this is the first ep of aleqs notal, a boy who spent his early years in the heat and sand of saudi arabia, but then decided to take some dust with him and throw it in our ears. in love with the soulfulness of detroits style and the roughness of chicago suburbs, he comes solid with this four tracks release full of shadows and tricky rhythmic patterns.

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

>hi-tide lo-fi< can be read like a sonic map. but instead of a static picture its a growing and evolving concept of explored and lived in space. every space creates its own sound. not only because of the physical premises of a place do we experience sounds differently but also because of our perception and construction of space. and as each sound does have an individual meaning to us so does each space. our identity is directly linked to our access to sound and space. benjamin brunn is questioning these access possibilities and offers us a soundscape of fluxing indentity. within a timeless sound lies the opportunity of liberated being.

rivulet 004 is a home run for the young label wich operates between leipzig and berlin. the split-ep comes with 2 tracks by talski and stanley schmidt wich discloses the understanding of electronic music between the antagonism of deep and cheesy, techno and house, melancholia and euphoria that always drove the idea behind the label. stanley schmidt delivers a sample-based deephousetrack, wich opens up from a darker mood to sunshine- inspired >emo-house< using soul-inspired strings and a catchy (but not well known) vocal-snippet by candi staton. >a.brain0030< by talski is a dark, mystical techno-ballad wich comes with a broken beat and a drifting tribal. as always talski proofes his skills by using unusual sounds and a nonconform arrangement, wich always bears the quality of his tracks.

moed3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. its a band, producing, playing live but its also a label created only for the trio productions.

the californian has a cccp and a couple of the very best lies, but this stomping, grisly, suspenseful, four-track assassinator tops the lot. you get plenty more prep and purpose, and a load more killing.

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

welcoming warrior one to losing suki, the man like carl faure has been knocking out some killers for labels like black butter, catskills and king pigeon over the last few years, and for suki he shines a light upon the garage house hybrid sounds�. title track 5ths kicks things off with the kind of punchy garage house swing that never fails to move you, airhorns and synth sweeps pepper the cut whilst a thundering double 99-esque bassline throbs hard and heavy. flipside, the reverberating keys and mc licks of nyc continue warrior ones indulgence of the classic us house sounds but with a slick production for the modern dancefloor. closing track only you presents orgasmic pads and tough garage beats, its meaty bass touching the spot, a sweet slice of when rave met garage (somewhere in a field off the m25, most probably).

following their first ep, society of silence is back with the second part of their deep trip into dub techno. three new tracks pushing their exploration further into the darkest side of techno. but without forgetting and omnipresent psychedelia

5 track record from serbian duo sixth june � laslo antal and lidija andonov � who are rising from the mostly unknown music scene in belgrade but nowdays re-based in the analog paradise called berlin !

there are a lot of speculations going round on who this awesome producer is but even here at prspct hq we dont have a clue and to be honest we dont care. all we care about is the awesomeness of the tracks he produces and this acid green 10 inch vinyl rocks hard as fuck!

with france�s long-fallow club scene back in international resurgence as paris storms back into fighting form, europe now has found a new source for yet-unheard music. it was a long time brewing, but names like concrete, katapult, zadig, and society of silence, have begun to appear in the international clubbing circuit, and the growth is not limited to the capital. further south in lyon, a city quickly gaining its own renown for busy club parties booking bigger names, there exists a smaller circle of energetic operators whose name is also spreading rapidly and whose recent accomplishments include nuites sonores, boilerroom and more.

superb collection of early 90s underground deep house classics by the legendary dub maestro mk. first up is the hard-to-find remix of terence trent d arbys >surrender< which takes d arbys soulful vocal and puts some classic mk fire underneath it to create a awesome deep house banger which received heavy rotation both in the clubs and on the airwaves. next we get one of mks best dubs - his brilliant take on the b52s >tell it like it t-i-is<, a chugging house belter which adds a haunting bass and melody to the bands expertly chopped up vocal chants. the flip side keeps up the pressure with the awesome dub mix of betty boos >thing goin on<, another of his finest dub mixes, and lastly the in-demand classic >bicycle dub< of the pet shop boys >can you forgive her<, only ever available as a limited promo but huge on the underground scene.

vinyl only! penultimate track. outshine masterfully reintroduces ethereal hints of melancholia over an undulating groove. look at the harlequins serves as an album closer like none other, a perfect distillation of a sound that unfolds like a dystopian nightmare but one thats sure to play a part in the most hedonistic moments of dancefloor abandon.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

for his new ep nicolas aftalion is still paying his due respects to the early house meisters. 3 brand new trax of heavily ny influenced house music. still old school but always fresh. from paris with love, thats some serious shit! is a record label dedicated to old house music and to dancers. following the steps of kerry chandler, mr. fingers, ron trent, masters at work and so on... away from the hype, we want to bring back the spirit of the early 90s when house music was not only music, but a communion of body, soul, freedom and love. we hope to get you with us... in the dance, in the club. now ride on the sound.

repress in pink vinyl ... supported by: ricardo villalobos, dj hell, karotte, gabriel ananda, tocadisco, john acquaviva, oliver huntemann, umek, joel mull, pig & dan, italoboyz, dirt crew, disco boys, moguai, delon & dalcan and many many more. it doesnt happen every day, that a record is released, which can be found in the cases of the italo- and the dicso boys, of tocadisco and the dirt crew, of markus lange and pig & dan, but then again, butch does not release on a.f.u. limited every day. butchs follow-up to his smash-remix for silent breeds >sync in< on a.f.u. brought him on the radar of monika kruse, karotte and blackstrobe and has proven the foundation of this hype surrounding him through the quality of his >butch ep<. 3 tracks, >mushroom man<, >tickles< and >botanik< have found fans from all continents and genres, which is the result of clever and new arrangements, high sound quality and funny and innovative ideas. butch is coming! watch out

it has been too long since private gold has seen fit to unleash the audio dragon to dropkick our listening holes. but unleash they finally have, in the guise of ex-cologne enfant terrible, daso. daso is a longtime associate of the private gold family, and it was only a matter of time before he poked his head out of his new berlin cave to spray the landscape with some much needed fire

we stick with our concept for the second release. putting some of our own and some of our good friends music on a v/a ep. this time we have bartellow, a dedicated musician with several projects and bands. spirits combines his disco-affinity with raw deep house sounds and an ecstatic vocal sample. lewy l is the pseudonym for collaborations within our very family. getting rid of limitations this is the name we put our jam sessions results abigail brought a collabo track with nubody from melbourne from the time he spent living in australia last but not least its einerweniger, long time friend from munich with his typically groovy approach on house music. there will be more of him in future productions.

jubilee for dystopian� not only the number 005 for the label, also 5 years of dystopian showcases around the world and a good working agency and label since 2012 � the dystopian guys want to say thank you with that special release. and what fits better to invite some long term guests to remix dystopian artists ?! first, we invited pär grindvik who played the second dystopian party ever in 2010 to remix the already wonderful >stone edge< by felix k. and what else to say, that one turned out into a tribal techno monster.second remixer is function � he played the every first dystopian event back in 2009 (you remember, as sandwell district live, ben klock, shed and rodhad).. so, this time it s our pleasure � and to get a good balance to the a-side, he delivered a groovy hypnotizing minimalistic tool.. you need to let i grow, but than this track getting you from behind :)

no introduction is really needed for the massive balearic anthem *jibaro*. elkin & nelsons scorching latin disco classic hit big throughout spain, south america and nycs underground club scene in 1979 when this now rare and hard-to-find disco 12 inch version originally dropped, but it gained its real cult status after being picked up and championed up by the likes of rampling, oakenfold et al who who fell in love it after hearing it played by the legendary dj afredo at ibizas amnesia club. instantly recognisable and supremely dancable, this is one of the true heavyweights of the balearic scene - and a must have for any serious record collection.

vinyl only! no digital!the new music label from leipzig zwischenwelten was founded by chris manura. the new label will mainly release own music but also productions from various artists. the remix from douglas greed (freude am tanzen, noir music) is very bassline styled music. zwischenwelten is a sublabel of dirtydrivesounds and open to all kinds of individual music from it defined by modern bass music but with an individual to the music. 200 handmade package copies!

dmi number 003 comes along with two deep techno trax by the whiff. whiff is a new project of some wellknown technoproducers from germany. more we are not allowed to say about it. but u can be sure, its not the last time u hear something from the mysterious whiff

mix of emotional elements tuned up by serious minimal house beats. the two tracks tell you what! and waiting are different, but the style is obvious. it fits in the new upcoming minimal house music scene in leipzig.

adrian niculae, also known as priku is one of bucharests finest djs and producers. after releasing for labels like arpiar and all inn he has now decided to release and produce independently. going forward, motif will feature most of his work, as well as some of his close aquaintances. acoustic is the name chosen for motif 01 and experiment is the game. similar to his last experience with arpiar, bonita mariposa is a dreamy, yet pumping track, filled with shakers and spikes that go along perfectly with the dark piano. afterhour delight or possibly an intricate starter, it could be either of them. marker keeps the piano but inserts more rhythm, more percussion, more mystery while micro house is blended with 808 rims and an addictive synth that will surely keep you...
pressing on heavyweight 180 gram vinyl)

experience an experiment turned masterpiece � noyork! los angeles emcee blus oft-delayed masterpiece has been the talk of the internet for years, but has never seen a proper retail release. now, the album (which features u-god of wu-tang clan, pac div, uni, jdavey, tiron, ayomari, and more) will be released in a deluxe limited edition four-lp set with three non-cd bonus tracks.

following his breakthrough release on cult bristol label happy skulls, which carried a tearing funkineven remix, adjowa marks his second release of the year with a slamming addition to the dba dubs series. beautiful swimmers own max d (known to his friends, but perhaps not his family, as maximillion dunbar), contributes the compulsory us remix on the flip, drawing on the grime, jungle and breakbeat hardcore tropes to create a truly otherworldly banger.

since we opened our small record store in brighton we have been asked repeatedly for new garage releases on wax. this reminded us that not too much that is available at the moment which could easily fit that criteria. and as long term garage fans ourselves we are more than happy to oblige the faithful with 4 killa darkside steppers from londons buzzin 10. the beats harken back to classic uk garage but are topped off by synths that share common musical ground with detroit electro or european electronica.

the world was shook by a series of evil man-eating phenomenas like the gray man, ed gein, the rostov ripper and jeffrey dahmer - but now these will face their superior master: the hannibal strikes one more and presents a 3 disq mayhem pack which will cause some serious dismemberment and bone crushing torture!

the world was shook by a series of evil man-eating phenomenas like the gray man, ed gein, the rostov ripper and jeffrey dahmer - but now these will face their superior master: the hannibal strikes one more and presents a 3 disq mayhem pack which will cause some serious dismemberment and bone crushing torture!

the world was shook by a series of evil man-eating phenomenas like the gray man, ed gein, the rostov ripper and jeffrey dahmer - but now these will face their superior master: the hannibal strikes one more and presents a 3 disq mayhem pack which will cause some serious dismemberment and bone crushing torture!

we are very proud to welcome rico puestel on ozz records! *icicle tremors* is a warm but melancholic track and comes around with a more floor-oriented remix from oscar ozz!

part of a constellation of little known, largely spanish techno artists who have defined semantica as a must-watch techno label since at least 2009 but really for its entire history, aikens work is also a stunning summation of the qualities that make this small group of leading-edge talents essential encapsulations of the genres musical progression up until this time. deeply rooted in the innovations of detroit, berlin and new york, his music also takes in flourishes of sound design and broken-beat experimentalism rooted in the rich past of uk dance music

ltd repress !!! another main player of the current elite of deephouse producers makes an anonymous but definitely not impersonal appearance on the ever great story imprint. right from the beginning of >fascinated< we get slowely woven into a maze by the spellbinding introduction of a sultry soulstress and when the eeriy string, gentle harp sweeps and a swinging yet almost coy beat fall in it only adds to the feeling of hazy, latenight intimacy. >taj mahal< has a more robust, earthy beat with tabla and deep twangy sitar sounds panning around, making you see all these groovy colors and feel like you are lifted above ground and even >you better find a job< - despite its title - doesnt even try to pull you back to earth and into dull reality. its warm pulsating bass, psychedelic feedback and flanger sounds much rather urge you to flip that record over again and stay in the groove

chez damier signed his debut for balance. gilles smith requested his remix treatment for secretsundaze. he is a busy producer and great dj, a true gifted artist known as jorge caiado. his new and much anticipated 4 track ep is finally here, released by his hometown label, groovement. house is where his heart is but jorge caiado s mind travels far beyond any genre, crossing the full music spectrum. his productions always incorporate different elements and new levels of energy. the new spotless mind ep gr020 follows the path revealed by his *beyond the atlantic* debut on balance, legendary chicago label run by chez damier. music that reflects his creative vision from inside out. originality and a sound signature are in development here. this 4 track collection demonstrates how deep, wide and yet close to the heart his music is, transcending both the context and vertigo of our time.

one of londons most vital parties, (praised by fact, dummy, dazed & timeout who named them as one of the highlights of 2012 and ones to watch in 2013 and beyond): after a sellout first release rushmore returns to bring you the second instalment of the highly sought after hot ep series. the house of trax policy has big american focus with previous guests including dj sliink, tyree cooper, venus x, zebra katz, kingdom, fatherhood, traxman and vjuan allure. but they dont forget the uk either with appearances from bok bok, l-vis 1990, jam city & slackk. 2013 has seen very special appearances from grime godfather slimzee, dj assault, dj earl and return visits from venus x and mikeq also. with their second year drawing to a close, a capsule clothing range debut, the soundtrack to their very own club catwalk show is hot 002.

subwax bcn is proud to present, for the first time on vinyl another yagya album masterpiece! these beautiful timeless dub techno & ambient pieces was originally released in 2006 but only on cd. will i dream during the process is a timeless journey into dub techno & ambient heaven. essential!

the modern deep left quartet is back. well actually, it never really went away, but due to contractual obligations they had been releasing as cobblestone jazz the past few years. so its high time that the projects are re-branded as originally intended, and this release marks that foray into quirky techno and mid-tempo goodness.

back to throw you right off balance, the ever enigmatic joe returns to hemlock with two highly spirited but deceptively strong sonic cocktails. we will drink to that. punters step out: muddle 1 part dub techno with 2 parts drunken hammond and shake hard with some driving dancehall. serve with a smile // club scared: smash a volatile vocal into a high-proof riddim and drop on an unsuspecting floor. please dance responsibly.

opening up the release is *der groove günther*, a stripped back bit of rubbery, supple techno. the groove sure is infectious, but it�s the way its detailed with such curious sounds � metal twangs, squelchy chords, icy hi-hats � that makes it so engaging. on the remix, tinush reimagnes the track as an even weirder thing. it�s all about micro-evolving details, subtle and inherent funk and keen sound design that is part shiny and stiff at the same time as being elastic and bendy.
the first vinyl pressing is a limited golden seal edition!

almost two years after their austrian amadeus award nominated debut album *different believers*, allen alexis present their second lp *the other side* at the end of october, releasing it only on vinyl at first. the first extracted single *over the sea* is already in heavy rotation on the radio.
the name is the game, since this time a more different, club-oriented side of allen alexis was increasingly brought to the fore. musically, the album does not only live up to the musicians various orientations, but also to the multiple personality of the artistic character allen alexis, in which the de- and reconstruction of their tracks are being reflected.
presssing on heavyweight 180 gram vinyl, download code included.

recit records founded in 2012 by yohei yamakado and mana haraguchi is a label about all auditive experiences.their very first release is a production of yohei yamakado under the pseudonym of oosco. printed in 300 copies, it includes three tracks which are mainly house oriented but not only, having also an aspect coming from electroacoustical approaches, relating the acknowledgment in sound design of the producer

vinyl only! alien rain is a tainted techno project of milton bradley. under this alias the berlin based artist has served up disgruntled electronics and downright deranged acid. panel beaten 90s tracks that pervert and pummel. floor a-bombs that leave behind nothing but a 303 wasteland. mr bradley has caught the attention of deep sound channel and been called upon to deliver his style of hypnotic fallout techno. two sealed vials of audio venom are the result.

for this 4th release, we decided to bring you guys one of the best producer right now : kuba sojka !!!the analog man, his continued music production has focused on collaboration with the chicago mathematics recordings label, which presents his more jazzy and soulful face, but not only through the >bright shadow of a star< ep, but from a bigger thanks to the album >mysterious intrigue< released on 2x12<. that release boldly displayed how kuba can combine a bit of the artistic world in jazz and underground club sound of detroit techno and chicago house. this alone didnt confirm the listeners of his music. it was also due to the fact that he presents a real and sincere vibe and is open to new and developing sounds world-wide. as you guys can expect from the man, those cuts are clearly inspired by undergound resistance, dopplereffect, minimal wave & the chicago house sound. the title track >future mind< is a perfect example of those influences, for us it already sounds like an instant classic. the 5 other tracks >revolution<, >walk on moon<, >adventures into the unknown

it can be hard to pin down the elements that make up a citys signature sound, but when you hear it, you know it. and winston hazels new track, *break up*, is 100 per cent sheffield, from the boom and buzz of its bassline to the bitter-sweet choral hook that pierces it through the heart. not that this is a surprise.

one breath is a bold and confident record that begins an exciting new chapter in this uniquely talented artists career. produced by john congleton in blackbox studios, france and mixed in dallas, texas, usa, one breath was written in a year and recorded over a few intense weeks. one breath is a more personal record than its mercury and brit nominated predecessor. reflective and vulnerable, it strikes a balance between optimism and despair, beauty and ugliness. the fiery elements of annas debut remain, but one breath is more instinctive and urgent, revealing a wider spectrum of textures and emotion

jorge bule , the iberian artist ushers in dubby basslines but drowns them in shards of metal. you would be forgiven for thinking this was dub techno, or even electronica. epic_deep

nobody knows where these guys were beforehand, but this record is a real hit. a new release has emerged from an equally new label - detroit techno archive it reflects the labels name perfectly. the 12inch recording includes six wonderful detroit techno tracks, from a couple of artists. the first associations that come to mind are detroit legends like underground resistance, derrick may, stacey pullen, kenny larkin, and octave one. youll find some old-school techno with a rich groove, multilayered melodies, and some great stories behind them. this is real hi-tech jazz.

mike okay is back on the dancefloor after a big roadtrip during the worlds largest kindergarten. his new release, called fogel, comes along in three different versions. the original, an edit from himself and a remix from the old but newborn fly motherfucker. you can take the mike versions as sure shot for good vibriations on every floor.... continoues groove and some sweet kids behind the mic are the main cheese, whats fully filled up with fat bass. when you start or end the night try to handle the fly motherfucker remix. the slower walking groove is straight right for this. mixed up with the emo synthi its just a wonderfull dreaming interpretation and perfect to fall into a moody winterdancefloordepression. so the next what! what! episode from its founder mike okay is on the run.....lets fetz!