when it comes to offbeat raw detroit house music you cant really mess with omar-s and his fxhe label. on this new double pack hes keeping it in the family with his cousin big strick providing us with 3 fresh tracks and omar-s treating us to his versions of his cousins tracks. both twelves flow nicely, mixing up early chicago sounds (think virgo, larry heard) with some uber-crisp drum programming from strick and omar-s. fans of big stricks 7 days ep will not be disappointed with this. six tracks filled with raw grit and jacking rhythms, house heads should definitely pick this up.

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

voorn & oosterwals green imprint is probably best known for its modern classics >blank< and >mpx309<. now they return with the labelÆs sixth release: dosems beach kisses. powerful synths are the order of the day on this euphoric masterpiece. with voorn being such a huge fan of the track, it made sense for him to pick it up for green. so today, we bring beach kisses the joris voorn edit. powerful synths are the order of the day on this euphoric masterpiece. on the flip, marc dosem has provided us with his own new edit under his sendo guise. an atmospheric delight.

nice price deal !!! alessio mereu, a classical piano player since he was just an eight years old kid, moved to electronic music in the last few years with his trade mark hypnotic and full of groove defined style. even though he is a very young artist, he is a talented and appreciated producer who broke the scene just at 18. recorded for eminor records, orion & paco osunas mind shake label.
this, his 1st release for pick pocket, will feature some of his best work, francas heart has all the marks of being a hit, groove is so spot on & melodies coming in & out through out the track. this has all the right elements in the right places. a classic 10 / 10
dancing in the dark - this track simply moves you in so many ways, excellent percussive programing & synth lines that wave in & out of this simply. very nice piece of work. a new talented artist to watch out for in 2008.
padded cell - pick pocket comes with yet another deep cut, this time more minimaldub than techno, with some deep basic channel frequencies that will make you connect with your deeper side. it s all about the rhythm & the sound ...

supported by stephan bodzin, kombinat100, mathias schaffhäuser, p.toile ..... again that laid-back, humorous and open-minded character of the people of mecklenburg glistens from the grooves of the available acker record. this time it is represented by the gentlemen schaeufler, who is an essential part of the local producer and dj scene since many years, and zovsky, who was musically socialized in trancy sceneries and shows a remarkable versatility. set di dol comes around on a powerful, pushing bass line, precisely placed percussions, minimal melody fragments and an exotic vocal sample make this track distinctly stimulating. after that the two dudes pick up the relaxed and cosy atmosphere of every day, which originally hails from the easy listening genre, and garnish it with reduced but very effective rhythms. on the flipside, the radio version puts this remix even more in a nutshell and finally acker mister mollono.bass presents his version of set di dol on the flipside: based on his typical, bouncing groove, he creates a frisky and somehow tropical atmosphere, using refreshing xylophone sounds and a proper portion of tribalistic percussions

voorn & oosterwals green imprint is probably best known for its modern classics >blank< and >mpx309<. now they return with the labelÆs sixth release: dosems beach kisses. powerful synths are the order of the day on this euphoric masterpiece. with voorn being such a huge fan of the track, it made sense for him to pick it up for green. so today, we bring beach kisses the joris voorn edit. powerful synths are the order of the day on this euphoric masterpiece. on the flip, marc dosem has provided us with his own new edit under his sendo guise. an atmospheric delight.

a simply lethal cocktail of grind and drive, a deeply infectious groove combined with funky bass and distorted vocals. hell can really pick a winner every time

random trio delivers the goods once again with his trademark minimalist style. >claret< hits a fine balance between dirt and depth that evolves throughout the track and envelops the mind. my pick >fools day< sees the veteran experiment with some >dubbyer< influences, while still retaining the trademark random trio sound

this is not one of those run-of-the-mill edits that just extend a break for 3 seconds but total dubbed out reworks of two boogie classics by the discoplumber. ace stuff

after releases on schieber and opossum comes here the third solo ep from moritz piske !! and again he shows us his talent for making sub heavy grooves

as mark & john they already released various eps on different labels like audimatique, ork or pickadoll. here is the next bomb. pick up the phone is a super funktional track between derrick may flavoured drums and rave action. hoodinge is a more atmospheric & melodic production with arp lines, open hats and floating pad sounds. last but not least, rince#1 shows their talent for more classy house monsters..

jalapeno finally release that funky song all about love this is a great vocal number that will appeal to the more downtempo breaks fans out there skewiff drops a great mix that will pick up spins from fatboy slim

4 tracks of seriously slammin, bumpin dubheavy house misc in chicago >classic< style by david taylor aka solid groove and jesse ross ( frontroom rec. )

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

ote maloya ist die fortsetzung von dem ebenfalls auf strut records erschienenen album >soul sok sega<. diese beiden genres, die ihren ursprung im indischen ozean haben, wurden vor jahrhunderten auf von sklaven zuckerplantagen entwickelt und geben die einmalige verschmelzung von europŠischen und afrikanischen einflŸssen wieder

limitiert und remastered: fŸnf nachpressungen vergriffener -studio one-bestseller. studio one groups is the latest soul jazz / studio one records release featuring legendary groups from the foundation label of reggae. bob marley and the wailers, toots and the maytals, the heptones Ð just three of reggaes greatest groups who all started at clement dodds studio one records, the university of reggae. studio one groups brings together classic artists alongside lesser-known artists and covers studio ones musical output from the 1960s and 70s featuring ska, roots, rocksteady, dub and more.

metal dance vol. 1 was resident advisor no. 1 compilation of 2012! ny times pick of 2012 this collection underscores the real romance of machines. mojo: thrilling foray into forward thinking post-punk electronica! trevor jackson (playgroup / underdog / output recordings) returns with the eagerly awaited second instalment of his metal dance compilation series this august, following widespread critical acclaim in the wake of volume 1. drawing from jacksons deep collection of original industrial, post-punk, ebm and new wave, the album is an inspired mix of sounds and styles, mining classics, dub versions, oddities and secret weapons inspired by his formative clubbing years at many of londons seminal nightlife haunts.

by the age of 15, david rodigan was djing at school dances and youth clubs. the infectious, crazy back beat of jamaican ska first captivated him as a teenager in the mid 60 s, it was a driving, energetic sound which he found impossible to resist. when the pace cooled down and condensed into rock steady david was equally enamoured because the sweet, aching vocal style of jamaica s young stars could be heard to full effect.

the first in a new series from roots records, bringing in guest compilers to pick the choice sounds from the hit sound and midnight rock catalogue. first up is the legendary barry ashworth from the dub pistols, picking artists like anthony johnson, king tubby, barry brown and jah thomas. for fans of soul jazz, blood & fire and greensleeves records.

reissue

18th output, vinyl only

meaning shifts throughout murphy’s debut album “um” with songs that meld moments of baroque beauty with crashes of electronic noise, employing textures that are by turns organic and artificial, hi-fi and lo-fi.

1lp 140g coloured vinyl reissue (crystal clear diamond

indie edition - translucent red, 140g, gatefold

new label : hotbox

direct from japan.

rediscover all the french radio hits of the 80’s in this 5lp boxset. from lio to rose laurens or images. and a few international ones like imagination or sabrina!

exclusive box set featuring all 3 records from the ‘house of chez’ release, with a special bonus track to discover. limited edition of 200 hand-numbered copies. an additionnal surprise 7&#8243,, record is also to be discovered inside the pack …

green 2xvinyl

limited edition of 250 copies on gold coloured vinyl with download code included.

classic black vinyl edition.

black vinyl, gatefold sleeve

performance and cocktails, released in 1999, includes -t shirt sun tan,- the acoustic -she takes her clothes off,- and -pick a part that s new.-. the name of the band s second studio album comes from lyrics in the first featured song roll up and shine , and is being released as a limited edition 140-gram orange vinyl.

ltd to 1000 numbered on clear and white marbled vinyl

skull & crossbones have dedicated themselves to traditional heavy metal. the 4 ex-stormwitch musicians volker schmietow, tobi kipp, jürgen -wanschi- wannenwetsch and marc oppold, completed by singer tobi hübner, pick up where they left off. mighty riffs and beautiful melodies meet clear, high vocals and end in big, catchy refrains. stories are told, partly fictional, partly close to real life. this is how modern and yet tried and tested heavy metal should sound like: with a powerful sound and catchy with a high recognition value.