next limited 2lp-set inkl. cd2 des albums mit 12 neuen atb ambient tracks sowie album-booklet.

• 2lp edition of justin broadrick’s crushing industrial turns as jk flesh for hospital productions
• combines suicide estate and antibiotic armageddon
• greyscale spectrum of brutalist techno / abyssal acid dub / tramadol tribalism / noxious noise textures
• cut at d+m, berlin
• riyl regis, birmingham at night, kareem

four slow-burning bombs that perfectly encapsulate how far that slow motion, slo-mo sound can be stretched.

remastered re-issue on 180 gram vinyl

the authorized hendrix family edition - definitive 2lp collection of the complete performance at berkeley community theatre on may 30, 1970 in its original sequence. double vinyl in gatefold sleeve, including a deluxe 8 page booklet with rare photos and comprehensive liner notes.

the artist/producer collective known as local-mu12 are back with a sophomore album called eeveryday people. the album features mc eiht, smif n wessun, guilty simpson, torae, ras kass, planet asia and more. it also features a variety of local-mu12 members such as stryfe, real mckoy, fokis, james moore, the manorail and more.

all analog remaster from the original 2-track master tapes by jimi’s original engineer. double vinyl housed in a gatefold sleeve, featuring the complete original artwork and an 8 page lp sized booklet with rare photos and liner notes.

mister mellow moves further away from the synthesizer-heavy sounds of the recent washed out releases and more band-driven sound of his work on iconic labels sub pop in america, and domino in europe. on mister mellow, greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as the residents. combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous youtube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults. as he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that greene has partnered with legendary hip hop label stones throw records, long a home for beat-loving musical rebels. his approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life. on mister mellow, washed out steers clear of emotion to empathise with the minutiae of the world around him. ive been much less interested in sentimentality and emotion for the past couple of years, says greene, in some ways, i think its a reaction against getting older and having more responsibilities. maybe i’m just nostalgic for a time in my life where i could just relax and block out the world for a moment. though mister mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

20 american anthems on 180 gram double vinyl, housed in a gatefold sleeve.

official re-issue of danish electronic music from 1974! vinyl lp comes with booklet and limited to 500 copies - no repress. frederiksberg records announces the first re-issue of stoned which is exclusively licensed from the artist and has been carefully restored from the original master tapes. it comes with a booklet of liner notes by thomas knak. stoned by gunner møller pedersen is a pioneering partly-electronic composition from denmark. gunner believes that its musically out of category. it was created for a slide show with focus on sculptures by the late american photographer stuart fox. gunner self-released the record in minuscule numbers in 1974. the music on stoned has an original and meditative quality which transcends time and should appeal to today’s music lovers with a taste for something different.

dj harrison is richmond va-based producer and multi-instrumentalist devonne harris. the son of a radio dj who introduced him to the world of record collecting, harris grew up with music, progressing from violin, to high school drum-line, to the jazz studies program at virginia commonwealth university. he also continued working with other instruments and developed an interest in sampling. his development as a producer at first, without a computer or sampler came first learning to replay samples on the drums, piano, bass or guitar. dj harrison finds himself inspired by local musicians in the richmond scene thats as diverse and nonexclusive as they come. among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. he lives and works in jellowstone, a house turned recording compound occupied by his band mates in butcher brown, a garage punk jazz funk group. hazymoods, dj harrison’s stones throw debut, was recorded there completely on tape, where the living room functions as a communal recording studio

the classic 1970 album *moondance* by van morrisson back on 180 gram vinyl in gatefold sleeve.

to celebrate our 200th release, the fourth installment of the -stil vor talent berlin- compilation series brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of berlin s metaphorical aorta. alexanderplatz Ð or more specifically, its tv tower the fernsehturm Ð is one of the city s most iconic spots, bustling with locals and tourists alike. a stroll through its subjacent u-bahn station exemplifies berlin s multitude and diversity like no other place in the city. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visual

deluxe 2 lp set, includes 16 performances from hendrixs july 4, 1970 atlanta pop concert. mastered by bernie grundman. pressed on 180 gram audiophile grade vinyl. housed in gatefold sleeve, including 8 page booklet filled with never before seen photos and detailed liner notes.

this circular item is the oaks 04 by prostitutes. musica techno para discoteca vol.1 its title. if you drop the needle on this side (a) mighty arms and a glancing kiss will play. if you flip it side (b) albion remains and churns up into stone will do the same. eleven times three revolutions per minute. recommended for dj use.
musica techno para discoteca is the new series from oaks. in it i’ll showcase the techno music that inspires me, the techno music that i love to play, the techno music that in my opinion should get a decent exposure due it’s originality and honesty. without paying attention to the market demand or industry standards.

180 gram heavyweight vinyl pressing, download code included.

mancini and the creepers is a much needed breath of fresh air that really turned my week around from being horrendous to unreal! with the ridiculous vocal stylings of mancini throwing down some truly unorthodox rhythm, along with the unreal british-accented lyrics, this crew is pure entertainment in my mind. the rapping is done over the production crew, consisting of tommy tempa and frank law’s, beats and is put together in a great package.

very dark green with black marbling effect vinyl.
new from stonedwave (founded by chip tronic), who has lately been active for both the kugkmusique and the oyabun labels comes a collection of powerful dark wonky techno tracks who have been created for freaking out on the dancefloor while still creating pictures in the listeners mind. the tunes have been selected and tested by dj wotta mess. the latter has been doing the warm up for dont radio show which is a regular internet event before jerome hill s london based events.

langeweile. faulheit. totale teilnahmslosigkeit. ist es nun schon eine so genannte quarter life crisis oder einfach nur eine ausrede, um blo§ nie erwachsen werden zu mŸssen? fragen wie diese, sind die eckpunkte jener welt, in die washed out mit seinem ambitionierten neuen visual-album mister mellow aufbricht. fŸr viele, viele vertreter der generation y ist das leben derma§en dramatisch und problematisch, dass es mithin schon absurde zŸge annimmt. und die methoden, mit denen sie sich von den ganzen unsicherheiten und unwŠgbarkeiten abzulenken versuchen, die zu ihrem alltag gehšren, sind dabei nicht weniger absurd - da ist alles von social media bis hin zu fantasywelten dabei, von drogenexzessen bis zu musik-eskapismus. mister mellow, das erste komplett als multimedia-werk angelegte album von washed out, fŸhrt durch all die hšhen und tiefen dieser oftmals lŠcherlichen alltagskŠmpfe und beleuchtet dabei augenzwinkernd auch das gro§e paradox, dem man immer wieder begegnet: wie kann es sein, dass wir derma§en unzufrieden und gelangweilt sind, wo wir doch eigentlich alle erdenklichen privilegien genie§en und somit mehr als zufrieden sein kšnnten? auf -mister mellow- dominieren eher experimentelle collage-techniken ˆ la musique concr�te. free jazz, house, hip-hop und psychedelic haben allesamt ihren platz in dieser welt, in der auch interlude-artige voiceover-samples aufblitzen, woraus sich insgesamt ein hektisch-chaotischer und karikaturistischer mix ergibt, in dem sich die reizŸberflutete psyche dieser generation widerspiegelt.

hochwertig produzierte lp-kompilation für anspruchsvolle musikliebhaber.

outcast oddity s own engyn unsuspectedly delivers a full album... offbeat techno & electronica listening pleasure on double 12inch!

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

my favorit robot releases #133, 137 & 140 all bundled up for one special price!

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

album recorded at jazzy jeffs home, by numerous artists, in seven days - creative process was streamed live via facebook live from jazzy jeffs fan page - album includes soul, funk, hip-hop, jazz, pop and samba

deep purple’s 19th studio album sees the light of day. it is being released by the german based label earmusic. the band’s last studio effort dates back to 2005’s ‘rapture of the deep’ so this is a long time coming.
this will make album number four to feature steve morse on guitar and the third with keyboardist don airey. as previously reported, concrete information on the album title is, shall we say, up in the air. “there’s a big question mark over the name at the moment. and possibly an exclamation mark as well.” vocalist ian gillan told classic rock magazine.

the only time you wear a tuxedo is when its time to party. so says legendary west coast player snoop dogg on the opening track of tuxedo ii. the blessing of the doggfather is of special importance to mayer hawthorne and jake one, whose second album as a duo finds them at the forefront of a new wave of gangster boogie one that owes as much to g-funk as p-funk. this is the territory of pre- and post-hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk

over 50 of this years biggest tracks spread across three cds that showcases the very best in house, tech house and clubtunes. incl djs and producers like basement jaxx, paul woolford, adrian hour, solardo, detlef, nicole moudaber, mark knight, umek, nathan barato, metodi hristov, walker & royce, bimas, mat.joe, dennis cruz, josh butler, waifs & strays, dj haus, ejeca and raumakustik

braindance records, giving the morning calm a second chance. having only appeared for a few live sets mainly dedicating himself to production, go dam, is a silent actor for the change in seoul s music scene. with a diverse spectrum of influences and genuine love for alternative electronic music, we are given a unique identity portrayed through his sound. the “alternate dimensions e.p”, first output of the label, opens the doors to another dimension comprising of electro infused melodies. reminiscent of the mid-late 90’s uk intelligent techno-electro sounds it also combines heavy detroit influences with a peculiar sonority that will invoke you into the story within the alternative soundscape.

der jazz drummer und hip hop produzent karriem riggins aus detroit kehrt mit seinem zweiten album fŸr stones throw zurŸck. headnod suite folgt dem alone together album und enthŠlt 29 instrumental tracks fŸr fans von j dilla, madlib und gleichgesinnten. karriem riggins war langjŠhriger vertrauter des 2006 verstorbenen j dilla und hat das the shining album nach dessen tod zur finalisierung gefŸhrt. zuletzt hat er fŸr common das black america again album produziert und arbeitete zuvor mit kŸnstlern wie erykah badu, kanye west, the roots und vielen anderen.

best known as a jazz drummer and hip-hop producer, karriem riggins returns with headnod suite. the album is the follow up to 2012’s critically acclaimed debut alone together. with 29 instrumental hip-hop tracks, headnod suite places riggins’ beatmaking chops front and center. it’s a testament to why riggins is the producer of choice for artists like kanye west, common, erykah badu, and the roots.
the double vinyl release includes a download code.

the 4th album from shaun escoffery as double vinyl in gatefold sleeve.

“breakbeat” lou flores is reviving ultimate breaks & beats with a producer series, debuting with an album by oh no in january 2017. oh no s 17-track collection was made entirely with sources from the original ubb series.

madlib’s remix of champion sound, plus a previously unreleased track recorded in the original jaylib sessions: “da rawkus.” vocals: j dilla. production: madlib. this is the frst time these remixes have been released on vinyl. it is the frst time “da rawkus” has been released anywhere. the remixes were originally included on the champion sound (deluxe edition) double cd.
the vinyl release includes a download code.

the very best of elo back on 180 gram double vinyl. incl dont bring me down !

global underground:twenty wirft einen blick zurŸck auf die 20-jŠhrige geschichte dieses wegweisenden britischen dance-labels global underground. insgesamt 50 tracks auf drei cds, davon 15 exklusiv auf dieser cd, reprŠsentieren die entwicklung des labels. cd1 und cd2 enthalten die klassiker sowie neue remixe von u.a. moby, sasha, dixon, dubfire, unkle, booka shade, gabriel ananda. cd3: the future enthŠlt 10 exklusive tracks der vielversprechendsten neuen produzenten wie denney, dale middleton oder just her.

the rolling stones release ‘blue & lonesome’, their first studio album in over a decade. ‘blue & lonesome’ takes the band back to their roots and the passion for blues music which has always been at the heart and soul of the rolling stones.
double heavyweight vinyl in a gatefold sleeve with album download card.

massive stonebridge club mixes!! last copies

2016 ist es so weit: mit »the real royal albert hall 1966 concert« gibt es endlich den echten mitschnitt des legendären konzertes auf doppel-lp.
ursprünglich war nämlich schon 1998 ein album mit diesem titel als bootleg-variante erschienen. dabei handelt es sich jedoch fälschlicherweise um die aufnahme einer show aus manchester, statt aus der royal albert hall.

blaring and unnerving, yyyy s intention of mortal gets revisited with a remix package featuring lucy, varg, ascion and yyyy themselves, resulting in a barrage of arpeggiated behaviour and regimented soundscapes. a force pushing forward creativity with on-point refinement, lucy immediately veers in with his visceral power of sound. an avalanche of intricate and experimental arrangement soon meets a series of astute percussion and typical foreboding energy, retaining a certain texture-over-beat throughout. yyyy s depth of music imagination & influence is heard in this highly charged, awestricken ensemble for their rework of intention of mortal . unfolding a mixture of fear and complication, this track keeps you thinking as well as moving. an almost endless supply of plucked synth rhythm keeps the chaos taut and throughout. ascion s remix of stone relief of gods faces credits the release with clean kicks, industrial clanks and atmospheric keys. this no-nonsense approach to production is not to be underestimated, a dream-state sequence of induced electronic abstraction. the first and most immediate observation of b2 is vargs take on reach for forgiveness - a menacing, pin-sharp account of the visceral power of techno, dialling in to both tense and euphoric. the ambiguity of each track lends itself to its success, meticulous in detail and curated with passion. a release that divulges the mysterious sonic world and deviates from the expected.

melodic four track ep , tip

atrocity exhibition ist der neueste höhepunkt in einer langen serie von highlights: im verlauf der letzten jahre hat danny brown mit vielen hochkarätigen künstlern von purity ring bis rustie, von schoolboy q via e-40 bis hin zu ghostaface killah gearbeitet. für den posse-track detroit vs. everybody tat er sich mit eminem, dej loaf, royce da 59, big sean und trick trick zusammen, und auch den legendären the avalanches lieh er für ihr comebackalbum dieses jahr seine stimme. da er auf atrocity exhibition kein blatt vor den mund nimmt und gewissermaßen die hochprozentige essenz seines kreativen ansatzes herausdestilliert, hat danny auch die wahl der gäste ganz genau darauf abgestimmt: ihren schlangenhaften gesang steuert kelela im fall des wahnsinnig finsteren from the ground bei, mit b-real von cypress hill ist ein alter hanf-fachmann für die tiefentspannte hook von get hi verantwortlich, und mit earl sweatshirt, kendrick lamar und ab-soul treten gleich drei junge hochkaräter für das ominös schillernde really doe zu ihm ans mikrofon, die er derzeit für die besten rapper hält, die es momentan gibt.

agnes obels neuer longplayer wurde im eigenen studio aventine-neukölln und in den brandnewmusic-studios in berlin aufgenommen. erstmals hat agnes nicht nur alle songs geschrieben und komponiert, sondern das komplette album im alleingang aufgenommen, abgemischt und produziert. als musiker sind john corban an der geige, sowie kristina koropecki und charlotte danhier an den cellos dabei. mit über einer million verkaufter alben ihres debütalbums -philharmonics- (2010) und -aventine- (2013), sowie 200 millionen streams weltweit, gehört agnes obel zweifelsohne zu den angesehensten female artists in europa.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

“yes lawd!”, the much anticipated debut album from nxworries (pronounced “no worries”) is coming october 21 on stones throw records. on “yes lawd!”, anderson .paak plays a theatrically brash version of himself who raps and sings like a 70s superstar and talks shit like a stone cold player. the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. meanwhile knxwledge weaves a tapestry of sampled bits and live fragments - bass, brass and violin - that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: nxworries.
the double vinyl comes in a gatefold sleeve with download code included.

matrixxman and echologist team up for prruk’s 2x12 ep “black & white”. as the title suggests, this comes in a black + white package showcasing sturdy techno rhythms that have happened when these two stalwarts got into the studio together. acidic tones, thumping bass drums and adventurous fx sweeps. from rhythm driven techno cuts to the more oddball bits, “the black & white ep” proves to be a versatile yet energetic package.

release & versand am 29.08.2016 raw and dirty techno