borrowed language returns with their third installment of genre agnostic electronics. following the explosive release of unltd & israel vines >distance no object< ep (featured in millie & andreas superb lwe podcast, and charted by the likes of dj pete & grovskopa) was no easy feat, but jeff pietro proves to be more than up to the task with this brilliant 2-track 10 inch. as with earlier releases on borrowed language, this effort exemplifies the continuing refinement of the labels aesthetic. while some influences are clearly detectable, this is not just cannon fodder, there is enough attention to detail and panache on display here to distinguish pietros take on techno/bass music from his peers. the results are polished, but not without sharp edges, brutal, but elegant, functional, but not faceless.

new label tribal groove emerges from the same southampton school of talent we can be thankful for the likes of james talk & james zabiela. tom budden provides the 1st release.

seven selected tracks, shows hells dj side, from techno , house to disco... a great variety... top rare cuts... masterpiece

april 26th 2010 marks the release of the debut by london duo gold blood - the twilight language ep, released on human shield. with no official publicity to date, gold blood have already gained praise in high places due to their frenetic, hardcore-influenced electronic art pop, both on record and at their unique, compelling gigs.

these portraits in words and music will hang in the halls of your mind, taking shape as their features are described against backdrops of familiar and characteristic music

massive 1st release on the brand new fixed music label!! 4 tracks of quality wobbling dubstep / grime bizz!!

slamming peak time techno tracks, no more words necessary !!

animal language is a new label from mason. having burst onto the scene with their groundbreaking >exceeder<, a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method

what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

yogi and husky are back on salted delivering a solid and diverse multi flavored package! the body language ep boasts solid production content and quality musical craftsmanship with a soulful vocal as well as dubbed out deep and techy grooves to choose from. recognizably custom designed and created for salted, this one is a little something for the underground deep house enthusiast and destined to get your booty bouncing.

animal language is a new label from mason. having burst onto the scene with their groundbreaking exceeder. a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method.

animal language is a new label from mason. having burst onto the scene with their groundbreaking ‘exceeder’, a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method. their understanding of melody and a canny ability to fuses it with technological know-how, sheer musicianship and dance floor savvy creates dance music for the thinking man, but not so clever to be alienating and dull

with their debut album the new yorker duo silver summit send the hearer on a 10 song enclosing psychedelic trip.

compiled by matthew dear !! incl tracks by basti grub, prompt (7noise), dj koze, diz, dinamoe, mlle caro & franck garcia (radio slave remix) and matthew dear himself

playlist of: chris carrier, david k., l.garnier, karotte, d julz...... the second 2008 release on gerbers supplement facts is a three track ep from three different french producers. essential.

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.

balearic funky and soulful vocal house banger by mod feat gee k with a tribal dub infected version by karol xvii & mb valence

superb new body language rmxs by jona, radioslave & sterac (aka steve rachmad!! tipp!

dj yoav b. presents fresh funky slap bass and disco flav tech house trax

brill border community styled techhouse burner !!

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

deep spheric dub sounds ! floating epic ! 4 tracks by 4 artists !

back in stock.. für die sinne

another remix by eelke kleijn to serge devants always have tomorrow..this release is a limited edition!!

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

utraphat bassheavy percussive harder floortechno…incl dj misjah remix!!!

lost language are back with another top draw ep. heading up the package on disc 1 is foreplay - a track which was incl. in abvove & beyonds essential mix and had support from trance, house and progressive jocks alike !!!

this is our language quartet (rodrigo amado, joe mcphee, kent kessler, chris corsano) live at jazzhouse, copenhagen.

5xcd box set + booklet

das sich selbst und jeden floor antreibende aufeinanderhetzen von genres wie disco, funk, punk- und indierock ist nur eine von ihren disziplinen. ok, man darf es paradedisziplin nennen, immerhin ist das bandgefŸge aus tomas barfod, dem drummer mit dj/producer-expertise, sŠnger/bassist tomas hoffding, der als bon homme eher in den subtileren gefilden des dance-pop zuhause ist und jeppe kjellberg, der die vergangenheit als jazz-gitarrist bereits mit seinem zappa-schnurri highlighted, ein genre-Ÿbergreifender thinktank. andererseits gibt es einen wesentlichen grund, warum whomadewho, anders als geistesverwandte acts wie the rapture, lcd soundsystem oder radio 4, die so genannten nullerjahre Ÿberlebt haben. es ist ihre unbedingte neugier gegenŸber kontemporŠren clubsounds und ihr ansatz, einem eigenen song oft auch die funktionalitŠt des clubtracks einzuarbeiten.

limited nice price action !! dj hell steht nicht nur fŸr eine bestimmte art musik, sondern fŸr einen ganzen lifestyle, eine eigene €sthetik Ð und sein neuer mix, body language vol. 9 ist vielleicht die platte, die das facettenreiche gesamtkunstwerk hell am ehesten zu bannen vermag.

zusammen mit anderen vergleichbaren dj mix-serien wie der des londoner fabric-labels und -dj kicks- auf k7!, gehšrt das format der body language-compilations zu den letzten auf dem markt verbliebenen seiner art. junior boys, modeselektor, dixon, matthew dear, azari & iii, catz n dogz, dj hell, jesse rose und viele andere kŸnstler trugen in den letzten neun jahren zum renommŽ der auf get physical erscheinenden erfolgsserie bei. die von dj t. schon in vielen seiner frŸheren werke angewendeten mixtechnischen tugenden stehen auch hier wieder im vordergrund. dj t. gibt sich nicht mit der vergŠnglichen momentaufnahme einer in sich abgeschotteten stilrichtung zufrieden. zeitlos, sich nicht bei formeln aktueller clubmusik anbiedernd und trotzdem voll im hier und jetzt verhaftet, prŠsentiert sich dieser aus 20 tracks bestehende 78-minŸtige mix.

albumdebŸt von metrik auf hospital records! metrik ist vorallem bekannt fŸr seine ravigen und ueberaus dancefloor-tauglichen tracks. universal language beinhaltet 15 stŸcke mit features von jan burton, elisabeth troy, rocky nti, shockone & kyza. ein tolles albumdebuet - fŸr alle fans von high contrast, netsky, camo & krooked und logistics!

fuer ihr debŸt auf get physical haben azari & iii die neueste version der hauseigenen compilation body language produziert. die 13. edition umfasst au§erdem jeweils einen dj-mix von dynamo azari und alexander iii. gemeinsam prŠsentieren die beiden eine von techno bestimmte klanglandschaft, die eine andere seite von azari & iii zeigt, sowie eine voellig neue musikalische facette im katalog von get physical music hervorbringt.

body language vol. 12 ist die erste mix-cd von catz n dogz. ausgewaehlt haben sie aeltere platten von j. antoni, rhythm plate, schatrax oder gant, die auch fŸr die allermeisten gut informierten house-heads neuland sein duerften. daneben stehen exklusive tracks von neuen talenten wie eats everything, chmara winter, trikk oder squarehead, auf die catz n dogz durch deren demos aufmerksam geworden sind. au§erdem sind so klangvolle namen wie chez damier oder soul clap mit tracks bzw. remixen dabei

incl. tracks von nicolas jaar, oliver koletzki & fran, jc freaks, dennis ferrer & jerome sydenham, dop, ruede hagelstein feat. meggy oder nicolas sfintescu selbst.

2 cd compilation mixed by tasadi departed in past & present!

the complete score by tom holkonborg aka junkie xl on 180g multicolor double vinyl (blue & pink / orange & black). comes in heavyweight gatefold sleeve with matte finish, 12x12” art print included.

rasmus hedlund presents his third full length album on the ljudverket label. the diverse tonal range of the cuts showcase further experimentations in dub. the title ‘far’ has a deeper meaning stating some personally reached milestones and also being the word for father in hedlund’s native language swedish.

“homoheterogeneity”, originally released in january 2015, is the debut album from raccoglimento parziale, the duo formed by andrea giachetti and stefano meucci (the clover, silent people). in eight dense tracks, the album builds piece by piece an arcane language, made up of electromechanical beats, powerful basses, digitized guitars and broken samples, assembled in a liquid and fluctuating atmosphere. “homoheterogeneity” is a microscope’s view, a revealing blow-up over a cloud of microsounds, sometimes digital, sometimes organic. it’s a discovery of new life forms, homo/heterogeneous to our eyes - and to our ears. delivered on vinyl 33 rpm and mastered by frank merritt at the carvery in london, the album boasts on the cover the experimental photographic work of sandro crisafi, who visually recreated in the darkroom the chemistry that connects these fluctuating sounds.