repress - snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

within lok recordings’ sixth release, we introduce lokin to you. we’re coming up with something to break boundaries and strengthen the spirit of artistic freedom. -the fall- by the belgian-born berlin-based singer, songwriter and producer cook strummer - aka maxime donnet - is an evocative ode to lost love and forgotten spirituality. channeling the post-punk synth sound of his home country’s cold wave movement of the late 70s and early 80s, donnet has absorbed the sounds of his adopted home in germany, taking that all-pervasive electronic music that is all around him and morphing it into something new. the result is -the fall-. recorded in a cell located in the basement of an old stasi prison (studio k61 in berlin), it’s an album with one eye on the dancefloor, but one that works just as well when the party is over. it’s an album that blends the organic with the synthetic, mixing guitars and synths with post-dubstep flourishes and drum machines. it’s an album about something. the name of the album has been chosen in reference to first single fallen, the idea of falling in life and waking up again. it’s also about the fact that it’s not the fall that kills you. a fall can be graceful. a fall can improve a life perspective and create new paths. it can and does make you strong. the main metaphor in there is one of reincarnation. indeed, it’s the story of a soul negotiating with god to not reincarnate on earth again, but being forced to do it anyways. experience something different!

for its tenth anniversary, killekill decided it is worth to resurrect the main label and bring it back in full effect with another compilation of tracks by our beloved family members, favorite artists and bestest friends. cat. number 020 was never released, and we thought, this celebratory occasion was perfect to fill that gap, so everything is cleared, and we can step into the next decade. we start off with a track by mmm, the legendary duo consisting of fiedel and errorsmith, known for pushing the boundaries with every of their very rare releases. this one is an extremely simple, but effective weapon to destroy all dancefloors with its slightly loutish appeal. neil landstrumm got together with brian rays and produced a bleeper hit with catchy vocals. we don t know who the lyrics refer to, but they definitely express a punky fuck-off attitude, which we are missing a lot nowadays.

when dorian paic, tobi neuman and patrick ense took a lunch break from their studio session they met house legend eric d. clark randomly at the burger joint. after a quick chat they took him over to tobi’s studio and recorded this delicious 12&#8243, for us. einzelkind founded la peña in 2007 as a label for friends to meet up, live, and release the music they love – and here we have the perfect example of such a serendipitous event.

backed up by a juicy mfdp club mix this release gives a nod to the golden era of house music and album cover art.
what ya doin !?

yuri shulgin is a multi-instrumentalist music producer from tajikistan. his discography includes a small number of releases from the greek label modernista and the french escapade recordings. animal planet is his contribution on cocktail d amore music. this ep is a live-recorded masterpiece that will lift dance floors into heavenly heights. a1 takes the record title. it s an acid based, genre-blurring piece of music, enveloping and disorienting at the same time. infinite strings melt together to a constant build up, reminiscent of steve reich - double sextet/2x5. boogie space feels like the continuation of the previous track, evoking a cloud of glitter in absence of gravity. walking starts off the b side. its funk future jazz-influenced groove is supported by an organic, as bouncy as timeless bassline. while the stripped down dubby body goes to deep realms, the outro recordtake closes this surreal ep.

next out on the ownlife imprint, a remix ep of what so far has been one of the most acclaimed releases from the label, the collaboration between leiras and svreca titled “the bridges i burn”. four well-known names to the electronic music scene has been invited to infuse their own characteristic sound onto the original tracks of own009. first out covering the a side is spanish reeko who skilfully plays with the rhythm tones, the main bleep synth sounds and his unique and particular way of texturizing the layers. a2, signed by british volte-face, gives the perfect balance between sounds and silence in a mysterious spaced out interpretation of “tilling ceramics”. flipping the record you will find new york veteran producer shawn o’sullivan under his 400ppm moniker, developing the structure of the track in a smooth way, melting the modular synthesis with the atmospheres found in the original version. last to contribute with his unlimited talent is swedish acronym, ho delivers an intense, tribalistic, spiral-maker remix, wrapping up this four tracker in the best possible way.

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louie’s deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

joia records releases joia021, joia036 and joia047 all bundled up for one special price!

incl incl. remixes by ricarco villalobos & dorian paic aka doric
klas henrik lindblad better known as sasse or freestyle man has been a friend of our label for many years and also released together with dorian for our raum musik compilation in 2005. soul sounds without any doubt still is one of his absolute masterpieces and he was never willing to do anything with it and just let it rest in peace until the idea came up to re release it for our label. usually we are not licensing or re releasing anything but sasse and especially this track of him definitely deserve it. as it is also our 20 years anniversary we got one of our key artists on board that has been playing the track again a lot recently and that also immediately liked the idea of remixing this track and this is the result now. we are happy to present you the original track of sasse plus two remixes by our dear friend ricardo villalobos and label head dorian paic together. enjoy !

katharsis was originally a regular party organized at the infamous contact, tokyo, the home of the electronic music scene in japan. in 2017 katharsis recordings was launched, with the first release being touted by many in the japanese techno scene and played by the likes of dj nobu at dekmantel.the second release will be scripted with another compilation of 4 japanese artists. the first on the a side, mikuni kaido by head honcho masafumi take, is a fresh track that combines nostalgic arps and analogue bass. the other main member kannabi s track -shoka- on the b side is an abstract rhythmical piece that evolves slowly. the second track on the a side -kirisame- is by a new member o-ma. a modular synth enthusiast, his unique analogue sounds are a trademark of his tracks. the last track on the ep is -yoake- by veteran ryogo yamamori. the rolling beat and spacey synth sound gradually build up to a climax and makes this track perfect for the dance floor. all 4 tracks are distinctly different showcasing the identity of each artist. this new movement represents a fresh approach to the japanese

limited edition double picture vinyl release for rsd 2018.

leonardo returns with another 4 track ep on his etheric imprint. the voyage ep shows a diverse selection of tracks ranging from peak time to downtempo. the offering delivers energy through solid punchy drums and simple but intense percussion with the main synth bringing a head turning edge. symmetry has a late night feeling to it fusing primitive and hardcore elements over a broken beat structure to create a unique elevating gem. spooky deep tech track the afterlife is dubby work out with haunting vocal samples and trippy synth hooks while droplets completes the ep off in a downtempo vibe incorporating the same edgy raw feeling of many of his previous productions.

rsd 2018 rlease on blue coloured 10 inch vinyl.

polarity was born from an equation of mutual dependence between two opposite elements. although the two poles are of different polarity, they find in each other their main spring and their primary component. ultimately, one cannot live without the other.

180gr vinyl. (john morales, al kent remix) john morales massive m&m main mix of step into my life ft. arthur verocai, gets a reissue on this new 12inch alongside a brand new remix of the two of us from million dollar disco boss al kent,who highlights the hypnotic backing vocals of brazilian psych-folk master mauricio maestro, for an emotionally charged balearic anthem, complete with heavy dub mix.

limited tour edition of 2500 individually numbered copies on transparent audiophile 180 gram vinyl.
the soundtrack was composed by the german ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single “the rains of castamere” by icelandic post-rock band sigur rós.

this ep is inspired by the idea behind a clothing shop in london, in the 60ies. it was a place that became a cult institution for artists and creatives of all kinds at that time, based on sharing ideas and imagination, and here the circle closes to this record. we want to take you on a musical trip, with this record full of branches and secret paths. the well-known remixers andreas henneberg, agaric and normen weber used their imagination to show the main track in completely different shades. straightforward and for the big dancefloor, as well as deep and warm for the secret festival floor in the grove. let us take you on the trip, here and now and forever.

“firenze! l’assassino e ancora tra noi” is one of the last big italian giallo / slasher horror movies.
released in the mid 1980’s the movie telling the story of a murder series which really happened during that time in florence. a psycho killer was hunting down woman and the police had no idea at all who’s the person behind the cruel crimes. the whole case also delivered the idea for hanibal lecter and the silence of the lambs movie from 1991. detto mariano produced this wonderful completely unreleased score on the hight of his success when he was also producing stars as for example adriano celentano.
very dope horror themes for the soundtracks collectors and a lot experimental electronics, score and ambient meeting jazz, pop, space disco,… is what you’ll get on all in all 35 songs.
record 1 continuing our „film sonoro“ idea and is mixed down as if you would be „in the movie“. record 2 provides audiophile mastered songs and bonus tracks. remastered by 1970’s/1980’s spanish cult producer josep llobell.

this time we present another story that has nothing to do with the main plot of the label, although it s somehow connected to it. let s say it harkens back to the very origins of the storyline. the white man delivers an obscure and introspective trip that was revealed to him after several months of obsessive and repeated nightmares. this strange phenomenon abruptly occurred when he found out about the existence of the starry wisdom and started to further investigate the fishy events that surrounded the sacrilegious worship.

unità psicofisica isn’t just an ordinary label, it is the coming together of passionate and inspired artists. with the aim of gathering young and rising artists, the label unites various forms of art, from producers and photographers to illustrators and video makers. the purpose is to create a platform where artists can express true emotion and creativity by concocting an artistic “unity”, mainly focused on generating a new form of art by combining music and all sorts of art.
the first act of the label - assioma - was created by the founder and owner manent, the release contains two of his original tracks and two remixed versions. the first remix was composed by the spanish refracted, the other from the italian mod21.
four tracks that fall into the genre of techno, each perfectly represents the main elements of the label: hypnosis, minimalism and aesthetic of sound.

for phonicas landmark 20th release on the main label we go back to a classic from the same year the shop opened stereofuses casino ep, originally released on berlin label salo in 2003. the casino ep marked the first collaboration between martin wörner & thorsten diegel as stereofuse. they followed it up with a string of other 12inches for other labels but its this initial 12inch that has been fetching high prices second-hand as one of the most sought after releases on salo and for very good reason. a timeless ep sitting somewhere between house and techno (before tech-house became a disputed tag-line!) with the likes of ricardo villalobos & craig richards playing it regularly in their sets.

trias#002 is the successor of the debut ep by tom sue on trias records, available as a limited vinyl edition with risograph prints. the melodic main track >black oak< was produced by tom sue for the sinister short film >schwarz< by felix kruis. it features strong lead vocals by n!klas and chants by the movie actors. the dark atmosphere of the short film is picked up by the melancholic low key techno tracks >amberay< and >ceres<. the ep finishes with the banging remix of >black oak< by der schmeisser, der tietz and der foerkerich, ready to hit the clubs.

fresh from releases on honey soundsystem & non plus, vin sol returns to uttu’s dance trax series for vol.14 bringing his magic touch of ghetto house over 4 original productions! fresh cuts for the floor!

standard pressing on black double vinyl, housed in a gatefold sleeve with download code included. ryan lee west aka rival consoles presents his expressive new album ‘persona’, set for release via erased tapes. the title ‘persona’ was inspired by ingmar bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. this powerful image struck ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between, between states, people, light and dark, the inner persona and the outer persona.

amsterdam-based artist and format-label honcho juan sanchez himself delivers a quartet of tracks carrying his signature sound for the label’s thirteenth release. never one to settle for the ordinary, juan sanchez’ latest outing follows a more conceptual approach to techno. each track adds its own flavor to the mix, with the ep as a whole being a combination of dubby and dancefloor-fused material. synth and bass arps, stripped grooves and driving drums are the main ingredients of juan’s sound, all of which come together across this ep’s four-track canvas. the result is a balanced mix of both dubby and dancefloor-tinged techno laced with experimental twists and turns. with his new release, juan adds another quality slice of techno to the format roster.

perc & truss’ statement of rave intent “leather & lace” returns when you least expected it, this time in the form of three new remixes from an all-star cast of producers. leading the charge are perc trax’s breakout starts of last year ghost in the machine who build upon their trademark kick drum volley with reese basslines, swearing pads and a stretched out arrangement that showcases all that they are capable of. flip it over and tectonic main man pinch takes a different approach with his uniquely bristolian take on techno, featuring everything from primitive computer bleeps to the kind of broken rhythms he and his label are known for. closing things off is the wildcard of the set as mumdance and logos step away from their weightless sound to serve up a tough, acid driven take that nods it’s head to the classic sounds of bonzai and eye-q.

ones medusa ist nach der farska lp bereits die zweite zusammenarbeit zwischen dem jungen münchner hiphop produzenten und dem jungen münchner label beat art department und erscheint in kooperation mit dem renommierten hiphop label 58beats, dem label der band main concept. ein 44 minuten starkes instrumental-album inklusive eines akere vocal-features. es ist ansichtssache, ob ein antlitz unfassbar schön oder besonders verstörend sein kann, sodass der bloße anblick den betrachter seiner handlungsfähigkeit beraubt. man sollte sich jedoch nie einzig von einer erscheinung erstarren lassen

ayuune sule brings the soul into kologo power. in kumasi, the second city of ghana and capitol of the ashanti region, ayuune sule is the main kologo star. the most famous kologo player these days in the whole of ghana and abroad is king ayisoba. together with king ayisoba, guy one, atongo zimba and sambo, he represents the generation that broke kologo music outside of the north east region of ghana. in europe we know ayuune sule as a member of king ayisoba’s band and as a solo artist who often opens up for his shows.

vega records puts together a vinyl package with one of the hottest records in the catalog. now a classic in the uk into my life is getting a whole new treatment and will be released as a double pack vinyl. a brand new version unreleased, the original studio recording of the song before it was remixed in the house format is already being played by gilles peterson on worldwidefm.net then there are the main version, instrumental, and two original dubs, which are all remastered by vegas mastering engineer walter coelho.

if you ever been to a dubstep rave in the past 4 years you probably heard under control being smashed through the system. nearly every dj in the scene supported the original and it still holds it own to this day. a true dubstep classic that will not be forgotten so easily. truth, the widdler and the main man himself went in and delivered 3 mind blowing remixes that do the original so much justice. something that doesnt happen very often some might say. relive this dubstep classic through the eyes of truth, the widdler and of course it’s creator bukez finezt.

dj, producer and rex club resident molly presents the third ep for her rdv music imprint, drawing on talent from across her native france, featuring fellow parisian aleqs notal (clek clek boom, sistrum) and 1977, as featured on syncrophone s for those who know imprint. while each side and artist offer their own distinctive flavour, percussive, classy late-night house music is the main course ideal for late nights under dim red lights.aleqs notal pays tribute to the timeless appeal of spinning analogue wax throughout opening track, sweet rotation a simple hymn to the essence of house music, bubbling gently on bright keys and woozy basslines. hands on follows, offering a more nocturnal angle on this enduring aesthetic, reducing the energy but enhancing the atmosphere even further, both on-record and across any packed dancefloor.the more southern sensibility of 1977 brings drumwork to the fore, weaving an exotic, patient tapestry of bubbling, alluring synths and analogue feedback across two confident, percussive jams. while vodoom indulges in tension and intrigue, ep closer jdlf is pure, unwinding pleasure, across which each of 1977s influences and instruments are offered freedom to breathe and evolve.with this installment of emminently classy and supremely confident house, rdv music continues to prove itself as one of the most worthy musical institutions on the contemporary parisian scene.

the man, the maestro, the mystery the cube! thats right, you read that correctly, new music from the mind of one of europe s freshest, not just one record, but two. at the same time. right here. versatile s main man (alongside monsieur gilb r) returns to the fray with a hotly anticipated set of tracks that will surely stand alone in their uniqueness, but if you re reading this then you already know that. i:cube has been busy, and he s keen to share the fruits of his labour with lucky us on this, the 120th release on versatile. the sounds here are diverse, impeccably mixed, arranged and selected by the man himself and will surely find their way into the ears and minds of those who come into close contact effortlessly. from the lost world dreamy trance of the first track flutes souterraines to the acid indigestion inducing fingering of the troglo dance, to the deep cavernous bass-line creepings of ramurc this collection of six stellar cuts is a stunning return to form and a perfect example of why i:cube should be regarded as one of the legends!

mount kimbie liefern ein grandioses remix-paket mit vier verschiedenen dancefloor-lösungen für den treibenden post-punk-sound ihres aktuellen albums -love what survives-. als erstes mutiert nina kraviz den albumfavoriten -blue train lines- in einen ausgedehnten techno-trip mit vocalfetzen von king krule, und schiebt gleich noch zwei dj-tool-versionen hinterher.

seb zito has been one of the main movers for fuse london since the labels inception and his good to me ep continues the producer/djs accent. take no one kicks things off, its 90s tech-house influence being worn on it s sleeve with it s no nonsense b-line driven groove. so good to me delves somewhat deeper, pads and synth work offering up warmth for a blissful 4am ride. hit ends things with an altogether quirkier affair.

spatial cues is a series of split singles sounding out main(void)s and kon jansons shared musical space. operating out of berlin and london, the two artists join forces to showcase their mutual vision of techno music. cues004 accelerates the series to 133 bpm and ramps up intensity with thumping kick drums and uncompromising arrangements that revolve around ceaseless chord stabs. with its hypnotizing chord pattern drifting in and out of arced echoes and subtle shifts in timbre, cues004 as haunting atmosphere radiates a surreal sense of weightless pressure, paradoxically soothing and violent at the same time. based on a divergent theme that contrasts upfront chord stabs and ruthless 909 cymbals with easeful pads and finespun textures, cues004 b builds up to a transition that disrupts the deeper elements with a stripped-down pattern, fully carving out the track’s inherent grittiness.

this is the return of the collaborative project vofa, by sawf and anfs, on pi electronics. the athens based duo, that put out the label’s debut release, deliver another 4-tracker of their signature sound for the 5th pi record. pi05.1 is a bass line oriented composition of thrilling beauty, while pi05.2 and pi05.4 provide different takes on the main pi05 theme: one leaning closer to uk breaks influences and the other closer to industrial, hard hitting broken beats. pi05.3 offers a driving tool of distorted realities and tuning bass lines. all tracks showcase further focus on sound texture and dynamics balance, providing a perfect blend of sawf and anfs in joint forces as vofa.

part one of a picture sleeve special release for rsd featuring new and exclusive remixes from joey negro, idjut boys, ron basejam and dr packer, all produced from original studio master tapes.

a recent billboard no 1 containing full length dj versions previously unreleased on 12 inch featuring the full length funk version alongside house versions from chicago hero mike dunn, and baltimore s mighty dj spen & thommy davies.

the godfather of acid house dj pierre delivers his own selection of stomping delights via his iconic acid88 project. 12 original tracks from heavyweights such as hardfloor, thomas p heckmann, posthuman, bloody mary, luke vibert and the main man himself alongside his legendary partner in crime phuture, dj spank spank (rip). double lp black vinyl shrink wrapped with an insert.

second instalment by music mania reprise gives belgian 80s synth classic crocodile tears a new life. music mania is proud to present the next instalment in their reprise series. following the highly sought after classic elle et moi (mmr001), comes the blissful belgian synth pop anthem ‘crocodile tears’ (mmr002). the track was one of the first singles of kuruki, the minimal wave project spearheaded by ghent-based musician gerry d haeyer and alain bureau (sally joy). in an age of electronic sequenced experimentation, the band managed to find a distinctive sound that easily puts them between the likes of telex. the original ep such a liar was released in 1981 and clearly echoes the new wave of its time. the scenes described by vocalist sally joy as well as the melancholic keys of the main track crocodile tears breathe tristesse. nevertheless, it has a playful sound full of catchy synths. a dualism between such beauty and melancholy: this track was undeniably made in belgium in the eighties, but should also appeal to lovers of italo disco. be aware: for their second reprise music mania managed to include an exclusive instrumental version of this belgitude. even more synths for your listening pleasure.

soul of hexs vicario musique is making a comeback in 2018, with cedillos most personal ep to date. the main track tetro is a futurist, simple but effective track dragging influences of the highest order on chicago, berlin and detroit. shadow aspect moves into a darker perspective combining analog and modular synthesis and clever drum breaks. on the bright side of the ep, sun compass a collaboration with his brother anttares is reminiscent of a paradise/balearic inspired track showing cedillo brothers versatile style. to finish the ep, the melancholic there are no words is a dedication to the memory of cedillos grandfather. tetro has been already being championed live on soul of hexs live boiler room session, and at tim sweeneys beats in space mix by zombies in miami.

haiku’s raw waxes label is delighted to welcome the famously unconventional stanislav tolkachev with a new track ep of experimental techno and idm sounds. entitled champions breakfast and with brilliant artwork from german benedikt rugar, the releases features six cuts, one of which is a previously digital-only track landing here on vinyl for the very first time.

chrome type ii cassette re-release of this sought after 2008 dx7 drenched strange life records cdr. remastered with inlay booklet

cassette version of the loch ness videogame soundtrack originally released in 2012 on the legowelt website. made with the mighty haunting sid chip on the commodore 64 computer - remastered and comes with new artwork and extra unreleased tracks!

limited pressing of 1000 copies on clear double vinyl, housed in a gatefold sleeve with download code included. ryan lee west aka rival consoles presents his expressive new album ‘persona’, set for release via erased tapes. the title ‘persona’ was inspired by ingmar bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. this powerful image struck ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between, between states, people, light and dark, the inner persona and the outer persona.

following lo sheas industrial iterations ep, duskys 17 steps welcomes the mysterious polymod to the label family with a three track ep of club tools that draw on classic acid house and techno influences. hooked with a vintage 88 piano loop and tightly sprung bassline, opener no other has been ever present in dusky’s sets since the autumn - already inspiring multiple posts in a certain well-known facebook id group, as well as causing one eager id hunter to tweet dusky with home played piano videos of the main loop. for all its catchiness, though, it maintains an understated approach that plays on dynamics and contrast - a driving club tool. taking a darker route but maintaining the intensity, tx goes for the jugular with a looping surge of acid and rolling electro rhythms. completing the trio is the spacious pg1000 that joins the dots between 90s ambient, proto-house and detroit machine music at its most dreamy.

following from deetrons accomplished entry in to the dj-kicks mix series, !k7 are now serving up one of the original singles from it. produced by the swiss artist and featuring soul futurist steve spacek, it comes with the original and three vital versions. entitled chose me, the single is six tender minutes of musical electronic soul. warm and supple bass, twinkling keys and smeared chords form the atmosphere as spacek delivers a dreamy and heartfelt vocal up top. its a track to get the spine tingling, while the instrumental allows the celestial keys to ring out into a night sky as the main focal point. on the jupiter version, the drums are more loose and broken up, lending a spaced out vibe that will be perfect on outdoor terraces as the weather warms up. jumbled percussion tumbles next to the chords as the vocal soars. a jupiter instrumental closes out this cosmic and cultured house ep

the acutely talented russian returns - leading a new generation of ultra-gifted producers, black barrel presents the “labyrinth ep” on our main label in april. from the opener “seeing explosives” with gusto, the classic tech funk inspirations are clear to see and black barrel guides complex arrangements with addictive grooves. bringing a refreshing, energized vibe to intricate, technical production, black barrel intensifies his portfolio on the “labyrinth ep”, with sadistic delivery and playful charm.

louie vega joins forces with the martinez brothers and revered salsa singer hector lavoe this february for shut the door. the martinez brothers have rapidly become two of the most in demand djs and producer across the globe and here we see them make a welcome return to their cuttin headz imprint for one of their most accomplished projects to date. collaborating with the infamous house aficionado and one half of masters at work, louie vega whilst the vocal additions come courtesy of puerto ricos hector lavoe, one of the most revered salsa singers in the history of the genre. the tmblv main mix of shut the door opens, offering a refined house feel fuelled by smooth chord swells and organic percussion as hector lavoe’s vocal contributions ebb and flow through the rolling groove. a tmblv main instrumental follows, stripping away the vocal contributions to the heady groove alone. the martinez brothers up-tempo energy fuelled production then shines through on the tmblv beats mix offering their dynamic and intricate drum arrangement style whilst the processing the latin vocals from hector lavoe showcases louie vegas finessed additions to the composition. lastly a tmblv beats instrumental closes, again tipping the focus solely over to the swinging drums and snaking subs