spanish flamenco gypsy orchestral disco, originally released as a 7 inch in 1977, available as an official re-release in 12 inch format.

80s movie themes incl. queen, tina turner, billy ocean and many more ! high quality, insert

tipp

black vinyl

limited

90 minutes orchestral longplayer from thomas bangalter

80s synth legend dont go !

great 80s compilation incl cure, a-ha, dead or alive !

decks tipp

big ost compilation incl. queen, duran duran, harold faltermeyers axel f !

this volume indian rare groove, discover the artists that redesign the musical universe of bollywood. during the 70’s and the 80’s, funk, soul and disco are invited inside most productions. from comedies to horror movies or thrillers through romantic films, the groove is not so far. have a good trip!

classic tracks from the 80s on 180 gram double vinyl.

ltd 500 smoke coloured vinyl !

a collection of 1982 chart hits on translucent yellow triple vinyl.

2021 repress !!! the latest rhythm section international release comes all the way from down under and rest assured it is another beauty! the record oozes jazz, lush orchestral experiments and downbeat, detroit flavour house spread across 4 tracks of sun soaked productions from melbourne newcomer prequel, who makes his debut on this hotly tipped peckham label. early support from gilles peterson, lefto, alex nut, ben ufo, mister saturday night & moxie

orchestral compositions from max richter, played by baltic sea philharmonic, conducted by kristjan järvi. pressed on double vinyl, housed in a gatefold sleeve.

limited rsd 2021 drop 1 release - pressed on translucent blue vinyl, housed in a gatefold sleeve, download code included.

melbourne-based violist/violinist and orchestral composer, tamil rogeon, returns to his jazz roots with “son of nyx”.

spirit & form entfaltet einen plätschernden wasserfall, eine ozeanische welle sequenzierter geräusche, um sich vor dem ertrinken einer von der stadt gestressten seele zu schützen.

the 2010 gorillaz album back on double picture vinyl.

a fine collection of iconic 80s synth-pop tracks on double vinyl, housed in a gatefold sleeve.

the original score for the fx series “trust” by james lavelle (unkle). limited pressing on 1x gold & 1x oil coloured vinyl, housed in a gatefold sleeve.

the theme from netflix series “stranger things” on limited transparent blue vinyl.

ellll continues her prolific 2019 run with a new ep for the expertly curated (and newly revived) paralaxe editions label out of barcelona. fresh off releases on glacial industries and first second, the irish-born, berlin-based shapeshifter takes a creative turn here, setting aside her bassy excursions and techno flirtations for something much more cinematic in scope. rich in melody, this record finds ellll taking an orchestral approach, weaving together piano swells and delicate strings to create a truly immersive listening experience. mastered by rupert clervaux.

acoustic versions with orchestral texture of instruments

special 10x7 inch box, limited to 500 copies. to celebrate a quarter of a century playing whatever the hell they like, they have carefully handpicked 20 tracks, and cut these onto that most wondrous of wax formats: the 45 rpm single. some of these tunes, especially the more recent ones, have never before existed on vinyl, let alone on 45.

180 gram double vinyl in gatefold sleeve.

80s originals combined with new orchestral arrangements on double vinyl lp, housed in a gatefold sleeve.

daniel brandt, co-founder of acclaimed german ensemble brandt brauer frick, is set to release his second solo album for london imprint erased tapes on october 12th. titled channels, the new record follows the release of the london and berlin based producer’s solo debut eternal something from 2017. the seven-track lp is brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. following on from eternal something, which captured a contemplative kind of isolationism, with channels brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. after performing and recording steve reich’s six pianos in a group of six, brandt began regularly composing long meditations on the piano, something that permeates the sound of the new record. its frenetic energy and shape-shifting identity was also born out of touring with his new band eternal something — comprised of brandt on piano, drums and synthesisers, pascal bideau on guitar and bass, plus florian juncker on trombone — and a desire to translate both the sound and spiritual unity of their live shows in which musicians locked together to create an intriguing meld of expansive works.
limited pressing on clear vinyl with download code included.

daniel brandt, co-founder of acclaimed german ensemble brandt brauer frick, is set to release his second solo album for london imprint erased tapes on october 12th. titled channels, the new record follows the release of the london and berlin based producer’s solo debut eternal something from 2017. the seven-track lp is brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. following on from eternal something, which captured a contemplative kind of isolationism, with channels brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. after performing and recording steve reich’s six pianos in a group of six, brandt began regularly composing long meditations on the piano, something that permeates the sound of the new record. its frenetic energy and shape-shifting identity was also born out of touring with his new band eternal something — comprised of brandt on piano, drums and synthesisers, pascal bideau on guitar and bass, plus florian juncker on trombone — and a desire to translate both the sound and spiritual unity of their live shows in which musicians locked together to create an intriguing meld of expansive works.
standard pressing on black vinyl with download code included.

2018 reissue

* sheffield-based subaltern resident taiko returns to the imprint with a stunning selection of four distinctively grimy pieces of sub-bass science, proving once again his original take on the 140 bass realm. a. trenches introducing his unique style once again with a fresh twist, taiko delivers relentless earth-shattering bass waves in ‘trenches’, which graces the a side of the release. bells, strings and dark synths set the mood for a precisely executed wall of bass, complimented by subtle vocal work. b1. raid dramatic orchestral strings and horns set the stage for the grim reaper that is ‘raid’ - leading into a dark and roaring synth that accentuates the laid back bass-line. sure to shake every system it is unleashed on, the track keeps evolving and luring the listener ever deeper into a maze of darkness. you can run but you can’t hide… b2. mana pool ‘mana pool’ adds a more psychedelic and subtle edge to the release. synth loaded parts play in exchange with carefully laid out harmonic synth lines complementing the tasteful bass-lines, while remaining the raw edge of the release.

“california love (mit cory henry) 7” edit / shiznit” ist die 7”-single des multi-instrumentalisten sly5thave’s “the invisible man: an orchestral tribute to dr. dre”. in dieser folge wird eine Überarbeitung von dre’s notorischer “california love” mit snoop dogg’s zeitlosem “shiznit” gepaart. das album entstand aus einem konzert namens “cali-love”, das für die gemeinnützige musikorganisation playing for change zusammengestellt wurde und dem bau einer musikschule in compton gewidmet war. zum auftakt der ersten tournee von sly5thave präsentieren tru thoughts diese limitierte 7” pressung von zwei der herausragenden stücke des albums.

the flamboyant and off-kilter title track from rones latest album, mirapolis is one of the last solo tracks that the producer composed in the spring of 2017: its one of the rare tracks on the album for which i thought about the live performance. while putting the final touches to it in the studio, i imagined myself at festivals via memories of previous tours. i wanted to record a festive track, which completely stands by its funfair vibe. with this new four-track ep (including three remixes), combined with a new video by aurélie castex, rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor – and our screens. johannes brecht, shadow craftsman of the hamburg label diyanamics studios, offers a refined reading throbbing with cerebral pulsations. appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. german-based figurehead of the south american scene, comeme label boss and founding member of the late closer music project, matias aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. playful and wild, aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. french techno scene boss laurent garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood. a hypnotic and mischievous loop infiltrates itself without warning into the reptilian cells of the listeners brain.

robotron is the machine formerly known as xinner. this is its first offering for the esp institute. side as dream resonator is an idiosyncratic network dexterous machine drum/percussion programming, an ebb and flow of floating arpeggios, syncopated counter-melodies and a hail of stabbing stringscontinually diffusing into ethereal vapor all stacked into an (aptly-named) orchestral anthem. side bs ice takes a similar approach with arrangement, each instrument carving out its place in the tracks mechanics for a glorious convergence of patterns, but, where side a proves optimistic, here we sense a more menacing undercurrent, an austerity powerfully articulated through towering kicks and claps so compressed they fill up every dark corner of negative space. indeed, robotron has an innate command for building and calibrating robust systems, but beneath this calculated veil we find the remnant human behavior of xinner. these two songs will whisper loudly but scream quietly.

tommy rawson releases are sporadic but always high quality. as a former member of the souled duo who ran the excellent fresh minute label hes been around the more tropical end of uk house and broken beat for many years and this, his first full release for bergerac ushers forth a new level in his sound. this whole record is a masterclass in post bruk, forward thinking, shining, bright uk dance music. unmatched in emotion and vibes. deep blue is quite simply the sound of the summer. sun drenched, euphoric and soaring. broken but not broken, 4/4 but not quite housey. jazzy, soulful yeah. it was the highlight of red rack ems olive grove closing set at love international last year when it provided the most halcyon of moments. live trumpet from vicky flint and a whole bag of vibes from tommy rawson. this is a classic. trust. past tense is a super tropical african tinged house stomper which shows tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of jungle roller bass. the final track into the future takes us into almost blade runner-esque orchestral emotion but with a kind of balearic feel tucked in there too. beautiful, lilting, emotional memories. you can feel so much love in this track. such a special record. buy it. love it. treasure it.

widely acclaimed techno pioneer nicole moudaber has delivered the release of her adoption ep, a two-track production on nicoles own mood label which sees the dynamic producer tackle two tracks from one of the most important innovators of dance music since the 90s, moby. first up she offers a uniquely dark and twisted rework of like a motherless child, pitching down moby s vocals to create a deep demonic sound,verging into a range of immersive textures. on the flip side moudaber spins a heavy and grinding feel on her remix of mobys mere anarchy (taken from 2018 album everything was beautiful, and nothing hurt). moudaber packs the mix with haunting melodies, with the subtle use of orchestral sounds adding a hypnotic feel to the release.an event promoter, record label founder, radio host, and one of the most passionately followed dj/producers in the world,nicole moudaber is a one-woman army marching her muscular take on techno all over the globe.

bleu nuit (bn) is glad to introduce to you to its third release sustain strain ep (bn03) by paris-based french dj & producer: keumel.

about a year after the release of his night drips ep (lln008) on sister label lumièreslanuit, keumel is back with sustain strain , confirming his taste for deep, rousing and melodic music, however, this time, with a on the a-side, space is her place unveils intriguing and asynchronous beats, whereas heavy body presents elastic sounds on a groovy electro beat with a naive twist.
on the b-side, shattered decay distinguishes itself with its melancholic melody and dubby bassline that twists your brain and your body, while unheard territory appears as an epic and orchestral track to close this melodic musical journey.

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in everything that surrounds him the incidental music of a city street, the orchestral chaos of a scrambling radio, the syncopated grace of migrating birds, the simplicity of an isolated hand clap—and as his roadmap continuously unfolds, he accumulates a vast catalogue of visceral tools to musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instruments, jagged electronics, synthesized chanting, and weaving all into a dense narrative that appears obsessively constructed yet divinely improvised. logos is the first of two singles surrounding the album and is complimented with a monster remix by bartellow (a fellow esp artist, collaborator and good friend of ground) as well as a secret weapon b-side entitled discopazzle, which is exclusive to this single release. attention all humans, animals and plants, ground and the esp institute present, sunizm.

presenting envelope. album written, produced & mixed by milan w. and pressed on 180g vinyl, by ekster. coming out on the 6th of june 2018, with foil-stamped cover-drawing by gerard herman. mastered & cut by helmut erler at dubplates & mastering.

bruno patchworks hovart is one of the top producers of todays groove music scene. after playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing todays technologies with the raw spirits of house, electronic, disco, funk, soul, reggae & jazz musics golden years since then. following the trail of success left by his various projects as patchworks, and under many aliases, hes proved his musical ubiquity and unexpectedly stroke in various genres. today, hes back under the edr records umbrella, following up to his various ep for the label, and meanwhile pursuing a comeback to his early love for house music. many house music diggers would indeed remember that before favorite recordings was launched in 2006, patchworks and pascal rioux produced many deep-house tracks on the rotax disques imprint. besides since the late 90s, patchworks has also collaborated with labels such as q-tape, or still music, delivering many clubbing hits such as million toes, sugar, or minautor. on this 5 tracks ep, he delivers 4 killer tunes again, inspired by the michael jackson’s classic hit, rock with you.

glyn bigga bush has been producing electronic and sample-based music since the early 90s when he formed rockers hi fi, going on to release numerous albums. since the turn of the century he has produced and dj d as biggabush as well as various side projects such as lightning head (sonar kollektiv), the dandelion set (buried treasure) and the magic drum orchestral (tru thoughts). biggas latest project sunken foal stories represents a departure from much of his other work in that it is not primarily based on beats. instead, his working method was to go with fascinating samples, accidental juxtapositions and irregular loops inspired by pioneers of sound such as faust and the audio experiments of julian house as well as early stereo test records, soundtracks and library music.

wave stu might just be the platonic ideal of icy, emotionally fraught synth-pop. on his debut release for origin peoples, stockholm-based musician michel isorinne puts paragons of this style like orchestral manoeuvres in e dark in his slipstream. laced with spoken-word passages from films and television shows, wave stu weaves a loose tale about the nature of time, physics, and mortality that can be summarized by the key phrase, uttered by a woman scientist somewhere throughout the album, magic is in the molecules.