first available (full stock) on decks.de !! turkey based ugur project is back with an outing on polluted records. following his success in music production and remixes he is pushing us through the house music boundaries, with four new original titles on esta si esta imprint. the sound choice on the track esta si esta follows through a nostalgic old skool house as it magically transforms into todays deep and chunky style. drop down house bliss, which will be later followed by a remix on digital by sossa, always on polluted records. the use of techno drum kit on the track magic drops fused with vocal snippets and synthesized voice over conversations is a journey into the future sound of tech house whilst on the track quadriga the rolling congas and base line are impeccable as a groove. the last track sudden music does just that, as suddenly a solid grove and synth pads becomes the explosion that rocks the body of all house music junkies.

after successful remixes for oliver koletzki, niko schwind and animal trainer, its björn störigs turn to deliver the goods on his first solo ep, >humming top<. and boy, does he deliver: the fresh youngster presents high-calibre musical house, spiced up with funk, disco and jazz aesthetics. title track >humming top< doesnt waste much time: crisp percussive elements are laid over a beefy bass-line from the get-go, while a progressive piano melody mingles with a distinctly vintage synth.

second part of the 5 years semantica compilation. happy birthday!

four bombs in birmingham key nods to detroit techno to hard, industrial, sharp and blunt with abrasive groove basslines like cathedrals and yard beats with hypnotic electronic sequences and mental development are not faint of heart. reaktor records does not fail and will make this album essential in your set.

nobody does it like gamm does it! the second part in dj will-rocks duo of heavyweight eps, jam packed with dancefloor jams, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco & funk rewires, its all 100 % proof!

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago

180gr heavyvinyl ! back to black , classic hip hop

brand new label london label features superb karl o connor remix ! first edition limited to 350 copies with laser-cut sleeves folded, stamped and glued by hand. also features hand-numbered fluorescent card insert - see new pictures below . plain sleeved 2nd edition will swiftly follow . new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

the man behind manchesters ever present el diablos social club does it again! vol 1, released in october last year sold out in a matter of days.
volume 2 sees neil once again digging out the tried and tested floor fillers & diablos favourites for respectful modern makeovers.
guaranteed party rockin double a - limited as hell, and twice as hot!

nobody does it like gamm does it! the first in a series of two eps from dj will-rock.
its another heavyweight 4 tracker of dancefloor dynamite, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco rewires, its all 100% proof!

kevin gorman isnt a man of many releases, but when he does release something, its always spot on. his last release was on ostgut ton, thanks to ben klock. he also has his own label, mikrowave, and already did remixes for cocoon, clr, skint etc. >cast< is a real techno bomb, just like the jonas kopp remix on the flip. not for the faint of heart!

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

synkro-a man of taste. synkros signature of this ep, slinkier double garage motions, in a deep house vein with pitching r&b voices. warm, housey keys and whipcracking rhythm syncopations with a lovely sense of restraint. a cracking good story. does this suit your taste?
transparent yellow vinyl edition.

synkro-a man of taste. synkros signature of this ep, slinkier double garage motions, in a deep house vein with pitching r&b voices. warm, housey keys and whipcracking rhythm syncopations with a lovely sense of restraint. a cracking good story. does this suit your taste?
transparent green vinyl edition.

the kdms is a underground-supergroup. englands no.1 indie - disco diva kathy diamond (permanent vacation, eskimo, moodmusic) and maximilian skiba from londons rekids label (solo album coming up soon) teamed up to do a real band. the result are some very crisp, catchy but raw house tunes with a great pop appeal. kathys unique voice that combines soul-funk background with a very own timbre meets max’s way of contemporary electronic production. he does it like prince: playing all the guitars, drums, bass and keyboards alone. and then reworking it on the computer. check the amazing morgan geist remix!

produced by close friend black coffee, the original mix provides a suitably deep and meaningful platform for bantwinis heartfelt lyrics about phony relationships and, in turn, his soulfully immaculate delivery. lush afro-edged rhythms lead into smart bursts of trumpet, cool double bass-lines and stirring rhodes solos - a rich musical weave more than amplifying bantwinis performance.
a wealth of stylish remixes skilfully widens wasting my times dancefloor appeal. gallic house sophisticate rocco ups the tempo, cracking whip-smart beats against thumping kick drums and infectious metallic key stabs, as does paris kingpin dan ghenacia, thanks to a fiesty vocal remix and dub fusing gothic mood and jack-happy sass in fine style. ghenacias versions have already, in fact, become a thunderous week-in-week-out staple of his ibizan circo loco residency at dc10 this summer. elsewhere, real tone main man franck roger offers a neat, dubby riff on black coffees original production, injecting sweet balafon melodies and additional percussive pep.
early dj supports and feedbacks by loco dice, tony humphries ame, osunlade, dyed soundorom, d julz, sascha dive, reboot, shonky, quentin harris, jef k, kate simko, miss jools, dj t., dj spinna, seuil, ralf kollmann, jellybean benitez, willie graff, lee foss, nick curly, le loup, sascha dive, and.id, melon, ian friday, matthew styles, laurent garnier, rocco, dj yellow, tedd patterson, robert dietz, dani casarano, magda, anthony collins, konrad black ...

after two buzzing releases, senzen is quickly getting recognition it deserves. but third time is the charm, right? well, at least in this case. senzen 3 title track, >gonna b<, is based on studio sessions of label boss benno blome together with his long time friend armin engel, who has worked on projects with fela kutis band rhythm taxi & jimi tenor, and had a show on jazzradio berlin for years. the track itself has influences from both producers. tech house meets jazz, what a fascinating concept! freestyle drumming, keyboard jams and effects tied together, creating an original approach to club music. remixers of >gonna b<, marcin czubala (mobilee) and jin choi (contexterrior, private gold, archipel), are two of the hottest producers at the moment. after his excellent streak of releases on mobilee, marcin makes an outstanding debut on senzen and delivers a deeply rooted house remix concentrating on tiny tweaks and variations while carrying them solidly throughout the track. jin, on the other hand, doesn’t let functionality stand in the spotlight of his remix. his music is supposed to touch emotionally and to move the head and the body - and believe me, it does!

polluted records imprint of sinan kaya release, polluted015, is having a great support worldwide. the istanbul based producer what does best is to consistently release forward-thinking and interesting electronic music the treatment of vocals and synthesis, over-loud snares or brutal use of eq, rides over formulas without forgetting the dance floor. funk and pure house music sound is one of the influences on all the 6 tracks with the mid-tempo drawl flowing through the project. playful grooves and natural soundscape evolves through this ep for full 12 inch release with a celebration of classic guitars and deep synth melodies beautifully layered on deep house infection with solid drum programming and groovy base lines. it all flows like a come back of old skool deep house for today current sound request on the dance floor.

we have a limited number of exclusive white vinyl 7 inches brought in to us by kyle hall on his own imprint - jay simon does an edit of the excellent >i remember< from faith evans. very limited run!

after four smashing v/a samplers, dutch based aftertaste recordings launches its second full ep.
asagaoaudio repressenting japan and does it with style. execution support ep is all about serious techno beats!

taken from their forthcoming debut album, the spellbinding >alive in us<, darkness falls announces their next single, the melancholic and mysterious >the void<. featuring the heartwarming tones of lead singer josephine philip, who co-writes with band partner ina lindgreen, the whole album was produced by leading danish composer and recording artist anders trentemøller. as we look forward to the albums release, the catchy, up-beat yet mysterious charm of >the void< confirms that the groups stand-out sound is set for big things. trentemøllers touching piano version accompanies the original, drawing on the heartstrings as he does so well, with great sensitivity to the original. produced by trentemøller.

with private golds newest offering the inimitable cologne producer martin beume has really taken a huge and achingly beautiful step in his songwriting and production. some might know him from releases with connaiseur or brut! records, but this record is miles higher… wisps of detail adorn each song like edible gold flake on a luscious chocolate ganache cake. synths flutter and glide like summer butterflies and even the percussion is precious and clean. this is not to say it is only good for home listening. lead off track solid rubber has a tough and sexy deep house sway with echoes of brazilian bossa nova laid over its more traditionalist chicago house and jazz. lsdeep, has the full dirt stomp necessary for a forbidden tryst, but sneaks in smart samples and emotional filter washes to add unexpected depth. at 105bpm, you might not expect wip catch to fucking groooooove the way it does, but trust me kids, things are getting slower as we are getting older. and it feels great. soaring orchestral strings married with perfectly cut vocal samples are sure to get the more adventurous djs hypnotizing dancefloors like musical svengalis. and when you thought it was all over, axel boman turns in an amazing remix in his instantly recognizable non-traditional style. this dude is a lothario. all hip shake and cooing come-ons, its a reduced house gem that slinks its way into your pants.

following on his recent success with crosstown rebels, quenum is back on his own label.
a1: road 66 - compact like the tarred road, let the hypnotic vocal guide you on your journey on road 66, go along for the ride.
b1: somebody in my bed - irresistible old school rhythm enriched with quenums signature intricate sounds and deep bassline, is the mysterious voice scary or sexy, is it a man or a woman? does it matter?
b2: running man - countdown to a killer deep track that hits you with the regularity of a long-distance runner

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

andreas schulz, (which is andycaps given name), has never been afraid to try new paths, which is highly noticeable in his music. with passionate love for electronic music, he creates an exciting and creative mix of everything from house to techno, and he has released multiple remixes featuring different styles and artists such as steve angello, boeoes kaelstigen, turboweekend, new moscow and others. in 2009, andreas moved to stockholm, sweden, in a quest to focus entirely on his music. this relocation has so far generated a resident dj position at lilla hotellbaren in the form of a weekly house club, called musikbiblioteket (the music library), and a part in the creation of a new music project called caviar. in his latest release for onepush recordings he is moving from electronica to deep house with an ease that you find only in studio veterans >natura< is an electronica masterpiece flirting with deep and progressive grooves with much style and authority.. a must have for all those who want to put some emotion and some colour to their summer sets. complimented with a massive remix from italian house masterminds alexander fog and alberto drago for the vinyl version of this ep. >happy tears< takes you to a journey into the deep with melodies that stick and moving beach house grooves. >agua< takes the rhythm up a notch in a bleepy, techie and appealing way. as does >voyage< taking a more progressive approach by building up on a massive groove and letting the driving baseline, the synth bass and the synthesised pads take care of the rest. a complete pack from an artist you should keep an eye on…

after a few month from his last ep on vinyl - hmz002, hustler muzik is ready to launch his next vinyl ep. public toilet is the name and the same is the name of the original mix by synthek and fabio florido that together, propose us a rithmic and cheerful mix but with powerfull bass. on the same side will find an amazing remix by luigi madonna accompanying the original mix. on b-side music change but want to dance does not go away, listening others remixes by federico locchi on b1 and franco cazzola on b2.

aniligital music presents tal m. kleins >deep dark place<. this is one deep trip with a giant didgeridoo tribal dub setting the pace for a house intro that melds into a heavy juno bassline and peaks with a piercing 303 acid lead. this track does not mess around. the dead rose music company goes deeper both figuratively and literally by adding vocal elements that echo through their swagging cosmic thumper remix. soho808 liven up the mood and tighten up the impact with their remix classic house piano treatments and guitar.

neurotraxx deluxe, the label run by deep house buzz name aki bergen, releases a hot new track from uk super dj filthy rich. as a talented producer/dj filthy richs innovative sound has made him undeniably one of the countrys finest djs today. a promising figure looming out from the crowd, rich is the complete package. effortlessly leaving his contemporaries behind, he leaps and bounds into a league of his own laughing to himself as he does it. this is because rich knows the secret to getting this far – is playing music that he loves, for people to dance to. this new single is more on the deeper side of electronic music but still built to do damage on the dance floor. with mixes from dzeta & basile (who have had tracks & remixes on 1trax, lower east and loco records) and paolo mojo (noir music, cr2, greatstuff, oosh) this is a seriously hard hitting package. with support coming from all the usual a-list and international djs (full list of dj support being released soon) this, as we have come to expect from neurotraxx and filthy rich alike, is going to be an essential record for many djs.

back for his third release on hometown label thirtyonetwenty comes captain funktastic himself, william kouam djoko! if you have see him perform you know that this guy has the funk oozing through through his veins like a predatory viper going for the kill.
>cant lose my rhythm< takes you on a jazzy dreamscape, with of course all vocals are done by william himself which has become one of his signature trademarks.
>dazzling urbanite< takes thing a bit more down tempo, a perfect track to play when the first rays of light come shining throught the windows of the panorama bar.
last but not least we included remixes of the acclaimed classic >hard loving<, this time its kabale und liebe who does the honour, a name who doesnt need any further introduction!

a big release from the om records team. this latest cut from miguel migs really is seriously dope. migs dub mix does exactly what you want and expect providing musical house music at its finest. throw into the equation the fact that all three of the remixes are done by artists that serve up serious heavyweight tracks and you get a four track piece of prime vinyl. soul clap (possibley the biggest success story of 2011 along side seth troxler) produce a finely tweaked and expertly executed remix which lives up to every bit of the soul clap hype. aki bergen from neurotraxx fame also smashes it on the remix front gracing us with a deep grooving interpretation to nod our heads in the clubs. finally, hardsoul (if you don’t know who they are where have you been hiding) do what they do best, vocal house gold. a quality release not to be missed

the original track is already a club anthem but that didnt stop emalkay from stamping his hallmark, head-smashing bass-lines all over the place. whilst roska, on the other hand, does what he does best flipping caspas infectious synth horns into a lustrous funky affair with a lethal combination of dancefloor drum-lines and his incredible sub-driven synth jabs. proper party music!

lumik feels the sound and so does luigi madonna. can you feel it, too?

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

neapolitan techno powerhouse unrilis delivers a brand new ep from gaetano parisio in the form of needing chords. up there with the likes of adam beyer, ben sims and marco carola as one of the premier exponents of european techno, parisios reputation is backed up by an enviable discography and touring schedule. needing chords, backed by a remix from another neapolitan legend in rino cerrone, is a heavy-set, muscular techno-workout which builds with unbridled intensity. cerrones remix is considerably more stripped but loses none of the originals power. moodier and with a sinister edge, its an interpretation which provides an exciting slant on the original. the skippy funk of fake stuff follows and does so with a playful urgency. threaded with a snaking white noise motif that ebbs and flows under staccato keys, its hugely hypnotic while not loosing its groove. finally, its the trippy synths of program meanings that close the ep. heavily layered the track constantly and fluidly shifts with filters revealing new combinations of layers throughout while a funk licked bassline and heavy drums do the rest. hope the usa tour was fun!

a1: talk to me - matthew kyle delivers on this one! a huge track, great vocals as always and a brilliant beat, coupled with keys and light percussion. top class!
b1: anger - what a groove! heavy beat, cool percussion ­ this will get you moving! vocals stick in your head and the bass line is subtle but great! so good!
b2: the thrill - mk doing what he does best, the slow grooving track. beautiful. fits so well in the small world disco catalogue.

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

the three tracker gets off with a lovely post basic channel, dub techno interpretation of a techno track for the warmer days. the b side does a great job in fusing soft beats and low key melodies with raw structure,drive and pressure. plangent records slowly becomes the face for the otherside of berlin techno together with a label such as giegling. gritty deep techno, with some influences from dubstep here and there... slowly moving away from the much abused detroit reference. definitely worth the listen!

hallucination limited delivers a limited edition vinyl only release from none other than fellow new yorker… zev of wolf + lamb. gathered here are zevs strongest outings for the club since the brilliant >forget the world feat. beckford<. we dare say this is his best work to date with >queen of hearts< being one of the freshest takes we have heard on good ole house music this year. pushing all the right buttons, but also some most would never think to. queen of hearts feat. panu moon the initial groove instantly does what all great house does, but what follows are the contemplative vocals of a showman on the road via panu moons soft country drawl… playfully tweaked by zev adding an edge without taking away from panus croon. an unexpected techno vibe begins to ebb and flow over the groove yet it all magically stays together through the voice of a man searching for the queen of his heart. its house music with both an edge and sense of humor not unlike paperclip people, but in a vein more akin to >every now and then< by ralph falcon

played by tini, ricardo villalobos, audiofly, matthias meyer, jimpster, hosh, till von sein, raresh, federico molinari, shlomi aber, eurokai, kruse & nuernberg, p.toile, reto ardour, patlac and many more. the sun can compare! our summer session - listen and feel! baalsaal is in love with this one . mr. rockford inc. delivers an absolut vocalstunner introducing terry lovique armstrong on the mic. follow him and please stay... a1 please stay (who is 121 remix) an hommage to those old strictly days where sweet vocalism ruled. no cheese, no cream. just a driving basement groover to spread love. a2 midnite soul a perfect warm up jazzmoody example by mr. rockford, that really hits the stompfunkin nail. everglades soundtrack it is what we called it to. i think i saw a dinosaur or is it just a dream. b: please stay ( jay haze rmx ) this one does the warehouse of those days interpretation and has it a little darker and edgier. jay who is such a pleasure to have on board drives it gaga till the grande finale enlighten us double xl. the way jay includes the vocs nearly took it to hazy fantazy land.

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

some of the worlds greatest djs play his tracks, some ofthe worlds greatest producers request his services as a remixer and for years his music has featured on world renowned labels. none the less, peter horrevorts has stayed in the background whilst studying modern musicproduction at the rock academy, evolving and developing into the artist he is today. he released on numerous labels like kanzleramt, trapez, ec records, global undergound , gem records and of course be real and bla bla . he also did countless remixes for labels like bush, weave music, tronic and many more. his previous release on be real recordings, the love from above received excelent feedback and was played and loved by many djs. also his track on the recently released bla bla spring sampler did some serious damage on many dancefloors with this unresistable groove and funk in his music be real is very proud to welcome peter back for his second ep on be real with 4 brand new tracks

what hypercolour does best is to consistently release forward-thinking and interesting electronic music so its fitting that the label celebrates its 20th full hypercolour release and 5th anniversary with a simple 12 inch ep that displays the labels exciting and irreverent take on house and techno

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

when some collaborations occur, it feels like fate has been paying close attention, planning something special. on one hand: bugge wesseltoft, pianist, composer and pioneer of electronic jazz, on the other: henrik schwarz, one of the most sought after producers of electronic music who has remixed stars from michael jackson to ane brun. this combination may not seem as radical as once it might, as in the days before bugges new conception of jazz, but the results most certainly are: this does not feel like your typical electronic jazz outing. its a super-group in microcosm. wesseltoft comes from a jazz background and has moved towards electronic music. he started on the ecm label with jan garbarek, and later collaborated with club music legends like laurent garnier and francois kervorkian on stage. schwarz comes from the chicago/ detroit techno culture, and performs at music festivals and in clubs on all continents. he has been moving towards the jazz and improvisation

pursuit grooves releases her solo full length cd entitled >frantically hopeful< this summer on tectonic. the album continues rhythmically where last years >fox trot mannerisms< ep left off, but launches into a different head space with lyrics touching on current affairs and technological dependency. juggling all angles from production, songwriting, mcing and singing, pursuit grooves continues what she does best, fusing elements of hip hop, house and broken beats with sensual melodies and vocals. preceeding the release of the the cd-only 11 track set is this limited run vinyl ep, presenting six of the album’s more floor-friendly tunes.

fantastic limited reissue of this amazing self-titled afro-funk lp from ghanaian singing and percussion star sidiku buari. originally released in 1975, this super-rare album features an all-star cast of top funk instrumentalists playing alongside buari and boy does it show! blending heavy african rhythms with funky disco grooves, the arrangements and the playing are incredibly tight and the album is chock-full of killer tracks including advice from father (sampled by everyone from kenny dope to groove armada) and ku ka maria with its intense funky breaks and awesome drumming from legend bernard ‘pretty’ purdie, which made these tracks huge on the b-boy/breaking scene also. other stand-out tracks include the wonderful disco-tinged afro monsters karam bani and iro le pa plus the cool laidback groove of them yebtheget. top class!

kill kill is the name of the last ep of wat, resulting from the electro rock odyssey wonder. a video clip, filmed in los angeles, accompanies the output of the song, with remy cayuela (one more prod) at the helm. the track, electro tinged funk and hip-hop, sounds like the soundtrack of a rebounding road movie. kill kill is an indirect reference to movies from the 60’,s, and among others, those of russ meyer. faster pussycat kill kill, does it ring a bell?
support by : bbc radio1, larry tee, le mouv , steve aoki (dim mak), far too loud, radio nova, dj mag spain, maelstrom...

the berlin-based partnership of long-time friends steve bug and clé has reared many a classy deep house tune in its time… their classic silicon ballet ep from 2007 led us heavily into their sound, combining melodic, blissful elements with the heavy vibes of the old-school acid days. now were due another full ep with seven hills. the title track is a refined, long-playing stormer - perfect for the coming months as the summer weather stirs up open-air fever! from humble beginnings a riotous, epic track grows fusing the poker flat boys patented analog production and natural ear for a melody. heartfelt strings draw the track to its finale as a teasing breakdown arrives around the 6 minute mark. this is a real slow-burner in the best sense of the phrase. the more urgent monkeyshoulder drives a deep blazing night-time vibe all the way home. smooth, filtering chords and spacey stabs swirl in a magical futuristic-yet-classic house jam. simply deadly in the right moment, this bright and dynamic production really does justice to the pairs talents