this year marc has released eps on leftroom under his full name marcashken and labels esperanza and archipel under his alias sozadams.have you seen my dancing shoes’ is marc’s debut album on leftroom. it is a collection of tracks and skits taken from a period of 6 months where his whole focus was on this project. there is a mix of house, breakbeat, techno, minimal and downtempo. this is the 4 track vinyl sampler set to tease you before the full album release.

off-key limited is a new subsidiary label of off-key industries whose aim is to give exposure to new artists alongside established producers and to bring a wider range of genres with less of a focus on the dancefloor. each release will be strictly limited and will not be repressed. we start by raiding the off-key vaults to unleash a series of releases entitled >the dust off<, featuring material written in the off-key studio over the years by matt o brien and various collaborators and associates. matt kicks off the ep with >a new page turns<, a bangin dubby detroit techhouse cut driven by a low slung rhythm and analog stabs dripping in reverb, overlayed with a melodica riff which calls to mind the smokey refrains of augustus pablo. next up is >untitled< by newcomer mat gates, a beatless slice of electronica whose understated melodies conjure up thoughts of late summer evenings of times gone by. on the flip, o brien and gates combine under the artist name kimble to bring you >epiphany<, led by a shimmering melody underpinned with haunting strings which combine to form an electro track of rare beauty. this diverse ep is completed with mat gates second contribution, >in a hole<, a drum n bass track with a disjointed, skeletal rhythm, sub bass drops and fragile, melancholy melody.

bringing together chicagoan talents such as sal antalos, lewis ferrier and jay serano. keeping the focus on that windy city typical house sound that made people like derrick carter, paul johnson and others the reknown djs/producers they are...

salted music is happy to serve you the 3rd single from migs highly regarded new album those things. let me be features the soulful vocals of fred ross. migs has been bangin this one for sometime now with enthusiastic responses from dance floors and trainspotters all across the planet! already causing quite a stir among the few djs who have it, you are now in possession of this hot little gem. yes you are special! so now lets break it down. migs petalpusher dub turns on the heat for some deep, funky, upbeat dance floor appeal with key ingredients consisting of a warm, round, bumpin bassline, vocal snips and sax riffs floating in and out combined with smooth synth stabs and guitar licks all meshing together for an urban dance floor stompin dub! migs petalpusher vocal is in a similar vein as the dub while utilizing the full vocal and staying true to the original album version of the song. karol xvii and mb valence e dub provides sample amounts of dance floor pressure and tech appeal. a thick and techy bassline drives this electronic edged late night remix and toughens up the vibe using minimal vocal elements and leaving the main focus on the dirty groove! finally, the karol xvii and mb valence remigs utilizes similar elements as the dub while keeping more of a huge funked out sort of vibe and going for more of a main room appeal perfect for the larger club madness!

cool groovin and little bit electrofied techhouse three tracker !! remind me to the great old jeff bennett times styled up with some modern elements

pikaya take to the a-side with a flourish of robes and flashing beams of light. >jedi< is not the track youre looking for… wait, no—it absolutely is the track youre looking for, all mind tricks aside. kicking off with a sparse drum pattern, it quickly shifts from a measured andante to an easy jog, as resonant synths and sweeping filters whip up desert winds and high drama. high, lonesome counterpoints and a moody chord progression carry the faintest whiff of ennio morricones outlaw music, and playful trills—you could almost swear they were birdcalls—suggest a secret oasis hidden just behind the next hill.if you find >jedi< cinematic, then >fango< will really blow your wide-screen mind. starting with a rhythmic underpinning thats everything youve come to expect from a cadenza track - tight, ultra-kinetic, just a little bit jittery - pikaya build up layer upon layer of hazy pads and cool arpeggios that shimmer like the aurora borealis. bullfrog-throated horns occasionally burst in with a fat, amicable fanfare, announcing the arrival of the peak hour. great, unison handclaps play off against heel-kicking syncopations: madness ensues. and then everything slowly, imperceptibly smears together and loses focus, and the tune fades flickeringly away. talk about a double feature! now playing on a turntable near you

argyris theofilis, aka argy, is one the brightest rising stars in modern dance music. born in rhodes in 1985, argy moved to london in 2003 to focus more on music. with his roots in bossanova and new york house, he began djing at the age of 14. only in the recent london years he expanded his music tastes towards a more electronic sound developing special abilities as producer. he released on poker flat, raummusik, shallow cutz and simple records. while argy reserves live performing for more ambitious album projects, he has been blowing away the crowds of prestigious club nights with his dynamic, colourful and sensual dj sets

for living003, dub kult has decided to pull together some of his own best productions to make the killer four-track >one world ep<. this ep has, arguably, more of a dance floor focus than previous eps on living, but maintains enaough trippiness for all but the most dedicated noodle heads..

"this ep combines different periods of time. oldschool and newschool elements is the key element of a modern production, no matter if its nasa or both legends acquaviva & lützenkirchen to deliver a masterpiece that is functional in every possible way. sirens and oldschool stabs on one side, combined with electronic fierceness and drumming madness. the b-side "hurt me" is more agressive, sawtooth sounds modulating through every spectrum of frequencies. at least one will get your ears bleeding or just the mind blowing if youre lucky enough to survive. cologne based producer pierce gives the >satellite< original a new face with his remix. long synth build ups, reduced drumming and massive compression focus on the basic needs and desires of a rocking dancefloor: to celebrate a break, a melody and to freak out when it starts at zero again"

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

connect four records is the new sub-label of tic tac toe records. weve established it to focus on all the brilliant sounds in the deep minimal house neighbourhood – and after 2 very successful releases, were now ready to give you the fabulous 3rd – this time from turkish newcomer murat Özer. murat was born in istanbul/turkey in 1977 and fell in love with music at such an early age that hes forgotten when. he started out his active musician-ship in the 90s as a bassist at a junior high rock band then went on as a guitarist and finally as a drummer in various jazz & rock bands. however, since his childhood, bands like >depeche mode<, >tears for fears<, >spandau ballet<, >human league< and such have always drawn his attention towards electronic music

two weird and absolute freaky afterhour smashers from istanbuls randoman. phage & dreier deliver a techhouse remix while mikdat vs afrilounge focus on a solid deep and minimal groove

the 3rd edition of defected acapellas here the time the focus is on classic tracks feat kings of tomorrow, onephatdeeva, maw pres india, bob sinclar, soulsearcher, atfc, jay j, mood ii swing, sandy rivera, roger sanchez and many more

jay moved through the ranks at juno and with 5 years record shop work experience under his belt jay now has a broad influence base for his current productions. these mainly focus on classic, itaol and nu disco, us, deep, and acid house right through vintage techno and the modern minimal sounds. his recent productions like this fine four track ep combine many of these influences but always lean toward the warm, retro, vintage electronic sounds that first time around he was too young to experience

frank martiniq comes back with two stunning tracks that can be regarded as vehicles for the transport of personal thoughts, feelings and perceptions with a strong focus on franks reawakened love for detroit sounds !!

living records is a new label masterminded by londons dub kult. fitting with dub kults dj style,the musical focus of the label is very much fixed on the dancefloor with an experimental, leftfield edge.providing something for the body, mind and soul as they say. a unique feature of living is that each vinyl release will have a free exclusive mp3 that can be downloaded from the livingrecords

includes hardsoul edit dutch dj / producer sidney samson has the honour of turning in the upcoming release on roog & greg electronics. as a background, sidney has been djing since the age of 14. much experienced in different music styles, he decided to focus on house in 1999, becoming resident dj one of hollands biggest clubs, the matrixx

broken beat afro tech style!?but one thing is for sure this is a great sounding track with some nice funky pumping beats creating a central focus to the strings sounds and effect that are evident in the mix. certainly a very infectious and crowd pleasing record that will be on a lot pf playlists over the next few months. mod x as ever pushing the style boundaries and pulling it off in fine fashion!

iiwii launches its long awaited new limited edition 10 series called the >gallery series<. this series will focus more on downbeat, leftfield and house genres. first up is a four tracker from dante and dhula, two members from iiwii recording group cobblestone jazz. the first track from this release, a modern electronic dub excursion, >why do the wicked ones rule?< has already found its way into the charts of straight no chaser courtesy of gilles peterson, and gotten play on his worldwide radio show on bbc !!

an absolutely astonishing ep from new café mambo resident wolfenden, with vocalists bagnasty & miriam putting in fine performances

automatic is a new direction fusing electro, funk, and two-step. the first of a fresh batch of music producedin the new wagon repair studios. focus on the dancefloor. beach party - a summer track for the early morning open air festivals. inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. oh yeah, and there are big fans blowing my hair around !!dj support : anja schneider (mobilee rec.): >thx is nice and hot<, funk d void - lars sandberg, karotte, troy pierce (minus, underline)

robert natus presents a great hard techno 4 track ep with tracks by christian fischer & dj murphy, brainshaker, el sam & dave droid, invexis & tadox

vapour returns to the shelves with the profound greek producer, v-sag. the softly-spoken musician has a knack for producing subtle yet powerful arrangements that have set many a dancefloor on fire. everyone is talking about the andrew k mix of thespian with its haunting melodies creeping in and out of focus, this is perfect for the deep, dark and dirty clubs

a new drift is emerging from america and she s in the middle of it: kate iwanowicz aka miskate is not only co-founder of the highly respected foundsound-label from philadelphia, but also a high-definition producer in its own right. after several ep s on her s and others labels like microcosm records she now pays a visit to karloff to expand her boundaries and fuelling the eclectic cut-up-funk she s already known for with solid, defined beats, boosting the focus on the dancefloor as another target to be aimed at. however the steady drive obtains the required substance through interspersed well-crafted distractions like filleted choirs and hymnal strings, constantly winding through the structure and blazing it up. brilliantly reflective and ecstatic at the same time this record gives you more than just a seasonal tempest in a teapot

clink003 is the long awaited solo production debut by camea. this hard working female dj and producer brings her musical perspective to the digital audio massive with three strong, artistic and variant tunes on this e.p. the titled track, wire tap, can be described as nothing less than 8 minutes of peak hour minimal techno, influenced by star producers like audion and sleeparchive. from the suspenseful and clicky start of this tune it is obvious that camea s focus is to tap into the wires on the dance floor and give attentive audiences a run for their money

excellent 3 track ep from nick douglas here on wallop recordings with the label edging towards more electro based sounds than its usual plain progressive and tribal leanings

behind the name >vism< stands an east-german graffitti-projekt,that was founded 10years ago. as there was the possibility to make a record for winsome music of course we couldnt say no. the fruit >win 005< is moderatly doleful, sometimes playful, with emphasis on the base, but the main focus is minimalized to the essentials.the record with its haunted synths is redoled of grandmas old spine-chillers

electrik bugg is a new record label based in the techno mecca that is crawley, uk. set up with the sole purpose of releasing limited run vinyl with limited information, the label s >no frills< attitude forces the listener to focus on the key issue here, which is of course the music. drawing from influences past and present, the producers involved (who s backgrounds range from familiar to the unknown) have been influenced by the classic early techno such as black dog, carl craig, kirk degiorgio ao, and the music portrays these influences blatantly. deeper shades of techno which sounds very analogue in production focusing on a more intriguing percussion style than your average…(some of the drum programming here is down right stunning). both 12inch come as white labels with an e-bugg stamp. volume 1 is yellow and volume 2 is black…chec

2x12inch great tiga >all i need is to be dubbed< and mathew jonson mixes, axwell vocal and mhc extended mix

huggotron is back in form with an other dancefloorslammer on confused. >breath< delivers a floor friendly ,hot dipped, hypnotic track with a slice of acid. >dance< the title really says it all is an uncompromising piece of material, while >live< applies his focus even deeper into the modern techno abysms, frightening and unpredictable but strangely alluring

as one of the founding fathers of the uk techno scene, kirk s discography is staggering especially when you think about how he s stayed so true to himself and remained focus on what he does best – deep, atmospheric, soulful techno. so here we have 2 slices of said deepness in the form of alcyone and tau ceti . this is simply lush, machine music made with a lot of tlc from an original master of his game. stick it on your hi-fi whilst tripping or blast it on your car stereo whilst hurtling along at 4am for maximum impact

.for fans of farben & jan jelinek...for the last two years tillmann ehrhorn has concentrated his efforts on a solo project in electronic music ( releases and collaborations on mille plateaux and with frank brettschneider, as well as continuing to work as a jazz musician.) since samplers and synthesizers are the only source of sound in his electronic music, it evolves in a completely different way to jazz and improvised music, the major focus being the development of the individual elements of sound and their function within the composition

after having been interested in many different styles of music over the years, his interests now mainly focus on techno, be it minimal or melodictechno/techhouse. currently, his influences are music producers superpitcher, james holden, taho, mathew jonson, ricardo villalobos, jamie anderson and vince watson

various artists created something sweet and beautiful out of their frustrations. turning the negative into positive. part 1 of this series has productions from marco bernardi, arne weinberg, duplex and kubra (bas ror & frame six). this new imprint is will focus on the soul and is more techno and early house orientated.

brill funky tribalistic house longplayer

44 tracks on 2 cds

tom mudd follows up brass cultures with another collection of genre pushing electronic music. sitting between the hermetic focus of bill orcutts solo guitar recordings and autechre at their most abstract.

legendary trance compi - special guest ralphi b ! 160min trance music

ultra nice drum and bass compilation

3cds, 60 tracks, with all d&b stars

das weltgrš§te drum n bass- & dubstep-festival feiert 2019 sein 10-jŠhriges bestehen. die dazugehšrige compilation ist deshalb auch ein ganz besonderer leckerbissen: cd1 enthŠlt 17 komplett neue und exklusive tunes von leuten wie murdock & doctrine, signal, alix perez, skeptical, cyantific und d-nasty. und cd2 vereint 18 unsterbliche klassiker des genres von topstars wie roni size & reprazent, netsky, sub focus, modestep, chase & status, noisia, krust, rag n bone man (wilkinson remix), dj marky und camo & krooked.

the compilation reflects simon greens penchant for both expansive combinations of mixed musical elements and intricate structures. he uses the multi-instrumental arrangements of his own work as the basic structure on which to build a narrative across house, techno, electronica and breakbeat. (fabric london)

the prodig s seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

der londoner dj/produzent dimension (aka robert etheridge) schaffte schon zu beginn seiner karriere den spagat zwischen underground, radio und club und erlangte so die aufmerksamkeit von grš§en wie andy c, sub focus, chase & status, aber auch skrillex und deadmau5. sein aus 56(!) tracks bestehendes fabric-set ist eine mit kreativitŠt, energie und sensibilitŠt erstellte blaupause des drum n bass-status 2018 und enthŠlt 22 exclusives sowohl von protagonisten des genres, als auch von aufstrebenden jungtalenten. feat. chase & status, sub focus, calyx & teebee, metrik, dossa & locuzzed, benny l, u.v.a.

extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. when oliver koletzki and niko schwind packed up their berlin studios last april to spend a month locked away in a cottage nestled in the stunning nature of cape towns noordhoek area before heading to afrikaburn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of eps and live-performances since 2015. the result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album noordhoek, released in may 2018 on stil vor talent. while the productions on noordhoek display the same on-point sound design of previous oliver koletzki and niko schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. after a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on noordhoek: south africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

uppermost will be releasing his upcoming album with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord.