bristolian duo, forget me not, return to losing suki after 2013s the stronger ep, keeping up the pressure with their deep and raw garage house sounds on the everything but love ep. pressing on translucent, red coloured vinyl.

vinyl only! limited promo 200 copies worldwide! ko tunes ready to release his first limited edition vinyl with no label. the vinyl counts two tracks. a-side: harm suffered. extraordinary bass line, very sharp sounds, dirty speaker, coherent and gloomy vocal b-side: et a bientot. rough speaker, sustained bass line catacherized by filter games and vocal allusions.

inspired by the rhythmic sounds of the industrial machines that soundtrack quirkes day. limited to 500 units.

philipp weber is a musician living and working in leipzig, germany. his main focus when creating music is to capture the moment by using all kinds of instruments in a playful and intuitive way, experimenting with rhythms, sounds and melodies. his songs are ideas, emotions and thoughts that he tries to translate into music. »its like speaking a language«, he says, »without knowing its grammar, still trying to find the right words.« philipp is one half of the project webermichelson a two-piece band focused on merg- ing kraut and experimental music through drums, synths and guitars. webermichelson have been a core ingredient of the holger universe from the very start, one of their live shows actually being the moment where it all began. with his first mini album weber now joins the holger family also as a solo artist

i did the this beat is talking to you (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that.

2 tracks of island-inflected chicago house from chicago based producer inspired by his visit to antigua, guatemala. frankfurts d. soul takes 1 into synth space, gonzo gonzo slows it down adding market sounds with lighter synth lines.

4 track release with 3 originals that touch on deep house, italo disco & cosmic sounds while san franscio house-sleaze afficionado anthony mansfields remix provides a dubby dose of dance floor funk.

wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

providing a glimpse of great things to come, patrice scott offers up the euphonium ep, a sampler for his highly anticipated full-length album entitled euphonium, due in late fall 2014. all untitled, each track is a reward unto itself. enjoy the signature sounds and keep your ears to the ground

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth’s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair’s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth’s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

french producer david k is ready to announce his debut album, out of range, an off-the-radar mixture of romantic melodies on drugs, rocking beats a la parisienne, and sounds to turn you on, released on tiefschwarzs ever reliable imprint, souvenir.

the main idea for the luxxury edit series was to take overplayed and/or uncool songs and turn them into tracks that i myself would want to dj. initially the plan was to do this exclusively using the sounds from the original multi tracks, rather than the typical throw a new beat and some swooshes on it kind of re-edit.

adventurous electro project 2 years in the making featuring works from ian martin, shemale, federico leocata, das muster, obergman, koova, linear synthesis (new project from kobol electronics and heinrich dressel), dmx krew, elec pt.1 and dj stingray. think kraftwerk, drexciya, dopplereffekt and bunker-style dark basement vibes all rolled into one neatly presented package and that’s pretty much what is on offer here. a fine selection of tracks which successfully presents fresh sounds by tried-and-tested names, while simultaneously introducing upcoming and arguably lesser known, but by no means any less talented artists. thoroughly essential for all electro fans out there. limited edition vinyl pressing

miss djax is proof that age doesnt necessarily always bring peace. for 25 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive 303 sounds.
with her new release *from within* she goes back to the acid sound of the nineties. she recorded the 4 tracks live in her little analog home studio just like in the old days. *from within* is a tribute to her old-skool fans. a release on solid 180 grams yellow coloured vinyl in a limited edition of 200 copies only.

nice price deal !!! retro-ist techno sounds ringing with dub! the label says: lot.te is mehmet irdel, a turkish-born artist who has been a friend of the bunker for a long time. hes currently based in brooklyn, where he co-runs rote productions, a company that releases music, graphic works, video compositions, and photography, and takes a strong stance against the concept of intellectual property. irdels early work consisted of soundscapes, noise, and power electronics

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

after kicking off with a delightfully classy deep house ep from chicago s strong souls, d3 elements - the label run by the same person as vibes and pepper records - presents it s second ep from brian harden. this long anticipated ep is reminiscent of his upbeat, melodic style that is his trademark. known best known by his affiliations with relief records, underground therapy, nitelife collective, moods and groove and house 4 life records. brian was also affiliated with the well strictly jazz unit as well as wavelength and aura 9. the black 3 ep opens with a1. qunu - a rhythmic homage to south africa s nelson mandela. a complex piece filled with tribal percussions and vibrant melodic sounds that will keep you dancing. qunu creates an addictive rhythm of warmth and color. definitely a club banger! a2. - days of days - is a euphoric affair with lush chords, enticing percussions with ariose bass line. light and airy with a compelling groove. it s a masterful example of genuine house. b1. - the black 3 ep brings the ep to climax with chicago to detroit. this one is a brilliant rendition of original chicago house. the chords are hypnotic, drums are truly crafted to make you move your body. chicago to detroit will truly be onsidered a classic.

being around since may 2009, the greek imprint, blind stitch , now finds itself releasing a triple lp by label- head bengoa. a long story of sound and rhythmic communication can be found on this album, entitled -what you give-. this record features deep grooves, spiced with uplifting melodic crescendos and occasional collaborations, leaving a release full of impressions. laid back, groovy and mesmerizing sounds, take you through the narrative of this lp. with smoothly arranged soundscapes and old school synth vibes the record motivates listeners to move and get lost in the sounds. a productive output from bengoa, with focus on molding his own personal sound, and that of the alexandroupoli- based label. 3x12- of delicious deep house grooves, spiked with occasional vocal work, and reverberating glass like rhythmic percussions.

after a fantastic year in 2013 broadcite music fam spark the new year with some fresh sounds to open up the new season in 2014. we are happy to present the next part of the bbk journey release series. next stop is south africa. a connection established from their base in lausanne switzerland the bbk guys ruben estevez and perler have now completed 2 tours of south africa, touching base with some great artists along their route including fantastic producer scott ross and sensational vocalist ckenz voca the layders. freakin was originally written and produced by scott ross and has had a 2013 bbk makeover, taking the track to another level with some choppy beats and gorgeous instrumentation, also on the buttons for this project is alex attias freedom sounds connecting with ripperton to provide a feakin sexy, groovy dance floor killer remix. both great versions bringing their more urban underground edge to the music whilst demonstrating the ability to fuse with the beautifully fragile vocal melodies. enjoy the new single from the bruk boogie kru.

their newest song -red wine- it s quite a trip. modern nu disco sounds, great work on synths and hypnotizing voice of saint kitten takes the listener to another dimension.

• fourth installment from the artist and label.
• other titles have sold out fast - don t be left out...
• special hand stamped white label release a fast paced aggressive a1 made of fast 1/8 note kick drums spliced with distorted pad sounds and distinctive snare. the a2 is a broken beat affair with evolving percussion and a rave line that will cut through in any mix. b1 is papers signature acid jam, simple but effective. b2 is a unique beast, with locked rhythms and distinctive arp synth line...

the explosive initiation of one electronicas -1210- series comes from ann harbours d marc cantu. the series will consist of one twelve inch and one ten inch vinyl. no mp3 s as per with one electronica and its main aims are to give the artist freedom to do what ever he or she wishes! the extensive palate of sounds available on this pack range from slower ambience influenced grooves, outright -jak-, industrial grit pursuing to intense, pace-ridden, electronic mayhem, as heard in microdots

last magpie makes his electric minds debut with the *influences* ep in april. the eps three original tracks combine the producers knack for punchy uk club tracks with elements of the pioneering electronic music that have informed his music tastes. inspirations from classic hardcore, jungle and garage loom large on ep opener *mirdad*, while *pledge* takes things on an electro tip with nods to the sounds leading mid-2000s exponents. *i love me* juxtaposes light and moody elements for a heavier take on disco and chicago house, while the ep is completed by a sublime trevino remix, as the soulr boss reshapes *pledge* into the kind of tough, hypnotic house he has made his forte.

the 50th instalment in the phoenix g series is a special one. a 4 track counting coloured vinyl affair of course from the hand of the labels head honcho and sole artist mr.g. proper machine funk drenched with synths and the significant samples make this 12 inch a journey through mr gs different sounds and mindstates.

emerging on the scene in 2008, luigi madonna has established himself as a young, extremely gifted italian dj. he pays tribute to old school european techno artists in a fresh way, blending in a fusion of experimental sounds and beats. his work not only would appeal to any dj or club-goer, but easily could attract the attention of major video game labels for an unforgettable experience.

chewed up and spat out the other side of the uks acid house scene, neville watson was bitten hard by the house music bug and has not looked back since. his brand of deep, raw and jacking house has been released on labels like clone, dissident, rush hour and creme organisation. neville says: i kind of like music that sounds like it is all about to start falling apart at any given moment. there is plenty of clean music that i do like but as a rule i like it rough.
pressing on heavyweight 180 gram vinyl with sleeve drawing by craig richards.

you can tell label owner max m loves producers that arent afraid to experiment with the most hypnotic and mind bending properties of techno and electronic music in general. with seven release under its belt, its now obvious that grey series was conceived around a very clear idea: organic sounds, complete lack of stylistic restrictions and an overarching love for introspective and crepuscular atmospheres. the eighth 12inch in the series is signed by spanish producer tadeo, who follows a long list of releases on his very own cyclical tracks and another intelligence imprints with four caliginous cuts that belong to the brainiest and state inducing sets

ltd 2014 repress
next minibar cocktail will be from mister cabanne ! after one year of highly grooving research on perlon with ark, karat, found sound and minibar with david glück as ultrakurt, the chef is back on his own with drinks for everybody. this new ep sounds like cabanne s found some new pumpin ingredients to shake the dancefloor. sounds are fresh, kick is deep. check out b side track which will show you the way to minimal thermosphere

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

corbu are an electronic, indie-rock band from brooklyn, new york spearheaded by producer and multi-instrumentalist jonathan graves. corbu are jonathan, todd hoellerman (drums, keys), amanda scott (synths, percussion), julian ferraldo (guitar, keys) and brian murphy (bass, keys). named after french architect le corbusier, the band has a strong creative aesthetic. graves writes the music from visual ideas, which he translates into sound. corbu songs are often heard partially or entirely in dreams, and are influenced by films, physical spaces and a childhood love of nature and science fiction. and it works. corbus music is beautifully crafted, taking the listener on a journey from day to night, through exhilarating sunsoaked sonic landscapes to land softly on the surface of the moon. jonathan began singing and playing different instruments at age nine, and eventually fell in love with samplers and their ability to bend conventional sounds into something abstract and new.
pressing on light blue / grey vinyl.

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

praymond is a french artist and long time record collector. after years of travelling and playing across europe and america, he decided to release his first ep. this record is not just an elegant dj tool but its also a really smart take on how to bring a discrete touch of acoustic in a music usually dominated by analogue sounds. 3 tracks on this ep. huguette uses a lot of acoustic elements to deliver an epic dancefloor track chamalowe slows the tempo in order to make the pattern heavier timeless memory is a tribute to dub techno with an acoustic take, touch of platon records

vinyl only, 2014 repress !
the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for our 27th release, we re back with the fantastic jason grove for his first album, we wont explain his sound & his verylong story as we already had 2 releases on wax classic (our sub-label) that gets some massive feedback from the best djs around the world. all his fans were waiting for it for years, now its here, finally, available. we honestly think that this is one of the best house album weve ever heard. classic. a must to have in every djs collection!

rich nxt, one of fuses core residents, returns for his fourth ep on the fuse london label. the *waistline ep* sees him build upon his fine earlier work with another mesmerizing journey through expertly crafted underground sounds.

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.

washington dc s dj nav immortalises his melodic grooves on hand-numbered 12 inch vinyl on the ever-growing scottish imprint, made fresh daily. classic sounds are prevalent through city limits, with strong garage flavours in the percussion. a moving bassline on your words keeps things interesting as it realms into more underground areas, bringing variety to the otherwise classic sounding ep. reflect is a beautiful example of how real house can sound when executed properly, it also provided a platform for danny j lewis to build his dancefloor-minded dub. mastered by the mighty nate tinsley productions in long island, ny. this one comes with a free sticker if that wasnt enough.

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

hand stamped and numbered, strictly limited to 320 copies. osiris music uks thirty seventh release *open water versions* sees the label taking an innovative, almost open-source approach to what could be a more conventional remix project, with four artists contributing their own unique perspectives to one anonymous track. the eps opening salvo comes courtesy of killawatt, who brings a dense combination of driving force and technical intricacy whilst ipman imbues his version with urgent percussion and sense of cavernous tension. the second half of the release sees the debut of osiris music label owner simon shreeves mønic project, the pummelling, cinematic sounds of which providing apt counterpoint to the staggered, churning techno of metrists version which rounds up the ep. early support from laurent garnier, eomac, bas mooy and paul mac.

touchin bass takes a different turn this time by introducing you to newcomers mkfn, a live production project formed in 2012 by babar raza (us), ovais hassan (uk) and fahad ahmad (canada). over the course of the year they have designed a system that allows them to create music across borders that has been defined as experimental, dark and gritty. the collective integrates each members extensive musical background gained from working across multiple genres. this unique combination invites distinctive sounds into the studio forming the foundation for mkfns characteristic sound.

with *closer* masterton debuts on blackfoxmusics 19th release (bfm019). *closer* is a warm track with a deep groove and beautiful melodies. it relates to living in a long distance relationship and overcoming a lack of proximity.
robert babicz (babiczstyle, systematic, bedrock records) created an incredible remix. he used lots of the original melodies, combined them with new elements, added rolling drums and a thick bassline to give the track the extra drive. his remix became a constant part of his live sets and was debuted with great response at grelle forelle (vienna) and ritter butzke (berlin).
channel x (stil vor talent) remixed *closer* into a pretty cool and clubby deep house track. you can feel their berlin origin when listening to the groovy bassline with variations of the melody. finally the breaks capture the mood of the dissonant sounds from the original track.

(180g, glossy 380g sleeve & mp3). 1st album of sebastien tellier incl. fantino (used in sofia coppolas lost in translation film), noticed by the rolling stone mag. one of the loneliest sounds you will hear this year, december 1998).

vincenzo returns to dessous recordings with something a little special. merry go round features the stunning vocal talents of language aka kaori kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else.

this is the first full e.p. release on fizical music from romanian cally (dumitru dragos gabriel). to cally, dance music is about living life , acting out all possible human emotions and feellings in to the music . great sounds arranged into improbable yet emotionally charged sound-scapes create a very special sound described in to the fizical sound. the tracks have an deepest feelings and a good melodic sequences . this e.p. represents a journey with different emotional feelings with a magnific sound in a unique shape. no more words are needed here , we let the music talk for us . enjoy !!!

the funky fuzzy sounds of west africa.

finally, the pender street steppers are back with more sounds guaranteed to elevate your community. influenced by an interesting variety of music, >the steppers< are well liked by an equally interesting variety of fans (in their region). this is music for cruising around the riviera in your primary mode of transportation, made with care in the tradition of cdn underground classics. shouts 2 golden garden!

this time, the marvellous nighttime world of buenos aires is reflected by the rhythms and sounds of carisma (carolina stegmayer and ismael pinkler), who live together in the centre of the south american capital. since three years they are delivering these tracks directly (directamente) from their flat through the citys dark alleys to its underground venues – producing music to play it right away, written in a dialogue between studio and booth, at the djs parejas legendary fun fun parties, the famous dengue nights, and other spots.

following on the success of our cellar the imprint returns for the second releases with james mile , salvo castelli, nadia popoff and strck.dancers and dreamers for supporting the music, ideas and feasts of our family and friends. by the sounds that a typical wet earth offers. support by: ame, dubfire, tini, ben sims, ilario alicante, rino cerrone, john osborn, woo york