our man form tokyo is back. after his debut with early light and some excursions for above smoke on dubbymans deep explorer imprint and a yet unreleased but excellent remix for ryo murakami he returns to mojuba with some fresh tunes which sound like they were made to sweeten your summer time! the title track cosmoride catches the vibe of stereociti first release but takes is on a deep cosmic trip to make you and the universe dance. the other sides track tsukayga is that kind of song which you will surely hear on a summer sunday afternoon at one of your favourite outdoor clubbing locations. please welcome the summer together with stereociti!

super limited stamped pre-release!! rush hour presents a new series of releases entitled -voyage direct-. this series is about all about feel good club music and is curated by tom trago. hence the name voyage direct, which was also the title of his debut double ep. dexter kicks off this series in a classy style with his junofest ep. this is easily his best work since his genre breaking electrofunk hit -i dont care- from 2000. and now its time for -junofest ep-. the title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. a true party starter. on the aa side we find -not the only one-, an infectious vocoder vocal track that makes you smile. this is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. it could just be his biggest track since -i dont care-

early support from: luciano, dubfire,mendo, marcin czubala, anthonycollins, laurent garnier, boris werner,livio & roby, matthias vogt, matt john,alex celler and many more!now is the time for fabio giannellis district raw to release the ep number five. to make the honour are the three mannheim based guys fimo. they started sharing projects, library and of course their passion. together, they are focused to combine their different musical influences and selfcollected sounds to put them into new eletronical robes. everything is allowed, as long as it grooves! -back to the people ep- features three stunning original productions. each one with style, beauty and maturity. first on remix duty is the cecille artist negru. toughening proceedings, negru creates a driving rework of >groove on<. a fantastic mix. to close the package we are treated to a remix of >hold back that feeling< from the italian guy matt brown. fresh from the success of his quite brilliant eps on below and einmaleins.

dj deep with his 3rd city to city selection !! top notch tracks from deep house to chicago !!
ps : tracklist on the cover backside is wrong, our tracklist with soundfiles are correct.

the second and final part to mossas massive album is festine pt.2. the first part was crafted for a more big room, late night feel and for the second slab of wax were going more for the bouncier out-door, summer fun time feel. there were so many moods on this full-length that we were able to craft specific types of eps. to some this may be more of the sound they come to expect to hear from mossa but we know him best, he has flavors upon flavors, which is very obvious on this ep. hes a hard artist to stereotype, exactly why we had to have him on thema. so for this excursion we have a tango-esque dance floor prime time buner-buleria, that will make you slam tequilas like the true lushes we are. on the flip side we have pezzner of freerange and dave aju of circus company delivering some sultry, tangy, funk for the body

welcome back to the highly acclaimed loop hotel! after hotel1 hit the house-hospitality industry by storm, part 2 continues the good vibes with 2 tracks based on a special >make it up then break it down< formula

awesome second release on the startech label feat four tracks of killer club techno from some of the best names in the business.

on this 12 inch k’alexi is dropping the poetic smooth voice over the remixes of “you are” ov takes it into the jazzy feel with sublime bass and chord structure as we are used to from him. fluffy sounds and smooth backround vocal stabs that makes you want to replay it after it’s finished. maurice joshua is bumping you out your seat with his energetic samba house flavor mix of “you are . this track is right in the middle and can be played in a techno room as well. norman chung is discovered by k’ alexi and provides a supersolid mix-edit of k’s original. words keys and rhythm are dominating the track. flawless production make this a great contribution to this ep. k’ alexis dub mix is uptempo tech-soul-house and will be easily picked up by the techno dj as it is a great tool. echoing “you are’s” floating around and drives you into a haunting synth soundscape.

yet another unmissable, under the counter trio of cuts, lovingly crafted from the most unusual of sample sources, combined with squeeky clean production values that make this a dancefloor dead cert. moonshine bears more than a passing resemblance to carl craigs monumental -throw- and ploughs an equally devastating groove, utilizing, of all things a chunk of glitter bands -makes you blind- on the flip the off-kilter but irresistble -revenge of the rock-o-mites- is a re-imagining of the lead track from the incredible rock city band’s impossibly rare electro-funk ep from 83 & sounds like allan parsons remixed by dexter. finally -why d you run away- skillfully reinterprets elements of flash & the pans -ayla- and is more than likely to be blasting out of many an adriactic boat party this summer massive

the sound of the new wave band bauhaus seems to make its way into several releases nowadays. &#8232,,we are not talking about samples but the dark romantic feeling of this period.&#8232,,moonbeams track >distance< carries this haunted and ghostly feeling of the 80ies, the chill of cold steel and rooms with little light from candles.&#8232,,sure it would not be a moonbeam track if there were not the spine-tingling melodies which have always been the strength of their music!

hardvolume records proudly presents the second release on this up and coming hardcore label by stocker & mr. madness!the a-side starts of with break the silence, a soon to be hit in the hardcore scene! break the silence centers around its break for which mr. madness has borrowed >enjoy the silence< by depeche mode and will surely make every hardcore lover worldwide go completely mental! the second track on the a-side is the remix of break the silence by stocker & evolution which is a bit more aggressive and rough than the original. the flipside brings us fight by stocker, a cool industrial track with its dark and rough sounds. finally a poundin industrial remix of stockers bitch by non-other than bartoch (known for his productions on altern-hate & vindicta records) to finish of this ep.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

supplement facts records takes us to that detroit sound, with their next release featuring sierra sam & marcus vector… the auteurs of industrial techno. the man made jobs e.p. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. the opener >gangsta pimp style< echoes technos birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. >things you do< moves things to a bit lighter frame, but dont let that description lull you into thinking it as throwaway. this tracks dominates with the ever-present high stringnote that made so many hits in the past. this classic sensibility and a vocal hook which you will be humming for days later…make this track memorable. taking us straight to the 90s, >flagboy< is the final track to round up this powerhouse of a release. featuring vocals from rockey wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. its all there - the piano stabs, the cowbells, the soulful vocal. all these elements mixing together to create a track so euphoric that you can finally delete your >pusher-man< contact from your blackberry because this is the newest legal high!

after several well received releases on terror traxx it was time for these two talented youngsters to show their skills on the ever expanding rotterdam records imprint.the a-side offers bastards , a guaranteed floor filler which will cause complete chaos on all dance floors with its crushing kicks and catchy melody.this is mainstream hardcore at its best!! drugprogram starts of the b-side. another topnotch hardcore bomb produced together with up and coming man emphasis!slammin kickdrums, cool sample use and a splendid melody make sure this track will definitely be picked up by all the major players in the game.finally crushin bonez to finish of this ep, another cool track which is a bit more aggressive than the other 2.be sure to watch this 2 geezers as we expect to hear more from them in the future!!

it has been a long time without one of the really style-defining artists when it comes to electronic music, but waiting has an end! we are proud to present new music from no one less than mr. justin berkovi from the uk. his new release on incase recordings is a perfectly timed fresh breeze of melodic techno, full of atmospheres and sounddesign in a way only justin is able to do. be prepared to hear this record on many festivals and open air events and make yourself ready for more to come from mr. berkovi, this is just the start!

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

first ep from their forthcoming album due late 2010, tonton funk kicks off with a heavy beat in an futuristic old-school dance ambiance. combining different styles to perfection, tonton funk announces the return of the famed duo. they complete their comeback with the help of les petits pilous, boys noize records very own enfants terribles, who offer an incredibly effective nu-dance dark version. franz & shape add their own acid techno ambiance to make this track a dancefloor tune. toxic avenger finishes the job with an electric remix, using heavy drums & dynamite bass!

to celebrate the 4th robots release, we locked martin kemp in a small room and told him to make a club smasher like >citizens dub<. a week later, we let him out, only to find he had spent his time making more weird house mutations and sampling tribal men. we wouldnt want him any other way. djs showing love include loefah, brodinski, seiji, jackmaster, joy orbison, ben ufo and ma1

like a guided missile comes here a splintering speedcore record from the depths of canada. relentless beats & pristine production this record delivers agro culture in its purest form. 8(!) tracks from short controlled 1 minute bursts to serious party bangers this is one of the best tni records to date! who said canadians cannot make great quality speedcore!? up yours biatches!

>testify< is the second single taken from boohgaloo zoos stunning self-titled debut album. u-gene goes all out on the vocals while the bassline and synth stabs are clearly in the business of tearing roofs off suckers. heavy 21st century funk! the remixes make sure that those who like to shake their behinds to something more up-tempo get with the program as well - soulphiction goes to work on the track not once but twice in a full-on boogie mix and one that is more on the minimal side, while hot chips joe goddard takes it to very late night club territories.

after success of fela – the best off - black president, kif records is back with this ep from femi kuti with big remixes from boom bass, general elektriks, chinese man and bost & bim.

a few times a year, a label releases a single that rocks the industry and the upcoming release from hidden recordings does just that. gregory shiff, who has also released off of such high caliber labels as stewart walkers persona label in berlin, produced the original and the label enlisted techno luminaries adultnapper, tony rohr and pheek, along with deepak sharma and dieter krause to add remixes to put together a five track monster that will, and should be in the crates of djs around the world for the rest of this year and beyond. the best part about the release? the remixers brought their a-game and put forth effort that has helped make them some of technos most revered producers and artists. simply put, all five tracks rock and will pound the dancefloor

release #6 for much loved label giegling is a return for kettenkarussell, who kickstarted this fine imprint with the >i believe you and me make love forever< ep. and >things will never flange< will find its place in our crates and hearts, too. pure, beautiful and melancholic deepness at its finest.

reggie blount is one cool fucker doing some great p-funk electro tracks as one would expect to hear from midnight star, morris day and the time, bootsy collins and the many unknown early 80s unknown electro funk boogie funkateers. heavily influenced by the underground electro-boogie style of the early 80s as well as more known artists such as one way, kashif, mtume, cameo, and parliament. reggie blount brings together the elements which led these styles to the forefront of the club scene at a time when drum machines and synthesizers were giving birth to the bedroom recording artist. mr blount offers up some heat for your funk bone on his long anticipated debut ep! as with all crown limited releases only two manufacturing runs... one is pre-orders only... two is when prices go crazy in the 2nd hand market. so make sure you will pre-order this in time!

fans of beyond the wizard sleeve, a mountain of one.. will get straight into the sound of double drop label – psychedelic, cosmic rock with chunky beats by luca c & brigante. a side – ‘lucio’ starts off with laid back guitar and strong hand clap, this funky groove goes behind the main melody line that make the impression of sort of cosmic / psyche rock feeling. side b ‘faber’ : light kick, pleasant catchy codes, latin male vocal with bug pipe (?) sound – imagine the balearic classic of ‘stop bajon’ by tullo de piscopo with twisted modern feeling…..

20th release with music from old and new friends. bjak (eargasmic records) and julio bishop (realdeep recordings) are opening the fire with their >fashion (bc deeper luv mix)<, a late night percussive track to wake up the floor if it gets sleepy. the a2 is for ernie (minuendo recordings) and its called the alcoholics where mixes indian prayers and spiritual chords ... but make no mistakes, its just the effect of the alcohol. in the b side kez ym continues his race to be one of the best producers coming from japan lately. his track pebbles is cool a follow up to his previous releases on yore records. ordell (minuendo recordings) goes black and soulful on the blackholics.

bringing the virtuosity into contemporary dancemusic, two protagonists found themselves as being the new dreamteam of the scene: thomas melchior and bruno pronsato. and it works perfectly- melchior, the perfectionist who always sets new standards regarding minimal house music and pronsato, the scientist who discovers the unheard and the unbelievable. both living in berlin, melchior & pronsato connected their world of sound and built one of the loveliest records in the whole universe of reduced deepness. on >puerto rican girls< melchior & pronsato play the most wonderful rhodes-line ever created connected with a never-to-stop-rhythm that could last for ages. it features the voice of ninca leece, who just released a super sweet record on bruno pronsatos imprint thesongsays. pure love! on the b-side >we make it right< brings together what belongs together- a fluffy bassline with that kind groove which makes the sun shining brighter.

and we are back for ep three. its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

well then. whats the news? on >we so horny<, hey-°-hansen strip down dub rhythms ranging from the fifties up to electronic dancehall and make them up freshly in the guise of dubstep. dub at the interface between digital and analog.

supplement facts continues to offer some of the best in new emerging artists & long-time talent, working closely with a powerhouse of producers aiming to make music for you to dance, ponder, and ultimately…to love. going from strength to strength, the last release (till von seins epic >sundowna<) guy gerber, label boss, returns into the fray after his hugely successful >my invisible romance< long-player with his new >hate/love e.p.< featuring three tracks of equal beauty and brooding menace.

italy has been evolving into the fiercest hot spot for brand new club-acts over the last 2 years. crookers, dusty kid, congorock, all these musicians have influenced the international electronic scene massively and have put this european country on the place to bemap. well, here comes another bad ass act from the home of spaghetti eaters and ferrari racers, the cyberpunkers are about to be unleashed on all innocent bystanders and behold, these guys mean business. just listen to there up-coming track i needed to goon germanys prime indie-elektro labe freakz me out records, this dance-floor killer is not just the next level in peek time insanity but also another big step forward in the constantly progressing indie- club scene. these two italian djs are cleverly juxtaposing music, fashion, design and photography with another, giving their rapidly growing fan base a complete package to enjoy. remixes by the extremely successful boysnoize records master in demand d.i.m. and the fast moving tom deluxx. with these top-notch producers under their 12inch belt, the cyberpunkers are bound to make an huge impact on all non-believers. bon appetit!

usa based label steps in time are back with a 3 track release from digisonic, a relative newcomer to the scene but is about to make major moves if these tracks are anything to go by. deep, gritty and hard dubstep akin to the sounds of datsik or excision, dont sleep on this one.

much anticipated new release from swedens finest input output.slammin cut-up of eric b. & rakims uber-classic with the freshest remixers on duty. for sure a long time coming, weve finally secured limited copies of this little remix gem. on display here some brilliant mixes of cynthias original >re-take< on a no-fakin hip-hop classic. real variety is the order of the day here (as any input output fan would hope for) from the bleeped out tones of smashback to the dub sensibilities of the uks finest warlock. the one and only paul birken also turns in one of his much loved mid tempo mong-out affairs alongside wee djs and faceless mind, also on classic form - make your record box a happy place.

mabaan soul are back on metroline limited with their third release for the label. the talented italian duo have been causing a stir in the house and techno underground world with their 2009 release on metroline being charted by chicago legend dj sneak in his best of the year chart! on top of that, another house legend satoshi tomiie after hearing their debut new orleans ep on metroline limited, promptly asked the guys to release on his label saw recordings! the opening track joseph is jacking disco groove with an insistent bass hook and infectious lead synth. summer is nearly here! frankfurt, is a love song for the original robert johnson crew - the good people of frankfurt who really know what they’re dancing to. its an intense 5am grind that brings driving european warehouse techno together with the deep soulful grooves of detroit house. inxec and matt tolfrey pump up the midrange on their remix. they pick out a nice groove, and build on it with bright and airy percussion while maintaining the original disorientating shuffle and boomin low end. funky is definitely back. that rolling bassline keeps you locked in, and those brutal mpc-style percussion loops are would make marley marl proud.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

the >lazy mouth< project, brought to life by jean-daniel tömör & thomas tietz, primarily wants to express their passion for electronic music culture, to present it in its multiple facets and to make it accessible to a wide public. mainly performing as live-act in the club scene, the two guys enthuse their audience with fresh, funky-experimental sound.

the droids beamed down to planet earth in the year 1978. yves hayat aka droids, was a young label manager at the seminal french disco label barclay in the seventies. >star peace<, originally released in 1979 is his concept to the classic sci fi movie >star wars< out that year. featuring the french space synth classic >(do you have) the force<, in both parts, this lp goes from strength to strength with spaced out lullabys >inner space< & >tchough fou<, before kicking back into the groove with >be happy< an assault to the senses with its manic synth lines running riot over heavy funk overtones. the flip kicks off with >shanti dance< parts 1 & 2, sleezy robot-funk work outs that are inter-joined to make a 6 minute continually evolving piece of music. the closing eight-and-a-half- minute >renaissance de l amour< is a tour de force of cinematic synthscapes, bleeps, bloops and world rhythms, before dropping in the drums 6 minutes in to ignite any dancefloor. this is light years ahead of its time.

full body workouts sixth installment arrives as the fresh effervescence of spring hits the northern hemisphere. once again, the get physical head honchos of dj t. and m.a.n.d.y., selected some of their favorite artists to be apart of the playground that introduces relatively new artists in the form of collaborations as well as solo material. spains wonder hit crew of coyu, uner & edu imbernon elbowed their way onto the international scene with coyu and edus mega bomb >el baile aleman<. a quick follow up with uner and coyus, >raw sweat< on diynamic solidified their legitimacy as three new producers to keep a look out for. >tres es three< is the first of what we hope will be a consistent run of tunes from this iberian trilogy of upcoming talents. it is no secret that leeds is one of the uks biggest party cities. two champions of leeds well-known afterhour enthusiasts - gavin herlihy & james barnsley - team up to deliver >right here<. if this one does not get you moving than your feet must be glued to the floor. unflappable percussion and a butter-like smooth synth workout, make this suitable for peak time and of course, the after-party.

its a bakers dozen for ray mangs ever reliable mangled imprint! despite being more than adept at mining out long lost classics & wielding the edit scissors, ray has asked us to make it clear that this ep, much like the last couple of mangled releases are original works (sure there are a few samples here and there, but hey!) what you can be sure of is that this mighty trio are super effective where it counts, thoroughly road-tested and very much in demand as with everything on mangled the revived label and rays recent smash on dfa, not to mention his accomplished dj sets, has pushed him back to the forefront of a scene he was instrumental in forming. having been behind a plethora of releases on cult uk nu-disco labels like noid, fiasco, u star, nuphonic etc etc over the years he has cemented his reputation as an amazing producer in his own right as well a studio engineer extraordinaire for the likes of the idjut boys, glimmers & many more.

the release, has two original songs and two additional remixes. plastidecor is orientated to the dance floor. tech house of quality with a groove ascending that make enjoy in the dance floor! the remix of hermanez is totally oriented to the dance floor,, has a strong bass and a base with lots of rhythm. the remix by mihai popoviciu has the same formula, rythm ascending, with a very strong bass for the dance floor. fraggle rythm, has a base deep house very percussive, melodies accompanied by a elegant bass. dance hall of the ewok, is a tech house very personal, with percussive sounds, voices, and bass groove, accompained by a deep synth

2009 was quite a frenetic year for john talabot.from scratch he became oneof the biggest hopes for electronic music scene in spain.all thanks to hiseffusive house tracks in which moodymann, j dilla, chicago house, discomusic and northern soul intertwine to produce organic and humane songs, fullof life, and that make your hands and heart dance.

autist put their biggest shots on vinyl and add a huge hugo remix on top!

we are honored to present to you themas first full length ù and our 20th release ù mossas >festine<. the cd version offers the full range of expressions, with the sexiest, floor-friendly bits featured over 2 separate 12 inches, parts 1 and 2. the first slab is a true dancefloor beast! its not what you would have come to expect from previous mossa material but we sure are glad to feature such a bold body of work ù with 2 power house collaborations with non other than mathias kaden and mike shannon, just to make it that much more delectable!

the genesis for >best i can do< can almost be plotted to the first time skwerl heard paul randolph, on carl craigs cover of the stylistics people >make the world go round<

nach fünf jahren im luftraum des rock n roll mit zwei hochgelobten alben, atemberaubenden supports für maximo park und wolfmother sowie unzähligen club- und festival-konzerten, ist nun das von den fans mit spannung erwartete, dritte album der kreuzberger gods of blitz startklar. einhergehend mit den veränderungen in der besetzung - nico kozik übernimmt den gesang und carsten brocker bereichert den sound zukünftig mit dem minimoog - folgt >under the radar< gegenüber den vorgänger-alben einem etwas anderen kurs. während der erstling >stolen horse< mitreißend ungestüm dahergaloppierte, gefolgt von der wissenden mystik von >reporting a mirage<, übt sich der albumtitel des dritten albums, >under the radar<, in echtem understatement: alles andere als unmerklich wird der gods of blitz - sound hier auf eine neue ebene gehoben: entschiedener, hungriger und zielstrebiger und vor allem ein gutes stück ungeschliffener und ruppiger als in der vergangenheit. mit über 200 gespielten shows im rücken unterstreicht >under the radar< das selbstverständnis der band als live-band, denn das album versprüht die atmosphärische intensität einer live-show.

weapon x strikes back with 4 brand new high quality hardcore tracks on the mighty enzyme records imprint!!where my party people at is mainstream hardcore at its best and will definitely get the party started with its uplifting melody and slammin kicks.for the haterz uses the same ingredients as where my party people at, so no further explanation needed.the flipside starts off with i come for blood which is bit rougher than the tracks on the a-side.distorted kicks, cool arrangement, spooky vocals and it s non-stop energetic drive make this track one off the highlights on this release.finally bad boy, another mainstream bomb which already receives full dj-support by all the hardcore jocks in the scene. enzyme records does it again!!

nice price deal !!! supported by: king fluffy, grass maximilian, weed cliff, rhone divers inc, boring calvingrad suckazz, paris cliton, steve >blow< jobs , the loundrette inc and many more head noogaz… quenum you guys! hes back and back for good! nude b runner, the title track, comes in full effects, a stunning yet simple bass line driven monster tune. eternal groove and raw elements make that track a party monster for sure. on the flip our godfather of electronics, ripperton, cooks hes very own version of nude b runner. once again proving, as if it was a necessity, his monstrously great talent at the remixing controls. 119 carats par minute