pure hypnotic dope ! the 12inch opens with a blast of superlative dancefloor funk, >u can get sonar<. its immediately obvious that this track is the creation of someone who knows - as a fan, dj, record-seller and musician - what works on the dancefloor, what sounds good, and has endeavoured to make his record satisfy us on all counts. carried along by an unbelievably buoyant bassline, purring, deep house-style chords and crystalline percussion, the track climaxes in waves of synthesized strings. >upad aah< is a vivacious, skippy dancefloor track, its constituent bass and drum elements rounded and smoothed for maximum bounce, sharp, pressurized snares provide a glorious counterpoint, as quasi-tribal percussion, and airy african female vocals are layered over the top. the result is fresh, powerful and eminently danceable. >persuasion< is a deep, swinging club track. once again that warm bass is at the forefront, with clipped yet languid chords building melody around it as

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

how many people of the same generation the producer frederik belongs to, did not spend part of their life playing the videogame which inspired the production of this new single? it sounds like a very original track containing an highly explosive idea in it!!

a side feat the funky house bomb deep at night by ercola vs heikki l in an adam k & soha remix. flip over for the classic greece 2000 getting a 2008 treatment by gabi newman!!

tomash gee (methadon, methanabol, kne deep) from poland and leo laker (tresor, ownstyle, methadon) from finland, two hot shot names in the hardtechno scene, teamed up for this smashing ep !! both responsible for numerous releases over the past years, this one is once again a great one for the bigger crowds.. a rough sound at a high pace, a must have for those who love hardtechno !!

artillery is back! dj amok compiled three new releases for the hard techno fans all over the world and he starts of with this great new release from waldhaus! and what a killer it is, waldhaus made his name on labels like skull tunes andcombat skills. crazy samples big kicks and a touch of humor makes this a release not to be missed!!

modern soul music in a house tempo from this great detroit team. beautiful vocals over a classic maw style beat

dj plays - nic fanciulli, joel mull, paolo mojo, mark knight, mark brown, steve mac and spencer parker how pretentious is a peak time monster of a techno track, having been cained now by dubfire, nic fanciulli, joel mull, paolo mojo and then crossing over to mark knight, mark brown, steve mac and spencer parker. vertigo has received equal support and is just as big, there really is no letting up with this ep, great melodies in vertigo and relentless carnage from how pretentious

incl great remixes by sascha funke and dj koze !! danse avec moi is the first single to be taken from noze s new album, songs on the rocks, the french duo s most surreal and scintillating vision of dance music yet, to be released on get physical music on april 25th. the 12 is equipped with remixes from sascha funke and the inimitable dj koze.>danse avec moi< is a proper love song. it is also noze s first ever song in french, and so with typical perversity, they thought it might be amusing to call upon an american to do the singing - the wonderful dani siciliano, best known for her albums for! k7 and litany of collaborations with matthew herbert. dani duets elegantly with david lafore (who also penned the song s lyrics) over a propulsive, swinging 4x4 drum tattoo, bouncy bassline, rippling harp and lavish string arrangements. as is so often the case with noze, the piano is at the forefront of the arrangement, providing not just straightforward melody and harmony but eminently danceable rhythm. it is an anthem in the making. you should know better than to expect a straightforward remix from kompakt s resident mad scientist, dj koze.

for everyone who has liked playing around with made to play tracks over the past few years but possibly missed the limited edition vinyl now is your chance to get your hands on four of the most popular tracks. as a little teaser from the forthcoming >playing around< label compilation, here are some of made to plays top moments. this includes a remix of magik johnsons >scanning for viruses< by the jolly giant himself, claude vonstroke, >would it?< by trevor loveys and jesse rose under the guise of izit, the huge >block party< from buckley and >wake up< which was a landmark collaboration between jesse rose and made to plays rising star, oliver $. with the hype surrounding the first re-release of these tracks, the made to play world tour and the >playing around< compilation cd, this will be at the top of every proper house fans shopping list.

truffle music returns with andrew allsgood at the helm again. the up and coming producer and longtime toronto dj shows his promise once again with this slow grooving funk masterpiece that stretches over 7 minutes. the song travels through many sections and passes, carried the entire time by a driving dub bassline and vocal. for the lovers of deep, dubby and funky house and disco. nycs drrtyhaze (tirk, gomma) are commissioned on the remix and deliver the goods with an up tempo hypnotic stormer that sizzles with its surreal energy and simplicity. drrtyhaze use few elements from the original other than the vocal, taking it into deeper territory with a faster tempo and groove and much more electronic feel to the originals organic vibe.

war is a hypnotising roller characterised by its deep synth, subtle percussion and deep bass. the track sets a perfect dubby and melodic atmosphere. the flipside hosts gaijin, a high voltage track with a perfect harmony between the smooth progressive bassline and aggressive stabs. watch out! these tracks will rock the dancefloors over the world.

fantastic loopy re edit of the 1966 blues soul smash in the basement by etta james. flip over, speed up and get your head locked into the extended vibe of mandrills jazz funk on feeling good. this are the originals directly from detroit

adam jace joins the ranks of the timewriter, gui boratto, terry lee brown jr. with his first releases. he starts among environments which others achieve at the height of their careers. his music can be described as unique and forward thinking, breaking down genre boundaries effortlessly and representing club-focused sound at its very best. hes one of the hottest entertainers in sydney and around. this is fresh new stuff from a very sympathetic guy – shining brightly over the landscapes of techhouse music!

played by richie hawtin!! big tune !! dirka dirka aka dave shokh and tony rohr move over to tora after their dipolter experiences. >stretch out< is the 2008 monster. huge bass response kicks us off. neatly tucked edits+samples broaden the scope. the floor begins to fall....take it from there. >red balls< funky and tight just like it should be. jackin groove with some voice manipulations. tight indeed! and hot.

streetwise was one of the seminal dance labels of the eighties, responsible, with its subsidiary imprint partytime, for several important and influential examples of the dance genre. several of its releases were indicative of the directions that both dance and r&b would take over the next few years. the signing of vocal group new edition and their resulting hit candy girl is generally acknowledged as the beginning of the boy band phenomenon, and the labels last hit, music is the answer, was also a key element in the rise of house music. the label lasted for only a few years before falling victim to its own success and the related success of its owners, especially revered producer and remixer, arthur baker. here is a selection of streetwises greatest 12inch mixes, gathered from the archives during streetwise reign over the dance market presented on this vinyl.

guesthouse is proud to announce its 25th release from one of the most influential dj/producers in the world: the one and only dj sneak! pulling out all the stops, sneak delivers another surefire dancefloor groover inspired by some classic chicagosounding samples delivering the notorious sneak sound and jackin sneak beats we have all come to know and love over the years: this one is a winner, and of course.... dont sleep

there is a truly massive buzz around this record. pete tong is all over this amazing cover of underground resistance - night of the jaguar produced by sebastian leger. this is a legal cover and not a bootleg and his mix has been massively respectful to the original using many of the original elements and also keeping true to the arrangement to create a brilliant up to date interpetation. listen and enjoy - this will be massive.

after the huge >score for direction< success with label owner pär grindvik stockholm ltd presents a new swedish talent for the world. simon haydo is a really close friend of pär grindvik and the stockholm ltd family. for several years, simon has been playing records among the high end clubs in his hometown of stockholm, sweden. a while ago he finally got himself some studio equipment and has been asking for production tips from time to time, but when we received his demo we realized that he didnt really needed them. simon knocked us right out of our chairs! we rarely get demos this emotional and we didnt know that simon would pass us one as we had not heard a bleep of his music until that day. most of the demos you get are from people trying to sound like someone else, but simon has a sound of his own. we are really proud to have simon haydo joining the label and his first record >different shades of white< will follow us forever! >different shades of white< has got great support all over the world and will be released on stockholm ltd, watch out!

released as a sampler for the forthcoming future soul compilation on freestyle records, these two tracks give a perfect example of what the cd is all about – sweet soul music given a futuristic or modern edge. first up, black gold massive, a group which consists of member of afro elements and down to the bone, deliver their glorious, previously unreleased take on princes soul melting sometimes it snows in april. giving it the all important rub for the clubs is mr gone, who adds a bit more bump and grind to the track...perfect for the dancefloor. over on the flip is another unreleased gem, this time from us soul sista trizonna mcclendon. found by freestyle a&r man adrian gibson whilst surfing myspace, this track has all the ingredients for a classic soul tune.

cult hero manu chau is the latest to get the cut & run treatment ! already a breakbeat anthem with support from all the scen’s leading players. on the flip, a smattering of portishead help smash up the d&b proceedings

writing tracks for kanzleramt is not the only task, what keeps gideon hommes busy. he runs his own label lessismore recordings and is also having a 12inch single out on sino soon this year. the young talent is also throwing the famous anticlub-parties in his hometown eindhoven and all over the netherlands. but therewith not enough: gideon signed up for another 12inch, followed by a full length album (2xlp/cd) in the second half of 2008 on kanzleramt.

originally from columbus, ohio and now residing in new york city, myungho choi issues four new tracks on a touch of class. on these four dizzying tracks, choi again powers his stampeding funk grooves, ecstatic voices, and somersaulting rhodes melodies with classic soul bass lines. his stoked mix of soul, jazz, and house proves exhilarating in the steaming strutter lovin you today and high velocity disco anthem shakin bricks. less aerodynamic and earthier by comparison, the low slung party funk groove in how long till dawn would sound perfectly at home in a parliament funkadelic set, especially when voices chant shake and havin fun and horns blaze over a steaming stomp. the closer we aint leaving revisits the benson funk style of moment by moment by looping a guitar vocal fragment over a relentless minimal disco pulse. this ep. is without a doubt a true disco house infection and a definite one for the dance floor, which is not to be missed.

the a side kicks off with the highly anticipated release of party all night from french producers bobby and klein, chanting we gonna party all night over an infectious groove that kicks things off proper! the a2 follows party all night with nashvilles real time hand motion hitting us with their amazing honey tune. all the trademark rthm cuts, edits, and vocal bits come together to deliver a funky analog bassline jam with a really unique dancefloor jam. on the flip, mebourne, australias d t3ch turns in the gorgeously funky meerkat music, a tune thats been killing danceloors and a vocal that puts a smile on everybodys face. not to be missed! and last but not least, label bosses the sound republic deliver a tongue in cheek tribute to jason hodges with a chopped up tracky jam that jacks through rolling pianos, xylophopne backed with a bass bit that is humanly impossible not to dance to. all in all, the 4 piece set ep is kicking off the new year in style!

remember tullum combines slick guitar licks, rolling breakbeats and a warming bassline. flipping over and the equally as classy water goes for a stepping drum beat with light percussive touches and an effortless vocal that slides in and out of the mix while the bass notes soothe your soul as you dance your ass off. classic ac business.

the original of song for marie and elise is a melancholic pop jewel, which was made for the movie in your head. the remix comes from the disco superstars aeroplane (of which vito is also a part of). they keep the sweet melody, but put a fatass bassline under it to shook to your very heart and soul and make this an outstanding remix. flip over you ll get code 7429. it combines 90s rave sounds with a stunning piano making this a dancefloor sureshot. hot hot hot!

despite being launched in the early nineties, the incredible moton records inc have only released just over 20 records. a co operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. always dealt with respectfully, these incredible re edits are released in super limited quantities, hence the crazy prices they reach in the second hand market! this superb three tracker is another gem, featuring rarities from the french afro beat scene, dubbed out 80s funk & soulful psychedelia. the quality is off the scale, the pressing is a...

patrick skoog has risen through the ranks over the last few years with massive success having produced killer releases for labels such as drumcode and we are over the last few years. he has established himself firmly on the scene now and this killer 3 tracker just goes to cement that reputaion further. enjoy!!

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

deleted - kraak & smaak with a nice collection of their remixes they did for mark rae, mimeine, sarah bettens, max sedgeley, zeroleen, dorfmeister vs mdla, jamiroquai, bittersweet, chris joss...

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

glory opens with a dramatic intro of sampled, filtered horns ? dug from the crates old school style ? then, all of a sudden... the ambush! in comes a simple but rolling half step rhythm, soon charged with pounding subs. juakalis vocals flow over in perfect unison with the beats ? hes really on form here!

the faints dapose drops zombie aesthetics, the debut album of electronic madness from his metal alter ego vverevvolf grehv. zombie aesthetics is a 21st century synthesis of idm, sinister vocals, and visceral metal guitar. without question, vverevvolf grehv is unlike anything you have ever heard or experienced. vverevvolf grehv is the debut of the twisted metal project of the faints dapose! vverevvolf grehv have played with the likes of yeah yeah yeahs, lightning bolt, cephalic carnage, a life once lost and more. the vinyl is limited to a pressing of 1.000 copies only! for fans of: fantomas, lightning bolt, agoraphobic nosebleed, genghis tron, melt banana, blood brothers, boredoms.

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

with inner soul (sk178/elektrish) on sonar kollektiv roland appel will tear the clubs down with some new and irresistible deep-house drama. after one year and 2 great eps that have taken dance floors down all over the world munich-born roland appel needs hardly introduction anymore! just 2 words will suffice: dark soldier. this stunning track was a secret hit at the 2007 miami winter music conference, and found its way into the bags and the charts of the biggest djs in the world.

a classic bit of space disco from the french scene of the 70s. four long tracks that are all pretty darn moogy, and pretty darn great! the work here would fit nicely with some of the best keyboard heavy club of the us scene at the time! not exactly like some of the work on p&p, or the grooves of el coco over at avi - but not that dissimilar either, and often put together with a spare, simple approach thats a welcome contrast from overblown disco of the time! most numbers build up from a funky bassline and beats - adding in the keyboards with great relish, and really letting them jam and get crazy over the top. theres certainly a bit of cosmic fusion going on here too

incl great john selway dub-techno remix.. the second installment on forward think label hej records is a special collaboration between label owners punisher ( michelle herrmann ) and john overfiend ( matt caputo ). the title track thermal underwear begins with a hypnotic melody that envelopes you and the lush atmospheric synths float over, as if preparing you for the coming bass storm. the minimal yet driving, chunky shuffled beats hit hard and your body moves to the infectious rhythm.

dance mania was a chicago label founded ray barney in 1985, and was distributed out of his legenday barneys onestop. from the very beginning it was known for raw, percussive tracks from the dirty side of disco and in the 90s laid down over 200 12inchs that were the blueprint for what is now known as >ghettohouse<, or >bootyhouse<. this sound became the foundation for many regional styles of dance music including detroits >ghettohouse<, baltimores >club<, and the current sound of chicagos neighborhoods known as >juke<. we are happy to announce volume 2 of the ghetto classics series with this 4 track ep from two of our favorite ghettohouse producers. features >wouldnt you like to be a hoe<, taken from the >taris is paris< 12inch on dance mania (dm131) and >groove mode<, taken from the >funk city< 12inch on dance mania

the second installment from new british techno label. mutate to survive, brings us man of the minute … calvertron ! if you have missed the hype , calvertron is the man behind some of 2007s biggest remixes on the ministry of sound label, alongside other releases on reknowned electro labels such as funktion and freek recordings. dj plays have come from many big names such as bass kleph, eric prydz and pete tong.. calvertrons use of intelligent bass edits and tricks, and glitchy pumping drums has become unmistakable, and on this e.p. he goes slightly further into the land of techno, with beautifully crisp production and driving basslines. 2007 lit the fuse for calvertron, and 2008 will see him explode dancelfoors all over the world

tom mangan is the guy behind the 4th release on the lorna label. his name has been around since 2002 with eps on labels such as bedrock or tiefschwarzs souvenir. together with cass cutbusch he has been responsible for a variety of club hits as cass & mangan and deadset on wall of sound, fine and sabotage systems. >good words< gets you with its deepness and musicality - tight house music right for the floor. >bit lip< on side b spreads over twelve minutes - closely selected harmonies and sounds conjure up a hypnotic house track that serves as deadly secret weapon in early morning hours, special rerelease

this 4-track ep marks the return of the ferox label with the first full vinyl release in over 6 years. daves work has drawn critical acclaim from the likes of carl craig and recloose as well as touching a chord with chateau flight and fabrice lig. his otomi releases on emoticon originally drew label owner russ gabriel to daves sound

the space dzz aka jamie bissmire and ben long are back with phat kickin techno !! the space djz discography reads like a whos who of techno labels. from the incredible novamute, to innovative champions soma, belgian techno leaders re-load and chris mccormacks materials, jamie bissmire and ben long have given us consistent quality for over ten years now. as a techno outfit, they dont come much bigger than this.

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

after unleashing the celebrated bare fist edits on us, the mysterious monsieur gateaux is back with a stunning original production. much is being made of the cosmic revival, and sure enough this does tick all the mid tempo, blissed out balearic boxes, but theres much more to love about dune, with its spacious ways and early 80s european electronic, dubbed out psychedelic vibe, shot through with a little eastern promise. its little wonder its been receiving major props from the bearded elders of sit down djing, off the back of a handful of early copies surfacing in the uk. as if that wasnt enough, the (not so) mysterious phoreski taken over the remix duties here!!!

continuing far outs 7inch series, joyce scats her way over two high octane bossas with an unmistakable feminina-style sound. this 7inch features an exclusive version of feijao com arroz - a track from joyces forthcoming cd yet here with a scorching bassline that differs from the album version and will ensure the tune gets flipped by those djs who know the damage a bass led bossa groove can do to a dancefloor. feijao com arroz - rice and beans - might be the simplest of brazilian dishes yet this track is a master class in samba jazz. joyce and her banda blend the basic ingredients of bass, drums, guitar and vocals into a rhapsodic groove that sounds like it could be a lost classic from seminal joyce albums such as feminina or tardes cariocas. joyce weaves a web of sonorous guitar work in between tuttys frenetic cymbal work as her scat lifts the tune high whilst a driving bassline pushes the groove low, surely putting feijao com arroz up there with the likes of aldeia de ogum and feminina. on the flipside lies penalty, a live favourite from joyces recent japanese tour. again on paper the ingredients look simple - bass, drums, guitar and vocals - yet in the hands of joyce and co the elements are blended together to create a celestial slice of spiritual jazz dance guaranteed to lift even the weariest of souls.

incl remixes by dj assault, trevor lovers, pig & dan !! swedens next big thing the touch was recently titled >one of 2008 >gonna bes<< by one of swedens biggest newspapers. without a single release out they have already conquered sweden s club scene from north to south, performed alongside justice,ozzy osbourne, pet shop boys, dizzee rascal, boys noize and uffie on swedens biggest festival and have managed to cross over with both a strong indie, dance and major audience. with influences from early factory and hacienda era manchester and acid house and electronic music scene from 80/90s detroit the trio has added an extra dimension with futuristic sounds that has a crossover appeal

the first in a two-part sampler series from the sound republics highly respected chicago-based spatulacity. the a-side kicks off with a funky-as-hell piano jam by hollands tommy largo with a killer bass groove that is certain to get dancefloors whipped in to a frenzy, and the a2 delivers just as well. >barnyard announcement< by melbourne, australias house prodigies lamanex is a pumping, funny tongue-in-cheek jacker that bounces relentlessly and has been drawing incredible reactions from dancefloors worldwide! flip the record over and check chicago newcomers scrubfish laurences >disco papacy< cut for maximum booty-swhaking satsfaction! this track has it all: interesting drum breaks and super-crisp beats, chopped-up instrumental bits that kick the energy up further, and an unforgettable vocal. last but not least the uks sound diggers turn in a fantastic deep-but-still-jackin tune that really rounds the record out with the funky horn and guitar bits sitting on top of a great groove.

this super-limited reissue of a classic on rays mangled label has been sought after since its initial uk release over ten years ago and goes for top prices on e-bay! two absolutely killer reworks of >lets love dance tonight< & monster funk tune >holy ghost< !!ray mang better known to his buddies as raj gupta has had a hand in some of the uks finest discoid moments ever released ! a plethora of releases on labels like noid, fiasco, u star, nuphonic etc etc have cemented his reputation as an amazing producer in his own right and engineer extraordinaire for the likes of the idjut boys

big with adam beyer, dubfire, len faki !! through his raudive alias oliver ho has caused a very serious stir over the last few months. he has released some seriosuly heavyweight material on labels such as music man, poker flat, klang, we are and podium as well as some killer remixes for the likes of figure and pocket . he really is one of the producers of the moment and this amazing 2 tracker for the leviathon that is drumcode will further cement that solid reputation.