no artworkcover! many tracks never released before on vinyl! endlich, attention ltd!

schönes konzeptalbum mit 12 exklusiven und originellen tracks der besten produzenten der aktuellen elektronischen musikszene.

hip hop and rnb

many tracks never released before on vinyl! endlich, attention ltd!

piano sounds meets drum machines

with the debut release on his own label ben balance invites you on his journey through his musical treasury. new cuts, virtuous melodies and this special grooves, we just even know from his ho do ri co-work, providing constantly good vibes.

trux’ second ep on berlin based record label office is a bow to the many outstanding moments in the history of ambient music. allusions to brian eno are just as recognisable as to the charming concepts of pop ambient or clicks & cuts. it’s between these poles that the four tracks on the a-side oscillate and manage to capture the listener with vibrant and diverse soundscapes. the flip side sees trux drop a stunning melodic breakbeat tune besides remixes by workshops premier techno chef lowtec as well as a freestyle electronica version by o$vmv$m. the much loved super quiet tops the record artwork off with another remarkable example of his casual and airy black and white photography.

office recordings continues to surprise us. after baaz s techno-/ambient-hybrid on office 011 the label from berlin comes up with a stunning new and anonymous project called * one day* featuring four also unnamed tracks. the a-side of the record starts off with a with a superb deep techno track which tempts us with very emotional pads and a strong kick and bass fundament û an irresistible combination. a2 goes in the same direction but feels like the slightly mellower and softer brother of its predecessor û a little bit moody but still straightforward at the same time. the flip side is dedicated to two freestyle electronic tracks standing in the tradition of the best warp offerings from their heyday in the 90s. weÆre talking charming melodies and sparse but elaborate rhythmic patterns. the record comes in a hand stamped and with a lovely artwork also hand made by office art director super quiet. all tracks have been mastered and cut by sound engineering proficient pole at scape mastering.

french producer hugues rey unveils communication album via his new imprint new dawn. a pacifist soundtrack to the nuclear war, taking inspiration from the early synth music made in the post-hippie era.

office vol. 10 ! versatility has got to be iron curtis second name. there are only few other producers on the electronic scene who are able to display such a variety of musical facets as this talented man from berlin. with his maple ep he underlines his reputation of an artist with many faces as his new release is quite a box of surprises: rarley have we heard iron curtis in such a dubby mood.
beginning with the straight and bass centered title track maple iron curtis moves on to the almost beatless and moody collision and the chord driven dub house of entago entery and finishes the ep with the delicate, ambient encore reset me on b2. with its impressive display of variety this record is a celebration of reduced, understated dub techno performed with a distinct musical flair and a clear artistic vision which perfectly fits label owner baaz direction of his office imprint so far. what s surprising is how effortless and natural iron curtis appearance on his long-time friend s record label feels. in such good shape his maple ep is a definitve tip for the lovers of sophisticated and detailed dub techno full of suspense.

next up on deep distance (following the sold-out-in-a-day sula bassana lp) is a fabulous newly expanded first time on vinyl double lp set of colin potter’s seminal 1980 cassette only release “the ghost office”.
the label is gradually working through colin’s revered back catalogue of cassette only releases, with previous titles the scythe and two nights selling out instantly. his run of half of a dozen home recorded, diy / minimal synth cassettes between 1980 and 1982 is rightly granted legendary status, influencing a slew of home produced diy experimental electronic artists and all attaining high collectors prices online for original copies. so these lp sets filled out with all manner of unreleased cuts, demos and excluded tracks truly are a treat.

subtle flowing house and ambient sketches plus a wonderful artwork and poster from super quiet

it bears a striking resemblence to an edit by idjut boys! a 2 track edits bundle which sidesteps the obvious .. edits by vitesse naywad

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

only a few hundred copies !! be fast !!

ltd backstock! played by villalobos & co...the telegraph reference compilation comes back now to taste the argentina madness! this country has a very newfound electronic history. we selected 8 amazing artists coming from mendoza, rosario, cordoba and buenos aires for 9 tracks with a minimal sensibility and, furthermore, with a non-stop energy! a groovy, warm and strange sound as we love at telegraph.

incl dub, original , & jakal rmx

cover of 90s >rhythm on the loose< classic on network records

nice electrofunk number with female vocals/uk edit. includes mixes by kurd maverick, ericke and yer man

outstanding phunky house tune that will be one of this summers smashers. already big support from pete tong, roger sanchez, judge jules, tom novy and the likes of them ... so join them!

i u o cover version includes mas don electro mix

excellent bassy freakin techno

solid disco ep that spreads heat

standard weight, black vinyl

decks tipp

electronic album

fisrt time on vinyl

rock

a double vinyl collection of rhythm & blues, rock’n’roll, gospel and ska, compiled by gaz mayall.

b-stock! cover with bent corner. vinyl unaffected & mint. schönes konzeptalbum mit 12 exklusiven und originelle tracks der besten produzenten der aktuellen elektronischen musikszene.

hier kommt eine mischung aus hi-tech-lo-fi, seltsamen pieptönen und warmem analog-deep-funky-techno

pure electronic madness by grandmaster iron curtis! tip!

bronx slang’s self-titled debut album on vinyl.

trux new album on the office label

incl track by audio werner, bruno pronsato, tom ellis, audio and more

baaz from berlin gives us further insight into his diverse musical interests with his two (for you) ep on office. as the title suggests the talented producer splits his musical activity into two genres on this record: one is deep and moody techno with a knack for strong sub bass and soft pads. and the other one is striking ambient with a wonderful appreciation of moving melodies and mellow chords combined with touching vocal parts. what is remarkable how well these four carefully building tracks go together and how effortless they further underline baaz artistic vision of reduced and understated electronic music which unfolds slowly but emphatically. a respectable new record which is well worth opening yourself to

for number 09 office recordings comes up with four slow bottom up intense house groovers

office recordings introduces trux with office 07, an extended ep tinged in a smokey blue hue of low-fidelity candour and aberrant compositions. blankets of white noise and distortion, lap over renditions of hazey house, stripped synth arrangements, jungle breaks, and queer patterns.

after baazs successful album red souvenirs, office recordings is coming up with three wild remixes by dorisburg, christopher rau and s.a.m.

limited repress 2015 !!
the debut release on office recordings is the first part of a series produced by label founder baaz. in my mind is a subtle, shiny piece of jazzyfied house music with a steady rolling groove and dirty kickdrum. glim bangs the box with deep dubs and a sexy vigorous groove. the flip starts with two mind bending downbeat cuts with a stumbling beat. last but not least a slowburning remix of way out citti by matthias reiling (sessionn victim, giegling recordings) and björn astrup who did a brilliant job twisting the original into a soulful homage to the slow side of house music.

after seven years and 11 releases on labels like slices of life and daniel bells elevate outpost, berlin producer baaz is ready to reveal his first full-length effort. his 10-track lp, red souvenirs, is set to drop on 24th of november via the beatmakers own office recordings, which makes it the fourth release from the imprint after a record from christopher rau and two eps from baaz himself.

as our true fans know, every now and then we leave our comfort zone to bring something else than techno. this season, we gave dib from italy the honor to be the unusual one. three tracks, three times basic, stripped down house that does well as a tool or a track in the early or deep hours of the night. or just for those people working hard at the office and wanting some deep house during their officework. all tracks have a very old skool vibe to it and breathe true deep house: not the filtered down vocal kind, but the breed that just lets a 909, 808 shine and some rhodes or warm analogue synths do the work. the first one is rather detroitish - with a nice acid stab and some strings setting the mood, the second one is more dance floor oriented and the third version is a bit of both. does it need to be said that dimitri andreas mastered it again? and that it is available on vinyl?