alex finishes some dark experiements in the lab with this first outing the black series from credo. from time to time you can expect some really dark approaches to the technoside of life. the kick off now with the dark summer nights, pt1 flows constantly and pushed forward through some low chords which finally return to a super low bass-driven drumming pattern. the second part is kind of fragmented, alsways evolving and finally finding the way to an rolling end, somehow even more dark than part one. this is gets huge support already from the likes of len faki, speedy j, chris liebing, gary beck and the other usualy credo-suspects. the bacl series will be strictly limited to 500 copies onlyfor each release!!!

dave huismans aka 2562 with his a made up sound project. archive contains four raw house tracks from the vaults with their roots in detroit and chicago house. æbounceÆ and ædisconnectÆ combine the best of two worlds: the more traditional sample based house grooves and the spacious sounds and wrenching sub bass that have become his trademark. the same goes for the other two tracks... æwireÆ is a phat acid track with a great drive. a strange atmosphere and a unique combination of classic structures with new and old sounds. this track will make sure that the sweat is dripping off those basement walls! æon&onÆ has that catchy drunken beat slightly reminding of some theo parrish productions... finished with futuristic technoid synth stabs and pulsating acid-ish bass sounds that make this a great abstract & stripped-down house work out! killer!

geiom teams up with spamchop for some freaky cave rave under the sirius star!!

some secret moody(man) tracks!!

this is the latest heatrock from atlantic conveyors super boutique untracked label and the sequel to frank bookers underground hit debut: the brothers ep. with the likes of todd terje and recloose charting the debut in their top five, this record has seeded some serious expectations. no worries there, this record totally delivers. paper cuts is kaleidoscopic sun dappled house music, with production worthy of a metro area record. get on is heavy hitting 3am disco with a drop that is...total finesse. its strictly limited (as always) and pressed on 180 gram vinyl.

aka manuel tur & langenberg (millions of moments / ovum) welcome and hello to the first release on mild pitch, the newly launched label from essen, germany. founded by manuel tur, dplay and langenberg you can expect tons of groundbreaking and earthshaking house music on this label in the future. the first release is called >this feeling<. produced by essens finest, ribn, this tune is what house music should be all about. ribn is a project of manuel tur and langenberg that sort of happened by accident. after some productive jam-sessions in their studio they discovered that both shared a passion for deep and dubby techno tracks and all of a sudden they had their first releases on styrax leaves, millions of moments and ovum. a stunning new ep on mule electronic will be released very soon. >this feeling< is a deep, chord-driven track in the tradition of global communications infamous >the way<, that with its enormous vocal loop and warm harmonies grows constantly to a catchy tune. with no doubts this track is a real peaktime smasher, which became obvious when being played for the first time at mild pitchs legendary >slow club< parties in essen. the flipside includes the brilliant >rapidsnare mix< of this feeling

tc turns his hand to evil 9s homage to sci-fi ghoulfest, they live. whilst maintaining the originals eerie atmosphere, tc has certainly infused the true drum and bass treatment. techy vocal hooks give way to a pulsing bassline, perfectly suited to a chase scene from a horror flick. on the flip side, tc gives freelands under control a good re-lick here: with a catchy guitar riff, stomping beats, soaring synths and some heavy bassline action, this is smashing stuff. featuring a live band and stunning vocals, courtesy of kurt baumann, the under control remix is an uplifting, euphoric and rock-infused rollercoaster of a ride.

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

support from : d.diggler, someone else, joseph capriati, martin eyerer!!! it s summer of 2009, at least once in a while, in germany. with silent heroes, martin woerner delivers an absolute adequate sound for warm and sweaty outdoor partys. but just as well, the sound is suitable for wonderfull dumpish afterhour sunrises. the track yelp isn t that dreamy, but doesn t rise less emotions and it ll defenitely also find his supporters! fact is: even if one can still recognize the typical sound of martin woerner, this release sounds different in some way. in addition, it foreshadows different stylistic facings of him and more of these can be expected hereafter. due to those circumstances, a new sublabel named inclusion records limited has been created in cooperation with the distributor (dbh-music). make sure that you keep informed for the future!

the tribute series is all about releasing battle weapons for djs, especially during the festival season. top secret contributors lovingly prepare new versions of classic tracks that will drive the crowds wild. these new versions are tributes to some of the editors all time favourite tracks and are aimed at increasing their dj play and spreading the love. the series kicks off with one of the biggest cuts of the madchester and acid house generation wrote for luck by the happy mondays which is respectfully edited, extended and dubbed out on we love mondays for maximum dj pleasure. cut loud on single-sided 180g vinyl the tribute series is set to inflict some serious dancefloor damage

played by sven väth, ricardo villalobos, onur Özer, nick curly, cassy... spring, summer, autumn and winter are the seasons we live and feel every year. cecille records addict two of them a special double vinyl serie. they gonna start with somero 2009, special choosen tracks for the perfect summer feeling and vibe. with exclusive tracks from dj sneak, reboot, robert dietz, negru&boola, leon and nima gorji. hope you enjoy?

all right, all right new vinyl straight from the streets of chicago through team synapsis. synapsis003 is arriving with some gems that brings unique flavor via four chicago producers. timeless chicago ep ranges from acid to deep featuring: hakim murphy, one half of team synapsis, leads off side a with an acid jam called ôdem shits shinobi.ö inspired by the anime show naruto, the track continues to move and develop like the character. this subtle chicago style track features old school yamaha drums with some sweet oscillating synths equaling the acid sound. house and techno heads will enjoy this tune. g. marcell is up next with ôyeah dat tu.ö jacking chicago house track period

tony nwachukwu is a pioneer and his musical roots go way back. he was the mastermind behind attica blues on the legendary mo wax label and has produced wonderful music which is still timeless. remixes for people like unkle, macy gray and even duran duran prove how incredible he is. at the red bull music academy he teaches his skills to young talented producers and has established an interesting night at londons plastic people called cdr where they only play unreleased music. cdr has also worldwide events. with burnt progress he gives young producers the chance to release their music on his label. his first ep for drumpoet is championing his big love for techno(logy) and equipment in general and underlines the great musical knowledge and open-mindedness of this forgotten legend he is! the ep has already huge support from some of the best djs around and the quality of all three tracks whether it is the detroit-ish t time too the twisted outta ere or the broken flowin is impossible to ignore!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

here comes the freakshows 14th chapter - yeah, yeah, yeah! what you will get with buying this record is an extraordinary kind of culture clash in electronic music. we have the young guns m.in, patrick kunkel and basti grub in the red corner and the blue corner comes up with no other than the legendary dj sneak accompanied by mr. harold >lenny kravitz saxophone god< todd. some might say that the combination of names who contributed their skills and creativity to the production process of this release alone should make any electronic music freak become desperately interested in this record - but - if that aint reason enough to at least give it a try, you will find 3 timeless state of the art house tracks on intl. freakshows 14th vinyl release, from which each one has its unique, carefully crafted structure and arrangement. all of them manage to develop a superb uplifting energy, ideal for the upcoming hot summer nights and the daytime partys, too! additionally, as an if-14 - digital only released track - you will get an absolutely stunning and exclusive dj sneak instrumental mix, which we think must be described as an epic, typical sneak-like, massive groovin housemusic bomb, a must!

funky attitude!
on this ep, we have the pleasure to present a spanish artist, dj and producer raul mezcolanza that we saw on some techno labels. raul delivers us 4 tracks exceptional funky filtered, with a big break to boost the dance floor, charged with groove including the melodys that we have all in our memories. if you have the funky attitude, this ep is for you.

spatula city is proud to present an ep from our pals over on the other side of the pond: the sound diggers - full english ep. originally appearing with his smash hit jazz shit on spat008 - the four piece set vol. 1, justin critchlow of the midlands, uk, blew our ham pants off with his bouncey style of breakfast house. now he is back with a full english breakfast comprises of all the fixins for to start your day off with some jack in your step.

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

timbuktu sees long-time associates ferrer and sydenham going out with some techy house flavors on ibadan, with a solid groove joined by a sublime synth stab and some great chant snippets, while a driving bassline and great percussion elements fatten out the track nicely. timeless tracks 4 sure !! special backstock !!!

as the title of their new full length recording suggests, green concorde is moving, and moving fast. the direction is one and one only: out!
be it from the dark star palm trees of miami, from the silvercoated buildings in the city of glass or from the claustrophobic humidity of their now abandoned rehearsal room in copenhagen, this outfit is running for safety. out where the stars look like arrows on fire. as they move, green concorde stays true to their pulsating post-punk brand, though some of the sounds characteristic noise has been distilled and filtered, leaving a more soft and atmospheric expression than the one characterizing their previous album, ten cities. and unlike ten cities, this album is not a result of hours spent in a cold rehearsal room in a humid basement. instead the nine songs were written under intimate and private forms, partly in the bandmembers own appartments in copenhagen, partly in a small cottage in the dark outskirts of denmark. the run has begun. are you ready to follow green concorde down the corridor, to the exit, through the gates, out into safety?

some cool 1993 acid jazz tunes!!

some 2003 proggy stuff by pete heller!1 taken from the nrk mix cd!!

dj and production trio lexicon avenue selected some of their choice house tracks for the nite:life series!!!

more exciting deep house cuts on the new wt records done by will speculator. this time its another new name (well.. sort off.. hunee already did release on feel music as hunch, and is slowly building a reputation as dj) this 12 vinyl release fits well between genres, crossing deep house, disco, and detroit techno. the title track even has some quite jazzy keys. but the killer is probably rare silk which is simply magical. quality release just like the 1st wt records! check!

a collection of previously unreleased tracks from some of the world most exciting artists. we believe this is the pure sound of the summer 2009.

cosmic journey, the monster 303 dominator of a lead cut on this 3-track release from moscows denis a looks like being the biggest release so far from this new label. but really this is all about the monstrous groove that denis a creates with some superb 303 tweaking and peaking that makes this track an instant dancefloor smash. over on the b side sadalmelik and orbis novus are both excellent explorations into tech territory, with catchy melodies, and more minimal styling. perfect for creating a mood, and no less captivating.

the 12inch has been eagerly anticipate, jsl brings 2 epic tracks to this imprint. both tracks are set to do big damage as they have been heavily supported by some of the scenes big guns. double time drums make the tracks work well on the dance floor as well as on the air wave...

rock it is a full on dance floor assault thats fastly become the peoples anthem of 2009. already and permanent fixture with virtually every djs set within dnb and beyond, including the shows of zane lowe and annie mac. automatically recognisable with its half time intro, vocoder vocal hooks and lead line, you wouldnt be mistaken if you thought this tracks was talking to you. this has organic cross over appeal written all over it and we could definitely see some sort of national play list with this track on it.follow the light, is an awesome piece of musical production in its own right. this has become one of the most anticipated releases for ram records and sub focus since he debuted it nationally during his dj set at glastonbury that was broadcast live on radio 1. as such it soon become zane lowes hottest record in the world and has gained numerous plays radio wise since and has become a permanent fixture in the sets of dance musics a list djs worldwide.

moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

an excellent comilation if the fine future times label that has 4 tracks by beautiful swimmers, sensual beings, max d and protct u... as fairly unknown producers doing some shit hot disco funk and pure house tracks that would have been regulars in larry levans box, if he still would have been around. not sure where all these guys all of a sudden come from... but some seriously good music here!

>second cut< has been a firm favourite of randalls 4 some time, with the likes of friction through to flight supporting, half stepping beats & heavy sub in amits unique style make it both a floor & radio delight. >immigrants< is cool, too!

some serious biznizz goin on here, no doubt - elementals brand new 12 inch for reduction brings some major, dirty break-step action to the floor, phat-ass, squelchy, distorted, squashed low-end and rollin beats make for two dark and heavy drops. this is the kind of style that wears its junglist roots on its sleeve, with a real, late night warehouse rave nastiness - and we totally love it. elementals growing reputation for tough dubstep cuts is supported by a succession of releases from him for labels such as audio freaks and urban graffiti, he s had tracks appear alongside scuba on hotflush, released with caspa & rusko (dub police / destructive), been remixed by boxcutter, and featured on fabric live.32 mixed by tayo. bristols reduction label first debuted with a plate from wedge (paradise lost / z-audio) featuring a remix from gatekeeper (soul jazz / tempa). here they bring a prime slice of local talent from a west country city positively teeming with innovative music.

big m shakes da bootie for the 9th time and delivers yesterdays pearls polished up to enlighten todays and tomorrows dancefloors!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

after a little silence from rotterdams sound architecture label they are on a roll again! after releasing music by joris voorn, shawn rudiman, rejected (when they were still rather unknown) they bring up some new talented producers! the sound architecture guys are hosting some of the best techno events in the netherlands.. and meet a lot of young producers.. and here is another example that with good a&r even young bedroom producers can release some hot club tracks! file this under the hottest new school house tracks on the market!

welcome to rebel intelligence - the new label is ready to make you pop like it was 1984 all over again! their first single is by the uks matt whitehead, one half of signal type (along with phil bolland on the cultivated electronics label) and captures the style of early electro funk in all it s analogue glory. so good! the a sides >beat the heat< is the more pacey of the two tracks here, constantly building with vintage synth stabs and the true feeling of electro, reminding us of harold faltermeyer and all those cats so heavy influenced by kraftwerk. on the flip, >tuff city< combines classic b-boy sounds and punchy drum programming to create an authentic listening experience that will make you want to get your lino out and bust some moves. highly recommended.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

dave huismans aka 2562 with his a made up sound project. archive contains four raw house tracks from the vaults with their roots in detroit and chicago house. ‘bounce’ and ‘disconnect’ combine the best of two worlds: the more traditional sample based house grooves and the spacious sounds and wrenching sub bass that have become his trademark. the same goes for the other two tracks... ‘wire’ is a phat acid track with a great drive. a strange atmosphere and a unique combination of classic structures with new and old sounds. this track will make sure that the sweat is dripping off those basement walls! ‘on&on’ has that catchy drunken beat slightly reminding of some theo parrish productions... finished with futuristic technoid synth stabs and pulsating acid-ish bass sounds that make this a great abstract & stripped-down house work out! killer!

the new series for raw no-nonsens techno and house tracks. some straight up techno... some edgy, exciting and fresh, sometimes just plain functional dj tools. first one is mike dehnert with his solid umlaut track that was overlooked by many when it was released on his own fachwerk imprint. mike is one of the big talents with his own trademark sound.. something we don t hear to often! 3 unreleased verions of umlaut2... mikes first unreleased mix, slightly housier then the first one, the umlaut2 new version which is a straigth up club tool. big surprise here is the remix by levon vincent! a new talent from new york that got his name on the map after 3 incredible releases on his own novel sounds and deconstruct labels. he did a more then excellent job with his dirty and housier version. levon did lay down a crazy groove with an old fashioned hook line (very n.y. house) and mold it into a fierce techno track. fresh and completely different then most techno out there these days.

nice price deal !!! limited white label 4 track ep featuring some dope remixes from ruckus roboticus that never appeared on vinyl. until now. his dancefloor friendly remixes of bloc partys >hunting for witches<, pase rocks >so f*cking disco<, kanye wests >love lockdown< and lmfaos >i m in miami bitch<. the bloc party mix is perfect for the electro heads (think dfa or gomma), while his kanye remix might be the best house remix of that track done yet and his pase rock remix is a fidget house anthem in the making. get this!

an unapologetic and raucous party track roughly assembled from the rawest funk and married to a massive speaker shredding clanking riff, produced by some freak the minute we heard this demo, we knew we had to find a way to release ippfspecialops is a platform for new recruits to the ppf cause to present their work to the wider world dropped by the ppf at electric chairÆs end of year riot party, the unabombers immediately dived on the scribbled cdr after witnessing its roof raising power first hand. several months later, they provide one of their rare but priceless basement rocking remixes. in house activists leo zero and the ppf comandante himself also contribute two totally varied and guaranteed dancefloor busting reworks, already wreaking havoc at optimo, horse meat disco and many more cathedrals of decadence. bespoke label artwork from cyanide graphic one limited edition pressing

melting vocals, slinky cuts and gorgeous beats. after her succes with ôblack candyö, jenn continues with some more delicious tracks. her brand are the unmistakable vocals and the forwarding beat. with ôbeauö she creates a funky summer track that cheers you up for sure! ôms tipsyö just wants to dance before she writes a little ôfarewellö letter to her ôbeauö. what a summer!

support by luciano, sven vath & villalobos !! quick & dirty is a dirty track indeed. a fat bassline accompanied by some irresistible electro-ish groove provide the fierce backbone for this mighty dancefloor bomb! twisted synth sounds and other schizophrenics, supply for the craziness we all love. benin is another killer track with a minimal pace, a housey rhythm and spooky atmospherics, topped up by killer female vocals. ltd repress !!!

chymera returns to nrk music, this time with a two track ep of slick and deep techno house. 2 below is a gorgeous techno track, starts off very delicate and just keeps building and building with some warming chords, swirling melody and driving drums, reaching a chaotically soulful peak, let this track wash all over you! the second cut, saphiron, ploughs a more housier route for chymera, with a very functional production of deep keys, groovy bass and tight percussion!! ltd backstock

in the sequence of numbers the seventh follows the sixth blow. this one is the first ever solo release by daniel d. curtis featuring three tracks. a sides first minutes already forebode the expressiveness of before we come. with well known techno structures in the background the magical spheres literally embrace and motivate every summer lover to a hip swing. after the first zweikarakter contributions and remixes, which are on pt006 (bachner & biereige - home summer) there is nothing more to mention than to listen, feel, and the artists request to get paid.

lasergun #006 from 2000 comes with high energy ural 13 diktators sound. these guys from finland got some serious lasers at hand - pew pew! limited backstock.

sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.