die erste ausstellung ist ein gemeinsames projekt von utopia cloak und the jaffa kid, das unbezahlbare artefakte aus ihren jeweiligen königreichen präsentiert, in denen melodische electronica die oberhand hat.

14 new tracks from ben howard on black 180 gram double vinyl, housed in a gatefold sleeve.

kid drama back on dispatch blueprints with a remix coming from commix.

limited remastered 10th anniversary edition deluxe box set - 9x7 inch vinyl with 3 bonus songs and 60-page photobook.

the posthumous third studio album from juice wrld on double vinyl, housed in a gatefold sleeve.

freakish synthetic oddity from pervert teenagers living in the remote countryside of our beautiful france.

beatmaker / dj aus rennes (frankreich) j-zen stach mit seinem ersten album mit dem titel managua hervor, das während einer reise in südamerika komponiert und zwischen rennes, paris, berlin, new york und los angeles aufgenommen wurde. dies ist ein aufruf zum reisen, seine erste quelle der inspiration.

vier jahre nach diesem ersten werk und noch mehr passstempeln präsentiert er standa lone.

the 3rd album from selena gomez on vinyl lp.

the 4th album from mathieu hocine’s project kid francescoli.

white label release of the 2nd ep from kid d.

the 1973 soundtrack from bob dylan back on vinyl

limited and numbered pressing on white vinyl.

die world crime league band liefern uns eine kleinen anzahl von audiokassetten. diese erste ausgabe enthält 16 tracks und ist mit 80er jahre synthie und drum-machine sound bespielt.

remastered for vinyl, pressing on 180 gram vinyl.

hard times call for good music. this time around times are ruff (tar) dedicated their beat fabricating skills to a double ep for tomorrow is now, kid! the tink! project will put some raw, deep, soulful and garage tunes in your ears. as a dj collective, times are ruff is heavily influenced by the windy city, taking inspiration from the past, but never sounding outdated. focussing on long - preferably all night - dj sets in which times are ruff strives to set itself apart and tell a true musical story to the audience.

new 2 track 12inch release from lamont for swamp 81 sublabel, 81. mastered at teneightseven

2x12 inch radiohead classic longplayer!

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

limited deluxe edition vinyl release in gatefold sleeve with double cd included. cd1 included in the vinyl features the same tracks in the same order. cd2 features the same titles but demo version in the same order as the studio album.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicides second album, and the elegant melancholy of the national.

standard vinyl release in gatefold sleeve with album cd included.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicide’s second album, and the elegant melancholy of the national.

all songs written by billy the kid (member of charles bradley’s extraordinaires), two soulful vocal features with influences ranging from timmy thomas to brian wilson, all songs mixed by max shrager of big crown records’the shacks

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

limited 1-sided white label 10 inch. he is back, in the run up to 2015’s longplayer dropping another slice of broken electronic pop this time teaming up with us isolationist and icey voiced songwriter kid a. here fmf delivers his trademarked frosted heartbreak chords with a grime lilt on the drums and low-end. we have enlisted the deft remix skills of visionist acknowledged leader of the new grime movement who adds his own low slung mood take on fmfs fractalised funk.

karma kid, aka sam knowles, is a self-taught, 19-year-old producer who will release his new single bird of prey on future classic. bird of prey is the title track from the forthcoming ep, bird of prey. karma kid is one of the freshest faces in the uk bass scene. the vinyl ep includes a download code.

italys kid mark follows up his much revered releases on swink & deso records by delivering an ep that demonstrates his qualities of producer of that pure house music sound

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

zwei glorreiche halunken: gemeinsame band von gisbert zu knyphausen und nils koppruch. das von swen meyer produzierte debüt beginnt laut, rockt, wird leiser, fast getragen, bäumt sich wieder auf, zuckt und bebt, hat hits und haken und dürfte koppruch- und knyphausen-anhänger gleichermaßen begeistern.
dem vinyl liegt das album als cd bei.

classic reggae !!

lb003 arrives courtesy of bristol born, brighton based producer sam kidel, aka el kid. following up his well received debut on immerse sam drops 3 tracks of wildly varied bass music. beginning with the title track >hypnosis<, lush ambient pads and plucked guitar soon give way to fearsome bass swells and metronomic percussion, coming across like early autechre remixed by floating points. second track >mud< drops the pace for a noisy house workout, reminiscent of fellow bristolians kowton, and labelmate vessel. >kachinja< on the flip is the straightest - and darkest - of the lot, a lurching warehouse techno cut that wouldnt sound out of place on ostgut ton. finally hyperdub wunderkid walton contributes a rough & ready funky dub of >hypnosis< to round out the ep.

the latest immerse cut sees the label tapping once again into the fertile waters of haunting, leftfield 4/4, showcasing the hitherto unknown talents of el kid. the eagle-eared out there may have picked up on the young echo radio show, which features sam kidel (to his folks) alongside west-country compatriots kahn, vessel and zhou showcasing their new tracks and mixes. for most though, this will be the first they hear of the bristol-born, brighton-based producer. on both tracks the synthetic sheen of detroit techno gets refigured into an almost downtempo kind of house music. the melody is king, whatever sonic texture it might manifest in, leaving you with ample layers to get engrossed in. that same quintessential yearning quality ensures that these first offerings from el kid fit perfectly into the immerse canon. it will shake the right kind of dancefloor, but it will also tug at the right kind of heart-strings as well.

another ragga jungle banger!

180 gram deluxe edition/reissue from original mastertapes

dub kid and dj hybrid let the styles collide on their second run for fresh audio addict label. upfront whitelabel release.

kid cultures sound can be described as electronic soulmusic with passion. he is one of the most exciting prospects to emerge from amsterdam fertile scene. after his latest release on catwash this ep contains 3 original groovy tracks plus a cool remix from giomini (half of abnormal boyz) and toolman (aka francesco grant). enjoy!

backed with exclusive acoustic track >my lips won t be kept clean<. the single was produced by ryan hadlock (the gossip, blonde redhead). limited edition 7 inch (500 copies).

holds herself like a woman/burst its banks is taken from kill it kids forthcoming album the single was produced by ryan hadlock (gossip, strokes, blonde redhead). available on limited edition 7inch vinyl (500 copies).

the final record from oakland, cas psychedelic quartet, the gris gris, was recorded live at the warehouse where greg ashley resides. the twilight had come and the fat lady sang. the final bell tolled for the brightest sons of the oaklandish psychedelic revolution. here is the final piece to that hazy, mysterious, yet strangely familiar sound this band created. with songs from both records played with ferocity and sonic mayhem, the story of the gris gris is here. bright. swirling. gnarly. electric...

incl. kid massive mix and hungarys greatest: belocca, treating us on a false dub. expect the unexpected!

brand new project from justin robertson! mixes from mr cosmos himself tom middleton, kid kraze and diverted!!

three years after his debut album basement soul kid returns in september 2008 with his darkest release to date. expect hip hop, sublime style, with guest appearances by camp lo, frank n dank, illa j, defari among others. until then, lets warm things up with this twelve! on the title track kid finds himself in his own world on a beat which was started out life as remix for the brazilian/dutch super group zuco 103. as a result - kid rhymes on the beat himself leaving you exposed to his world. the soulful pityful times appears as an (short) skit on the album while the extended cut is only available on the b side of this twelve inch. besides kid sublime this track features amsterdams finest vocal weapon, ninthe on the hook. kid sublime toured with zuco 103 and guru as a dj, and co founded the rednose distrikt collective, which he left to focus on his debut album basement soul. after that he put out records with frank n dank, les deal, wouda and did remixes for the likes of harry swinger, rob scott, recloose, j davey...

incl original and kid tribal remix

kid loco and soul sugar with a special dub rework of krafterk classics.

7th album ! triology ! canceled ?

the kid that did is the fourth studio album from acclaimed rapper and detroit staple, babyface ray