nice price deal !!! beat warriors and party-starters par excellence, andry nalin (bush ii bush) , returns from the front line together with saschco, who did his debut single >feel/serenity< on electribe records a few months before. the red mix delivers a full electronic bassline monster, containing a hughe breakdown followed by a all hands up peak. classic stabs, rollin effects, a synthesized vox, pumping beats and a electro bassline, adding a special flavour to a rockin groove. the white mix delivers a deeper version with warm pads and turns into the early morning territory.
david ekenbäck has developed a sound that is not what you would expect of a young swede. dynamic electro-techno, often accompanied by soft melodies, his music is thought often as an enigma to unsuspecting listeners. here he delivers two perfect examples of that. on the aside youll find this killer track. >data death< is like someone sneaking up on you in an alley and stabbing you in the back. a peak time electro raver for the likes of trentemøller, sebastien leger and great stuff.
dj support: loco dice, troy pierce, kiki, gus gus... new track from audion, aka matthew dear, his first since 2006s chart-topping >mouth to mouth< & exclusive tracks from bodycode aka portable and par grindvik who has released on adam beyer s drumcode label . distinct spooky, tribal rhythms
kalimari continues on bringing a variation of colors to the centre of the dancefloor making another must have record for the house and techno lovers gespraech a is already played by ricardo villalobos
straight from san francisco come little death with a magnificent cover version of we are back originally by sheffields bleepy techno originators lfo this new version takes us straight to modern day with live drums and bass layered up with thick synths and mandatory vocoders on the flip we find a more straight ahead dub for the dancefloors
rude 66 is back after his great viewlexx release. rude got the key to the impresive cem studio and got some free studio time in their analogue studio like all artists on the vynalogica label. he got out with some bad ass space invaders are smoking grass inspired tracks! phat rolling basslines, catchy melodies and vocoders. probably one of the stronger releases on the vynalogica label
the band's history of great remixes and b-sides is set to continue on 'romantic rights'. the 12inch re visits erol alkans version of the track on the b side while an the a we are treated to an all new mix from jesper dahlbeck that is set to ignite dance floors across the world!
>> limited picture disc…selected by ivan smagghe (blackstrobe), tracklist : a: quarks - i walk (superpitcher schaffel mix), b1: the vandenplas - lets stop marx, b2: dub pistols - six million ways to live (paul daley six mil ver.)
LIFE & DEATH ON A NEW YORK DANCE FLOOR (1980-1983) (2XCD)
2XCD 29.01.19
incl. tracks by 3 teens kill 4, alan vega, david byrne, dinosaur l, edwin birdsong, george kranz, gray, james white & the blacks, john robie, johnny dynell & new york 88, loose joints, material, peech boys, quando quango, rammellzee vs k-rob, tuxedomoon
the/das ist ein aus der formation bodi bill hervorgegangenes musikprojekt von fabian fenk (gesang) und philipp koller (elektronik, mix), das 2012 in berlin gegrŸndet wurde. der bandname soll eine neutrale bedeutung haben und in keine bestimmte richtung verweisen. ihren sound nennen die beiden techno tenderness, was in etwa chilliger afterhour-musik bzw. new romantic house entspricht. diesen fanden die geneigten hšrer auf bislang Ÿber einer handvoll veršffentlichungen, darunter der lp -freezer- von 2014. dessen innig ersehnter nachfolger erscheint auf dem italienischen, von dj tennis gefŸhrten label life and death. wŠhrend bei frŸheren releases eher der homelistening-aspekt betont wurde, gibt das produzentenduo auf -exit strategies- verstŠrkt clubfreundliche seiten von sich preis. dafŸr vermengen die zwei ziemlich geschickt, geschmackssicher und facettenreich ursprŸnglichen techno berliner prŠgung und organische soundschleifen miteinander und wŸrzen das ganze mit verspielten kinematografischen details. ein aufwŠndiges verfahren, dessen umsetzung von losen skizzen Ÿber die ersten arrangements und immer wieder neuen †berarbeitungen bis zum finalen mix im studio rund drei jahre dauerte.
der soundtrack von jim williams zum umstrittenen, verstšrenden, modernen kannibalen-horror-schocker raw von regisseurin julia ducournau in einer belgisch franzšsischen produktion, der bei den filmfestspielen in cannes 2016 premiere feierte und 2017 in die kinos kam. die europŠische lp-ausgabe erscheint auf grŸnem 180g vinyl.
clark verschnŸrt auf death peak die verschiedenen strŠnge seines bisherigen outputs, wenn er die euphorischen melodien und rhythmen der warehouse-raves mit neuen gesangs und chor-arrangements verknŸpft.ndeath peak- legt somit das spannungsfeld offen, auf dem clarks musikalisches vokabular basiert: -ich liebe es einfach, diesen wendepunkt zu finden zwischen zwei gegensŠtzen die stelle, an der es kippt. meine tracks sollen scharfe zŠhne haben, aber man soll sie trotzdem auch noch streicheln wollen. sie klingen klassisch, uralt, aber scheinen aus der zukunft hierher gebeamt zu sein, sanft und doch zerstšrerisch.
the bridge between life & death is the second album from barcelona- (via bristol) based producer zoon van snook. recorded partly in iceland, partly in bristol, the album features 11 tracks of fragile electronica, found sounds, field recordings and collaborations with icelandic artists amiina, benni hemm hemm and sin fang.
this is a textured soundscape energized by drums that might sound inspired from the influences of the past but are clearly crafted with sounds pulled from the future. from here we arrive at prisms, an interlude that at first seems relaxed until you realize that with just a combination of arpeggiated synths, percussive elements and noises plucked from the ether you are smack in the middle of a piece of music that somehow wraps its emotion around a moving image that moves you with it.
get physical prŠsentiert kris wadsworths albumdebuet life and death. kris wadsworth verbrachte den grš§ten teil seines lebens mit dem studieren und produzieren von elektronischer musik.
2011 album from the british electronic duo, their first album in seven years. producer/songwriter/frontman richard fearless mixed the album in michigan after recording it in shoreditch, london. trans-love energies, a reference to the 1960s detroit anti-establishment group, features 12 new songs with fearless performing lead vocals on the majority of the tracks. vocalist katie stelmanis from domino band austra guests on three of the tracks.
compiled by legendary producer arthur baker, “breakers revenge” is a near-definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970-1984.
you can enter: artist title label in this search field at the same time e.g.: Kalkbrenner Berlin Bpitch inverted commas for exact word order, e.g.: "in between"
