session, the bulgarian is back - this time showcasing his minimal side for complot. first off we have the anti-bling anthem check to check millionaire - a surprisingly clever mix of catchy lyrics and an unstoppable groove, the right combination to get faces smiling and booties shaking. dotcoza is the second anthem on this ep, and there s no denying that it s metallic stabs and wild acidic bass line will make you move, while the whistles will tickle your ears for added pleasure. for those looking to hear the bulgarian s darker side, home tonight will not disappoint with it s choppy percussion and inebriated bass line - a perfect compliment for those mushrooms you ate earlier. finally, with its plethora of interesting sound bytes, something red will make you pop like bubble gum and lock like a solid-steel safe. there s no question that the bulgarian s incisive sounds, illegal bass lines and crispy beats will make all of us sweat.. like the last time you got chased by a pit bull..

6blocc drops some heavyweight science from his secret stash of personal dubs. soundsystem tested by the man himself, and sought after by scenesters the world over. these have been out via his digital 6 label on download only, but heres your chance to grab these on ltd vinyl release.

ruede hagelsteins the modest theme has proven to be one of souvenirs most provocative releases so far. released in the summer, the tracks dramatic horn hook is so epic it belongs in a science fiction film and as a piece of forward thinking techno, it ranks among one of souvenirs best. now the track is back with a remix from souvenir spearheads tiefschwarz alongside a new track from berlin based ruede. semikolon is another dark and dubby deep tech-housy outing for ruede that begins with a dramatic spoken word by naneci and ominous organ stabs. as the track progresses it takes on a chicago house vibe re-imagined at 10am in the panorama bar. an urgent bell begins to ring through the track raising the tension as the vocal intones a surreal chant before giving way to huge synth stabs that lead the track into a slow motion emotional explosion. just when things can get any more hectic the crescendo sinks to silence compressing the energy before the beats emerge back in their earlier deep house guise. ali and bast schwarz take their turn at remixing the modest theme fresh from their incendiary remix of emad kamandians kamanche for souvenir 012. the signature dramatic horn riff remains albeit injected with new percussion lending the track a tough tech house appeal that places it within the context of 2008s underground house sound. both tracks are another addition to souvenirs impressive collection of music aimed at the head just as much as they are at the heart and feet.

out of his basement in athens, george laimos expands his low frequencies science to ntrop recordings techno platform. while boomstu at the a-side is a jackin trippy techno cut, at the b-side, techeran remains calm and jazzy with a leon segka mix to converts the track to a dubby hypnotic version

this first volume sees original disco house production partnership black science orchestra getting reworked by the man himself ashley beedle. providing a fresh dancefloor twist on save us, whilst extending the beats and breaks on the classic new jersy deep to create a much more of a dj friendly edit. frankfurts friday night cocoon residents motorcitysoul flip the cript on save us, turning it from disco tinged deep house, to stipped down deep house. a perfect german remake of an english classic!

datashat give grandmaster flash and the furious five the extra italo-electro treatment that will cause havoc on every floor - wicked!

nice price deal !!! nother pounding hybrid set of low-end killers here from hot-flush, kicking off with the tumbling rhythms and wobbling sublow of ?deep under? - its a track that teeters on the brink of breaks science throughout, keeping itself wrapped up in a relentless bass envelope despite the distractions brought on by constantly evolving skitters - mighty stuff. the rhodes-inflected breaks and bass clash of ?sparkle? offers time for reflection on the flip, borrowing a melodic underlay from some abandoned, dusty jazz-club somewhere strange, tugging you back underground with its careful arrangement if frequencies at the lowest end of the spectrum. righteous

quality funky techno 4 tracker

experimental and abstract dub trax

2002 masterpiece by dave tarrida

sandy warez dj ogi dogs on crack vs katz on k hardtrax vs mike drama ... do we really have to say any more?? banging

auch weiße ltd. edition stellt der reloop rmp-1 scratch die klügste lösung für turtablism-cdjs dar. das schwarze, zweiteilige scratch- und search wheel wird vomn von einem lackierten, keramikweißen chassis umrahmt. durch das helle gehäuse sind alle sekundären bedienelemente noch besser abgesetzt. umfangreiche mixing-optionen kombiniert der rmp-1 scratch mit einem eingängigen scratchsimulator - alles, was man als cdj wirklich braucht.features: mp3-fähiger einzelfrontloader-cd-player, berührungsempfindliches 2-teiliges jog dial, high end-scratch simulator mit return-to-cue-funktion, automatischer und manueller bpm counter, 4 unabhängige 5-sekunden sample-bänke (pitchbar), 4 unabhängige cuepunkt-bänke, id3-tag unterstützung & cd-text, track- und folder-search, extrahelles dot matrix vfd-display für alle funktionen, extralanger pitchfader (abschaltbar), pitchbereich +/- 4/8/16/100% (mit master tempo), pitch bend bis +/- 100%, auto-cue, nahtlose loop-funktion / re-loop funktion, frame-search, instant-start durch 1-bit technologie (8-fach), playing address, 10 sekunden anti shock memory, elapsed/remain-zeitanzeige, sleep-schaltung, instant-playback ab cuepunkt, relay play, fader start play, digitalausgang, kopfhörerausgang mit lautstärkenregelung

ltd backstock.. electro madness with a little chicago influence.. green coloured vinyl

big with alex picone (cadenza) for phonica records london. the record has already been played by dj s such as james pennington, dj buzz goree (underground resistance) dj jus ed, radioslave, cassy, pacou, mad max, ricardo villalobos, luciano, prosumer, marcel dettmann.... their third ep on there independent label is a manifesto of their purposes: to provide to the dancefloors solid analagoue fat sounds not following the trends but always digging deep into their roots with the eyes on the future. the future is the past and the past is the future. restoration is an anti-digital media corporation who fully believe which the only useful ammunitions for djs are vinyls

dj-hygiene von a-z mit dem reloop professional dj cleaning set mk2. alles für die professionelle reinigung von vinyl, compact disc und tonabnehmer ist im praktischen softcase untergebracht. besserer sound und ein längeres leben sind platten, cds und systemen sicher! features: allround-pflegeset für lps, cds und tonabnehmernadeln bestehend aus: 1x reloop carbon plattenbürste gold, 1x reloop nadel reinigungsbürste , 1x reloop anti-statik reinigungstuch, 1x reloop vinyl-reinigungslösung 20 ml, 1x reloop nadel-reinigungslösung 20 ml

niederflur are back on minus with the typo ep, dropping science with a quintet of class a cuts that mark another step on their evolutionary ladder

amazing groovy electro breaks killa

amazing atmospheric minimal !! this new 12 is a guy names hugh like who drops a great alienating track called >content. nice confident sounding track that is somewhere between minimal and house. nice classy build up and use of a violin makes this a track that really stands out and breaks with the standard techno formula without being akward. very dark and futuristic... would function very well as a sound track for a science fiction movie!.the other two tracks are in the same line and make this an outstanding forward thinking release! after being around on wite label for some time we received great reaction from guys like luciano, garnier, ivan smagghe, craig richards, michel de hey, mark august and others