banging c2 remix of hurting by friendly fires. vocal and instrumental mixes on a 12 inch version.

el prevost returns for his second ep on third ear, following up the money honey ep from a year ago. four more twisted cuts from out of darkest south london. heavy.

just in time for the australian summer, sydneys indie-electronic-popettes, convaire bring the first and title tune from their highly anticipated debut ep, the new you. equal measures quiet childhood nostalgia and barefooted summer festival romance, the new you is a sparkling indication of what convaire do so exceptionally well - the art of creating synth-happy, 80s inspired, chill-sweet pop songs. inspired by the likes of talking heads, friendly fires and phoenix, convaire were first given airtime by local sydney radio heroes, fbi radio. since then, the four-turned-five piece released their first single gate track in september 10 to national airplay and gushing reviews. their exceptional reputation was vindicated whilst winning a triple j unearthed initiative, which saw the band play alongside delorean, kele (bloc party) and 2manydjs at sydneys iconic dance festival, parklife. two singles, over one hundred shows and a few tambourine shakes later future classic saw potential in john toweys vocal likening to the cures robert smith and the energy of the synth-loving slattery sisters. the new you ep is available in a 7 inch vinyl package + 5 track bonus cd, which is exciting enough to warrant a shoe shuffle and a couple of hand claps.

nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

side a sees the bristol based duo appleblim and komonazmuk join forces once again to create a deep, dubby, techno house remix which fires on all cylinders. appleblim is one of the worlds hottest producers right now, many know appleblim from his legendary work with peverelist under the name skull disco, he also mixed the fifth in the series of dubstep allstars on tempa back in 2008 and is also enjoying the success of his own label apple pips which will see the release of an appleblim and komonazmuk collaborative project inspired by the success of the remixes they have done together. on the flip it s up to marlow to deliver finest dubstep melancholy.

aeroplane and justus koehnke take different roads to paris so we may choose the vehicle that fits our mood best.

deluxe reissue on clear double vinyl.

limited pressing on cloudy clear vinyl.

pop

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

auf >the north borders< verschmelzen electronic, bass, house, soul, funk und pop auf wundersame art und weise und machen dieses meisterwerk so zeitlos!

one year, one album, 60 tracks! -the annual 2012- vereint auf drei cds saemtliche protagonisten der dance szene inklusive den 60 angesagtesten club hits des jahres! die -annual- serie zaehlt zweifelsohne zu den weltweit etabliertesten compilations ueberhaupt. vorliegender sampler beinhaltet die club hits des jahres, darunter tracks und remixes von boys noize, adele, aloe blacc, ian carey feat. snoop dogg & bobby anthony, wolfgang gartner feat. will i am, toddla t feat. shola ama, fedde le grand, high contrast feat. tiesto & underworld u.v.m.!

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

black vinyl

incl special d side

outstanding remixes pack stuff on it

world-renowned horn player mats gustafsson teams up with joachim nordwall to create their power reached across space and time- to defy them was death- or worse- an avant-garde masterpiece.

erika s 2nd longlplayer! top!

hørd is back with a new longplayer. limited edition of 500 copies on black vinyl.

zwei jahre nach seinem letzten album bodies meldet sich das französische synthie soloprojekt hørd mit einem neuen album zurück.

cover not mint - vinyl unaffected. his first lp…megaphat techno !!! / 13 tracks on 3 vinyls !

limited pressing on violet coloured vinyl.

cosmic / balearic

limited pressing on pink coloured double vinyl.

regular pressing on black double vinyl.

next up on dansu discs is paris-based, chevals with his blueprints ep. delivering the full listening experience, this ep takes us through what can best be described as open to close. warm electronic delights to peak time electro hitters.

the best of 80s italo disco on limited coloured double vinyl, housed in a gatefold sleeve.

the debut album from la sound artist christopher royal king and nyc violinist and composer christopher tignor as disassembler. limited pressing on bleeding glacier coloured vinyl (light blue & red), download code included.

new futura resistenza!

hip hop, for fans of: mf doom, madlib, mndsgn, knxwledge

colored vinyl + special innersleeve + handmade inlay print.

2021 prpress! true to the dna of luke slaters imprint, rene wise fires off a throbbing combination of big room-ready 4/4 mechanics, high-velocity bass and hypnotic acideries on a dopey, dubby flex - engineering the tools of chaos for a highly immersivedive into the basements teeming underworld and its nocturnal fauna.

it didn t always crave mayhem and destruction. there was even a time when it knew peace. for centuries, its home was safe. hidden away in the wintery recesses of macs0647-jd, alania provided peace and plenty. but that was before the invasion. before the caucasians desecrated all that was sacred in their campaign for intergalactic dominance. as one of the chosen, it was taken and forced to endure the horrors of captivity. every memory and allegiance to its former identity was mercilessly reprogrammed. forged in the fires of greed and death, bad robot was reborn. now, blinded by rage and bound to a power-hungry master, it leaves only blood and bones in its wake. one thing is certain: no one is safe. bad robot is coming for you.

murmurs from stockport (1982-1988). throughout history there are many examples of artists who did not receive the credit their work is due during the years they were active. k.s. eden is an artist who should be discussed in these terms.