blue vinyl

for the 004 release we teamed up with roots singer kojo neatness delivering that true kingston reggae vibe. vocals were recorded in the mythical caveman studio in jamaica with the help of the great late nazamba.

produced and mixed by slim

black vinyl

als in gro§britannien entspannter roots reggae den harten rude boy/skinheadsound ablšste.

reissue

introducing our first va sampler, a vibrant collection featuring 8 tracks from a diverse mix of established and emerging artists, each showcasing their unique sound.

blue channel is a brand-new dub-roots collaboration between bluetrain aka steve o sullivan, and another channel — two titans in the dub techno scene. they are accompanied by prince morella, who adds his smooth vocals on top of the scapes of chords and delays. if you are into legendary labels like maurizio, burial mix, and rhythm & sound, then this one is for you. limited coloured vinyl.

black vinyl version. blue channel is a brand-new dub-roots collaboration between bluetrain aka steve o sullivan, and another channel — two titans in the dub techno scene. they are accompanied by prince morella, who adds his smooth vocals on top of the scapes of chords and delays. if you are into legendary labels like maurizio, burial mix, and rhythm & sound, then this one is for you.

first reissue of daweh congos classic roots reggae album human rights & justice originally released in 2000. daweh congo recruited the formidable talents of roots radic, jamaicas premier back-up band to lay the rhythms that can be heard throughout this album

reggae roots with warm female vocals

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

silver repress of this amazing record! jeff rushin on andre kronert s odd even. always looking to experiment with a wide range of sounds, a rushin-record aims is warm, energetic and different every time. as a producer, jeff is faithful to techno’s rhythmic machine-roots while also allowing emotion and atmosphere to slip through. this records shows why. mastering and cut by dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

the berlin-based techno and house producer and dj oliver koletzki has fully committed himself to his roots for this album. they can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today’s electronic music productions. großstadtmärchen is a perfect example for a producers album: oliver koletzki has created a musically compact long player while working together with many different singers. both established artists like mieze katz from the german electro-pop outfit mia., the hot german pop-rock-singer axel bosse, critically acclaimed indie band kate mosh as well as newcomers such as fran, pyur and juli holz have contributed to the album. the result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own koletzkieske sound dynamic. großstadtmärchen, which translates as the tale of the big city starts off with this is leisure. famous pop singer mieze katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. after hearing this, the listener is directly fully drawn into this world when hearing juli holzs softly whispering voice singing about the dilemmas of love in the big city on zuckerwatte (single release date: 7.9.09). this is a very fine electro-pop tune. coming up next oliver koletzki and axel bosse board an underground train that takes them around the berlin u-bahn system and back.

with her debut “my shadow was a nun”, maj rachel creates anamalgam of soul, musique concrete, sound design experiments and classical. coloured vinyl release.

electronic album zbigniew preisner & lisa gerrard

biovinyl, half speed mastered, heavy 350gsm sleeve, sticker

dub roots

roots/lovers rock

repress . produced by j dilla - mixed by dj pete rock! feat black thought (the roots), doom, m.o.p. and others!!! 25 track collection of unreleased dilla beats mixed and arranged by soul brother no.1, dj pete rock!

repress - j dilla is widely regarded as one of the greatest hip-hop producers of all time, having supplied timeless soundbeds for the likes of a tribe called quest, slum village, the pharcyde, busta rhymes, common, de la soul, the roots, d’angelo, erykah babu, madlib, and many more. in 2005, rumors began circulating about an album called “jay love japan”, a j dilla solo project inspired by one of jay dee’s favorite locations to visit on tour. after dilla’s untimely death in early 2006, the album became a lost classic shrouded in mystery, with only unofficial bootlegs and promo versions available. an official cd version was eventually released in 2008, but quickly went out of print. now, the album is finally receiving the official release it always deserved. j dilla’s mother ma dukes and her label vintage vibez music group are proud to present official vinyl and cd versions of “jay love japan”. with six soulful dilla instrumentals and vocal appearances from blu, miguel, j*davey, ta’raach, exile, baatin, and more, this 11-track collection is a perfect snapshot of late-period j dilla brilliance.

pressed on heavyweight vinyl

electronic album zbigniew preisner & lisa gerrard - b stock - cover with seam split , music uneffected

reggae

limited one-off pressing on yellow double vinyl.

renowned for ushering american roots into the contemporary era, the five-time-grammy-nominated guitarist kenny wayne shepherd has announced his latest studio album, dirt on my diamonds volume 1

ten years jeahmon! - this is why we celebrate this decade for our imprint with our roots: a jubilee pressing on 12inch vinyl. remember how it all started back in 2013: with a hand painted full cover vinyl series. the crazy fishes from back in the days are still here! ten years later marc depulses imprint developed to the top 5 leading indie dance labels on the planet – with over 80 releases and a lot of chartbreakers during the years. this vinyl represents a little family showcase with homie artists that built the brand over the past few years and who are an important face for jeahmon! these days. just to name a few of course – there are still so many other representive artists that made our imprint becoming so big and successful. jeahmon!089

great longplayer from groove armada .. i see you .. :)

dub reggae

backstock available! ozone recordings presents the 2nd of its limited edition vinyl releases. mike ash returns to sheffield’s bleepy techno roots once again.

brown coloured vinyl indie edition

for fans of saturday night fever... disco roots

batov records opens another chapter, introducing “five seasons”, the debut album of eje eje, the brand new solo project of itamar klüger, of the satellites, presenting a fresh and contemporary world incorporating the rich diversity of middle eastern and mediterranean musical styles with psych, funk, dub and other internationally known sounds.

techy funky house bomb

death is not the end s 333 sub-label drops a much needed reissue of rupie dan s my black race 12- from 1982. a huge shaka selection featuring one of the heaviest dubs available from this era of uk roots production. originally written and produced by rupie for his flag records label, with engineering from tony addis (later of addis posse and the warriors dance label).

roots reggae

the cool fish syberian98 never ceases to amaze and comes back with his best groovie stuff. he s going further in ‘techno reminiscence’ and meet some soulful house roots from detroit and chicago. highly recommended for your home party or club in that it sounds classy, deep and heartbreaking.

unreleased work from finis africae together with the reissue of their first album -prima travesía-. a deep trip of the roots of organic ambient.

roots reggae, ultra limited

minimal man does exactly what it says on the label and this release from baby ford and eon is no exception! this is the track that you will be singing round your house for weeks on end. >make a move pt1< is a classic floorfiller that we have all been waiting for, with its roots firmly in techno and still offering a house approach with added vocals. the vocal builds slowly until suddenly you find yourself singing along

repress - finest roots anthems from the late 70ies by the legendary singer sylford walker compiled and re-issued with the seal of quality of the glen brown production and the king tubby mix.
available again as lp-vinyl with eight tracks including the three 12 inch-single mixes of -deuteronomy-, -eternal days- and -my father’s homeland-, the longtime deleted greensleeves longplayer from 1988.
sylford walker’s heart-stopping 70’s roots anthems recorded for glen brown are rightfully regarded like holy relics of reggae. the -lamb’s bread- album gathers up these classic sides and once again makes them available for the roots disciples. mixed by king tubby at king tubby s, this remastered reissue is the quintessential sound of 1970’s jamaica. an album so full of roots, you may have to scrape the mud out of your amp after playing!

repress reissue