wolverhampton based duo letherette return for their second release on ho_tep records, once again delivering a dusty and soul filled package spanning hip hop to boogie - house to rnb. their first ep built a strong buzz, with comparisons and influences being draw upon, ranging from pete rock and madlib through to thomas bangalter. recent remixes and features with bibio, solar bears, brownswood bubblers, dazed and confuzed magazine and bts radio have further cemented their space in the current musical climate, working almost as a beat tape this new ep once again showcases the impressive funk, swing and overall style that the guys have to offer, as ever they are keeping their fingers dirty, digging deep into crates, pulling up nothing but the finest samples.

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

it really is a great pleasure for exclusive to welcome back jef ks wonderful silver network label with their latest single from, valentin feat. the morvans. valentins electronic musical heritage stretches back to the early days of rave. as a wide eyed and open minded 18 year old he became hooked and soon immersed himself in the ever evolving culture. in the early 90s he worked for bpm, the very first underground parisian record store and it was here that he built a vast knowledge of the exciting us labels and producers. by the end of the 90s valentin was a regular on the dj and after-hours circuit, but as the rapidly developing >french touch movement< began to make its mark, it was time to find new inspiration

big with: ricardo villalobos, cassy, seth troxler, raresh, reboot, sebo k, nina kraviz, deetron, norman nodge, ryan elliot, rolando, dj hell, djulz, martinez, alex picone, dario zenker, michel de hey, joris voorn, kasper, alex neri, varoslav … all inn records, since their inception last year, have rapidly built a reputation as one of the most exciting new house labels on the scene. for this landmark release the label look to sailor mood, the italian duo whos recent release on the limited 300 x vinyl only sister imprint all inn black that was an instant sell out. giovanni verrina for the past 12 years has been a guiding light in the genoa club scene, before resident at zerodieci club and now at wakeup! night in fellini with his sets in a continuous search for the worlds more underground sounds, from detroit to south america,to berlin . ory j has also been a slave to the turntables since the early 90s. his first forays into production came in 2007, with the publication of his first ep on berlin based label autist records

for many years in detroit j.garcia has been a staple of the house music community. hosting legendary events around town and djing along side the who is who of the industry he has built a reputation and a sound that precedes him. with his very first release he blurs the lines between house, techno, and ambient, presenting a style that is uniquely his own.

after releasing some highly acclaimed records on delsin tel aviv-based yoav b. releases three new tracks on the belgian meakusma label. gently rubbing shoulders with detroit techno (the way anthony shakir produces it) and hiphop, built on crazy loops and raw rhythms, the tracks are enhanced with psychedelic and playful sounds, that give them the feeling of being in continuous flux and movement. the mood here is absorbing yet ambivalent. on top of this, protect-u, from the fantastic future times camp, delivers a remix, pulling the music away from reality, firmly aiming it for the universe. with a mid-tempo house feeling, a crispy bassline and abstract synthesizer pattern, they take the listener beyond the infinite.

soothsayer returns with its twentieth vinyl plate and proudly presents the addition of ss015 and artist thought to the roster. hailing from sofia, bulgaria ivan sotirov (thought) has quickly built a reputation for employing the hardest beats to be had in eastern europe. having played therapy sessions and released a 12 inch on the famed uk label, obscene, thought rise to prominence continues with his soothsayer debut – a slab of heavy tribal breaks and halfstep riddims dubbed up plenty of dark bass.

support by nick curly, karotte, joris voorn, matthias tanzmann, davide squillace, shlomi aber, martin eyerer, solomun, okain, hot chip, brothers vibe, hernan cattaneo, david labeij, anthony collins, franck roger, jairo catelo, feygin, edgar de ramon, mendo, pawas, affkt, uner, andrew grant, wally lopez, nick daring, adam port, solo, alex neri and more... markus homm burst onto the scene back in 2009 with his tracks featuring on debut releases for ostwind and diynamic music. the romanian born german swiftly built on the success of those early releases as he teamed up with highgrade records to release a number of tracks throughout 2010/11. his mixture of deep, soulful, techy and minimal sounds has seen markus and his productions prosper and today we bring you his debut release for kiara records. the summit ep is a collection of three exclusive new cuts lead by the wonderfully deep and hypnotic title track. its the title track that receives the remix treatment too, as kiara welcome ray okpara to the label. with two remixes and one original release to his name so far in 2011, we find ray in excitingly fresh form as he harnesses the deepness of the original and adds a rough and gritty edge with the inclusion of an abrasive groove-locked synth line.

the new leena is by toronto-based sean miller - an artist who has previously released on some of the leading dance music labels of today: steve lawlers viva music, satoshi tommies saw recordings, audioflys supernature, nic fanciullis saved records, 2000andones area remote and various collaborations with renowned artists. miller has built a strong and vibrant dj/producer career over the past ten years, which his new ep >c mon thats it< on leena stands testament to with its well honed production style and creative flare.

braille serves up a firing couple of tracks on rush hours direct current sub label.... tip!! braille is better known as praveen, who forms sepalcure together with machinedrum. he uses this new alias for his house orientated output. >the year 3000< is a vocal house mover of anthemic proportions. it craftily reworks a classic chicago house vocal and gives it new life back into the future. banging! >leavin without you< is built around a heartfelt vocal soul sample, which cuts in and out of the mix leaving room the music to take off leaving planet earth.

when delorean toured with teengirl fantasy last spring they told us about a song that had really blown them away. when they shared it with us we understood why. it was called >cheaters< and sounded like an instant classic. very different to the trademark psychedelic jams of the duo, the song was homage to classic chicago house from a modern perspective. built around layers of blissful synths and borrowing the vocals of first committees >cheaters never win<, it had that kind of energy that we sometimes miss in contemporary dance music. later that summer, john talabot visited new york and became aware that the track was going to be released by true panther sounds only as part of the album >7am<. something sparked inside us. we felt it was not fair that such an incredible track had to share its vinyls grooves with other songs so we thought it would be nice to dedicate a full maxi side to it.

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

the winter saga continues… this being the second release on art of vengeance, aril takes yet another turn in style, or rather back to the sound of the winter ep that was released on kompakt in 2007. the title track is is a journy in melodies built in layers, trying to fit as much melodies in one track without going over the line. maybe it is over the line? tundra is a bit more on the rough side but with arps and chords coming in and out while glacär/for minou strips things down a bit to a more bassier and warmer sound with string/chords, less melodies and more groove

diynamic and mobilee have always been close, and last year celebrated together in style on the rooftop of the hotel diagonal in barcelona during sonar 2010 with all the leading artists on board, including diynamics h.o.s.h whos next up on the ever diversifying leena music catalogue! starting to release back in 2006, holger behn - the man behind the four well renowned letters - already has an impressive catalogue with eps on labels including get physical, kindisch, supernature, freerange, strictly rhythm, dessous, tsuba and of course his home label, as well as his debut lp >connecting the dots< on diynamic which came out last year. his new ep, >tour de fonque<, fits perfectly in a peak time dance floor set, with strong basslines and in the case of the a-side track >dead and alive< a twisted and eery vocal thats demanding >to know what it is<. meanwhile b-side >tour de fonque< is built on a deep and driving groove thats impossible to ignore or stay still too. keep it spinning and enjoy!

the labels hiatus is over. a few years have passed and neurhythmics resurfaces after like-minded souls decided to bring it back. juergen junker returns with a 3 track 12inch that stems from a live-set concept he created over the last few months. raw as you like, it takes a distinct bow towards the earlier days of the windy city. dirty, knackered sounding drums, and cut-up vocal bits fused together to a driving force that is hard to resist. the a-side , >unclean mutha< is a definitely x-rated affair that has the jacking feel built right into arrangement. on the b-side, this is suitably followed up by >working her for real<, which is what we want to happen when this is being played in the club. work it, baby..! the second track, >honey< with its camp statement vocals and similar vibe rounds things up for the first part.

>a crowd teaser and crowd pleaser, constantly rocking it with music to make you smile< is a very fitting description of mobilees next new guest, ray okpara. with a string of big releases on labels including oslo, get physical and remote area, he has always stuck by his groovy, soulful and deep house trademark style and his brand new ep on mobilee >booty< is no exception to the rule! listening to soul, funk and hip hop at a younger age, he has carried these influences throughout his musical career, blossoming into an internationally renowned dj, live act and producer. title track >booty< is built upon an inescapable and never ending tightly swung groove, whilst >crabapple road< comes with a nice and deep bouncing bass line. >modern dance< and >coyoacan< follow suit with an equal amount of energy, creating a very strong collection of dance floor ammunition, which will likely be heard in clubs across the globe. get up on the floor and enjoy!

coloured vinyl arttu aka lump has already built a respectable backcatalogue over the last years, delivering deep dubs and far out disco extravaganza… but this ain t a lump thang! under his real name arttu s about to bang the box in a classy warehouse style - raw minimal shit with an edge and unpredictable arrangements…timeless! thanks for purchasing a real copy!

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

wolkenreise finds the duo moving away from the dark, peak hour techno to a gentler sound that flirts with emotive deep house for something classy and inspired. the track offers here is built on a raw, unhurried kick. all important contrast comes from the dry, echoing claps (which cut gorgeously through the bass clouds like, well, thunder) at unexpected intervals, a distant, longing and muted organ line (i think) and some heavy hearted synths. it’s melancholic but optimistic, and has a certain classiness to it which i really dig.” -teshno, january 2011. these are just some of the words that have many saying wolkenreise is the single of year so far with massive global support from all over the world including seth troxler, laurent garnier, craig richards and alexi delano to name a few. glistening and glowing remixes are created by the brilliant minds of john tejada, dj qu and rene breitbarth to offer up a vinyl that is timeless

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

nice price deal !!! souled are back after a years break to build their studio and get their record label fresh minute music rolling and it seems to have done the trick with support for the label from radio 1s annie mac, gilles peterson, rod da bank and toddla t and plays on kiss 100, 1 xtra and galaxy as well as where it really matters on the worlds dancefloors from heavy weight djs benji b, karizma, martyn, floating points, joy orbison, kyle hall, kode 9, louie vega, osunlade, recloose and rainer truby. the labels tracks have also landed on fabric, ministry of sound and soul jazz compilations and have been licenced to america, south africa and japan. not bad for a years work and now their first 4 track album (finished in the newly built studio) is getting some heat. support so far from gilles peterson (radio 1), phil asher, simbad, mad mats (raw fusion), rocky (xpress 2), craig smith (6th borough project), julio bashmore, kay suzuki, green money, sy sez (aprodisiax), robert owens and patrick forge.

party breaks unabashedly shows its colors with 4 new brilliant marcos cabral edits. with samples ranging from boogie, to piano house, to a beefed up disco ballad, marcos layers sounds and phrases in an effortless manor for major effect. sometimes robin s will peak through, sometimes bob-a-rella…all within a strict drum machine groove. all the tracks were clearly built with the dj in mind, repetitive when wanting to hypnotize, and pop when wanting to catch listeners.

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

within a fistful of years, london based dj and producer jozif has built a solid reputation for himself. eccentric as well as charismatic, his groove-driven sets have brought severe damage on some of the most hard to please dancefloors of planet earth. as a producer, jozif sails in a sea of strange atmospheres, wrapped up in white noise, equally organic and electronic, deep blue, deep disco, deep house, deep techno...

*** fresh repress *** the second episode of artistika will be held by tom ellis, spoiling us with a unique type of sound, difficult to place in a specific category of music. two tracks lullaby and radical rethink. the first, in co-operation with suz, is characterised by a profound and melancholy sound, while the second come with a powerful and well built bassline. to complete the ep two new entry on artistika, tom ruijg and markus schatz with the uncommon jazz remix. artistika, take the art and put it..here!

this is the first release from throttler recordings, with 2 tracks focused on the dark cutting edge drum&bass side. the opening is made by a smashing head banger feeding the dance floor with bass at 180. no hostages alive. pure mayhem. on the other side awaits a forward thinking warstep built on sophisticated beats and surrounded by dark guilty ambience. a must have both for the living room and basement decks.

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

lust und freu.de welcomes voellmer & brendel, two new artists from potsdam, on their seventh and last release of this year. their track >influenze< is built up pretty simple and brings it on sharp with rolling basslines and spacey sounds flying all over the place. this track fascinates by careless ease and its hypnotizing effect lets his listeners automatically float to the dancefloor. competed by an bumpin someone else and an away drifting antonio olivieri remix this ep is an invitation to move your feet and fly away.

the 4th release on their own imprint >pattern repeat< (resoe & kenneth christiansen) again delivers two killer techno tracks. the duo has really built themselves a solid reputation on the previous 3 releases, and gained support from artists like function, silent servant, pär grindvik, levon vincent, darko esser, reference, samuli kemppi. pattern repeat shows how the modern berlin sound really can get a twist of the new sound of copenhagen.

exactly one year ago, stimming bought us the exquisite >funk with me<. a production, created together with south african talent lazarus mathebula. having become firm friends, an invite was extended to lazarus to come to hamburg and spend time in the studio. once again, the result of those sessions is outstanding. with >change<, and through the vocals of lazarus, both artists have built a musical bridge linking hamburg and johannesburg. a beautifully exotic production, as we have come to expect from stimming, with an added african touch. completing the ep are three brand new stimming productions for you delectation. musically outstanding, with his trademark-out-there-touch. this is yet another stimming release, not to be missed. enjoy!

first on decks .de !!! sa007 sees perc and modern heads create the first collaborations between these two core stroboscopic artefacts artists. the result is a punishing hybrid of percs dubstep tendencies and modern heads cutting techno. a-side >mendax< is cavernous. built upon solid dub foundations, it spills over into grinding, metallic territory. if the titles to be believed it takes inspiration from the shady world of lies and deceit. the atmosphere seems to agree, theres certainly something mendacious at work here. b1 takes the eps atmosphere and adds abrasion. in >percdax< cold, hard percussion is layered over a bed of warm dub. closer >moddax< errs on the eerie. it skulks, is full of sticky bleeps and the result is unnervingly dubbed out. all three track titles share the same suffix and if this indicates that they also share one quality its that theyre best heard in the glinting shadows of a club just before day break. sa007 was craftily mastered by artefacts mastering, berlin.

third and final part of the massive longplayer.. fierce and dark techno weapons! berghain proof ! having built up several heavyweight releases on figure already, japanese techno magnate a. mochi stampedes onwards with primordial soup his powerful 9 track longplayer, initially split over three successive 12 records. this collection of simply overwhelming club weapons extends and expands upon some of the themes the producer already explored in his 3 previous eps for figure ringing, gyrating and pulsing with sheer technoid power is fastball, which will be included on the third part of the release. devilishly simple and yet mind-expanding all the same, this is a true underground weapon for true techno lovers. this only leaves the haunting lift-off signal of forced run, and the trance-inducing, reduced jam that is dark matter.

public lover (ninca leece & bruno pronsato) return with another single aimed at bringing you into their humid world of dance music. naked figures is a bassline-driven story drunk on percussion and beauty. a track built on abstraction and elegance. a track quiet literally naked from its humble beginning to its anti-climactic ending. it’s an unassuming journey of class. it’s ninca & bruno uttering scenes of nakedness and dim lights… but is it a love song? we think not. it’s not about a one night stand either. it’s simple. it’s funk. it’s house. it’s techno. more importantly, it’s about making you dance. on the b-side, one half of the duo, bruno pronsato, steps up for remix duties.

this outstanding piece from jackie misfit, london based deejay, producer, vocalist and multi-instrumentalist presents a harmonic collision between primal africa and western culture. complex in its structure, based on polyphonic singing technique called jodel and articulated together with the dance, pigmy music has much in common with contemporary dance music. the concept was to create the impression that the instruments were played by the tribe to give the impression of being around them. to gain that, jackie used a variety of drums, whistles, harps, instruments built of coconut shells, animal skins and sanza wood by pigmies and vocals recorded in congo rainforest during the tribal rituals. its crafted in the western manner but the inspiration. basic repetitive patterns, vocals and instruments used in this production are original. together with the title that translates as the community of love, and works as homage to the humanitarian organization in congo that is focused on preserving pygmies and their culture.

missing days and that ghost built the foundation for stefan goldmanns steady grip on todays state of the art in electronic music. both tracks were produced in 2001 and became the key works of his early years.

nice price deal !!! prinzhorn dance school announce their return with new single – >seed, crop, harvest.< we havent heard a thing from tobin prinz and suzi horn for three years (their debut lp was released on dfa back in 2007) but theyve been far from work-shy. they toured extensively, then came home and built their own bespoke recording studio (the red shed) – and learned how to use it. time consuming endeavors which saw them drop off the music radar. which might just explain the title of the equally charged b-side >off the radar, off the system<. in their own words: >weve been busy. just not busy making records. you have to live too. you can only write so many songs about motorway service stations and airports<. they recorded and mixed both songs themselves in the red shed, with bob weston taking on mastering duties. …prinzhorn dance school are back! and dfa could not be more proud

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

stroboscopic artefacts rip into autumn with a masterful split vinyl. sa006 sees jonas kopp taking to the a-side with the punishingly good >alkitran< and the flip side picks up where the monad series left off with markus suckuts >vary<. >alkitran< writhes hissing and spitting into existence. snares lash across the opening, to be replaced by subaqueous grumbles and whirling from above. the title >alkitran> begs no translation, the tracks sticky, black palette and viscous textures effortlessly communicate the notion of tar. markus suckuts >vary> takes the opposite tact, his dark tones are built amid structures that are suffused with light and dappled with the grindingly ecstatic. this is superbly elegant techno that has refused to sacrifice any of its hardness in order to achieve elegance.

nice price deal !!! charted by reboot !! niveous records proudly presents the first split ep with massive bangers by max piske and marquese, who built a tag team for this release. already played by robert dietz, ray okpara, livio& roby, alex celler, boris werner and many more

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

michigan central station built in 1913 for the michigan central railroad, was detroit, michigans passenger rail depot from its opening in 1913 until the discontinuance of amtrak service on january 6, 1988. at the time of its construction, it was the tallest rail station in the world. the building, located in the corktown district of detroit still stands today, though it remains unoccupied. restoration projects and plans have gone as far as the negotiation process, but none have come to fruition. spread throughout the city of detroit and its surrounding metropolitan area, the decay of once magnificent buildings during the industrial revolution and automobile era now cast a shadow of despair on a once flourishing city. these monuments of achievement now lay barren and forsaken by city government. infrastructural restoration and city development are fundamental elements in detroits recovery, and the recovery of cities worldwide. it is time for revival in our cities, but first, in our souls. the michigan central station ep is a platform for this change.

incl. matthias tanzmann rmx !! maximum impact 12inch on audioflyÆs supernature ! loved by everybody ! audioflys supernature continues its 2010 campaign in style with take control, the brand new single from one of germanys finest ascendant talents in house music, alex niggemann. backed with a remix from the indomitable matthias tanzmann, take controlis niggemanns finest work yet and a testament to the young producers talent for creating fresh, simple, contemporary house music with impeccable dance floor credentials. having forgone much of his life outside of music to hone his craft in the past five years, the berlin-based d³sseldorf-born dj/producer more than deserves his success and its certainly on the way as many of his more established peers line up to tip him as one to watch. buoyant, energetic and bottom heavy take controlbegins with a maurizio-esque, stripped groove which is slowly and steadily built with carefully programmed percussion.

the final part to the limited edition hi five mobilee! vinyl series features tracks from mobilees head lady, anja schneider, and one of the very first artists on the mobilee roster, sebo k. each of the artists careers have grown and flourished with the label, and whilst retaining many elements from their signature styles, these tracks also show how they have developed their sound over the last five years. sebo ks way back comes with a funky house bass line and colorful synths, creating a very full and warm sound, and one that is topped with an element of old school vibes. as with all of his releases, its classically built for the dance floor and one that will be enjoyed by many. meanwhile, anja schneiders >something left<, has a more minimal and isolated feel to it, broken up with the soulful voice of cari golden. completely contrasting to sebo ks a side, it makes this an interestingly varied release!