reissue des claudio simonetti-soundtracks zum post-apokalyptischen italo-thriller -the new barbarians- von regisseur enzo g. castelli aus dem jahr 1983. schwarzes 180g vinyl inklusive obi-strip. artwork von wes benscoter (slayer, black sabbath, cattle decapitation). mit liner notes des komponisten, einem essay von jonathan mccalmont, sowie einem interview mit dem regisseur.

black wall #6 is another great space journey with tracks by kurvenschreiber, michel, shine grooves, a5, alex danilov

dämpft typische resonanzen von vinylschallplatten, für alle plattenspieler geeignet (1 stück)

sehr nützlich, dämpft vibrationen, 1 paar (2 stück)

sehr nützlich, dämpft vibrationen, 1 paar (2 stück)

cooles einfarbiges slipmat (1 stück), dämpft vibrationen.

platz für 248 cd s oder dvds - platz für 10 cd s oder dvds im favoritenfach - 2 au?entaschen + 1 innentasche + 1 notebooktasche -robustes nylon-material -robuster reissverschluss -gepolsterter schulter-tragegurt -abmessungen (bxhxt): 38 x 20 x 31

matt lord & dego join forces to bring you the disco boogie flex that is what does it take to come in first alongside the volcov & sassy j favourite the mid tempo luscious green woods

theatre records was founded with the idea of concentrating the major genres of electronic music on a single stage. many centuries of theatral art have taught that the tragedy and the comedy are strictly linked in spite of their differences. with this pillar theatre records contains various genres that at the same time are separated in two different sub-labels. theatre white – the mask of the comedy includes the strenght and musicality of electro-house and progressive-house. theatre black – the mask of tragedy keeps inside the soul of genres as deep-house and tech-house.

scorned by critics at the time of its release, miles davis 1972 album >on the corner< is now seen as a forerunner of post punk, hip hop, drum and bass and electronic music, thanks to its revolutionary recording techniques. miles wanted to reconnect with a younger audience, who had forsaken him for rock and funk, and the experimental >on the corner< was his answer. leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. >on the corner< isnt one of miles easiest records to listen to, but it can yield the most fruits. now released with completely re-mastered audio on 180 grams audiophile vinyl in gatefold sleeve.

cb004 comes from michael james. vinyl only.

french artist marc nguyen tan released two renowned albums in the early 2003 and 2006 under the artist name colder on trevor jackson’s seminal label output recordings. in november 2015, colder returned after a decade in hiatus with his third, highly acclaimed album many colours followed by two other lps titled the rain and goodbye in 2016. kasper bjorke is one of the most acclaimed and versatile producers and djs hailing from denmark. kasper has released five renowned solo albums over the past decade and remixed a wide range of artists, from rebolledo to weval. the two artists first started working together when kasper remixed colders single ”your kind” - and colder in return remixed bjørke s track ”marbled blood”. the idea to take their collaboration even further was formed when the two of them met in person during sonar festival in barcelona in 2015. in 2016 they then teamed up in the redbull studio in paris for a three day improvised recording session. the result is the black magic ep in stores on september 8th via throne of blood. a collection of five raw, driving post punk / new wave and techno influenced compositions, recorded via the studio ssl desk in paris, using hardware synths and drum machines played through some exotic vintage effects. colder recorded his mesmerizing vocals on the spot along with french drummer julien sabourin and saxophone player thibaut javoy. the ep will be followed by a stellar remix package from the golden filter (optimo music), mutado pintado (paranoid london) and french producer and dj pilooski.

repress !! part 3 of 3, meander turns 10! beautiful representation of the past 10 years with previously unreleased music

dudley strangeways steps up to chord 002 along with label owner luke black.
chord’s old friend dudley strangeways fills side a with 2 solid tracks, typical strangeways textured bass and edgy minimal.
while on side b luke black stamps his signature minimalistic sound with 2 stabby, wonky and spacey cuts.

banoffee pies records return to their black label imprint with new label signees on part 2 of their second release with bpbl02.2. a three track journey through auto tune outer space with jay anderson on the a1, a minimal exploration from s ii p on the a2, through to an 11 minute tripped out rain forest track from peshka of ukraine with expertly sampled voices from the rivers of hanoi in bp style. music for pondering and thought. moody feelings direct from banoffee pies hq. farewell my princess. x

classic 2nd album repressed in colour! prod.by 9th wonder, vocals by phonte & big pooh / feat. elzhi (slum village), yahzarah, darien brockington, joe scudda & chaundon

limitierter reissue des legendõren glenn underground-albums -the jerusalem ep s- von 1997, einer ausgezeichneten kollektion an house-tracks, die jazz-, soul- und funk-elemente mit rhythmisch-experimentellen strukturen verbinden. glenn underground stammt aus chicago und war gr³ndungsmitglied der strictly jaz unit. inspiriert von chicago-pionieren wie larry heard, ron hardy und lil louis, ver÷ffentlichte er einige hei?gesuchte house-tracks f³r einige der renommiertesten deep house-labels wie prescription und guidance.

following the blistering inaugural release from talker comes the second release on the standards & practices imprint from label co-founder jonathan -stave- krohn, who returns with 5 tracks of dark, visceral electronic music for the discerning listener. -black hills- and -tasc us- kick off the proceedings in fine style – pummeling drums underpinning harsh blasts of noise and bleak, greyscale atmospherics, while -in/human- and -b5- on the flip take a different approach – 2 tracks not aimed at the dancefloor, but both retaining that cold, claustrophobic feel that characterizes much of stave s work. the brooding and sinister -stave 17- closes the ep, moving into exciting new territory with an intensely cinematic sound.

coalmine records is pleased to relaunch ‘land of the crooks,’ the collaborative extended play project from the late sean price and melbourne’s go to producer, m-phazes. the project finds the longtime underground legend lending his distinctive, brownsville-bred grimy vocals over phazes’ rich tracks full of dramatic pianos, rich bass-lines, swinging horns and hard drums. the a-side includes the main passes, comprised of four original tracks with the addition of the small professor remix for ”murdah type thinkin (feat. guilty simpson).” for this special edition rerelease, coalmine has also added the divided souls ent. & dj pain 1 remix of “land of the crooks,” which was only previously made available on the label’s remix compilation, ‘remineded,’ which first dropped back in january of 2015. the b-side includes the instrumental passes of all of the original tracks, as well as the small pro remix, in addition to the “crookapella,” which includes various scratch stems taken from the ep, in addition to various isolated drum sounds, sound effects, and acapella of the “land of the crooks” single. additional features on lotc include roc marciano, billy danze (of m.o.p.), maffew ragazino, loudmouf choir and the dilated junky, dj babu. vinyl is manufactured on classic black discs, and comes complete with the andres guzman designed artwork, inspired by the vintage ‘80s movie, ‘crocodile dundee.’ sean price was hip-hop’s gray hulk, a barbarian with the pen, with the sharpest of wits. a true brooklyn legend...rip!

aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualität hätten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die Überholspur, von wo aus er seine zerklüfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern.

noleian reusse is back with his second ep, airborne, on his own imprint black tekno. three modern techno tracks that reflect reusses own style, while echoing the rich musical history of his hometown, chicago.

in england war gerade die punk-revolution ausgebrochen, als heavy-metal-act fühlte man sich orientierungslos. im benachbarten studio in miami nahmen the eagles ihr album hotel california auf, aber nur im gebrauch von kokain fand man eine gemeinsamkeit. das entstandene musikalische resultat fasste das britische magazin mojo trefflich zusammen: technical ecstasy is the sound of sabbath trying to make a grown-up, radio-friendly rock record and, in some parts, it works!«. das cover der graphik-agentur hipgnosis hingegen wurde legendär. auf die bedeutung angesprochen, meint osbourne: two robots screwing on an escalator!

h-productions proudly presents >hide and seek< by cari lekebusch. this is the ninth release in the full color spectrum serie, that is aiming to result in 10 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary events. giving the dj more freedom to manouvre. all tracks in the full spectrum series have been generated with analog equipment, and are all inspired by the various h-productions releases that came out around 1993-1998.

available in an edition of 500, housed a in picture sleeve with a printed insert featuring the text reproduced in full, and download code.

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

rückkehr des supertalents lukas bohlender mit zwei neuen, atmosphärisch wie groove-technisch verzückten housetracks. sein kulttrack club chateau, der sowohl vom innervisions camp, agoria, über west-london djs als auch von legendären cosmic djs großes lob und respekt einheimste, hat hier gleich zwei würdige nachfolger. die hauptmelodie für golden hour entstand überwiegend beim fotografieren in den bergen. golden hour bezeichnet in der fotografie das spezielle warme licht beim sonnenaufgang oder kurz vor dem sonnenuntergang. in diesem sinne genau der richtige track für die twilight zone im club.

limited re:issue on 180gr vinyl - classic

a mechanised par excellence of hazy basement jams roughly sketched and untitled. man and machine in pitch-perfect unison - freaky sounds, noise boxes and drum machines amped up, wired and weird.

really nice shirt with a second logo inside at the neg. (100 percent cotton)

4 künstler aus dem diesjährigen line-up haben jeweils einen track beigesteuert. norman weber (luna city expres) -beachboy- reitet mit lockeren breakbeatanleihen und viel deepness über die wellen. stephan funkmanns -strandläufer- macht seinem namen alle ehre, click click schwirrt mit -hot beat- durch die flirrende hitze wie eine libelle mit groove turbo und pohop feat. zigan aldi steuern einen herrlich subtilen schieber bei, dem der platz zwischen himmel und horizont gar nicht groß genug sein kann. 4 mal musikalisches strandfutter, wie es passender zum tag am meer festival nicht klingen könnte.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

three is truly the magic number on this special rsd release from razor-n-tape, with a trio of groovy tracks by nashville-based magic in threes. the original version of beatin tha breaks is an easy-breezy affair dripping with soulful guitars and harmonies, freddie joachim s brings his signature smooth and rhythmic sound on his remix, and the fouk mix rounds out the triptych with a touch of uptempo housey deepness.

soundtrack zu aktuellen netflix-serie -black mirror-. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu -black swan-, -moon-, -ghost in the shell- und -the fountain-. -black mirror- gehört zu den ungewöhnlichsten serien im moment: -wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror-, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

señora are dani & diego from barcelona. their debut release features two ayahuasca journeys into sound plus a remix from island god black merlin.

he blueprints ep marks the welcome return of the talented toulouse based producer redeyes. following a number of releases on seminal labels such as bingo, creative source, innerground and brownswood in the mid 2000s, redeyes then decided to take a step back from music production. now returning as a more complete and mature artist, his blueprints ep on lenzman’s the north quarter imprint sends an exciting message of where julien salvi stands in 2017. comprising of an ambitious nine tracks, redeyes’ blueprints ep showcases his exquisite musicianship and ability in the studio throughout each piece of music. in true north quarter style, he effortlessly breaks down the boundaries between drum & bass and hip hop, whilst fully maintaining the soulful and heartfelt aesthetic that he is known and revered for. the release sees him join forces with a plethora of exciting talent. ‘100 porsches to the stars’ brings him together with underground la rap hero hus kingpin for a lo-fi hip hop masterclass. he also collaborates with mancunian don black josh, children of zeus’ infamous tyler daley, north quarter chief lenzman, and many more.

ellery roberts dürfte dem ein oder der anderen bekannt sein als frontmann von wu lyf. ebony hoorn ist eine amsterdamer künstlerin, die im bereich audiovisueller medien arbeitet. produziert wurde ihr nun vorliegendes debütalbum -songs for lovers to sing- von bobby krlic alias the haxan cloak, der neben seinem eigenem genreüberschreitenden drone-und ambientwerk nicht zuletzt für björk und health gearbeitet hat.
das limitierte schwarze & weiße doppel-vinyl erscheint inklusive 3 streng limitierten artprints, downloadcode und poster.

ellery roberts dürfte dem ein oder der anderen bekannt sein als frontmann von wu lyf. ebony hoorn ist eine amsterdamer künstlerin, die im bereich audiovisueller medien arbeitet. produziert wurde ihr nun vorliegendes debütalbum -songs for lovers to sing- von bobby krlic alias the haxan cloak, der neben seinem eigenem genreüberschreitenden drone-und ambientwerk nicht zuletzt für björk und health gearbeitet hat.
das schwarze & weiße doppel-vinyl erscheint inklusive downloadcode und poster.

(180 gr) one year on since their last venture as black spuma on international feel, fabrizio mammarella, also known as telespazio and phillip lauer, one half of tuff city kids, are back with the insatiable orme ep.

after a rollercoaster twenty-five year career as an artist, curator and tastemaker, james lavelle returns with unkle’s fifth studio album: the road part 1.
the road part 1 is a collection of fifteen new unkle tracks inspired following his curation of 2014’s meltdown festival at southbank, their most successful to date.
the road part 1 is a collective creative venture by musicians including london folk-rock artist and poet keaton henson, primal scream’s andrew innes, the duke spirit’s liela moss, long time unkle collaborator mark lanegan, and mercury prize nominee eska.
lavelle also found new friends and collaborators in queens of the stone age drummer jon theodore and beck drummer justin stanley, who make definitive contributions throughout the record.
recorded in london and los angeles’ pink duck studios, the road part 1 is the product of a desire to create something fresh and innovative, that also celebrates the rich history of unkle, and showcases a new wave of talent such as elliott power, mïnk and yseÉ.
double 180 gram black vinyl, housed in a gatefold sleeve.

classic live album by black sabbath!! recorded at manchester and the rainbow london.

180 gram black vinyl. a 16 track double vinyl greatest hits album originally released in 2004.

the latest crimes of the future comes from dimitri distant and lvrin, two emergent artists with a penchant for pitch black grooves steeped in the kind of acidic, wavey styles that cotf are consistently striking gold with. -blasphemy- is a powerful slice of reductionist acid that uses a bare minimum of elements to create a sinister atmosphere to strike fear into the hearts of unwitting dancers. -dead sunday- is no slouch in the creepy department either, its clattering beats and bubbly acid line straining against a tape-stretched backdrop of synthesizer malaise. -achromatic- switches stance to slow, undead electro soaked in embalming fluid and filtered through a b-movie veil for maximum guttural impact.

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

black bones debut was one of the year s best sellers, and it s easy to see why... lucky for all of us, the blackbones boys have more than one trick up their sleeves, as another back-breaking digging session has unearthed some sacred remains, ready for modern scientific re-animation ! sonny retools a highlife classic into a splendidly sun-soaked summer beauty... on the flip xtc takes a more cosmic route to dancefloor abandon, while roller is a barn-storming discoid jam that wraps up another damn fine ep !

official reissue of some ultra rare electro tracks produced by anthony shake shakir. raw detroit electro with a nod to miami bass!

brothers black kick off their self-titled label with brbl001, a four-track original techno ep. following prior releases on their own joint imprint, bade records, and family labels safer at night and voxnox records, brbl is a new home where the pair will curate their own sound and productions. the pair kick off the a-side with creep oder was? , a stripped down vocal banger that teams hard-edged percussion with an acidic lead. the a2, axe to grind , combines dub chords with raw rolling percussion to create a deep hypnotic atmosphere. on the flip side, the b1 only human is a tense, driving tool with industrial tones that s perfect for the peak time hours. the b2, imagination barrier , is a frantic 140bpm techno exploration that combines the duo s signature vocals with heavily 90s influenced percussion.

the mission’s 2nd album, originally released in 1988, now back on 180 gram vinyl with download code included.

pliant, jazz inflected techno meets mutated off-beat breaks and alien electro from new yorker and co-founder of exotic dance records jiovanni nadal aka j. albert.