liam blackburn s transformative night of visions lp as ancestral voices forged a bold new sonic identity for an influential figure on the electronic music scene. from his groundbreaking work as indigo and onto the success of akkord s hybrid electronic melting pot (with synkro), the quest for forward movement is intrinsic to everything liam produces. to further celebrate the night of visions lp release, we asked some of our favourite producers to reconstruct some of night of visions highlights in their own style. each remixer chose their own track from night of visions to work with. the first name on our remix list was swedish producer and northern electronics label head - abdulla rashim. choosing invocations , his remix focuses on the hypnotic power of the original, turning the tune into a golden loop with subtle kick drum stabs, sweeping percussion and a dangling tension that hangs through the entire 7.33 minutes. asc & sam kdc chose feathered serpent and using just touches of the original tune have masterfully built an all new backbone that demonstrates clearly the ability of the grey area sound to work at 2 different tempo s and weld together with straight techno.

emel first album! and also first acid night album lots of first times... a splendid beautiful mental acid tribe ep, 160 bpm cruiser full of very thinlace sounds and surprising beats... true tunes bringing a unity to the album.

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

steve murphy presents his new acid and industrial-tinged techno project, the night flyer, on lobster theremin’s cryptic black label imprint. a fear-addled chill seething down the spine and a machine-grinding, acid terror-bird emerging from the deep night, the night flyer is an expectedly dark take on the seedier end of technoid nightmares, while hanging a distinctly cold (wave?) atmosphere over cobbled, crushed analogue structures.

mental acid tribe from italy. a deep acid beauty experience!

ltd 2016 repress - delusions of grandeur have had an exceptional couple of years since their inception in 2009 with fourteen vinyl 12s from a host of producers helping to put them at the top of the pile of underground labels making house music for discerning ears. it was only a matter of time before the label took the logical next-step into artist albums and here they are with the debut lp from 6th borough project entitled one night in the borough. its more than likely that youve come across 6th borough releases or edits on labels such as instruments of rapture, jisco or permanent vacation as well as having kick started the whole thing off here at delusions of grandeur with their release the soul part ii (under the aka craig smith & the revenge). its also more than likely youve been in some late night establishment whilst the revenge provided musical accompaniment on his record players seeing as he is one of the most in demand djs playing underground house and disco on the scene right now.

in 1979, the critically acclaimed artist ralph macdonald (who co-wrote just the two of us with bill withers) released his third lp via marlin records. though the reception for the album was mixed - most agreed on it s musical highlight, east dry river . 37 years later, and just in time for the arrival of summer, fly by night music s calypso weighs in with a fitting edit, respecting and captivating the original beauty of the track, making just a few subtle changes whilst revamping the percussion. someone pack the suncream, this party s going outside..

poker flat recordings offers up another mouthwatering collaboration in the form of this ep by mennie and julien sandre. mennie hails from italy, and had fast been gaining a serious reputation on the underground, both as a resident at club 999 in his home country and as a talented up and coming producer. teaming up here with the frenchman julien sandre, this is an international project that will hit home with djs and house lovers globally. the night riots ep kicks off with partitions, which sees the boys in sparkling form - twisting and teasing a sick groove out of fairly simple sources.arth j follows a similar path the devil is in the detail, and mennie and sandre get down to some serious beat science, punctuated with some subtle chords and vocal stabs in the process. in a pixel world’ reveals the pair’s love of classic chicago vibes distilled though french touch, bringing in a super funky groove filtered though various effects and processes, and paying homage to the timeless sounds of early daft punk. ‘no more closes out the ep with a yet another weapon - a ray of house sunshine that skips along on a fidgety beat offset by filtered strings and chopped up vocal stabs. its got summer written all over it.

straight from the 90s comes our next release, an entire album from an amaaazing producer! 8 beautiful tracks... one record has the after party mood , while the other will send u to the dance-floor

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. theyve been chopping up our dance floors months we’re excited to hear them do the same to yours.

- very limited reissue of some of the best swayzak tunes ever
- colored 180 gramm pressing
- unique prinited innersleeve
- remastered
- written and produced by david brown and james taylor

introducing a new vinyl only serie from london s midnight riot - night service #001 sees party connoisseurs south beach recycling go edits galore with a sumptuous classic production, big driving house grooves & mad filtered effects. the south beach recycling boys have a passion for digging for & chopping up disco, boogie & funk and have already dropped 3 acclaimed ep s on yam who s midnight riot label. early dj support comes from horse meat disco, danny krivit, phil asher, the revenge, terry farley & craig smith

the computer is my instrument and the mobile phone recorder my accomplice. sample-based composition, improv and recordings - random moments, deconstructing context, fragmenting intonations, social interactions, textures, human behavior, surfaces, surroundings, other realities and possibilities. i settle in the realms of subjectivity.”
hidhawk is the musical alter ego of haydeé jiménez. the mexican-based artist and cultural entrepreneur is running a busy life organizing events and cultural projects alongside the border of mexico and the us. during the night, bedtime stories like alpagain evolve from the field recordings she is collecting on her various journeys. alpagain consists of recordings from istanbul, tijuana, berlin and salzburg, featuring sounds of alpine instruments such as the alphorn, ocarina and hammered dulcimer (hackbrett). the 15 minutes track is brought to the club context on the b-side of the record with a driving remix by gerald peklar and a dub retreatment by analog solutions mastermind eduardo de la calle.

dog in the night staple robert crash gets back at it with a new ep of house madness! the italian producer once again shows us why hes the boss, clocking in with another four tracks of acid fueled beaters. off kilter beat tracks that are sure to get the tweakers in a frenzy, this is what house is and should be. recommended.

spätestens mit dem meisterwerk and they have escaped the weight of darkness- und seinem prämierten soundtrack für die tv-serie broadchurch wird olafur arnalds in einem atemzug mit jungen, angesagten, multitalentierten komponisten wie nils frahm oder jon hopkins genannt. diese verstehen es perfekt, experiment und abenteuer der elektronischen musik mit der sensibilität klassischer musik zu verbinden, und wie hier auf der neuen late night tales mit brilliantem post-dubstep (koreless, james blake) zu ergänzen. olafur arnalds steuert dazu mehrere exklusive tracks bei (ua seines techno-projekts kiasmos), sowie die obligatorische coverversion (destiny s child say my name!). der ausklang erfolgt wie immer mit einer spoken word-perfomance, diesmal vom britischen broadchurch hauptdarsteller david tennant.

unrelated is back with black as night ep by vesàlio ( kapvt mvndi ) side project of livio improta, vesàlio was born from the necessity to change something in his way of producing. less rhythm section and more emphasis on the atmosphere and field recordings, the last one the essential part of this project. a1 - in “n at alba- the concept of vesàlio is pure,clear, and deep , where the atmosphere is the main character of the track. a2 - -black as night” probably is the conflict between the two artistical parts, dark and despondent sounds, in contrast with the rthythm of the drum section. the perfect sound for a science fiction movie, totally mysterious ! b - o.xander (nous disques) decided to solve it bringing back the track into a classic raw theme with his antartica reshape

insurgently crossing philly soul, cape jazz and bump jive in 1976, the same year as the soweto uprising, poignantly shot through with timmy thomas’ why can’t we live together.
“it was so important for us to play a kind of crossover then, to weave in touches of motown, philadelphia soul and teddy pendergrass that the coloured community appreciated, and basil’s cape town sound, and sipho’s sound that was legendary in the black community, and make music that people could all enjoy together... the regime divided us: people classified coloured had identity documents, black people had the dompas. we didn’t accept that separation. sipho, although he was born in kzn, could play any feel. sometime he’d joke, does my bass line feel coloured enough?”
another landmark matsuli. the title track is killer.

floating away on the melancholic synth and piano arrangement, whilst the straight yet subtle 808 house beat keeps your feet dancing on the line.

*michael ferragosto is back on italy s own dog in the night label with four new twisted psychedelic house cuts. as usual we hear the artist taking the traditional blueprints of chicago house and putting his own signature chops to it resulting in a bizzare mix up of jacking madness that will get the floor going wild. amazing stuff that is not to be missed

virginia steps up with her first full-length on ostgut ton, playfully answering all questions and rhetorics about love, lust and life with her singing on eleven new songs. titled fierce for the night and co-produced by renowned artists dexter, martyn and steffi, the album offers a very personal insight to her inner self while drawing from club culture s long and rich history.

volume two of a two-volume twelve-inch set featuring tunes from eamon harkin and justin carters mix cd,weekends and beginnings. this volume features a neo-chicago house masterpiece from ike release, a slice of classic mister sunday gospel house from jasper street company, and motor city drum ensembles hypnotic rework of caribous leave house. the twelve was mastered by the ever extraordinary matt colton, and it sounds great!

introducing talk in technicolour, the debut release of cross-continental imprint night tide. produced by label founder eluize (emma sainsbury), the ep features three original tracks that showcase her unique sound. the release is rounded out by remixes from hans berg & seth nk and a trippy spoken word recording discovered while digging in the archives. make me sin swells and flows.

repress from 12inch by dario dell aere, founder and member of the legendary synth band fokewulf 190, originally out on market in 1985!

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. they’ve been chopping up our dance floors months, we’re excited to hear them do the same to yours.

concepts and ideas come fast and furious to berlin trio brandt brauer frick. having turned heads from the groups inception with their classically-informed approach to creating techno compositions with acoustic instruments, bbfs output has been characterized by a restless creativity. the search for new sonic territory lead the group to record with a full 13-piece orchestra, and later to strip down their sound to sparse arrangements featuring more electronic textures, and to record an aggressively diverse dj-kicks mix on a legendary club sound system using only vinyl dubplates

night slugs resume the club constructions dj tools series with 4 fire beats from djc.

another fine release on new york night people label. classic chicago inspired tracks containing a lot of the early 90 s ny house vibes. our personal favorite is the steady grooving no one man owns house which goes a bit on a classy detroit house vibe. comes with two eli escobar remixes.

for his second release jackin george teamed up with three of chicagos earliest house music legends. the result is a musical cocktail with the ingredients from an old house recipe: passionate vocals, a fierce bassline, analog percussion and rhythmic piano chords, turning the entire track into a classic underground anthem.

inspiriert vom post-minimalismus und modernen klassizismus von zeitgenössischen produzenten wie nils frahm, max richter oder steve reich, legt sasha ein neues album in der late night tales reihe vor, das seinen bewährten style aus club-electronica und trance/progressive um neue facetten erweitert und bereichert. so hören wir einen neuen, hypnotischen, süchtig machenden sound, präsentiert im longplayerformat, irgendwo zwischen einem mixset, einem studioalbum und einem soundtrack zu einem imaginären, nächtlichen spaziergang. der song bring on the night-time ist eine vocal kooperation mit ultraista, dem projekt des radiohead-produzentn nigel goodrich, der auch zusätzliche keyboards beisteuert. scene delete ist der ideale soundtrack für perfektes kopfkino, für das man vorher das licht ausschalten sollte!

fly by night music heads deep under the cover of darkness with our first super limited white label edition, serving up a four tracker of sleazy jams and hot tub grooves. channeling soul, discofunk and old school house vibes straight from fbnm’s own boss lorenzo, white rabbit recordings head giovanni damico and label mainstays riccio and mayo soulomon, we have something for everyone if you are quick enough to grab a copy! 100 copies only, no digital, no repress, don’t sleep.

toeing the line between divinity and profanity, blurring beauty and debasement, is drvg cvltvre. following offender status and gauwvuur is an eight track album: into the endless night.

in-house powermix and subtle bass.. upfront sounds coming out of new york, chicago, rome & milan

crusty delicious 4 track sampler of edits by sellouts, fake glasses, ed wizard & disco double dee, osmose & bydesign. hand painted artwork on records & jackets.

nyc producer/dj follows releases for rush hour, 100% silk, and argot w/ gorgeous, idiosyncratic deep house cuts encorporating live instrumentation and catchy melodies that work equally well on a dancefloor or in headphones.

leonid and jose rico team up as cygnuss and drop a double 12 inch on freebeat! this stunner of a double pack spans ambient melodic structures, burning acid lines, noisey electro and bashing house tracks. pressed onto 2x12 inch wax this is the real deal!

deluxe 2 lp gatefold package - colored vinyl (1x clear, 1x transparent orange), bonus tracks & download code.
hermitude embrace high expectations and a fast-growing international fan base with the exquisite dark night sweet light, the highly anticipated follow up to their australian music prize-winning, hyperparadise. the electronic duo reach new heights with set of songs that simultaneously illuminate brightness and celebrate darkness.

wegen starker nachfrage erscheint die lp des texanischen trios khruangbin nun auch auf schwarzem vinyl, nachdem die erste limitierte weisse auflage vergriffen ist.

a joint effort here as both trip city records andboogie cartel pop the 12&#8243,,,,, cherries with this four track ep from the music obsessive collective. the late night grind ep focuses on some stripped back house and boogie business, heavy sleaze, on this white vinyl 12&#8243,,,,, with artwork from cardiff based kelly havard jones.

das neue album von elton john als vinyl-lp inklusive downloadcode.

releasing vinyl needs to be always special. one advantage of releasing in physical format is that you will keep that jewel your whole life. that s what our friend dj w!ld has done: give birth to a house gem.

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

dublin based first second label debut their first 12 inch from russian obscure techno stalwart bessiekats *oh, night wish ep*.
*thorny bushes an buches* is a throbbing jam that rides at a relentless 130bpm, with heavy kicks and rattling echoes drowned in a sea of hi-hats. *your leaves* is similarly abrasive, with alternating toms and cowbells leading the way for nightmarish strains. *808 times* closes the release in a relatively serene mood, its electro kicks and gated synths showing bessiekats well rounded approach.

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

shadeleaf no.9 sees city fly s jonna step up with a superb ep ! vocalist erik rico graces title track through the night , a serious piece of deep, disco influenced dopeness that follows the classic us house blueprint, but with that all important uk grit in the construction. a2 & 3 cater for the labels love of lo-slung sample house, with music for people really shining as a thumpin sound system jam who better to tackle the beautiful title track than ny born, detroit grown bad boy kai alce ! his recent sandman & riverside joint has been testing a few speaker stacks these last few weeks, so the label couldn t wait to hear his versions of through the night safe to say, he doesn t disappoint ! a disctinctive vocal rub that recalls classic ron trent, and a stripped down and deadly kzr dub - roots house at its finest ! another shadeleaf sureshot !

we found some copies! funky acid house - pete tong miami pool party essential selection

atlus is a young man with the world on his shoulders. he holds it from misty glasgow, where he spends most of his time in the halls of rubadub. in the three songs on this epic ep, he lifts up party-melting disco house, clanging ambience and bubbling techno – and not for a second does he hint at letting the ball drop. the first of many, many records from him, we hope. this kid’s a titan.

nathan melja is the same young frenchman whose debut ep we released under the name melja late last year. since then, he moved to new york and worked at mister hq for a few months, manned the light booth at the mister saturday night and mister sunday parties (djs make the best light guys), and spent most of his time outside that making music. leo draws is the culmination of that music-making, two murky but beautiful tracks centered around vocal samples and one off-kilter number aimed at the dark corners of the dancefloor.

after the success of his debut album back in flight school on hot creations, miguel campbell has spent the last three years living in ibiza, dividing his time between touring and the studio. since returning to his hometown of leeds last year, his production output has been prolific, with a slew of original tracks and remixes coming through his own outcross records imprint, the same label that will release forthcoming second artist album

limited edition of 373 copies, 180 grams audiophile black vinyl, 18 tracks, 96 mins, gatefold sleeve, uv varnished outer sleeve, code for high quality download of the complete *outside the night* album plus full album *instrumental version* (18 tracks, 96 mins) and *timeline 2009 - 2015* (demos, outtakes, early/rough versions, 24 tracks, 134 mins) - a total of 5 hours 26 minutes of music!