almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project - dusty chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production.
using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music.
the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, “pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one.
onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.
as a producer who has released records inspired by 80’s funk, 90’s hip-hop and r’n’b, electronic and even a spiritual jazz project, “pt. 3” brings this stylised set to a close.

pedantic record collector and dj, stephen king (aka virgo type), has finally started releasing some of the tracks and edits that he s been working on over the past few years with his vinyl debut on kat records. there s an eclectic range of source material on this ep including early disco rap on dancing heart , chopped up, dusty lounge bar grooves on jazz cigarette and even some 90s new-jack-swing gets the loop and filter treatment on outta my head. packing an mpc, drum machine and an extensive record collection, virgo type s tracks are a love letter to the people and places that have provided the inspiration for his music. dj feedback ennio styles, 3rrr fm, australia - love it, nice to have a lil jazz jam to round things out too!

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project dusty chinese vinyl hissing and crackling throughout resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production. using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music. the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, pt.3 is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.

andy meecham returns once more under his emperor machine guise with a freshly delivered 4 track vinyl ep of experimental peak time & back room jams on his brand new label vertical tones. side a1, we play perfect & a2 dry down the middle sees a return to the vintage analog sonics & dusty warped house sound of emperor machine made with love on the mpc. side b1, back to the electronics and modulars with got to warm ride a mid 80s style re-edit of the original unreleased 15 min track b2 leggwork an electronic disco funk cut thats sees andy with his multi-instrumentalist head on locked in a solo jam session full of original llama farm flavour

the sound of detroit by one of its unsung heroes, amp fiddlers new album motor city booty coming straight off the d funk assembly line, a full on dance floor affair from motown to p-funk, techno and neo soul. this 12 track album produced by amp fiddler & yam who? includes the massive soul fly sounding like a mark ronson production had he been hanging out with george clinton s parlet followed by the bonafide p-funk anthem steppin both featuring the stunning vocals by the dames brown girls. amp fiddler is credited for taking both a young j dilla and also q-tip under his wing teaching them his akai mpc techniques, setting the path for some of hip hops finest recordings which have defined the shape of things to come. his musical collaborations & current duties include: moodymann s musical maestro, keyboard wizard for theo parrish s live band, a longstanding funkadelic member, co-writer for sly & robbie, prince, maxwell, jamiroquai & seal to name a few.

stuck in the depths of a dark alley, blocked by yet another breeze, hitting a stone wall, road sign ahead: dead end. impasse. “cul-de-sac”. hip-hop. the original, some would say, official music of the late 20th century bronx. some say it has endured it’s fair share of distractions, detractors and defectors. some say it has murdered itself, having been abandoned by its so-called best men, those who have gone off in other directions, or who have, simply, just beat-retired. yet, there are plenty of soldier monks still out there, prepared to sweat it out in the temple of machinery and mics. low cut honored this cause four years ago, with his mpc crafted minimalist version of ny minute and he’s back to ring the bells and unsheathe the samples!
the double vinyl release includes a download code.

amsterdams cult producer and dj steven van hulle aka awanto 3 likes his samples vibrant, his drums wobbly and his synths sweaty as a detroit summer breeze. the mpc wizard returns to dekmantel delivering his second, full-length album. gargamel is arguably his most compelling piece of work. spread over the course of nine tracks, van hulle shows hes capable of serving up many different styles and genres in his ever-expanding arsenal.

nice price deal !!! nice price deal !!! ears open for this flex002, a collection of fresh made in italy house and the first journey with our new “piada spaceship”, we are pleased to welcome this bunch of astronauts that made this 12” a versatile tool for every kind of dance floor. yougrent, with his hypnotic and full dreamy track (don’t give us a chance!), the hill’s -short track- which embraces mpc beats and a 303-like evolving bass, alongside the collaboration between our men dj rou and opponent, who build their “afrowalk” on a never-ending jazzy loop. on b side you can find the dirty bass driven by tengrams that make the things more raw, the closing track is from luckyfeels which creates a fresh house track on a 90’s piano.

we are very happy excited to reveal to you the next installment of alfresco disco records. seka is a close friend and has played and raved at many of the alfresco disco parties. not only a great selector, here he clearly demonstrates he is no slouch in the studio either. from his studio in the heart of bristol, seka has used an analogue approach and his trusty mpc to carve out three satisfying, sample heavy house cuts that are unique and full of character. on the remix duties we enlisted the portugese maestro tiago, a resident at the brilliant lux club in lisbon who brings a live, percussive vibe to the release. enjoy!

locklead is one of utrechts best kept secrets with his signature mpc beats and a deep stompin flavor. he s been catching serious attention lately with his releases on slapfunk, hot haus, unknown to the unknown and soulfood. the a side madniz combines this years utrecht sound with locklead s signature raw warmth. dancing sub-bass and radiating percussion! roa tek is a bomb, ready to explode under your command. combining shuffling grooves, alien noises and an earthquake sub. handle with care.

over the years, lo recordings has taken pride in exploring a wide and broad range of sounds, genres and styles. to mark 20 years of lo recordings, we are taking a fresh and bold approach with our output to further explore the accelerating and refined developments in electronic music today. this is the first of our new phase of releases, a collaborative project between the two titans mr. g and k15. ‘a learning curve’ is exactly as the title suggests, an educational experience to un- derstand each other musically and technically, and to explore new territories and schools of thought. as avid users and fans of the mpc, as well as being extremely busy, both mr. g and k15 were given the same samples dug out of the lo recordings archives to each create a track which would remotely display their techniques and methods. this was quick- ly adopted to be the theme in a series of three releases to come out throughout the year from the pair. the results come in the form of mr. g’s mesmerising ‘navigate’ and k15’s introspective ‘the guilt within’, two very individual tracks in their own rights. ‘navigate’ is instantly recognisable as the work of its creator, armed and ready to bring the dance floor to hypnotic heights. with its rough and gritty sound, driving kick & synth stabs, and hauntingly majestic keys, we are thrown into peak of the night. on the flip, ‘the guilt within’ takes a turn to more ominous terri- tories, crafting an atmosphere on the other end of the spectrum to ‘navigate’. a beautiful and delicate journey carried along by light skipping percussion, immersive sweeping pads and a puls- ing sub which all come together to take the listener deep inside themselves.

after blessing wolf with a fantastic remix of mr. fries on wolfep033, hodini steps up for a full ep on the label. having started out producing hip hop alongside retrogott, the mpc addict has been turning his hand to more uptempo grooves in the past few years having released music on max graef & glenn astro s money $ex records & damiano von erckert s ava. the hip hop influences can be heard throughout the ep with the two a side cuts primed for the dance with their heavy soul and jazz sampled grooves. the flip features the hip hop beat, represent right here & the ep rounds off with the mid tempo collab with hade, parashutes.

phonk d connects with his buddy le rubrique. they created three real floor bangers with some heavy punch. raw mpc drums, disco samples and classic synths melt into a deep funky mixture. as a very special goodie they could team up with the great borrowed identity, who contributed a pretty nice remix to this ep. watch your feet!

a six-track beast ep from the depths of the bangface rave in 98. lush jungle radio transmissions, mpc-pitched af techno workouts, industrial noise, percussive madness and absolute stomping technoid space invader bizz.

jump source is a collaborative effort between two pals, francis latreille & patrick holland (project pablo). it all started on a thursday afternoon in montreals mile end at francis home studio. over an mpc 2000xl, moog source, modular kit, and some junos, the two tweaked breaks and blended pads until things sat just right. guide to action fits 4 tracks, some of which include solos, vocals, and amusing fadeouts

after the highly acclaimed first part of wehbba s outstanding „systematic shades“ series it s finally time fort he second volume and the waiting time of one year was worth the waiting. once again he convinces us with three hybrids of straight and functional tracks including that touching certain something you have or don t. moonrise reminds us on the good old early times of techno when the mpc-60 was the master of the groovy rhythms and „polychrome“ and „the persistence of memory“ underline again who authentical and rough he is able to create techy traxx. so, rodolfo, please don t let us wait to long for part 3...

latest recruit to the rk mob: garth be. a fellow manc who is a legend up here, got a 75th dan black belt in mpc usage. 5 raw cuts for the club, soulful/banging/future/deep/blunted. the sound of manchester 2016.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

after releasing one of lobster theremin’s biggest eps in the shape of “rules”, we’re please to finally see panthera krause back in the lobster den with a trippy, head-spinning white label of lucid house and acid.
drawing from a spectrum of electronic-island tropes blended with early 90’s rave, krause develops the chunky mpc-led sound of that first ep by adding layers of shimmer synth work, clanging piano samples, intergalactic acid processing and proper brain-churning drones from beyond the purple sea.

after his first solo ep on funkinevens apron imprint bastien carrara is back on rawthenticity for a solo ep! gritty & emotional filtered sample based tracks made on his mpc 2000xl in his basement!

the sound of detroit by one of its unsung heroes, amp fiddlers new album motor city booty comes straight off the d funk assembly line, a full on dance floor affair from motown to p-funk, techno and neo soul. this 11 track album produced by yam who? & includes the massive soul fly sounding like a mark ronson production had he been hanging out with george clinton s parlet followed by the bonafide p-funk anthem steppin both featuring the stunning vocals by the dames brown girls. amp fiddler is credited for taking both a young j dilla and also q-tip under his wing teaching them akai mpc techniques, setting the path for some of hip hops finest recordings which have defined the shape of things to come. his musical collaborations include: moodymans musical maestro keyboard wizard for theo parrishs live band, a longstanding funkadelic member & co-writer for prince, maxwell, seal & jamiroquai to name a few. dj support: gilles peterson, tim sweeney (beats in space) rahaan, quentin harris, eli escobar, ashley beedle, moodymann

straight outta berlin, with a couple of quick stops in detroit & chicago, comes saile’s “can i get a witness?” ep. two pumpin late-night mpc jams recorded straight to tape, with a spaced-out acieed remix from fellow berliner annanan!

bursting out of oakland into the ionosphere, a hot pocket of free jazz, house, blues, african & latin rhythms, a fully shuffled deck of everything that might expand your head, all fed into the mpc, and hot-wired right into your heart. now for the first time on vinyl, cut by the steady hand of dietrich schoenemann, pressed by the fine folks at optimal in germany, and housed in a custom gatefold jacket by aybee, deepblak’s chief alchemist.

we are happy to introduce our new artist audri. after a long time spent into music production, audri finally jumps into the music scene with his first release titled -coming from reality-. this record it s a work of labour, trying to escape from the usual default pattern, a perfect marriage with our label s concept. a 4 tracks ep, with techno sounds, deep emotional pads and real analogue drum machine such as roland tr 808 and mpc 2000 xl all mixed in a original and forefront way.

the label says just think moodymann meeting floating points and mcde with an akai mpc on the table in front of them and a vast record collection within reach.

played by gilles peterson on bbc
* i just do what comes , i don’t limit myself when i’m in front of the mpc, just put the power on and fiddle shit with it.*
the words of lyon based artist and new robsoul jazz signing lb aka labat, a producer on the rise and a young man who’s already caught the ear of mcde. with a devotion to jazz and hip-hop it s no surprise that both genres heavily influence his own work, but house music? well, that’s more a means to an end. “first and foremost i love to dj. i’ve discovered how much i love that feeling of sharing my music and whats the point of a live show if it doesn’t make your hips shake? thats why i produce house music.”2014 was the breakthrough year, when his track ‘more kindyness’ was included on the ‘le sampler des copains’ vinyl release on face records. since then his soulful, groove-heavy productions have impressed and lead to the current 2016 pinnacle of ‘disques solaires’, his debut album release on groovedge records. a new chapter now opens with his debut robsoul release. an impressive five track selection that sashays through styles and sound to present a perfect picture of lb aka labat. house, soul and hip-hop feed our soundtrack, powered by a sublime sample selection. swing ghetto vol.1 … enjoy!

new years deal - bogus & kasillen come up with two original tracks with the consistent help of a mpc 1000, blending old italian horror soundtracks with dubby/cheesy analog sounds so to convey the sense of discomfort you feel while watching a thrilling italian b-movie, but in a clubby way. the final punch comes from the acid psychedelia of a different version of the same track by in flagranti and the 80 s space-like vibe of homeboy ma spaventi .

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

thrid jackie brown issue is el nino andres tribute to mpc 60 & asr 10 chopping bits and pieces of soul records - tracks done few years back straight to dat tapes.

nice price deal !!! macro has been the home for the albums of some of electronic music’s most exciting live acts. so when a live band enters this context, it should better enter with a bang. kuf do just this with their album debut. the three-piece outfit with keys, bass and drums cooks up a sound that is as warm, cozy and exciting as it is utterly alien. the rhythm section hints at the great history of dirty funk and bouncing r’n b, but the grooves are firmly of today: dance-centered, thrillingly interactive and broken up at the best possible joints. the bewildering thing about kuf is that it is a vocal-led group that has no singer on stage at all. all vocal elements are based on self-recorded samples which keyboard whizz kid tom schneider melds and bends and squeezes in real time. as if it was the most natural thing to do. with no artificial synchronization in place, valentin link on bass and hendrik havekost on drums push the disembodied voices into an arena of hyperintegrated realtime magic of rough soul, intertwined by improvised outbursts and shaped with the aesthetics of raw mpc-based cut up techno.

laate is the new project of clayton guifford (unrelated / fragil). for this second release, we are very glad to welcome - the black tone - (rawthencity / appian).- circadian attraction e<p - is just as ethereal as abyssal tone records, where nagging mpc s swing and reverberation s effects are placing great emphasis on minimalist compositions, strictly dedicated to the dancefloor.on a side: - circadian attraction ep - is backed by a dynamic rhythm with analog tones. a meticulous architecture temple where time stop. a techno recital of limpid beauty gliding on a groovy bassline that will make every soundsystem whirr.on b1: - aquatic redox - is a plunging us into deep submarine daydreams. a digital bath with salty taste and hypnotic dampness. everything is a quiet, question & answers between the different elements are bouncing over and over in the atmosphere, constantly captivating the attention. a perfect balance between strength and subtlety. finally on b2, - aquatic redox - s remix is released by the famous producer: janeret (rutilance /aku). after an -haute-couture- intro, slightly breaked, we find in this remix the galactic synths typical of the talented young parisian’s repertoire. clear, precise and extremely mastered, this rework put everyone in agreement on the dancefloor.

beef records is back with 12 inch vinyl. this time we present fresh cuts by dominican republic artist ander b (robsoul). outta space is a stripped back relentless club cut for the fans of thomas melchior, carl craig and ricardo. rest of the ep brings back raw and pure deep vibes. on the remix duties is munich jock dj linus (gigolo) with his old-school house edit of the dedication. “ander b describes himself as -dj, producer and performer- who is handling his mpc similar way to a dj mix, doing long sessions without cuts for hours.” big with tensnake, dj t, danny tenaglia, maetrik, jimpster, chris fortier, alland byallo, piek, simon caldwell, paco osuna, kioday

from the jagged electro tinged “seattle city light”, through the drifting hazy levels of “blacked” and “pisces” to the kicked back paradise of “untitled monday”, rudolf serves up a masterclass in blissed out backyard house. undulating juno soundscapes and warbling 303s merge seamlessly with roughed up rhythms punched through the mpc. this one’s for the heads on the dusty trail, the midnight drive, and the pacific swells. those in the back seat with the window down and the feet up...

trp makes his long-awaited solo ep debut with the insanely epic pano ep. rolling n pumpin’ jams scraped from the brain of the mpc with a rusty iron. battered, bumpin and cracklin in all the right places.

paris-based beat x changers brings up to you a new record with a collaborative project in the shape of classic cuts.our new release introduces two new french artists brought together on a split ep: tell from paris and name from the sunny avignon city, both of them backed- up by exclusive remixes from three of our historical beat x producers: neue grafik and pulkone (aka x_1 & monomite). on the a-side, discover tell - a 20-year old jazz drummer - who releases two soulful and melodic tracks. you’ll recognize the heat of the mpc grain, obsessing samples and uplifting breaks. on the b-side, southern producer name offers a disco-like and funky house music via two dancing tracks with a clear reference to the clubbing universe of new york and chicago. this activist dj and experimented producer – he is an ableton teacher on the side – gained recognition in the south of france music scene in the last decade and reached the ears of producer kink.grand Écart (i.e. wide gap or split) recalls the time it took to release this ep. it’s also a geographical gap, a gap between the ideas of the five artists brought together on this release, a gap between our expectations and the reality of some passed – or cancelled – venues in paris. we have always believed in this project and in our flexibility!

luis cl, king of the grill.
5 burners straight from the mpc.

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

miami born turntablelist & producer, jesse perez, throws down a booty shaking killer house jam for edibles fourth release. what you say about my momma has been ripping up dancefloors for months since landing in eats everythings hands, so its a welcome release on the label, backed with a deadly remix from truncate. on the original mix, perez grinds out a funky and low-slung groove, its memorable vocal hook looping and chopping from side to side as the raw mpc beats and sub bass weave their magic. truncate brings his no nonsense and direct approach on the remix, carving out a dance mania style drum workout over the cut up vox (think robert armani meets armand van helden). truncate has been a hugely dependable producer for yonks via his trax on his own truncate label as well as mixes for jimmy edgar, shlomi aber and kink, and he does not disappoint here. perez wraps up the ep with boogie down brown, another slab of funk laden house goodness, blending high tension strings and rolling drums to great effect. perez has been firing out infectious house jams for labels like bpitch, dj sneaks im a house gangster and hot creations, for some time now, as well as working his own label mr. nice guy, so its a welcome addition to the edible roster for jesse perez

new apron artist bastien carrara, parisian bad boy beats the hell out of his mpc & records onto tape..

hurry up : dj koze remix !!!
this mushroom house ep is the first release in a series of ep’s that will feature this new weirdo house sound that is influenced by ethno, afro, psychedelic music. on this first 4 track ep you get new music from alien alien aka italian producers rodion & hugo sanchez with a detroit techno kind of track with mushroomey space voices that drive a dancefloor crazy. (alien alien previously released on turbo, nein, slow motion, gomma). then australian surfer kid and house producer jad & the ladyboy doing a afro heavy old school mpc house jam. (jad released also records on exploited and toy tonics). gomma boss munk is featured with his surf smurf - collaboration with rebolledo (pachanga boys). as a bonus track you get the legendary dj koze remix of whomadewhos keep me in my plane. released some years ago, three times repressed and sold out. sounding now fresher then ever. the mushroom house series features mostly new tracks, produced exclusively for toy tonics.

this instrumental hip-hop 45 is an ode to the love of jazz fusion and that dusty sound with a handful of tracks recorded from 2013/2015. both of the tracks love fusion & floating were made over the course of three epic days locked in the studio on the mpc 2500. as simiah tells it, “diamonds for me was basically the tipping point to where i could rock new grooves. it was like i had made another mistake, but it was a step in the right direction. new chops and new vibes.”  the cover art is by j byles with the layout by bee. full colour artwork in a sleeve with spine

amsterdam s cult producer and dj steven van hulle a.k.a. awanto 3 likes his samples vibrant, his drums wobbly and his synths sweaty... tip! the mpc wizard returns to dekmantel delivering two new club cuts bursting with wonderful weirdness. but there’s more, cause the a1 holds a very special surprise.

deep88 presents his new lp ‘the black album’. this double-vinyl houses his personal style that is reminiscent of the sounds of a bygone era whether the depth and warmth of new jersey and italian house, a dose of sun-soaked balearic or primitive raw jams synonymous with chicago.

this is the fourth release from colors, the successful east-london based party. comprising of 4 varied original tracks created by resident thomas roland using an mpc, we present to you the hurluberlu ep the a-side consists of hurluberlu , a funky cut with a house breakbeat and bubble gum , paying tribute to the 90s west-coast house sound. the b-side features house call , with sustained chords for playing late in the night and ny meets chicago mix , a track tainted with trippy vocals to twist your mind.

phat house slammer , 1st track * up is the only way* reminds me on soundstreams killer series

splendor & squalour number 3 sees brame & hamo return to their rising imprint. since the boys ep lamajs secrets on dirt crew we have seen them do a string of remixes for labels such as kolor ltd, heist & their very successful remix for harry wolfman and loz goddards uncle buck on dirt crew. all these releases have kept a steady momentum going for the sligo boys in the house scene. for this ep we have a full 3 tracker consisting of all original cuts. the ep kicks off with kebab dreams which takes us on a trip to the moon with greasy drums and saucy groove. up next is the mpc workout cert city paying homage to their hometown of sligo. closing the ep we have retch wretchedness which takes a darker turn showing us the spookier side of brame & hamo while still keeping the jazzy touch. a peak time track for sure.

waxxclusive (only available on good ol 12 inch vinyls). agnès is coming back with its 1st twelve inch since a very long time, 2 years indeed. on accent grave ep youll find a unique blend and agnès trademarked signature of raw house music. music done with ears rather than with a mice. pure mpc build beats, made in western switzerland. accent grave disques is agnès new home and own label exclusively hosting the boys music. do not expect a plaiade of release every months, hell rahter do 2-3 quality releases a year period.

dj sonikku debuts on distant hawaii with three sparkling, island-hopping balearic house joints from the heart of a deep jungle-smattered paradise. dreamed up from within the internet-scorched mind of tony donson, his dj sonikku alias sees him utilise segas heralded yet mildly-ancient 16-bit megadrive console as a proto-mpc platform from which to assemble his tropical-tinged house sound.
repress on translucent, blue marbled vinyl.

new 303 tools by pw.
mpc beats versus tb303 -- editing live -- dj shit