incl. strong gus tech not dub version

this project is a cutout t of the prescription underground sound. the 3 cuts written and produced by chez damier and ron trent. morning factory , reworked edit k by: bs as deep, with ( love is the message) and (i come here to be happy) by: kai alice (dj friendly idiots). the new cut on this recording is a demo version from the h2h (chez damier and ben vedren) , berlin nights in paris a track inspired from the prescription record days .this project has a rare quality and would be a great accent to any record collection.

cape town duo christian tiger school provide the 3rd part of the lissoms series. both graduates of the red bull music academy and part of the sónar line-up this summer - they’ve previously posted an lp for the mighty tommy boy & remixes for subpop, and had their work remixed by luminaries like mndsgn.
“if you want to” embodies their sound and the fervent cape town beats scene aptly - esoteric uk influences sit amongst ambient soundscapes and a cracked breakbeat, pinned on a looped bassline - growing in intensity but using the most subtle of touches.
gacha bakradze’s version posits the track somewhere between slow-burning disco and krautrock, framing the character of the original with loose jams on his array of studio gear.
finally, edmondson’s version is a minimal, 2-steppy take honed by the berlin sounds which have pricked his ears for the last couple of years.

get physical is proud to announce the release of the first ever album from chicago house luminary dj pierre. entitled wild pitch: the story, it collects originals and remixes old and new, and stands as a testament to the unique skill of one of dance musics most important figures. famously, dj pierre as good as invented the squelch of acid house when playing with his roland tr-303 drum machine as part of phuture back in the late eighties. from there he went on to clock up more than 200 credits under aliases like doomsday, prime one, raving lunatics, ac!d face, dj pierres afro acid project and many more. he also became famous for the wild pitch mixes and alias that lend this album its name: they were characterised by long intros, layer upon layer of strings, repetitive vocal samples, and filtered hypnotic sounds on hard beats. working with labels like strictly rhythm, trax, king street, nite grooves, international deejay gigolo and more recently get physical, pierre has contributed hugely to the global evolution of house music for thirty years plus. this is a timely reminder of that and one that is jam packed with essential tunes that, old or new, still sound impossibly fresh. included is a cover version of donna summers classic and pioneering disco cut ‘i feel love. it is a 9 minute masterpiece of loose drums, wild acid lines and synthesised squelches that build and build before the vocal arrives and carries you away to the stars

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

three sides of music - all previously unreleased - plus a laser-etched side 4 featuring the original electric-woman-art originally included with the l.a. woman album. 180 gram double vinyl, housed in a gatefold sleeve.

nick curly did it again! bouncin and hypnotical techhouse incl sante rmx

hugh ‘redman’ james is one of the greatest jamaican music producers of the late 1980s. raised in a musical household in the west kingston slum of hannah town, with his mother a sound system selector, redman gained his initial schooling in the music business from none other than king tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. after being immersed in sound system culture during his youth in the 1960s and 70s, redman began sitting in on sessions at king tubby’s studio, but migrated to hartford, connecticut in 1978 in search of steady employment. returning to jamaica a few years later, he established a popular sound system in kingston and began producing music with king tubby’s assistance in 1985, working with the roots radics during a time of great uncertainty in jamaican music, as the new dancehall style came to prominence, early work featured gregory isaacs, sugar minott and frankie paul, as well as rising stars such as little john and horace martin. then, following the computerisation of dancehall, redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included steely and clevie, augmented by members of the browne bunch and other players. redman helped establish a number of total unknowns in this era, including carl meeks, dave bailey and wayne palmer, and became a serious contender for king jammy’s crown. but the producer was ultimately frustrated by the dramatic changes to sweep jamaican music in the early 1990s, and subsequently retreated from the music industry redman international dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

jackson 5 - christmas album, the only festive album from the jackson family. includes the hit single version of -santa claus is coming to town-, -i saw mommy kissing santa claus- and -santa claus is coming to town-.

the superb forbidden planet is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. it s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth. the francisco remix keeps the funk vibe but changes the groove to be a more chicago house style cut. as such it has a rasping bassline, big drums and coarse percussion that make you want to jack. the masterful ali renault—a go-to disco and synth specialist who runs cyber dance records, human shield record company and most recently his own vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. it s a cinematic track with great analogue textures that goes back to the future. the last original is the excellent stay with me , a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.

mondo is proud to present a 2xlp remastered version of danny elfman’s score to batman returns. this 2xlp is pressed on 180 gram vinyl and all new artwork by kilian eng.

limited edition of 400 numbered copies for rsd 2015.

reissue of the chic version of the album, originally released in 2001 as part of the “diana” 2xcd deluxe edition. previously unreleased on vinyl. pressing on translucent pink vinyl.

elsewhere mcmxiii is a compilation full of electronic textures with a unique character to it, analog, lo-fi, slow dancing vibes. compiled by dj sofa for débruit s ici label, the record is a 12-track journey through future retro oddities, that navigate in disco, coldwave, kraut territories, with a taste for experimentation, while being great to dance to. it showcases a scene well represented at clubs like -salon des amateurs- or close to labels like antidote, music from memory, macadam mambo and dark entries.

polysom brazil 180 gram vinyl lp repress import, released in 1969.
heady heady work from the legendary gal costa – caught here right at her early best, smack dab in the middle of the tropicalia years! the album’s one of gal’s legendary collaborations with arranger rogerio duprat – and it’s very much in the spirit of her other incredible session from 1969, but also features some even heavier and more tripped out guitar – in a way that really pushes the psychedelic aspect of the work! the sound here is really amazing – very fuzzy and freaky at times, in ways that make the album one of the most rocking sets of the entire tropicalia scene, but in ways that still hang onto the quirky experimental qualities of work by os mutantes or caetano veloso. gal’s vocals really rip out amazingly at times – light years away from the sweet sound of the late 70s, and more in the frenetic, urgent style you’d expect from the politically-charged scene that spawned the set. caetano veloso and gilberto gil join gal on a great version of -pais tropical-, jards macale guest stars on the classic -empty boat- – and other tracks include -tuareg-, -meu nome e gal-, -pulsars e quasars-, and -cultura e civilizaco-. essential!

limited reissue , a remastered version of shenzhou on triple vinyl ...
great soundscapes / ambient / drone field

standard cover - no artwork / the original >chained to a dead camel< is a seminal track in techno history, and is still being championed by many djs worldwide. clouds have tuned their original to create three new, alternate works. perc completes the set with his own club-ready version.

long awaited vinyl release finally out on a vinyl wax only version! ibizato london techouse tunes! tip

reissue of this 1983 talking heads classic. warehouse find

two house classics re-pressed on this 12 inch! / 1 per customer

a creative partnership between tom laroye and yam who?, qwestlife is a trans-continental boogie trip between the two producers’ respective homelands of paris and london. fulfilling the glitterbox philosophy by crafting great songs the old school way with analogue and weird electronic gadgetry, qwestlife’s ‘give me a minute’ appeared first on glitterbox’s disco revenge compilation and now graces vinyl for disco connoisseurs everywhere. featuring the vocals of a frequent yam who? collaborator, soul diva jacqui george, ‘give me a minute’ is an instant party anthem. disco-fuelled synths and strings plus live sax, trumpet, guitars and bass give a glorious saturated dancefloor vibe rolled into one by sticky hooks and a timeless catchy chorus. accompanied by the dubbed out version, plus an accapella and bonus beats, this sweet vinyl release provides all the good stuff that qwestlife have to offer.

for this second release it is the young artist blicz who joins the volphonie team. he proposes two original tracks, mineral effect and 2nd story, which perfectly characterize the universe that the artist has developed in spite of his young age and which perfectly matches volphonies spirit, a hypnotic and effective techno that does not forget the melodies charged with emotions. each original track will be followed by its own remix: the first from flug which gives us a clean and ultra dance floor version of mineral effect, and the second from andre kronert, focusing on drums and groove. in line with the first release signed scan x, volphonie continues with this second opus to develop its universe by bringing together artists from different horizons but who all share this involvement in music and in the techno movement in general. because volphonie thinks, like many, that it is not just about music ...

every cell is telling me, run ...but what would i be to you then? – zanias lyrics best remixes happen when the initiative comes from the very own remixer, instead of by commission. this denotes admiration and respect to the original artist, as well as a necessity to provide your own vision to an already consolidated work. berghain s resident kobosil delivers strong dancefloor instances blending his unique understanding of the berliner techno with zanias s vocals. agency is the new solo project of half of operant band august skipper. his debut track offers a mature evolution that guides the listener from a percussive beginning till a high pressured synthed end. in case one track is not enough to be remixed, dax j s raved version increases the bpms in a mixture of -follow the body- and -in eternal return-. the closing track is signed by unhuman and brings the original ebm atmosphere back to the record.

05am contains two bollywood bangers, loudly pressed – each on a 45rpm side of the record. afrobot s cut is a raw and fast percussive acid track, just wait till that 303 comes in, indians already knew in 83 what to do with that machine. for the other side thee j johanz, big bollywood expert and collector, delivered an edit that could be considered the bollywood answer to yali yali, that jesus christ super star theme in a funky bolly disco version, updated for nowadays club systems.
frank koedood drew us a monkey this time!

the dark side mixes is a compilation of new official mixes by dj dark side (marcelo carreira) of 4 cold and post-punk super classics, including venerated cuts by eleven pond, silence gift, mecano and parade ground remixed and remastered for this occasion.... it arrives presented on 12&#8243,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem.

-mischievous urges ep- is an extract of the same-titled debut album of velvet kills (self-released in digital and released in cd version by our partners in crime unknown pleasures records). thanks to their outstanding debut velvet kills reached to be on i

the first lady of underground music hannah holland makes her debut on crosstown rebels with fade to me featuring her long standing collaborator, friend and fellow londoner, josh caffe. cult favourites tuff city kids aka gerd janson & philip lauer step up with a remix and dub to complete this stellar collection.

man of war is a significant sonic progression for the band. opening track gaia sets the tone for the release perfectly. heavy, brooding bass and glitchy, synth stabs create an imposing sonic backdrop for tom’s menacing vocal to hang on. lead and title track man of war is driven by its propulsive beats and more washes of bass and eerie electronic touches. fall crocus finds the band in contemplative mood. a heavy, regretful air hangs over the track and brings to mind the work of international superstar and mercury prize winner james blake, who the band has toured with, as well as mount kimbie and ghostpoet previously. final original cut cosmos pink is perhaps the album’s most touching effort. cloud boat have always been a band capable of inducing sincere emotion and this release is no different, taking the listener on a powerful, cathartic journey through life’s big issues. remix wise, the release features offerings from phaeleh and la – 4a. each act brings its own distinguishable flavour to man of war. phaeleh’s version features his trademark, cinematic, take on house electronics and is a typically atmospheric effort, while la – 4a takes cloud boat in a modern techno direction.

isle of jura go back to 1976 to resurrect anambra, the jewel in the crown of dub, soul & funk outfit ozo. anambra is something of a classic, a unique song thats slow, ritualistic and spiritual, mixing african & nyabinghi drumming with a buddhist sanskrit mantra om mani padme hum. an alternate version anambra river appears for the first time on the same 12 inch.

multi track version take the original song to whole new level of mixes that we wish came out back in 1980! unreleased version of sky here s to you part 1 & 2. taking back to the old days when labels released part 1 & 2 on 45s of recording artists. here s to you, stripped down to the bone. sounds like a lost demo mix thats been sitting on 1 inch reel for over 35 years but originally made for larry levan & ron hardy to drop in their marathon djs sets

remastered 2017 version of the 2002 thump mix with a new version on the flip, played with band and the addition of live instruments.. the legendary german house label needs (not wants) returns after a long hiatus with a new release on the exclusive gold edition that is set up for revisiting their own classics to upgrade them with brand new versions and re-interpretations. walkin thru circles - originally produced by lars & marek bartkuhn - has always been a favourite for many of their fans. the original thump mix is a constantly building mover that is based on a massive beat, hypnotic soundscapes and highly energetic chord hooks, ready for taking off to outer space. for the full expansion lars has gone back to the studio to recompose and re-record the whole thing over again, combining the skills of some excellent session musicians with lots of live instruments, drum & percussion and vocals all played and sung by the producer himself. the result is a complex, epic and fearless jazzfunk odyssey, both musically expansive and heavily grooving at the same time.

capturing the hedonism of the glitterbox extravaganza, glitterbox discos revenge is selected and curated by founder and label boss simon dunmore. the album gets to the very essence of dance music in its truest sense music which moves your body and your soul. the standout tracks are a mixture of brand new funk-laden cuts, all-time house classics and rare disco treasures. heard for the first time on the discos revenge compilation, the shapeshifters lend their unmistakeable soulful house sound into the blend with when love breaks down featuring the voice of teni tinks. distilling a universal spirit are iconic grooves like richie havens ‘going back to my roots’, whitney houston ‘it’s not right but it’s okay’ (kcc’s release the love groove mix) and patti labelle ‘music is my way of life’ (john luongo remix), all firm favourites with the glitterbox crowds. giving a subtle nod to the golden era of dance music, glitterbox – disco’s revenge fuses contemporary dancefloor heat with unforgettably timeless grooves, each track being chosen for its ability to create magic on the dancefloor.

dexter drops a 3rd one for his straight up dance floor filler project dek. 2 strong chicago/acid bangers + bonus version!!!

a first-ever collection of the highly sought after and largely previously unheard recordings of the one of turkish pop and rocks best kept secrets - featuring the two rare has hens teeth 1 numara 7inch singles (which fetch in excessive of £200 on certain internet auction sites) including a previously unreleased extended version of evren

young marco edit/version. fully licensed, hand stamped.

the third single from new york based stray current records is a slice of classic piano house. producer d. briggs is joined here by vocalist danhy clermont, who brings a warm, soulful mood to the track. for the a-side remix, briggs breaks the track down and gives it a minimal, electro-pop feel. then on the b-side, globe trotting dj and lets play house label boss, jacques renault delivers an amped up version that will bring the heat to the dance floor.

more classic, ghetto chi-town business from the dm vaults here - 2-bit project s (aka larry thompson of lnr fame!) bump that pussy ep is another hot, collectible entry into the dm catalogue. this special, enhanced 2017 repress version features all the og cuts (except 1 short skit) and boasts 2, yes 2!, exclusive extended edits from uk man of mystery and all round house digger extraordinaire jonny rock. if you know jr s steez then you know he knows exactly what is up with the underground. he s neatly extended the 2-bit originals (which were originally very short tracks!) and teased the funk outta the right crevices for all us lucky folks. if you like that raw, rugged, chicago, minimal fonk that dance mania are known for, you ll love this one. a killer, solid and in-demand ep. one for the headz. massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

van morrison scheint 2017 kreativer denn je zu sein: mit »versatile« präsentiert der nordirische musiker, sänger und komponist keine drei monate nach seinem letzten album »roll with the punches« schon wieder ein neues werk.
dieses mal kombiniert van morrison jazzstandards wie »i get a kick out of you«, »makin’ whoopee«, »unchained melody« und »a foggy day« mit überarbeiteten versionen eigener originale, darunter »i forgot that love existed«, »only a dream«, »take it easy baby« und »start all over again«. ein highlight der platte ist auch eine neu arrangierte version des traditionellen schottischen volksliedes »skye boat song«.
weiterhin wartet auf »versatile« noch ein brandneuer van-morrison-song, nämlich »broken record«.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

pierre bastien is a french legend that has collaborated with artists such as robert wyatt, jac berrocal and jaki liebezeit, to name just a few. he is also very well known for his compositions based on home-made mechanical instruments, designed and constructed by bastien himself. pure diy. using these instruments he would create a heady experimental mix incorporating poetry and some far-out music, all in all very intriguing and original indeed. needless to say when the notion of pierre bastien and versatile records potentially making a project together arose, it was a total honour! throw into the mix esteemed electro-acoustic composer eddie ladoire and now we ve really got something interesting. eddie and pierre met when they appeared on the same concert bill together and they decided to collaborate further with versatile being the platform for the fruits of this particular project. the original version of phantom dance is a beautiful piece where bastien plays a trumpet into some water blended with electronic drums and mellow organs lines, creating an otherworldly, subterranean jazz vibe for the freaks. suzanne kraft, the la native / amsterdam based producer turns the original into some mechanical broken funk vibes while rotterdam s oceanic delivers 2 fresh, reimagined versions. one for for the club with a strong afro beat feel while the other one is a slower affair for the after hours. both mixes bringing something new to the table. a truly original and interesting release from some very talented people, for those with open ears and open minds!

original was only released on a very limited hand-spread promo 12 !!!

disco disco disco

18 extended tracks legendärer disco-hits auf 180 gramm vinyl! enthalten sind original extended 12” mixes von den jacksons, mcfadden & whitehead, boney m., earth, wind & fire und vielen mehr.

für immer – traumhafte ballade und für immer und ewig mit doro pesch verbunden, die diesen wunderschönen song 1987 der musikwelt schenkte. doros erster deutscher song überhaupt – und wohl auch der erste in der geschichte des harten rock, der deutsche und englische text-passagen miteinander verknüpfte. für immer feiert nun 30-jähriges jubiläum – und passend dazu erscheint nun ein einzigartiges werk: das deutsche album von doro, das natürlich für immer heißt und 17 digital remasterte doro-songs beinhaltet, darunter bekannte hits und fan-favoriten wie (natürlich) für immer, alles ist gut, herzblut, engel und in liebe und freundschaft.

root down is an exclusive and strictly limited 7inch single for dj oonops upcoming compilation oonops drops vol.1. the track will be available on the compilation too, but only on this 45 you ll get the instrumental version. oonops is hosting a monthly, successful broadcast show on brooklyn radio (nyc) since four years. a few months ago he selected the album nautiloid quest for agogo records new japanese signing nautilus and worked together with them for this single. oonops idea behind this reinterpretation of root down was a slower, jazzy laidback atmosphere combined with a female voice for the beastie boys lyrics. so he asked nautilus mastermind toshi to arrange a new instrumental and german singer fleur earth to sing over this track.