grosse kaffetasse mit 303 print

third ltd puas puas from funky deep house to athmospheric techhouse! again vinyl only

manik returns to ovum with house cut 1 ep. a long-standing veteran of josh winks ovum imprint, the house cut 1 ep marks maniks fourth offering to the label and maintains the high quality weve come to expect from an artist who is comfortably at the top of his game right now

good experimental techno from william bennett !!

with what looks like a summer heatwave on the horizon, it seems right to call on dirtybirds european extension to deliver a sundrenched dance floor stormer to see in the new season. the two track love ep sees catz n dogz join forces with the everinnovative kink, a pairing that has proved striking in the past year after kinks beautiful follow the step release on the polish duos label, pets recordings.

east end dubs delivers a surgical strike on this metroline 4-track release

disco bloodbath recordings latest is the debut solo release from one of the founders and original residents of the disco bloodbath clubnights, dan beaumont - formally of production duo jam factory and the man behind london venues dalston superstore and the newly opened dance tunnel. reality checkpoint is an atmospheric mid-tempo house chugger based around judicious use of samples and a slight dub-reggae sensibility to the groove. the original is accompanied by two alternate versions - one from neville watson, which pushes the track into club territory, and one from dan himself, which strips things back, further accentuating the tracks dub overtones.

hot on the heels of jay shepheards well received debut album home & garden, retrofit rolls on by welcoming a pair of duos to the label: the berlin/hamburg connection known as session victim, and a couple of hotly tipped london boys called casino times

#2 in the new series from australian edit maestro lntg: nobody is an epic rework of the chaka khan classic whilst reality blends chic with soul ii soul for dancefloor devastation.

john hughes daydream is a project born in brooklyn with one foot straddled across the east river to a 12th floor studio overlooking broadway. this release was born as a day dream and conceived in a haze, our city is a river, a sea of imagination, with memories swirling and crashing..

triplevinyl is supported and played by djs such as joseph capriati, davide squillace, amo & navas, angel alanis, paco osuna, marco bailey, uto karem, dubfire, carlo lio, tube & berger, danny serrano and between others artists. dj feedbacks:thomas schumacher: great release

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #18, cut me gently by beard in dust comes from behind the iron curtain. on a recent tour of russia, sleazy mcqueen had the fortune of meeting a friendly moscovite with an excellent selection of re-edits gathering dust on the hard drive. from the stab- centric *it shouldnt work, but it does* re-edit of grapevine to the cosmic groover, revolution in morder, the straight up boogie of highest mountain and the laidback ease of cant get enough-- more than most, this really does offer something for all (groovy) dancefloors.

hailing from australia, late night tuff guy has taken the edits world by storm with his tasty reworks of classic tracks from across all genres adding his own special touch to each production.
the first ep sees a selection of reworks hand picked by the man himself as a fitting start to the series. pressed on 12 inch vinyl with a hand stamped label and in a white card sleeve with paper inner. the first of many from lntg.

disco bloodbath recordings first release of 2013 sees the return of label boss damon martin with the vinyl only wintermute ep.

chad andrews first chance to showcase his work on the label whose core artists and releases have directly shaped his sound, french imprint, dissonant

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

ulterior motive drop a tough remix of future cuts classic on this strictly limited edition picture disc.

new remix of the classic whistle song brought bang up to date by mr knuckles himself.

nocturnal groove present a reworking of sylvesters 80s anthem by two of the house musics founding fathers frankie knuckles and eric kupper - disco credentials dont come more reputable than this.

londons disco bloodbath launches its long awaited label this june with the raw, unbridled house of that aint right by co-founder damon martin and backed with remixes from waze & odyssey and legendary children.

limited 2013 repress by popular demand!
a mysterious little 7 inch release from poland - as featured in todd terjes end of year chart, and thus the object of much speculation and interest!

cut mistake music was conceived somewhere between the day dream induced soundscapes of my bloody valentines loveless on the western seaboard of ireland and the haze filled manic energy of new york city dance floors. loosely associated with a collective of new york based musicians our aim is true and our message clear, we want to bring our landscapes to the ears of those who are willing to listen. this first release comes from the hearts & minds of the label founder cnnr (connor whiriskey) and good friends no regular play (nicholas debruyn & greg paulus).

after they already introduced themselves vinylside on v.a. bigmp16, nynfus corp. now starts straight into the new year with their own ep as first bigm vinyl for 2012. a smashing 12 inch mashup ep with club blowing breaks in four different styled tunes, to present their whole variety of amazing skillz from budapest. whhheeeewww!

>sun god<, the beastly album closer from cut copys grammy-nominated 2011 opus zonoscope, has been remixed by uk producer andy weatherall.

limited kanzleramt classics!

limited doublepack of incase001+002.

dbridge on production and vocals, remixes by morgan zarate and consequence.

melbournes finest cut copy have released this limited edition 7 inch vinyl with only 500 copies pressed, dont forget to get this one.

here we have the next instalment from the cut and run crew. this time they have sampled the classic 8 bit sounds from zelda which merge into a thumping break beat riddem. on the flip be prepared to be slapped in the face with heavy beats and glichy bass. this is a strong 12 so give it a listen!

>cut me down< was the bi-product of this years ims conference in ibiza where sasha was assumed the honour of creating the 2011 ims anthem in conjunction with burn studios. the track was then handed over to layo & bushwacka for the masterclass in remixing. their stunning mix appears on the flipside with full l&b signature riffs, basslines and bouncy drums.

nice price deal !!! melbournes finest, cut copy, deliver >blink and you ll miss a revolution< together with versions from chicken lips, das moth & kenji takimi and tornado wallace.

how do you follow-up last years monster mr.spock? of course with something even more ghetto, more dirty and more fun. lezgo is the 2nd collaboration between justin martin and ardalan, a curious bay area duo of master and apprentice that seems to be magic in the studio. this time they delve deep into the footwork meets house sound delivering cool r&b respites inside mega booty grooves for 3 minutes then letting down the hammer on the kick drum in the finale that kills every time. this is the type of tune that gets everyone moving and smiling and makes you wish you had 10 of them just like it in your bag. i ve played this to every type of crowd from techno chin scratchers to college kids, festival crowds, london know-it-alls, fund raising 40+ year olds, deep house heads, post dubsteppers, basement afterpartiers, hip-hop crews, disco kids and straight up ravers. it works everywhere and thats the sign of a big tune.

huge remix pack... incl mixes from koreless, dbridge, quest, gang panang ft roots manuva

here we have two slamming mixes from the cut and run crew and again they dont disappoint. two cheeky mixes, one of which is a hyped up mix of martin solveig and dragonettes >hello< and the other a breaks mix of deadmau5s >right this minute<

these are two of the best t. flynn tracks ive heard. budgie smuggler is a fresh club jam that sounds like deez nuts and keep listening is a red alert, 4 alarm big room only rocker.

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

the fourth release on dont be afraid >west acyd shelter< takes one of the most important jazz funk records of the 1970s as its starting point. semtek rebuilds the legendary hook from scratch over a disorienting range of acid, broken and techno accoutrements leaving a tweaked out bassline stepper. photonz bring their unique lisbon via essex style to the proceedings with an >i cant believe its not garage< take on semteks beat, proving yet again that they are a force to be reckoned with in 2011. the b-side >east acyd shelter< is a sparse analogue workout that would be at home as much in legendary and much missed kings cross hangout the key, as it would in a james bond soundtrack of the timothy dalton era.

3 breakbeat tracks by cut la roc, taken from his album >nemesis<.

incl carl craig remix !! (b side)

db049 is by two of the best new school groove specialists in the game, sascha braemer and philip bader. this is saschas third appearance on dirtybird and phillips first but the two have been friends for many years. both guys have their own amazing labels now (sascha runs supdub and philip runs dantze) so we are very happy to be able to still get a cool record from them on dirtybird. we will leave the title of this >friends and honey ep< up to your imagination but both trax are money in the bank. i welcome our friends from berlin to the san francisco family an we hope to see these two over here in the usa soon on tour.

modular, das derzeit spannendste label australiens (tame impala, wolfmother, van she), veröffentlicht das dritte cut copy album, auf dem die band durch die verwendung von mehr elektronik und exotischen instrumenten (bongos, congas etc) eine aurale utopie aus organischer psychedelia und repetitiver robotik erschafft. so entstanden rhythmische sektionen im motorischen schnelllauf ( alisa ), kreuzblüten aus chicago house & ebm ( turn from stone and blink ) und epische 15-minütige disco-mantras ( sun god ). abgemischt wurde zonoscope von ben allen in atlanta, der mit seiner urbanen musikvergangenheit bereits alben von animal collective, deerhunter und gnarls barkley zu glanz verhalf.

der druck kommt unzensiert, ihr wisst was jetzt passiert! es gibt nen bass auf die ohrn und der geht mächtig nach vorn! wir fackeln garnicht lange rum, nach diesem satz macht es bumm! hells bangers records meldet sich zurück mit einem feuerwerk an abwechslung! diese vinyl bietet von 150 - 195 bpm harten techno sowie hardcore und verzichtet dabei auf langeweile! this is not the standard, this is how we rock!

wiederveröffentlichung des zweiten albums des deutschen elektroduos von 1986. pressung auf 180 gramm vinyl

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

db_24 is the sound division of >ded blokkz<, a global concept exploring the urban life and similarities between lost industrial areas and natural landscapes, with sound and images. it is made with analog sounds and graphic shapes, with different degrees of abstraction