the original mix by duomek takes the form of their musical ideals: house, deep house and minimal. no doubt it aims to the most select dance floors. jon gurd is the one chosen to make the first remix, that for sure will make a lot of harm in the floors. talking about jon gurd is to talk about one of britain?s top class artist of the last years that djs all around the world, produces exquisite music, hold the label killawatt and runs his own program in ministry of sound radio. his productions are habitual in sets of artists like hernan cattaneo, james zabiela o carl cox. tech house of its best of purest kind. finally we find the vision of mintone through inigo ourezabals eye, the 50 percent of monomachine. this dj and producer from zaragoza has been recognized in this last two years as one of the best artist in the spanish music scene. paradigma, wit, leftroom o immigrant are some of the labels that have released his work. this time he bets for a very effective techno that will catch the ear of the lovers of this style.

essential revisions of liquid liquid classics from matthew dear and sample208 with two contrasting but deadly effective rethinks...

this is the second part in the three-part series >join the resistance< by 22 year old tim toh and another proof for this young producers huge talent and unique character! >three< on the a-side is a masterpiece of discoesque harmonies going nuts, a lovely string topping and a sparse but effective rhythm…the sweetest piece of house music we ever released?!!…most definetly! >four< on the flip is a funked up track covered in charming synthlines that almost sound like natural ochestral instrumentation, with their woodwind-like charakters. great tension in the arrangement again! >five< is the most likely house track on this 12inch, deep chords top a heavy shufflin rhythm… timeless matter! thanks for purchasing a real copy

this brand new and long awaited follow up 12-inch single release by off the record is finally here! its been quite a while since their first release >robot gang ep< (sen-003) came out and took the dancefloors by storm. all the wait has been well worth though, as this talented duo is back on track with their trademark rough & raw drum sounds, killer breaks and bridges. such elements can be found directly from the starting track >tel aviv – japan<, which combines nicely minimalist techno / house sound architexture with simple, yet effective groove, and it grows humble and slowly to reach up its peak moment what goes like: splash! in ya face! there you have it! guaranteed to lighten up any dancefloors, it s dangerously explosive and has amazing flavour on the rocks! having said that, on demand producer and remixer ran shani (crosstown rebels, breastfed, cr2 records) was kind enough to contribute his absolutely fabulous and fantastic remix work of >in your mind< track. he pushed the track to the next level and came up with a truly club oriented pulsating dance track with extra crispy and tasty beats. rotating 360 degrees panorama effect on female vocals coming in as the track rolls further right after the break is surely enough to explode some minds on the dancefloors. watch this man out! perfect end to an extended play here is the only track offering a mini lovestory: >shes lost her mind> is a true and cold hearted, crucial story about a tech savvy clubgirl falling in love in a binary world full of zeros and ones, finding computers and turin machines sexually more attractive companions to better have fun with rather than getting accustomed to that old fashioned missionary position carried out by her human boyfriend. floating, dubby and rather melancholic, but definitely not a sad song! but one thing is for sure regarding that twisted story after all: someone has truly lost her mind somewhere along the way …

wehbba is the leader of the new skool techno sound. bouncy beats, wobbling basslines, effective percussion and edits makes his productions real killers on the dancefloor in true patterns style

jacking chicago influenced techno tracks by the snuff crew from berlin. great effective tracks on marco passeranis nature label

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

volume two from mcedits shows a slight expansion of his concept, but mostly hews true to the rows he hoed on volume one. his method is basically to take lovely ballads and slow jams and add a little house heat. its really remarkable how such a simple methodology can produce such effective results but the proof is in the grooves so drop the needle on these for some rich rewards.

emmanuel’s talent is steadily getting a well deserved recognition. after having his first release ever being played by practically everyone, emmanuel is back again to deliver another anthem that could only be described as unique and keeps the be as one quality standard high as expected. the ep title track indian wallpaper will gently take the floor back to india and its mystical atmospheres with a smart use of an enchanting melody and a phat groove. this tune sounds like a magical wake-up call for the soul. simply put it’s special. with the flipside tune lipflap emmanuel is back to his own very effective trademark techno grooves. phat basses with a tech funk edge and a simple and yet inteligent groove makes it the perfect follow up to parade.

whats the secret of making a dance floor explode? if youd like to learn just open christian burkhardts contemporary box and look whats inside: at a first glance, it seems that it doesnt contain a lot, except for 3 dance tools. but once on the turntable you may discover the whole secret of this release. what seems to be so simple is a complex construct of percussive elements and basslines that are being arranged just in the right way. contemporary box finds it s peak without even having one, just by grooving on and on, monotonously, with jumping sticks and a pushing bassline. maison noir moves a little more to the housier side and is being carried by warm chords as well as by effective percussions. phey boom brings in a certain coolness and carries that great release home

italian based eclipsemusics second outing comes with a serious release courtesy of passenger, young and talented producer of night drive music and paul macs sula muse fame. this two tracks 12inch confirms his interest in the deepest and more underground side of detroit techno. on side a >the fall< reveals the smoother side of this upcoming producer: a deep melodic techno builder, with emphasis on atmospheric strings and arpd melodies, developing on a funked up techno drum section. the flipside brings you the burner of the 12inch: >the funk< is an a epic, slow-growing and booty-shaking techno track with all the elements in its right place: a killer bassline over an effective drum work takes the flight with the building strings. namedropping would be useless in this case, just check with your ears

the third release offers two legendary tracks by german hardcore godfather marc acardipane, on the a-side the, still, awesome tune pitch-hiker, better known as the famous lost 9 release, the basic yet deadly effective track full of distorted kick drums?on the flip apocalypse never, the former lost 10 release which is still casing mayhem on all international hardcore parties!so here you go, two juicy classic hardcore bombs which are still in heavy demand, both totally remastered so ready to blast your local hardcore party!!

german deep house maestro ralf gum continues his superb output with another single taken from his celebrated long-player >uniting music if no harm>’,is featuring rachel claudio on vocals and proves ralf’,s talent to deliver songs with the right combination of elements to make a serious impact on the advanced dance-floors. the pumping beats and multi-layered percussion in the ‘,original mix’, are surrounded by an effective baseline and kicking poly-synth stabs to build the driving musical bed for rachel’,s passionate vocal.

includes a tom donax remix and an electro mix. both offer a very clubby and crossover souding ideal for the dance floor. powerful and effective.

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

after >tono ep< their first single on telegraph acclaimed by international djs minimono are italian friends comes back with 4 strong minimal house tracks in the spirit of some daniel bell productions minimono is an artistic project who expresses the concept of modernity trough art and music by a collaboration between a dj and a musician respectively fabio della torre and ennio colaci. this sound concept is based on minimalism, ultra funky and groove. they offer here productions with experimental sonority but conserving a funky house spirit to a coherent result and, overall, ultra effective!

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

cheeky fania style re edited 7inch. part 1 turns willie colons plastico intro into a fully fledged disco cut, simple and effective. part 2 kicks off from where part 1 ended in an original salsa style. two copy pressure could be required.

amp fiddlers vocals set the stage for 3 different styles of remixes. their individual energies create a diverse set of remixes that can be used to compliment one another on the dance floor. you ll need two or more of these 12inches in order to tease and play with the crowd...! brian & ketch aka strand are old skool producers with 15 years of serious underground producing, and for this track they have laid a simple yet effective chord drivin mix bringin the east side of detroit to berlin. eddie fowlkes and niko marks, have collaborated on numerous tracks before, as we all know, but they came together this time to put a nice deep dubby cross vocal bottom pit feeder ass kickin mix for their third detroit wax release. alton miller, name needs no introduction, brings his cool, smooth, cigar smokin percussion mix. you get 6 minutes of mr. millers let your nuts hang vibe.

komplex audio kicks out a floor burner that is allready heating up the clubs all around. timemachine turned out to be a real dancefloor bomb. watch out for the mindblowing breaks that turn people crazy! on the flip hamburgs top act nudisco presents some remix work on timemachine. their tekk attack remix concentrates on a straight and also highly effective setup giving a powerful nudisco-touch to the original. last but not least there is a big surprise on b2: herz, a 102nd century remix of the brillant mandis & durden track

although only 23 years of age englishmen cris barratt is already considered one of the hottest new producers on the block. what makes him really special is his unique blend of sounds, which is not melodic house, minimal, tribal, rock electro or techno, but at the same time it is all of that. two tracks on this ep are the best reflection of chris >get maximal< approach: he builds the story slowly, upgrades the basic theme bit by bit, then weaves in another leading theme and spices the blend with unexpected small but effective element from the late 90s. the result of this blending is very rich, warm sound, perfect for the parties somewhere at the seaside. re-release

supported by dj sasha, michel de hey, denis karimani, clemens neufeld, laurent garnier! a continuously swirling and twisting techno track. the youngsters remix consists of an effective melody with an ever growing detuned pad underneath leading you into a seriously overwhelming breakdown

the third reference of division virtuel is a minimal hypnotic opus including 4 of the most effective pieces for djs pleasure and for the dancefloor. this is a disc limited edition, dont miss it.

the kazey & bulldog picture disc is followed by the first d2s release from our hero rod lee - a baltimore legend in his own right and in our eyes the no. 1 club producer, bar none. this super aggro dude has serious issues. he just needs to open his mouth and kids cry flames. for his first d2s release, rod commits re-mastered versions of two of our favourite cuts produced by the man. we first heard >understand< when we scored a bunch of scottie bs ebay auctions, and to this day its one of the best baltimore tracks ive ever heard. you can play this sh*t anywhere and the crowd just freaks out. hip hop heads love it, techno heads love it, even your girlfriend loves it. we coupled it with rods simple but ultra effective remix of the eurythmics classic, >sweet dreams<. when the catch an attitude tour dropped in on our club in glasgow, a-trak dropped this beast for all of 30 seconds and people went nuts. bannanas even. you could argue that the eurythmics remix thing is overdone and outdated, but if you did so, wed know for sure you hadnt heard rods version. anyway... we tracked it down and got it on the flip, so really this is more like a double a. both cuts are re-mastered (but still raw like the day they were made) and cut loud on heavy 12inch vinyl

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

with his now second release on mauritius, marc vision might still be a newbie to the label, but definitely not to the scene. apart from being an experienced dj since ages with a deep bond to germanys superclub >tribehouse<, he can look back on diverse releases as vision & canedy (on scuba, avalanche, plusquam & hadshot rec.), vita (together with trance pioneer taucher on labels such as tracid traxx & on a mission), visiontool (together with marc o tool on andry nalins label superfly rec.) and finally as marc vision himself (on mauritius, poison, underworld & earregular rec.). >obsession< leaves no doubt being a sure floor filler. subtly but effective the track begins with a deep bassline and develops into a kooky rave-house-monster. >the finest< on the flipside tackles things deeper and more atmospheric, but when a bulky bassline suddenly says hello half way of the track, the unmistakable command is hands up!

a brilliant 3 tracker offering on the a side with >dawn of the stallion< a sureshot. superb shuffling groove, solid synthsignals and a nearly classic pianochord. thats all but thats oh so effective..

after his noticied album released on boxer, matzak gives us once more with this unbelievable ep !!! refined melodies, perfect and effective grooves, here is the subtle receipt of this devastator ep !!! dont miss it !!

ltd warehouse found! an excellent three tracker from the well known artist andomat3000 (cadenza / platzhirsch). he keeps the perfect balance with adding the warm groovy house feelings and the freaky sounds he stands for! kind of his typical dippy style flavour with a bit of that minimalism tech house sound…. wicked! >vertical smile< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic voice that can be used as perfect warm tool for any dance floor. >cicl?< has an old school touch in a futuristic production and gives you real power and more than enough matters to shake and rock the dancefloor. >hominid< is an modern crazy effective techno track, nice percussion, small cuts and a deep base…frickl wickl

impressive debut ep from new duo bearweasel are a new production duo, consisting of dean muhsin and louisa page. with a remix already out on perc trax they debut with this superb ep for audioflys new label. opening track >monkier< is brilliant. combining a touch of latin percussion with swollen basslines and brilliant horn stabs scattered througout its one of my favourite tracks of recent months. second track >drummer< is just as good – its wonky techhouse with a funky bassline and small-but-effective breakdown. remix of >monkier< comes from my favourite hamburg-based croatian, solomun. his version takes it deeper, with a lazier attitude but a warm vibe. a quality debut and a duo to watch out for in 2008.

frankie is back with a 4 tracker ep >balcony ep< a concentrate of shakyness and unpredictable beats on a1 stoic rough melodies and cut dirty voice increase tension & speed effective! on a2 secrets in a more freaky oldschool house way with incise drums and shaky beats bumper tune on the flip b1klipp a minimal techy track with rough heady melody and a paradoxal atone crispy voice and b2 repliq more funky housey complete this amazing tumultuous ep

raiders present an awesome electro techno track that starts from a atmoshperic string piece and slowly builds to detroit influenced techno, electro track.. very nice! galaxy 2 galaxy (aka mad mike, underground resistance) who gave the track extra energy by turning this into a classic galaxy 2 galaxy track with the typical knights of the jaguars (mad mike) strings and a smooth funking beat. last version is a stripped down and effective los hermanos mix

here comes andreas heiszenberger (ware/normoton) with what seems like a requiem to a past love. the track is moody, twisted, dubby and full of intense ambivalent emotions, from love to hate and from pop to abstraction. then comes nass aka geiger (firm/teile/kindish) to give the original the treatment and what a treatment! surely more effective than your post-depression counselor, nass goes for a dub techno oddissey that will make hardwax enthusiasts drop their prozac prescription. on the flip side one of the men of the year, mr. efdemin (dial / liebe*detail / curle) comes with the definitive solution: go deep, then stand up and dance. efdemin presents us with a work of love, an unmistaken hommage to the sound of berlin. to finalise, andreas heiszenberger goes for the traditional medicine to relieve any heartache: deep house with a nod to lowtec, theo parrish and the dial ensemble. a truly perfect moment

do you remember >the horn<? this highly effective monster tune was created by none other than missile label boss tim taylor aka egyptian empire for ffrr and is now reworked once more due to the amazing demand. here we have fresh mixes coming from two influential modern day producers, pedro delgardo and da fresh !!

in flagranti brings us additional alpha blocker and effective placebo affect. this cosmic-disco / electro gem is true in flagranti ear candy.

whether you re a seasoned italo freak or an avid newcomer, barry masons classic italo hit body get your body will have you grooving in no time. the acidic bassline starts the dance and will get your body venturing on the dancefloor. the funky piano riffs will make your disco feet itch and before you know it this timeless disco classic with its most simple but effective vocals will get your body as the title so strikingly suggest. this time one of uks finest disco outfits faze action answered the remix call. their take on the track resulted in a dance floor disco house treatment, bringing it up to 2007 cruising speed but all the same staying true to the original 1983 vibe. you d better get your body ready!

nation is back!! a double a side release by x2 (house not house) and xxart (the moment). its the usual suspects turning the knobs and pushing the faders again... (traxx, j.t.c. dmarc cantu) for some pure raw jacking house music (or jaking as they say). tracks inspired by the music box in chicago... the legendary place where all heads went back in the days. >the moment< is a simple track with an effective bassline and quick vocals... very playfull! >house not house< is a powerfull sci-fi trip with a robust acid bassline and a blasting ms20 and old schoolish keyboard strings. back to the basics.. back to the music that makes you jak. (dont sleep on this one... limited to 500 copies and no digital downloads!)

the latest offering from redshape in his special style. a -side is a massive track that builds around a seductive and effective minimal detroit-ish groove with a driving bassline reminiscent to some carl craig works. but redshape totally builds it to another level with sublime melodies and a additional bouncing bassline! a track that gets the crowd focused on the music and keeps going for more then 8 minutes! b-side is a typical redshape track, an addictive groove and then slowly building and teasing the listener/dancer

subconce label boss eclec sonde teams up once again with production partner cat shaver (you may remember machinery on paso music, or their recent remix of pascal feos on level non zero... )the result here is a deep, grooving minimal piece guaranteed to work late night floors. flip the 12 for a highly effective minimal techno remix by pascal feos (cocoon, pv records) who pushes all the right buttons, taking things deeper still...

if zox was a sculptor, his works would be angled and polished, simple and magically effective. no sound on this record (which is called >more fluff<, which astonishes me) hangs around too long between the acrylic clear beats, the square waves are bellied and cold as vodka from an iceberg, the higher frequencies refreshingly cool as hills in the highlands, and straight lines are the dominating theme by far. this is dance music in itself. the basses live in rich bounteousness which is strictly controlled, though. why boom it when you can bang it? perfect shapes, functional beauty and a refreshing taste will rock you.

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

next strike on fumakilla, this time new shots produced by french artist paul ritch, well known for his stunning releases on labels like get physical, resopal, kickboxer and paradigma, just to name a few….paul definitly knows how to create deep and smooth atmospheres, without sob stuff….he has resources against boredom!!!! fluffy basslines and soundscapes, a wicked little synth chord and a reserved drumwork starts the main track called > back to time<. after a short and constructive break the principal theme restarts, with a striking sound selection and harmonious arrangements. call it mini-trance, call it tech-house, or even detroit-tech, call it whatever, it doesn t make any differences, the main thing is, the boys and girls all over the world will boogie with a smile on their faces, and deservedly so….trip down memory lane!!!!on the flip another tune called >vaticans bell<, and also another straight forward goin up groove monster with pretty great arrangements and awesome placed strings. paul ritch plays the first violin, he knows how to produce a timeless masterpiece, reduced but heavily effective monster tracks at the end, come, look and see… 10 points to berlin again!!

the release of memor007 marks the return from hiatus of memory boy records and also the final chapter in the history of mark verbos >big brother< after last years minimal techno mixes on csm and the original release in the late 90s. semblance factor(john selway) provides a dark fusion of jacking old school house rhythms, modern electro and twisted effects that accentuate the paranoid lyrical content. franz & shape give us an energetic dj tool which showcases their club-friendly electro-house/ebm/italo stylistic combination. finally from mark himself, an excellent classic acid house version in the same manner as his current and seriously effective live performances using the original roland analog synths and drum machines of the era.

nu- trance melodies, micro loops of techno and the more sutil funk. butterfly kiss is even more behaved shamelessly and onírico. as dangerous as effective . the remixes completes the eclecticism of the maxi. yes maurice aymard is the dj, his fans dance in the studio. in shuberry it takes advantage of the hypnosis of the track and it reconstructs for the delight, more acid and dark, playing with the climax. in side b, alejandro vivanco, that it already woke up luciano (cadenza) including a tracks of his in his sci.fi.hi.fi. mix for soma, proposes a vision more experimental for the vinil. rythmical, textures, effects…. the risk is paradojica, there are no lines because he does t need them. the projection of his talent scares us , more closer than far away. you judge

very haunting but very effective glitched out which is a clash of electro goodness thrown in with an insanely catchy vocal. on the package we have the original club mix backed by a stripped back tasty vox dub. 2007 looks set to be dom kanes year

another incredible, time- and boundariless offering from john daly with waves of distorted synth incessantly ascending, overlaping, collapsing over a simple but effective house beat gently pushing you into a calm state of euphoria. flip over for a beatless ambient version reminiscent of experimantal 70s synth music

mario fabriani joins forces with his long lost nephew fabio bacchini for a discofied romp on fetish. fabriani kicks things off with amore a driving dancefloor jam with sassy diva vocals and tough filtered bassline. a2 good god almighty makes use of a wicked sample and catchy vocal hook for some more peaktime party action. flip for fabios caribbean soul, a latin disco number reminiscent of some late 90s defected/soulfuric output and incredibly effective. lastly is moonshine another trademark bacchini samplefest, complete with disco bubbles, classic 70s strings and an abundant use of filters in all the right places.

this is one of the roughest cuts on matame to date! the label presents a distinguished jacking techno sound with a effective dirty edge. here is a set of three blasting monsters that will drive your meters into the red and blast your faders clean off your mixer