black vinyl reissue of the 2006 album from califone.

pop crossover

slamming groovin deep house nuggets

wicked bass label is excited to announce its 10th vinyl release with a debut from wuffius, a ukrainian producer from crimea. in the pines crowns ep comes with three original tracks which unveil the inspired beauty of the peninsulas nature via his psychedelic house beats

transparent clear vinyl

black standard vinyl

limited orange vinyl in gatefold sleeve.

a rare and most welcome solo creation from james mcalister.

very expensive ... but limited

the upsetter and adrian sherwood radically re-version the original tapes. limited silver vinyl pressing.

the upsetter and adrian sherwood radically re-version the original tapes. black vinyl pressing.

the beacon crowns ashurst hill in dalton, lancashire, looming over the verdant english countryside nearly six hundred feet above sea level. this spartan brick monolith was erected in 1798 as a watch tower to warn of french invasion during the napoleonic war — & there it silently remains, keeping infinite vigil. it stands in tess roby’s mind. the beacon calls to her. “throughout my life i have felt the pull to return to it,” she says. “i’m beckoned by father’s roots & by the sullen landscape of fields leading to the coast.”
pressing on solid white 180 gram vinyl, housed in a gatefold sleeve.

originally released in ‘06/’07 as the appetizer to only built 4 cuban linx ii, the vatican mixtape series consists of a vast collection of unreleased tracks, wu & solo classics (“shame on a ni**a”, “diesel”, “ghetto boy”, & “yae-yo”), as well as some of rae’s best guest work through the years (“the heist”, “brown paper bag”, & “bump bump”). volume 2 includes guest spots from busta rhymes, nas, az, & wu-tang brethren rza, gza, & ghostface killah. this 2xlp is the first time this volume and series gets pressed to wax, and features completely new artwork for a fresh look

a dark kingdom, erected from rubble, an arid production clashed with unstructured loops, some of which, though already used, are like reborn from their ashes in a climate of dull violence. jazz, soul, classical, gospel, lyrical grandeur, in an atmosphere of conquest or on a minimalist piano coming straight out of a thriller, the pair of rhyme-makers compete with any instrument, finale temperating by a laid and reflective flow the fiery fangs fel sinks on every bar. this kingdom, fel & finale, will have built it alone, fel sweetenberg taking charge of all the beats delivered to the duo s screened pages in ink, the door ajar only to let dj djaz introduce his turntable s tonearm to scarify the groove with his unique cuts. balancing the forces, bringing their ambition beyond the ill-famed streets that have already crowned them, finale & fel sweetenberg raise the matt colors of a demanding rap, the radiance of their banner now beyond the limits of a detroit-camden axis. two kings, two crowns. a reign: that of hip hop.

folamour was responsible for one of the dreamiest, most colourful deep house records of recent times - the brilliant shakkei ep on all city so hopes are naturally high for this excursion on the producer s recently launched fhuo records. he kicks off proceedings with the thrillingly addictive very first touch, where dreamy pads and looped party samples cluster around a snappy, jazz-fuelled house groove, before ratcheting the energy levels up a notch or two via the rubbery slap bass, driving drum machine beats and warm rhodes chords of alerte a babylon. in between, you ll find pravis l estaque, a stomping deep house floor-burner blessed with some seriously good, jammed-out electric piano solos.

tk lawrence supplies four dancefloor tracks spanning from the stoned lurch of plastic crowns to the entrancing, snake charming level 5 dungeon. the ep is a hazy late night crawl through tk’s influences, from masters at work and new york jazz to the synthy soundtrack of his favourite atari arcade game marble madness.

good ratio music looks deep into the brume and strikes gold with the first ep from carlo on the imprint. forget me not is a record that plays directly into one of the strengths of the artist: melting a coherent whole from ephemeral parts. carlo keeps it rather fiercely on the house grooves, creating a far out sound with his fluent pulse and motif-based melodic improvisations. a unique sound that makes this three tracker remain to him at any spot. on the flip side kresy delivers a solid remix of the main track, forget me not. where he tames the wild things and crowns himself as their king.

dutch artist, having dropped 2 midnight shift & mord records as charlton, suits up with an ethereal jacking track, a bubbling, burbling acid track, some dutch techno, & crowns it with dark, wide spaces in the mind.

luckily there werent any of the anticipated refund claims for the first two chapters of >if this is house i want my money back<. so we finally dared to compile number three. the concept of the compilation is pretty simple: we ask friends, pv regulars, and other good looking producers, who are famous for dancing around the edges of the genre, for an exclusive track, all of which we put together on one neat compact disc. this time the bill reaches from hot shot producer mano le tough (who celebrated his permanent vacation debut on vol. 2 of this series), maeve label buddy the drifter, the swedish house mafia in form of house dandy axel boman and edit ramajam hnny, rising star lake people, long time vacationer bostro pesopeo (together with local munich dj san quentin) and sizzling newcomer boska to the jack of all trades willie burns, fellow nyc resident octo octa, berlin-based melody masters kim brown, the neukölln acid kingpins achterbahn d’ amour (aka iron curtis & edit piafra) as well as hotflush and we play house regular locked groove. each and everyone of the participants are more than convincing in what they are doing and although they have different perspectives on the long runner house music, the tracks come together in sweet harmony on this compilation

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

breaking crowns with their smooth, synth-struck melodies since launching in 2012, jack fell down are making some serious waves on the deep house scene right now. with four tracks in total, this ep shows the duo at their most extensive and comprehensive. boasting the distinctive confident laziness of vocalist stee downes throughout, across the ep you will drift away to a whole new world on the deep, dubby title track, you will bump and grind to the 2 bears-style *no way* and you will lie back and receive a full mind massage from *just begun*. jack fell down ... and the vibes came tumbling after.

markus nowakowski a.k.a. dj arcane shows a rising tendency in the hardtechno division. all started with an insane dj-mix two years ago and momentarily crowns in being voted upper positions in categories >newcomer< and >producer< at german leading electronic magazine raveline. he already spread his own definition of techno at labels as crowbar / protect / wired / toolterror / synopsis / fat tm / subsurface / hostage / artificial beats / bcr and now joins forces with compressed – working amongst the most upcoming talents of the scene. his style describes a man of attitude – variable and surprising as he could be