nice price deal !!! hot rnb party tracks incl lumidee, beoynce, nick cann & fatman scoop !!

nice price deal !!! 2 hip hop tracks feat trick daddy, pitbull, rick ross & the flip side feat kanye west & john legend !

nice price deal !!! rnb par excellence feat the 4 tracks electric, cant let you go, obsession and do it !

exzellenter sampler mit 16 massiven tracks aus der belgischen popcorn-Ära rund um den gleichnamigen club in vrasene (flandern) und seinem dj gilbert govaert. opener ist die vielgesuchte top-rarität “keelin kinda lonesome” von willie j charles, während die tunes von ki ki page und chance halladay hier zum ersten mal auf vinyl wiederveröffentlicht werden! ein schmuckstück für soul/r&b-vinylsammler.

this is a journey into sound. a series of journeys across the globe, in-fact. this time with don leisure from darkhouse family. let us tell you a story. firstly, we first need to answer a question. who is shaboo? it began in africa. nasser barwani was the son of shabudin. at the age of 15, nasser (don s uncle) left kenya and hitch-hiked his way to london. nasser entered the movie business, occasionally finding himself in front of the camera, acting in bollywood films. it was then that nasser changed his surname to adopt a screen name - shaboo.
5 instrumental hip hop tracks, linked together in a truly unique style and fashion, this is much more than a beat tape. this is a journey into sound. for real.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

the voices of east harlem were an ensemble of vocalists who for just sunshine records recorded two albums under the direction of leroy hutson and curtis mayfield. “cashing in” is one of their most classic songs, a highly sought after track on original 7” fetches between £40 and £80 on the collectors market. first recorded and released in 1973 it has all the hallmarks of a leroy hutson composition and an established audience that crosses the boundaries of northern, crossover and modern soul. the song is coupled here with “take a stand”, another highly regarded and sought after modern soul room dance floor tracks, never previously released on 7” single until now

nice price deal !!! russias freza and dj flashs twist things up on sog records with the musically mind-blowing ritmix. there are simply few dance tracks out there that are as musically intricate as ritmix as melodies and arpeggios sweep over the funking bassline

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks. * an introduction part 1 calls upon artists from different corners of the globe who share the similarity of undeniable soul and expression in their music. the ep has an earthy, worldly feel to it. from the swahili sung harmonies on mim suleiman’s ‘pole pole’, to the afro influences of swiss collective alma negra’s ‘onga’, both tracks work raw percussion with just enough swing that either would sit comfortably within latenight uk dance floors or on the sun-kissed beaches of pula, croatia – dimensions festival’s home. then there’s the jazz-tinted glow of istanbul’s kerem akdag whose ‘getdownsoclose’ deep roller makes use of lush pads and rushing snares. closing is maryland’s james tillman, who’s soulful vocals on ‘wander’ sit gracefully over transcendental keys and compellingly loose drumming, rounding off part 1 with a dose of the soul.

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks.
an introduction part 2 turns the heat up with more dance floor leaning contributions from four american artists. from long established names such as lady blacktronika to relative newcomer byron the aquarius, each artist delivers a different but equally powerful piece. marcos cabral’s ‘prochainement’ is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst byron the aquarius drops his signature dose of funk into ‘full moon’. one of the standout breakthrough artists of last year, the atlanta producer has been part of the dimensions team for some time. queen of beatdown, lady blacktronika steps up with a timeless, tripped-out house classic for her contribution ‘can we still be friends?’, her vocal oozing melancholy. rounding up is dj aakmael with ‘transit’, a raw, flexing cut that we’ve come to expect via his massively impressive output and his own superb imprint, unxpozd entertainment.

nu era delivers another dose of deep-soulful house produced by marc mac. this detroit style 4 track ep is backed with genre-fused science, analogue machines woven together by chords, melodies and beats we ve come to expect from nu era, at times the string laden 4hero sound is synonymous throughout the four tracks and although synthetic still full of emotion. the vinyl release is a lovely transparent red and an animated label design is a nice bonus, limited to 300 copies.

limited edition gold vinyl.
ivory puzzle – dj krust a straight up banger from dj krusts -cloaking- bass era. like many tracks from the time, it s working simplicity was it s defining factor. a very hooky arpeggiated intro and breakdown and an unrelenting drum and bass workout, the track steps up a gear getting more intense every sixteen bars taking the dance floor on the musical equivalent of a nitro fuelled sprint down a drag strip.
flip it – dj krust a futuristic roller with sampled funk breakbeats reminiscent of -true stories- and -soul in motion-. like many of the krust and full cycle releases this was a tune screaming to be mixed with others, it s unexpected drum edits and fx popping in and out making it impossible to tell when one tune ended and another began. the resonating b-line always sounded huge on a rig and paved the way for a myriad of future generations of bass ideas. quite a rare tune, only krust, die and bryan g had this on dubplate.

nice price deal !!! mit >watch me dance - agitated by ross orton & pipes< erscheint das letztjährige toddla t-album in einer neubearbeitung der sheffielder musiklegenden ross orton & pipes, die toddla t zu seinen persönlichen musikalischen helden zählt. ross orton war mitglied der legendären fat truckers, der drummer in jarvis cocker band und als the cavemen (zusammen mit steve mackey von pulp) zeigte er sich für mias Überhit >galang< verantwortlich. darüberhinaus remixte und produzierte orton u.a. the kills, kelis und die arctic monkeys. dj pipes zählt zu den englischen bass legenden, und gemeinsam teilen sie ihre leidenschaft für dancehall und elektronische musik. auf >watch me dance< beeindruckte toddla t bereits letztes jahr mit seiner fusion aus dubstep/bass, house, street soul, dancehall und pop. pipes & ross orton würzen die neubearbeitungen der tracks mit der essenz der sheffielder bass culture von dub-reggae über bleeps/techno bis hin zu dubstep!

subsequent returns with its 4th release, subsequent s first va. this record proudly combines new talents like t-wyn and yakine with two tracks from a real master of his craft - ibrahim alfa. the vinyl swings elegantly between genres and is perfect subsequent material! enjoy!

colt music is back with a new release, welcoming 2017 by presenting syntax society. the mysterious spanish artist starts his journey with three electro and minimal infused tracks perfect for any dark late night or early morning setting. to close things off, frankfurt s finest markus sommer delivers an astonishing megannum remix, coming straight from the future

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks.
dimensions recordings explores its darker side on an introduction part 3 with intergalactic oddities and twisted techno constructions, the release is definitely ones for the late hours. ‘crosstalk’ from gear heads london modular alliance opens, a squelching, electro, hardware excursion demonstrating a small snippet of what’s to come from the talented trio. next, french artist, upwellings steps up to demonstrate his purist approach as he unites elements of dub and techno to create the beautifully spacey ‘soft shadows’. the third offering comes courtesy of fachwerk label boss and prolific techno artist, mike dehnert, who presents raw but melodic track in ‘tokio,’which maintains his minimal and stripped back aesthetic beautifully. chicago’s steven tang in his obsolete music technology rounds off the release with ‘comb freq,’ a devastatingly powerful mix of acidic, bleeping dance floor energy!

very dark green with black marbling effect vinyl.
new from stonedwave (founded by chip tronic), who has lately been active for both the kugkmusique and the oyabun labels comes a collection of powerful dark wonky techno tracks who have been created for freaking out on the dancefloor while still creating pictures in the listeners mind. the tunes have been selected and tested by dj wotta mess. the latter has been doing the warm up for dont radio show which is a regular internet event before jerome hill s london based events.

a strange confluence of sound that sounds part krautrock synth label brain records, part hyperdub. techno haze and synth wormholes with spectacular sound design that has banged at berghain and soundtracked winter night drives. greenspan is known mainly for his work with junior boys and jessy lanza and taraval is a longtime touring member of caribou, but both have released several 12” and eps of electronic exploration over the past few years. inspired by synthesizer minimalists like jd emmanuel, cluster and john carpenter, the two attempted to create a type of dance music with hardware that was indebted to their influences but did not feel intrinsically retrogressive. the idea was to make a type of raw synthesizer and drum machine music that could be listened to beside the hypermodern techno of pearson sound or actress. the cover art is a tribute to a mysterious mural that looms over the hamilton ontario area where the album was recorded. each of the five tracks on the ep were edited down from much longer recording jams which were done with hardware sequencers in real time. the recording was done completely off the floor with no overdubs or added material after the fact.

mm audio adds to its catalogue the third release signed by the japanese artist hironori takahashi. the ep consists of four tracks with kick very present, deep and hypnotic sounds, atmospheres and repetitive rhythms representing his techno.
vinyl: 180gr solid blue, black & solid white mixed.

nice price deal !!! jeremy from junior boys collaborating with some canadian modular synth masters on some great techno tracks.

nice price deal !!! nice price deal !!! cannibald records introduce his new artist gabriele carasco responsibles for this 4th release before the beginning of the summer season. gabrieles release represent a further shade of cannibalds outputs , the two tracks on the side a are really groovy, whit a sweet and peaceable mood, the prefects tracks to be played on the beach or on the bigs open air gigs , while in the side b the mood changes in dark and wild techno sound for all the big bass lovers.

bress underground joins the something else family, pushing the sound of that timeless old skool sound, that 90 s flava ooze through the tracks on his debut ep!!

after some excellent digital releases on editorial and ism as well as a fantastic remix of kraak & smaak on jalapeno as one half of allovers we are very happy to release i gemin s debut vinyl ep on pressed for time entitled the let s move ep , it features two superb deep house numbers in the trademark i gemin style - chunky, hypnotic and soulful. we were big fans of both tracks here at pft hq so we got head honchos yse and goshawk on remix duties. yse reversions it s about trust in a tougher, trackier style with some mood ii swing-esque spoken word vocal on the flip goshawk gets his talons into let s move upping the tempo slightly and adding a bumping bassline whilst keeping the soulful vibe intact.

originally released only on cassette in 1986, -embrace- is mixture of experimental tracks of the duo martin kornberger & volker kuhn. 600 copies ltd. recommended!

it s been a while since we last heard from juniper, the manchester-based duo who showed much promise with early outings on underground quality and the like. having previously popped up on a various artists 12-, they return to the ever-essential meandyou with a strong statement of intent, packing five tracks into an ep that presents their subversive style immaculately. -indigo children- is a head-turning cut that fuses uptempo motor city style electro and techno with industrial tones, while -life source negative- switches stance for a beautiful, craftily constructed drift into woozy deep house. every track is noteworthy on this release, balancing immediacy and warmth against experimental textures in a way that sits very comfortably on meandyou.

* moa pillar returns with his second lp, ‘hymns’, on karelian label full of nothing. to be released on july 28th, ‘hymns’ follows the epic album ‘humanity’ (2015). * offering up five tracks of transcendental heavy bass and beats, moa pillar aka fedor pereverzev, slams the worlds of authentic folk, tribal music, forward thinking electronica and dark techno together, unapologetically creating illuminating effects on his latest lp. refusing to follow convention, pereverzev produces his own, soul elevating sound art with his eclectic textures and sounds. * each track on ‘hymns’ challenges the traditional meaning of its namesake.

2009 starteten eamon harkin und justin carter ihre partyreihe mister saturday night. diese entwickelte sich innerhalb kurzer zeit zu einer feierinstitution und ist aus dem nachtleben new york citys nicht mehr wegzudenken. mittlerweile sind die beiden bei der 250sten veranstaltung angelangt, was ü³r die zwei kreativköpfe ein willkommener anlass war, eine mix-kompilation zusammenzustellen, die einfach mal den moment festhõlt. so finden sich auf -mister saturday night, then & now- einerseits dance-tracks der letzten acht jahre, die für die partyreihe prägend waren, andererseits groovende entdeckungen der jüngeren vergangenheit, die für harkin und carter zum ausdruck bringen, wohin die ekstatische reise bei den nächsten 250 veranstaltungen führen könnte ... mit auf der kompilation vertreten sind bekannte namen wie faltydl, kerrier district und dennis ferrer sowie soul bros. inc, esb und mystic pleasure.
das 3fach vinyl erscheint inklusive downloadcode.

north harbour grooves returns with an ep by black caviar, full of classy sample house tracks to tear the club apart.

raw elements. back 2 basic six is the second re-issue which will be released on flash forward licensed from final cut records ! killer tracks with strong bass and sax riff. another past and future classic!

raw elements. back 2 basic six is the second re-issue which will be released on flash forward licensed from final cut records ! killer tracks with strong bass and sax riff. another past and future classic!

harrison bdp steps up for the inaugural release from artesian sounds kicking things off with one of harrison’s most anticipated tracks to date. “it’s foggy outside” has been rescued from the confines of the world wide web remastered and revamped to finally get its first taste of wax. foggy had everyone grooving from the get go and now will hit harder and deeper every time.
the flip sees harrison showing off his knack for the garage shuffle and straight-up, no fuss, late night bangers. roberto s wraps things up providing his own playful rendition of the a-side track, building on those blissful chords with crystal clear arps and a bounding rhythm. a perfect summer’s day encapsulated...

jose lau delivers the fifth release on urban imagery. four tracks from familial territory by a producer who originally hails from managua, nicaragua. what is evident in jose lau’s debut release is the unique melding of traditional deep house elements with unassuming latin-funk percussion. common throughout is his masterful use of chicago-eque basslines and delicate pad movements alongside minor-key melodic underpinnings. the outcome is buffered by lo-fi harmonics and dub overtones. late night introspective music to its core.

these ones keep floors moving! championing an inimitable groove, the possé present three club ready tracks on their season s greetings ep, combining the know-how of house with the energy and spontaneity of a live band set up. recorded at the legendary citisound and rec studios in sydney, the tracks on ken004 each deliver different perceptions of the up-tempo house beat they’re quickly becoming known for. the title track is probably the heaviest delivery from the label to date, highlighted by the iconic drip of the tb-303. cheeky guitar licks and 808 rhythms jump in and out of the tracks on the ep, keeping it fresh on the live tip.

oh so coy presents its 3rd & 4th vinyl outings respectively courtesy of german resident marc heun. quality production encapsulates all eight tracks that move effortlessly from deep to discofied house. disc 1 takes a slightly experimental edge with some great sampling work and raw beats. disc 2 has a more summery feel with breezy disco house edits and filtered vocal twists.

stk debuts on mentha records presenting two raw techno tracks with brilliant remix by detroit legend gari romalis.

south california’s acid maestro sfv acid is featured on the third release by third try records, the pettyclubber ep, which includes artwork hand drawn by the artist himself. 5 original tracks and one remix that brings together long time friends and collaborators sfv acid, suzanne kraft and secret circuit with their first studio collaboration ever committed to wax.

arctor appeared on our radar a year or so ago and stands out with his high-bpm, melodic techno blend. time and time again he has been surprising us as a producer and dj with amazingly crafted music. so when we decided to do a vinyl only sublabel, we just couldn’t think of anyone else to do the debut release. we hope you will love the three tracks he made and the acid-infused remix by gynoid audio’s advanced human.

l&m is a new label of analog machine jams, featuring 3 powerful cuts of raw live material. all tracks produced by a surgeon and an anaesthesiologist. limited pressing and totally essential.

with spring well and truly in the air and party season in step, mosaic records boss steve o sullivan launches mosaic s 38th release - joining forces with fellow londoner frazer campbell for a new studio collaboration. not content with letting the dust settle from his recent work alongside ricardo villalobos, o sullivan has stayed a little closer to his london home to work with frazer campbell for this latest tag team effort. a dextrous hand in the mix and producer in his own right, campbell has a passion for all things that sit on the deeper end of the house, techno and electronica spectrum. in his own words, thought emoting music is central to his mission having launched open recordings and elliot project records last year: a worthy sparring partner indeed. since the start of the year, the pair had their heads down focusing on finding a happy medium between deeply swung grooves and the airy influences of detroit - shaking out an interesting trio of tracks for their label debut. far from treading the obvious path, the main event a1 hypnotonic revels in a lighter touch as metronomic beat programming cycles endlessly to a held set of notes. off-kilter bass pulses, warped out vocals and effect splashes all intersect to keep the energy input constant as they capture one of those less frenzied moments where the very notion of time seems to hold still. make no mistake, this is a slow burn vibe. head to the flipside b1 soultonic to plunge yourself straight into hip twitching mode when the lights go down. a deep chord, syncopated hats and deftly tweaked synths echo as a full dose of shuffle inflicts its move. simple yet so effective, this track will not let you down. winding things back up a touch, the tougher edge of alleyway funk pushes the feeling on thanks to a thumping kick and a deft nod towards uk garage. met with a soft glisten of a rhodes piano and tweakish melody, the pair round things off in a boyant mood - fans of soul capsule and schatrax will no doubt agree. repeat play of this ep is recommended as its all the more rewarding for it.

the label from japan “florklang” has started up in 2016. now florklang is releasing the second vinyl by producer tk lawrence from brooklyn who debut from irish cavalier and played actively in dub pistols. the records include “they all float down here” that he expressed the influence of horror-core into creepy organ sound. also you could hear everywhere the taste of hip-hop and jazz from “tribute to where we come from” and “rap dinosaurs” in side b. the record includes 4 other various tracks that you could feel the new york abundant scene where he brought up. further more each track based on akai s950 and analogue machines when it has created.

delsin s re-issue arm is back with a timely release of classic norken material. featuring on the ep is the cult southern soul - originally released on reel discs in 1998 - plus more frequencies and shifting towards , two tracks from his 1999 album soul static bureau . norken, of course, is lee norris, best known as metamatics and a producer with a fine discography that takes in proper deep house, sleek minimal and atmospheric dub.

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

hard-to-find italian library record, and its first reissue since it came out in 1981 on videovoice ! recorded on side a by a traditional strings orchestra, on the flip, the tracks have been synthesized exclusively by electronic instruments. futuristic music!

the new 12 inch from daphni - the first release in over 3 years - featuring tracks appearing on his upcoming fabriclive mix.

blake baxter is undoubtedly detroit techno royalty. his unique style and sound has always found fans around the world since his first releases back in the late 80 s. we decided to reach out to blake here at mint condition hq and we were hugely under-prepared for the reply we d get back from him. master tapes?! we said - yes said blake. ok, who wouldn t wish to hear unreleased mixes and versions of some bonafide detroit techno classics we thought? that s what you re going to get with mint condition number 12, some unheard, unreleased, straight from blake baxter s 4 track tape stash heat. as you re all aware, 1991 s seminal prince of techno ep originally came out on underground resistance and we ve been given exclusive permission to reissue the ep (almost) in it s entirety, the only difference being that this pressing doesn t include vision of truth and features unheard versions of the other tracks that appeared on that ep as well as the original, classic mix of when a thought becomes you . yes, blake dug deep for us in his archive and we are proud to present this important document of classic detroit techno, never before heard - until now. exciting stuff! when a thought becomes you has been legitimately re-released with the full involvement of all license holders for 2017 and remastered by london s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

hyperdub+ warp records artists babyfather and gaika rework two 18+ tracks from their second album collect. hyperdubs dean blunt, a category-rejecting artist and an art-pop provocateur tackles drama under his babyfather guise, looping a low slung swagger beat under the vocals of dj escrow and samia mirza. warp records multi-disciplined south london artist gaika rips apart glow into a discordant sub-low bassline drone, pitching samias vocal as slow as can go, harsh high pitch tones and field recordings. one of the strongest things we’ve heard from the divisive producer.

hailing from spain, we are pleased to welcome ramiro lopez to take the reigns for our next release. the in-form producer has already released music on the likes of bedrock, intec, suara and diymanic in a relatively short space of time and garnered major support from adam beyer, carl cox and monika kruse. coming out on 15th may, his pretending release comprises of 4 tracks that have been a mainstay of adam beyer s sets during the latter part of 2016 and now full force in to 2017. the release opens with september atmospheric to its very core, the crunching drums and low end rumbles make this one a sure fire weapon of choice. next we jump into loving you with a haunting vocal that compliments the stripped back yet refined approach of this track. come closer featuring juliet fox is a dark, rumbling number that screams building percussion that lends itself to become a peak time choice, whether its a club or festival. the release closes with pretending feat. knowkontrol an 8-minute piece of work that is destined for unadulterated dancefloor destruction, whilst maintaining that melodic element that ramiro lopez is fast making his signature style.

inmotion music ltd brings back two dynamic artists marco effe and james mile. both marco and james have been firmly cementing themselves in the techno and house music scene for several years while gaining well wide support from dj’s across the globe.. the mehringdamm ep consists of 3 original tracks and a remix by spain’s eduardo de callle.the first track, mehringdamm is a classic rhythmic-driven belter that packs a hefty punch. the jacking 909 drums and lush synth keep the tension through out.the b-side is slightly more experimental but has expertly captured the eduardo de calle.vibe. james miles ends the ep with a jacking 909 work out named stomp.