repress on blue with black splatter double vinyl in gartefold sleeve.

massive bravo hits birthday sampler - the best of 30 years on 4x12 inch vinyl, housed in a gatefold sleeve with a1 poster included!

reisue on 180 gram vinyl.

the long grown label-friend finished nine fine intimate minimalistic pieces of electronic music, that complete another matter of heart episode for the label. they result in an album that seems to have fallen beautifully out of time straight into becks future. with *beyond pleasure and pain* from johannes beck kann presents the second artist album of the imprint.
the vinyl lp comes with downloadcode for the full album.

limited dj promo with electro & house rmx !!!

incl motörhead, duran duran, the cure amm !

limited coloured vinyl edition. including fugees, shabba ranks, chaka demus, musical youth and many more!

80s pop hero on 3lp incl hits like the riddle & wouldn t it be good !

remastered 180 gram vinyl reissue of van halen’s 2nd album, originally released in 1979.

kyle dixon & michael stein’s soundtrack for the 3rd season of netflix series stranger things on neon pink double vinyl, housed in a gatefold sleeve.

ahead of the bluredism full length lp, *beautiful ugly collection*, set to drop via teng in october, blured delivers the *life & bad girls* single this september, comprising two original house cuts. cardiff based producer, bradley albertides, releases music under the titles blured and bluredism, delivering forward-thinking house and techno, full of grit and delicate intricacies.

come take a journey down memory lane with us on back 2 the old skool garage classics, the greatest collection of garage anthems ever compiled!this essential album retrospectively maps out a journey through garage with over 60 vocal anthems across 3cds and provides a documentary of the seminal tracks which have shaped clubland and beyond. just some of the anthems on this epic anthology include shola ama imagine, monsta boy sorry and tina moore never gonna let you go alongside chart favourites like artful dodger movin too fast, dj luck & mc neat masterblaster, pied piper do you really like it and shanks & bigfoot sweet like chocolate. not forgetting the darker side of the bassline - those with a penchant for mcs can get their fix on early grime foundations from so solid crew 21 seconds,ms dynamite boo and oxide & neutrino bound 4 da reload.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

incl. their 70s mega hit when you re in love with a beatuful woman & sexy eyes !

80s pop hero on 2lp incl hits like the riddle & wouldn t it be good !

2022 repress - kyle dixon & michael stein’s soundtrack for the 3rd season of netflix series stranger things on cream / purple galaxy effect vinyl / with printed inner sleeve / double vinyl, housed in a gatefold sleeve.

fifteen modern soul room gems on double vinyl.

kyle dixon & michael stein’s soundtrack for the 3rd season of netflix series stranger things on limited translucent teal & black marbled double vinyl, housed in a gatefold sleeve.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

zweifellos ist es die zusammenarbeit des pop-jahres 2009: die pet shop boys haben sich für ihr neues studioalbum »yes« mit dem hit-produzententeam xenomania (girls aloud, sugababes, gabriella cilmi etc.) zusammengetan.
die pet shop boys, die bei der brit-award-verleihung am 18. februar 2009 mit dem preis für ihren außergewöhnlichen beitrag zur musik ausgezeichnet wurden, haben drei der elf songs gemeinsam mit xenomania geschrieben. die übrigen stücke entstammen der feder von tennant/lowe, bei »all over the world« hat tschaikovsky einige ideen beigesteuert.
als vorbote des neuen albums »yes« wurde am 13. märz 2009 die single »love etc« veröffentlicht. die pet shop boys beschreiben diesen song als »post-lifestyle-hymne«, die mit nichts, was sie jemals zuvor gemacht haben, vergleichbar ist.
chris lowe äußert sich begeistert: »dieses album ist beeindruckend. es war toll, mit xenomania zu arbeiten!« und neil tennant findet: »es ist ein fantastisches, weit gefächertes popalbum.«
auf mehreren songs ist johnny marr als gitarrist zu hören, die orchesterarrangements auf »beautiful people« und »legacy« stammen von owen pallett (last shadow puppets, final fantasy).

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

hier kommt die neue -beso beach 2017- ausgabe, benannt nach dem gleichnamigen club auf der baleareninsel formentera. resident-dj jordi ruz prŠsentiert zwei wohltemperierte sets: eine chill-selektion auf cd1 und eine deep-variante auf cd2. mit knapp 40 groovy-entspannten tracks von jan blomqvist, m…we, dirtcaps, dropout, autograf, frank pole, goldfish, armin van buuren, sander kleinenberg, u.v.a.

besides launching his fresh bodybuilder quartet series (qsb), inaugurated by scott franka, nachtbraker unveils yet another quartet: four records in the the trophy quartet series (qst). both these two quartets will be released over the course of the next two years. the trophy series will cover the warmer side of the house music spectrum. and who better than parisian boy-wonder tell (banoffee pies, skylax, rutilance) to kick off proceedings with the brilliant faster than light ep. last year he released hope springs eternal on qs003 which was an overnight succes after getting rinsed by heavyweights like jeremy underground and dam swindle, so a proper solo ep was inevitable. on the a1 tell serves up some intergalactic french filter house dubbed faster than light which brings back the daft punk and armand van helden vibes of our walkman-days. we all just love filters, admit it. its true. next up is yall feel that honey (paradise mix), a tune with undeniable swing and moody chords that ultimately collide beautifully with a delectable big room piano riff that will stay in your head for days. b1 opens with a leisurely-paced jam called “what can u do for me”. it’s the ‘pretty one’ of the ep, the one girls fall in love with and boys hate to love because they know he’s hot stuff. a high pitched vocal, asking what you can do for her, flies over rubbery rhodes chords with neat percussion keeping you on the groove. the ep closes with b2 vamos a la playa. keywords: coconuts, sand, bikini, six-pack and tan. vamos! large and in charge.

one of the holy grail of the minimal synth and one of the most obscure musical projects ever produced in italy is finally reissued on mannequin records. originally released in 1981 by broadbean records, a sub-label of lm records, flo & andrew only release take suicide was home-recorded and home-mixed by the duo in bologna, using early drum machines like the boss dr-55 and the korg kr-55, analog synthesizers, guitar, saxophone, tape loops. flo & andrew music is truly unique and exemplifies the fact that limitation can be the perfect source for creativity. the title-track and to committ suicid’ travel through contort and nervous synth sounds and loops, taking somehow inspiration from the no wave heroes, while japanese girls is nothing less than a beautiful minimal electronics track in the mythology of the futuristic rise of japanese country. recently (re)discovered, ‘take suicide’ is a milestone of the european minimal synth singles and is not really a coincidence that a young generations of producers take it as inspiration (you can see take suicide floating in the tracklist of artists as helena hauff and ngly). another must have in your collection / record bag! mastering by ruud 66.

after releasing two highly acclaimed remix 12inches earlier this year, red stars over tokyo now delivers the hauntingly beautiful melody attack album

limited reissue of this highly sought-after krautrock masterpiece from german musical genius richard schneider jr. also featuring the mighty wolfgang maus on bass, this lp takes you on an amazing journey through luscious pulsating psychedelic soundscapes providing a great showcase for mr schneiders exceptional skills on a huge range of instruments including glockenspiel, acoustic 12 string guitar, synthesiser, tubular bells, tambourine and cowbells. includes the crazily ethereal high the wonderful hello beach girls which sounds like the best beach trip ever - meaningless giggling lyrics on a lazy day in a paradise the gorgeous acid-tinged visions the more up-tempo groover samba session plus the achingly beautiful synth symphony crazy world. one of the super-rare cosmic/balearic holy grails, this whole album is a pure aural treat - lie back and enjoy the ride

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

100 hei§e sommerhits auf 5cds, aktuelle smasher und sommerliche klassiker z.b.: simply red - the right thing, sak noel - loca people, righeira vamos a la playa, kate ryan desenchantee, avicii - fade into darkness, tony esposito - kalimba de luna, afrojack & shermanology - can t stop me, hallux ft. marcus - ai se eu te pego...