deep and smooth slice of house here from matty harris constructed with swinging drums, a minimalistic charles webster style groove of falsetto vocals, vocal samples (including janet jackson), bumping bass, and minor pads, this tune has a potential for the early peak and afterhours on the flip lick everything is a uptempo cross pollination of the bumpy bump west coast sound and the more swingy chopped chicago sound

second release from this new label. sordid you combines huge droning bass frequencies with a combo of bouncy, undulating synth hooks and tough beats for a huge uplifting track with a moody edge to it awesome production throughout, and a very fresh and exciting sound generally. watch these guys fly for the rest of the year

ohne punkt & komma macht gerald eine lp mit 9 stücken die er galant ineinander gemixt hat !!

wallop limited edition returns with this, the next instalment of dj dancefloor debauchery sister.a side comes courtesy of wallops infamous russian connections roman pushkin & maxim. b side is blakes baby (ocean traxx records italy).it succeeds in turning the original on its head, with big bad electro bass stabs and a dubbed up vocal

inc cassy remix (perlon, panoramabar), first up is the more jackin minimal tune of the lot.… the second tune of the a-side takes on a more trancey and bleepy approach as string-like pads are brought in to mellow out the feeling of the track and support the crunchy and vibrant bass line. the major elements of b1 are comprised of an acidlike bass line and a staccato house piano. for the fourth and final track of the ep, cassy is brought in on remix duty and does a makeover of bleepy creep (a1) that introduces new elements and new energies. the remix is based on minimal references and stays low and repetitive

sumo is a duo from geneva founded in 1999 by brothers fred and alex sumi. both played the piano when they were kids before they embraced freestyle-bmx. while they were riding, the ghettoblaster used to blast out punk hardcore or hip hop. in the 90’s, they moved quite naturally into music, playing bass and guitar in their originated funk band, swiss cheese connection. from 2000 to 2004, they have released on their own chiz recordslabel 4 vinyl ep s, supported by the press and djs like gilles peterson, jazzanova or luke solomon. in 2003, sumo makes its debut on yoshitoshi, label of grammy award winner duo djs deep dish, with the single >yes we will< which is played by top dj s like digweed, pete tong or paul oakenfold.

Ülar aasmäe aka spin science is a newcomer from estonia following the footsteps of his heroes rulers of the deep and dave storm. >fill your soul< is his first ever ep to be released. this debut ep on cabrio records is a good example of the deep and groovy sounds spin science is after. fill your soul is a nice smooth deep house track with mellow pads and techy chords. smooth vocals by elsa hill. in the remix the vocals remain, but atmospheric chords and a bass line that has more drive in it are added. tonic is a more soulful track with a pumping bass line and vocals. acid lines and saw chords make it a nice club track for sure

this is funky chicago acid house music !! pure dope shit

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

a visceral, electro-infused rendering of seaboard cityscapes dedicated to his hometown of seattle w/a move into pop territory, meticulously sliced on diced vocals packed w/sub-bass

number 12 on soma offshoot darkroom dubs these guys have been around for some time producing drum and bass and now they have a crack at some dark electro based electronica loads going on in all three tracks

real life testing reveals it all, therefore we have nothing to add to serafin s comment about the a side: >i have been playing this in virtually every set for the past couple of weeks, and the reaction of the crowds is simply amazing. this performs extremely well in a club setting, it sounds perfect (and loud!) on every system and people are responding to it instantly. i often extend this with the loop machine to well over 10 minutes, with an absolutely devastating effect. this is a bomb, trust me on this one!< on the flip switzerland s premier dirt funker agnès delivers one of his nasty treatments. the sthlm audio head pulls all the stops on this one: bass action from below underground, weird noises and nicely shuffled hihats compose a charming and warm piece of music, carrying a strange and deep atmosphere!

side a drops for the more bass lovin punter, lets jump up and go crazy! classic bassline business just like the spanish like. no holes barred twisted heavy shiznit! side b gets the full on peter paul acid treatment! lookout here comes the techno. drivin bassline with this mad stab cum horn pullin you in the direction of the strobe light! this is dark! drivin and dangerous prepare to get sweaty and gallop that dance floor

following erik rugs original version of >tribute to my people< and its dark electric disco rap vibe, les disques du télégraphe bring us slamming nu funk remixes by l aroye & kÿ. l aroye and his partner in crime kÿ aka romain the keyboard wizard, re-wrote the track keeping the original rap performed by dynamax (of the zulu nation - bronx). the new school boogie beat (the live fender bass and kÿ s furious synth chords) give the remix a fun organic funk arrangement. wait for the first break to come in: there is no way you re gonna escape that chorus of a children s choir singing in french. its gonna be big this summer

lazzich (real name sergey lazarev) is an electronic musician living in suburban moscow. without you (someone else remix)- is a prime time dance floor interpretation riding a strong bass groove and combining atmospheric feeling of original with powerful trade mark sound of someone else, owner of foundsound records, very well known for releases on such labels as microcosm, tuning spork, alphahouse, musik krause, nummer and countless others.

a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

remixes by ed banger & scratch massive with sex schön already massive support from miss kittin (lalaland remixes are bombs!), andry nalin, mash, play paul, azzido da bass, cajuan, mario rogowski, 2manydjs, sven väth, thomas schumacher, sharam jey, tiga, tom novy, turntable rockers, pete tong, kid alex, erol alkan, digitalism, & many more to come

finest chillout mixes of depeche modes >its no good< by hardfloor , speedy j, andrea parker, motaor bass and dom t

damon proves he s still got it, revisiting his subtractive synthesis project for an eighth time. the ep takes us on a spaced-out journey into the future with tribal beats, ethereal sounds and a sometimesquirky nature. on the a-side >space time< is a haunting track with a galloping feel and mesmerizing bass line. >evolute< is a masterful track that s both deep and funky...

oldschool sounding electro house tune with a lot of wicked acidhouse flavour a must have

sleepy hollow was obviously inspired by the movie of the same name. it is one of my favourite pictures by tim burton and i really like the dark, creepy atmosphere of it. the bass-line recreates this mood to an extent that it scares me, makes me shiver. i mean, really! regenerate has such a strong techhouse vibe to it, again reminiscent of the early 90s and a very strong groove. excellent percussion programming and modulation by stephan. this one builds and builds until it completely gets you. personally i think all due respect is the most laidback, reduced track on the album. we came up with this distinctive, monotone melody/bass and i loved the feeling right away. definetely the kind of music that i like to play on a sunday after hour session

if there would be an award for the most well-known brand in the techno scene you would find isiah major aka dj rush ahead. born and raised in chicago, the legendary mecca of the disco and house culture in the 1970ies and 80ies, rush left the windy city soon to conquer europe s techno- and house scene. since his legendary club anthem >motherfucking bass< that became a consensus hit worldwide, one of these all time classics that are exciting dancers always and everywhere, one cant imagine the techno scene without him

schöner flächiger sommer acid techno der leicht und locker daher kommt

harter schranz techno!!!

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

together with his partner in crime sascha b, ludovic vendi produced three new tracks under the alias robotique on dialect recordings. with >message< both give us a warm welcome to join them, and hen i say warm i mean it. turn on the >message< close your eyes and this bass-pizzacato mixed with a driving minimal sound combined a complex percussion melody takes you away to a rave in the sun... >ricochet< is pure funk, also flavoured with a driving minimal sound, while the closing >reencuentro< is the right track for a full dancefloor in the morning hour which will make the crowd scream ecstatically! futureistic dark sounds driven by a minimal beat. an absolute floor burner

dreamy progger with a cool key hook and nice strings on the a side flip for the slapped bass driven nexus with subtle female vocals

a chugging dark deep techy monster. two great remixes by lucaricci and paulo rocha on the original of chris barnes the dub mix, has a sexy rhythm with a dark bass underneath and techy sound with freaky pads. yet another great release from the brand new aenaria stable and be prepared for much more

christopher just looks back over his shoulder at the time when a bass used to be called a murderbass, bleeps were meeting clonks and techno was feeding the illusion of the everlasting party. dry beats, being swinged and pushed up cascade-like over the holy disco bass again and again, heralding - by sawtooth and an apocalyptic peal of bells - the ultimate party happiness. dj glow known from his always cool trust imprint delivers a great futuristic robot electro remix from outer space. crazy funky

literon strikes hard again with this killer release for fortek. this machines trilogy is a sure shot package for all you djs out there. machine i has gained international support by key players such as tiefschwarz, steve bug, richie hawtin, dj hell and alter ego. a heavy bass lead minimal techno groover which sets fire to any dancefloor out there.

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it

ew kanada presents its premier release from toronto s adam marshall. hot on the heels of his remote culture ep on mike shannon s cynosure imprint, adam continues to push the boundaries between soulful techno and minimal house. dark, heavy bass lines reminiscent of the early get physical sound combine with berlin-style chord stabs and baby ford-esque funk to create a strong ep of advanced dance floor style

the second mobilee from exercise one hits the dancefloor with deep bass and heavy synthlines, darkmelodic parts and euphoric breaks !!! supported or charted by argy, tom clark, karotte and funk d void

two electro funk fuelled tracks on the a side weekend world offers his remix of paranoid jack with a tough driving bass line set against crisp jacking beats tried and test dance floor destruction on the flip alex offers his interpretation of perfectos jay welsh ioto with an infectious and haunting melody laid over a deep bass line and a solid groove this two tracker is a must for peak time players support from sasha john digweed kurt james zabiela nick warren hernan cattaneo

superb label compilation with the freshed rockin electro cuts & uk indyrock stuff

huggotron delivers an another mighty weapon for you to use ! the opening track >driven< is a relentless, dramatic backing of severe synths, rising pads and swirling noise. the bass in similarly intense, throbbing away before developing for a melodic break. >gasoline< kicks off with an percussive rhythm before a dark synth and a charismatic vocalsample driving the peace along. its quite a head-turner and should create a bother inside a club when played out. last but not least, you ll find the final installment >are you a killer< wich is a proper straight-up, electrohouse track, tuned by a huge bass witch create an lissome feel and things get ... killed!

the third single taken from romboy s super successful debut album sees remixes of his collaboration with n.y.c. dancemusic posterboy tommie sunshine who composed i.e. felix housecat and miss kittin s incredible track >silver screen<. cologne s electro maestro and phunkwerk labelowner dj delicious made a driving electric peaktime monster which fills any dancefloor in the world. watch out for his own single release >ja ja<! prolific edit and remix master radioslave aka rekid whose recent mix for chelonis r. jones >deer in the headlights< made all the dance music freaks go banana, delivers a super chunky >schaffel< monster tune with down-pitched vocals and heavy ass bass tnt! last but not least, tommie sunshine adds in some dark and noisy flavours to the original. once again, state of the art remix pack to the fullest!

the mirage ep is a perfect example of the hybrid blend of jersey soul and chicago house that large music has exposed over the last 12 years the title track is a deep techy spoken word tribute to the first perfect underground experience umba dae follows with filtered beats and a dirty driving bass line born in aruba completes the set with lush keys and tropical rhythms

nice main floor chunky disco flavoured house magic here with a soulfuric meets junior jack style which will sure do damage on the dancefloors a smooth rokwell remix really gets the juicy flowing with a hot bass and fantastic vocal

straight from san francisco come little death with a magnificent cover version of we are back originally by sheffields bleepy techno originators lfo this new version takes us straight to modern day with live drums and bass layered up with thick synths and mandatory vocoders on the flip we find a more straight ahead dub for the dancefloors

on the a side, step back is an ultra fat minimal tune with both old school housy sounds and strong techno beat. the dark male vocal repeating step back won t leave your head for hours. on the flip side, bastien grine goes deeper on a mental trip. a fat bass line surrounded by clear floating sounds. he plays with stereo effects and we loose our mind … pure madness

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

london based subway are back with their most club friendly release yet. the third outing on their own label threetone drops two solid tracks of modern european dance.. a side >lizard< rides a synth bass arpeggio straight out of the electro era, backed up with slammin beats and a dancefloor-destroying arrangement.on the flipside >patterns< maintains the dancefloor vibe but stalks into deeper, darker territory with itss heavy walking bass and beats, all topped by a dirty phased synth hook..

knowing sees duron tarik laying down a bed of rich wandering bass great piano stellar keys and shuffling house beats while stephanie renee and staci smith are responsible for some smooth house vocals topping the whole thing off for the floor crowds on the flipo the dub take utilizes a new organ hookline alongside some grooving electric keys while the vocal used sparingly on another surefire floor pleasing houser

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

super new twelve from the idjut boys label feature the bass heavy one sider from lindstrom & prins thomas called >ballerina<. the flip slide is beautifully blissed out stuff with a track from arsenal (oooer!) feat jhelisa called >far i have come< and a track by mudd who have previously released tracks on noid recordings called >blue river<. cottage number five doesnt disappoint, it s like a certain machine you can buy in japan that helps you unwind. next twelve features a double a-side with tracks from spurs called >ossie s dream< (dan and connie cottage reconstruction) and west ham s infamous <i am forever blowing bubbles> (idjut boys re-edit)

with an uplifting electro bass house sound on the a side and beautiful sweeping chords and synths washing over the track these boys keep on growing in stature and quality greg munden slams in with a top rework on the flip taking the originals bassline and adding a more slamming sinister ideal