reissue of man jumpings jumpcut album

reissue

the j.o.g label is run by rei elbaz and yiftach giladi, which are 2 minimal, techo-house djs / producers / party promoters from tel aviv israel they co-founded the 100 meters beneath the ground collective, throwing the bigest and wildest raves around israel. from jerusalem, they went on to found and resident the m1 techno parties in tel aviv, hosting many djs from the global techno scene. this 4-track e.p. shows their skillz to take techno to the next step !!!

strong steve mac remixes !!

dj support: mano le tough, roman fluegel (oi oi), extrawelt, ciel, hassan abou alam, black cadmium, steve bug, stones taro, axel boman +more

a generation younger than the founders of the teklife crew, dj rashad and dj spinn, dj taye was originally a rapper and beat maker before hooking up with the collective and jumping headfirst into the world of footwork production, dancing and djing. however, it was rashad’s untimely passing in 2014 that was the unlikely catalyst for developing the sounds and ideas for this album.

linval thompson’s album “follow my heart” from 1980 finally available on vinyl again.

shadeleaf reaches out to the tribes and comes home with a serious crop to see us through! for their debut v.a selection *please come correct* thatmanmonkz has pulled in some serious talent from the fringes of forward-thinking house.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.

the truth: this one is for the indie lovers ? five tracks of homespun homegrown homemade shoe-scuffing heartbreakpop featuring a ruffled array of alternative special guest singers. gospel music, aka owen holmes, is the man at the eye of this particular humble hurricane. when he isnt emailing camera obscuras tracyanne campbell or darren hefner hayman he is playing bass with cheery floridian indiepop critters black kids. and when he isnt working on black kids somophore album he is laying down hobo-jumping leftfield nuggets when run the gamut from johnny cash to jonathan richman and beyond. but dont just take our word for it ? this is what gospel music has to say about himselfË

get ready for jumping jacks!

early support by craig charles, dj format, dj yoda

double vinyl with gatefold sleeve

it s time again for us to welcome another first timer to the second state roster: rocko garoni. having been label manager of sisyphon, in-house imprint of the acclaimed sisyphos club in berlin, garoni is no stranger to curating high quality records, and this time he gets to be curator of his own stunning detection ep. jumping in head first, detection , mischievous number that is equal parts vicious and cunning as it is sensual and inviting. provocative female whispers float over a beat sure to slay any crowd, any time. switching gears, garoni heads into houser territories on phaseful , where glimmers of classic house artifacts are scattered like flickering shimmers over an energetic drum illustration. coming up next is tragedy . it s low slung drums, vast spanning bass and sinister vocal declarations make it an ideal ambassador for the dark mysterious nights. wrapping up the ep is a huge rework of detection by regal, who churns out a burner by cranking up the tempo and tension with crisp drums and an undeniable classic rave leads sure to make the forefathers of techno proud. if it keeps up like this, we expect much more big things in the future from rocko garoni!

acid fans may well be aware of dj arg (also known as faceless junkies deluxe) and know that the man is a machine, literally churning out hundreds of the nastiest and most purist 303 based techno and house tracks and uploading them with alarming regularity to his soundcloud pages. super rhythm trax is proud to present to you his first vinyl release, it was really hard to decide on just four tracks, but these ones were jumping out for a release. sick and twisted 303 abuse for lovers of the silver box.

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

following on from the success of the 100% dynamite series, here we enter the vaults of the most important reggae label of all time, studio one. owned and founded by clement coxsone dodd, studio ones output serves as a comprehensive guide to the history of reggae music. the music on studio one rockers covers all areas of reggae such as ska, rocksteady, roots and dancehall, all areas in which studio one led the field. studio one rockers features many legendary studio one tracks brought together for the first time by soul jazz records.

dj ogi is back! the man with the most devastating kicks in the scene is here to create damage to your system.ogi has been collecting his best tracks for his beast imprint and you can hear straight away. the dj has been testing around the globe and the crowd reactions dont lie! these are straight up killer tracks! matt m maddox jumping in for the remix.. damage!

ltd picture disc !! jumping hard techno two tracker by manu kenton

formerly known as cosmosis on and part of the neon phusion and herbaliser bands this is the first release under the new name of grudge monkey for mark forces schtum stable grudge monkey hustle is a breaky percussion brew with a henry mancini style wind and horn section that hints at their former session work bossman mark force tackles the track two footed jumping in to maximise the bruk breaks

the new cloud9 compilation

2lp gatefold + download code includes the 2014 classic >gegen< as bonustrack (vinyl only)

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

with the celebrated return of dr. octagon (dan the automator, kool keith and dj qbert) in 2017 including their first-ever live performances fans are sure to keep gobbling up the space weirdness that first surfaced more than 20 years ago. get on down presents a unique picture disc, featuring the original octagon album artwork by the legendary artist pushead. the infamous doctor’s head and lower torso reach above and below the actual 45 rpm playing surface, as if trying to escape their two-dimensional status. on the a-side is a brand-new dr. octagon song, “octagon octagon,” which picks up where the original energy left off. it’s a dark and grooving glimpse into keith’s rubberband mind, jumping abstractly from line to line, chock full of equal partscharisma and dementia. on the flip is the song for which the group is most well-known, “blue flowers.” the version presented here is the amazing “prince paul’s so beautiful” remix, which first appeared on a mo wax 12” in the uk in late 1996. it was the first meeting of the two great production minds from different eras – dan the automator and prince paul would go on to collaborate many more times over the next decade, most notably as the group handsome boy modeling school. this is another great trophy for any self-respecting kool keith and dan the automator fan, combining the old and the new in triumphant fashion.

slysó ep5 cyclops í poka is a 5-track, vinyl only ep. whilst the recent something weirdcore challenged our understanding of genre, the latest release takes things further, playing with our perception of acousticspace.
immersive textures are introduced without warning, just as quickly as they are withdrawn, never to be heard again. from the nostalgic harmonies of cyxlobblobs5 to the unnerving glitches of the title track, high velocity drums of aqua elba and mangled juke patterns of catpitchd5 , the ep darts its way through a range of new territories without hesitation.
never one to conform, cucumb45 rejects familiar structures, rapidly jumping between ideas whilst manipulating the physical properties of his sound.

last spotted on the exaltics’ solar one imprint and the hague’s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). ‘access consciousness’ is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk’s ‘man machine’ aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

a man in texas was reportedly seen jumping onto moving cars and running around with his tongue out, convinced his life was in danger. authorities first attributed the man s behavior to the fact that he was high on medical weed, but later found out he had discovered a record in the middle of his backyard inside a small crater. backyard aliens - burial grounds. i/y 006, silver vinyl 12“

when the entire dancefloor turns into a jumping frenzy hen theres a good chance that the skazka orchestra is

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

nice price deal !!! prime numbers welcomes newcomer nick sinna for release number 13 on the imprint. hailing from manchester and long time friend of label boss trusme, nick has been best known for his deep, melodic dj sets. showcasing his hypnotic style, as well as a broad spectrum of influences, this 4 track ep is a heavy hitter from start to finish. jumping into it with a nod to the past, >voyager< will have you traversing down a boundless wormhole with its acidy groove. big room sirens and lumbering snaps drive through the eps b side on >kick the habit<. on record two, nick shows us his softer side with blissed out 9 am anthem >momentary<, while >real time< completes the ep on a dark and entrancing note.

overview in the 1980s, as hip hop caught fire around new york, sparky d was coming up in the van dyke projects in brownsville brooklyn. she would go on to be one of the first recorded solo female rappers and rise to hip hop stardom. early in her career she was a pivotal player in what came to be known as the roxanne wars. it all kicked off with utfo s roxanne roxxane followed by roxanne shante s debut roxanne s revenge and then a salvo back at shante with utfo and a female mc known as the real roxanne. sparky d then started a trend that ran for what some say was over a hundred assorted answer records and nearly the rest of the decade by jumping into the roxanne trend with sparky s turn (roxanne, you re through). massive spins and sales throughout the city followed. the success of the cut lead to another handful of 12 releases, and this release, her proper full length debut this is sparky ds world,- produced by her boyfriend and old school legend spyder d. though the record didn t take off to the extent that her label mates boogie down productions found with criminal minded....well, what ever did take off like criminal minded. to this day the release serves as a testament to the power of one of hip hop s first female mcs, after all, this is sparky d s world. traffic entertainment group in partnership with b-boy records is proud to release this extended version of the album, out of print in any format for over 14 years. housed in a handsome 6 panel digipak featuring extended artwork and audio including all the 12-cuts, mixes and instrumentals from sparkys classic -throwdown- and -i can t stop- vinyl singles.

strictly limited to 200 copies. supported by dop, digitaline, ly sander, richie hawtin, danny tenaglia, peter kruder, mr.statik, ekkohaus, lula circus, dj linus, paco osuna, markus schulz, andrew grant, randall jones, crowdpleaser, franco bianco, rhiaz khan, danilo vigorito, andrea ferlin, ron shiller, horatio, gare mat k, simina grigoriu, daniel sanchez, de:bug, tsugi mag, igloo mag, resident advisor, noize radio, diversions radio toronto, deepvibes radio, global dance session radio, radio-fds, bln.fm radio and medellinstyle.com between many others.

probably the biggest, most exciting new house producer to emerge from new york in the last five years osunlade continues his strong run. almost a new masterpiece every week and he doesnt stop with this new project called atelewo that also marks the return of his influential yoruba imprint. jumping, uplifting afro/latin house with beautiful vocals by the man himself. this is only the teaser to a fortcoming full length album!

studio one dub 2 is a second collection bringing together some of the finest dubs from the legendary studio one records, kingston, jamaica. dub music was the creation of a generation of brilliant recording studio engineers in jamaica. but although clement coxsone dodds studio one is hailed as the greatest of the jamaican recording labels, and although many talented engineers worked the board at dodds brentford road studio over the years (including sylvan morris, syd bucknor, overton scientist brown and dodd himself), studio one was never typically known as a centre for dub.

supported by anja schneider, dave seaman, dubfire. adam beyer, chris liebing, laurent garnier and many more! following his >turboencabulator< release this new 12 by cologne based artist roland m. dill is a funky piece of shit with two bass heavy groovers that create grooves you will fall for. >taurine on sunday< is a jumping jack track, a happy go merry super dooper late night groover that charly parker would love to do improvisations on. we can see this track going strong with house and techno djs. on the flipside >candy mountain< is powered by a funky tight rhythm with accelerating tight beats, more in your face... although it holds deep hypnotic and subtle moments creating a complex cool techno track.

ripchord are 2 guys from copenhagen with years of experience with music in its many different forms. in a short period of time ripchord has firmly pushed their way into the danish underground scene. max thelin aka. maximus is the second member of the danish hip-hop producer duo mavix. jesper prehn, old time raver, dj and producer, has a long history in electronic music. their style is dark and original with jazzy swingsets and groovy basslines. thrill cosby is set in a 20 s ballroom jazz club in new orleans. the tempo is high and the people are swinging to the rhythm. the band is jumping and the bourbon is kicking in making the trumpet drowsy. tanzable, is a minimal tune kept in the subsonic layers. it has got a dominating bass line the swirls you into a hypnotic state of mind, encouraging you to move in sexy ways. this remix is conducted by joachim spieth best known for his spiecher series on kompakt.

another impeccable production from the slyde boys, with driving beats, infections vocals, and outstanding remix by man of the moment twocker. the a side is breaks at its best. the bassline weaves its way through the sonic stack as posh seduces with her flirtatious lyrics. an outstanding remix comes courtesy of pete tong faves twocker, whose previous remix skills have run riot on cj bollands sugar is sweeter and morillos we like to move it. their genre crossing slyde remix hits all the house buttons, with a jumping jack intro and intense punchy bass lines which juxtapose perfectly with poshs vocals.

born in the same star sign as joey negros sunshine band project, the super phonics are all about invoking that classic soulful 70s disco sound, but to an updated house blueprint, with a little bit of soul and funkn thrown in for good measure. performed by a stirling group of live musicians, including session players for groove armada, incognito, us3, the james taylor quartet, the brand new heavies and the herbaliser, you know the tunes are gonna be good to go! first up is their cover of the linda williams classic elevate our minds - a timeless soul number that has graced the decks of many a southport weekender as well as being recently sampled on ben westbeechs drum and bass smoocher get closer. the super phonics take it back to the raw, with this soul drenched cover. over on the flip, is the bands own composition have a good time, a jumping and pumping disco groover that should find favour on most open minded dancefloors.

baobinga makes his mantra breaks debut with shake it. its a rolling bass monster that will literally leave you quaking in your boots! there is also a heavy techno influence with uplifting stabs and plenty of electronic weirdness. label buddy madox has been a busy putting the final touches to his debut album but luckily for us he has still found time to provide a stomping rendition. the growling bassline relentlessly drives this badboy, which will keep the dancefloor jumping for joy

2021 scooter 2 fach cd