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The latest Crimes Of The Future comes from Dimitri Distant and LVRIN. two emergent artists with a penchant for pitch black grooves steeped in the kind of acidic. wavey styles that COTF are consistently striking gold with. -Blasphemy- is a powerful slice of reductionist acid that uses a bare minimum of elements to create a sinister atmosphere to strike fear into the hearts of unwitting dancers. -Dead Sunday- is no slouch in the creepy department either. its clattering beats and bubbly acid line straining against a tape-stretched backdrop of synthesizer malaise. -Achromatic- switches stance to slow. undead electro soaked in embalming fluid and filtered through a B-movie veil for maximum guttural impact.